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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Ship
Non classifié
297
Piano & claviers
Piano seul
525
Piano, Voix
128
Orgue
54
Piano, Voix et Guitare
26
Instruments en Do
13
2 Pianos, 4 mains
8
1 Piano, 4 mains
8
Accompagnement Piano
6
Orgue, Trompette (duo)
5
Orgue, Piano (duo)
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
+ 8 instrumentations
Retracter
Guitares
Guitare
24
Guitare notes et tablatures
4
Piano, Guitare (duo)
3
Basse electrique
1
Ligne De Mélodie, (Paroles) et Accords
1
Ensemble de guitares
1
Ukulele Baryton
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
367
Chorale 3 parties
43
Chorale TTBB
23
Chorale Unison
17
Chorale 2 parties
10
Voix haute
10
Voix duo, Piano
7
Voix Soprano, Piano
5
Chorale SSAA
4
Voix duo
4
Voix basse
3
Voix basse, Piano
3
Voix seule
2
Voix moyenne, Piano
2
Voix Alto, Piano
2
Voix Baryton, Piano
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
37
Flûte traversière et Piano
33
Quatuor de Saxophones: 4 saxophones
22
2 Clarinettes (duo)
22
Flûte traversière
21
2 Flûtes traversières (duo)
20
Hautbois, Piano (duo)
20
Saxophone, Clarinette (duo)
18
Saxophone Alto et Piano
18
Clarinette et Piano
16
Clarinette, Violon (duo)
14
Flûte, Violon
13
Clarinette, Trompette (duo)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Quatuor de Clarinettes: 4 clarinettes
13
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
9
Ensemble de Clarinettes
9
2 Hautbois (duo)
8
Ensemble de Flûtes
7
Flûte, Saxophone (duo)
7
Flûte, Clarinette (duo)
7
Flûte, Alto (duo)
7
Clarinette et Alto
7
Hautbois, Basson (duo)
7
Flûte, Trompette (duo)
6
Hautbois, Flûte
6
Hautbois, Clarinette (duo)
5
Quintette de Clarinettes: 5 clarinettes
4
Quintette de Saxophone: 5 saxophones
4
Quatuor de Flûtes : 4 flûtes
4
2 Clarinettes, Piano
2
3 Saxophones (trio)
2
Saxophone Tenor
2
Trio de Flûtes: 3 flûtes
2
2 Flûtes traversières, Piano
1
Clarinette Basse, Piano
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano
1
Flûte, Violon, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle, Piano (trio)
1
Quatuor de Flûtes à bec
1
Saxophone
1
Saxophone Baryton, Piano
1
Saxophone Alto
1
Ensemble de saxophones
1
Flûte, Hautbois (duo)
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Cor et Piano
19
Trompette, Piano
18
Trompette, Saxophone (duo)
14
2 Trompettes (duo)
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Quatuor de cuivres: 4 trombones
9
2 Trombones (duo)
8
Trombone et Piano
8
Trompette, Trombone (duo)
7
Trompette
7
Tuba et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Violoncelle et Piano
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres
3
Trombone
2
2 Cors (duo)
2
Ensemble de Cors
2
Trombone, Tuba (duo)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trompettes
1
Tuba et Orgue
1
Trombone, Orgue
1
3 Trompettes (trio)
1
3 Trombones (trio)
1
Ensemble de Trombones
1
+ 23 instrumentations
Retracter
Cordes
Violon et Piano
55
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violoncelle, Piano
33
Violon, Violoncelle (duo)
31
Alto, Piano
24
Harpe
20
Violon, Alto (duo)
14
2 Violons (duo)
14
Violon
12
2 Altos (duo)
11
2 Violoncelles (duo)
10
Harpe, Voix
5
Trio à Cordes: violon, alto, violoncelle
4
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse, Piano (duo)
1
Trio à cordes: 3 violins
1
2 Harpes (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle
1
Alto et Harpe
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Cloches
54
Orchestre
43
Orchestre d'harmonie
28
Ensemble de cuivres
26
Orchestre à Cordes
23
Jazz combo
20
Ensemble Jazz
15
Orchestre de chambre
13
Fanfare
4
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
This Ship
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2 Pianos, 4 mains
Partitions à imprimer
8 partitions trouvées
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1
Sunday Worship For Two, Volume 2 (late intermediate to early advanced 2 piano duets)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Various
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Worship, Sacred
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Sunday Worship For Two, Volume
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sandra dee zylstra
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SheetMusicPlus
Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by s...
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Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by sandra dee zylstra
This is the second book in the series of hymns from long ago that have stood the test of time and are still used in churches today. The following hymns and medleys are included: A Mighty Fortress Is Our God, Come, Thou Fount Of Every Blessing, Glory And Praise, How Great Thou Art, In The Blood Of The Lamb, Leaning On God\'s Promises, Standing Firm, Worship The Almighty King. All of these hymns can also be viewed and purchased separately. (57 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$17.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
How Great Thou Art (2 piano duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Swedish Folk Melody
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Sandra Zylstra
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How Great Thou Art
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712251 Composed by Swedish Folk Melody. Arranged by Sandra Zylstra. Christian,Multicultural,Sacred,Tradi...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712251 Composed by Swedish Folk Melody. Arranged by Sandra Zylstra. Christian,Multicultural,Sacred,Traditional,World. Score. 8 pages. Sandra dee zylstra #4268385. Published by sandra dee zylstra (A0.712251). How Great Thou Art is one of the most well-known popular hymns in Christian churches everywhere! The tune comes from a Swedish melody (O Stor Gud) and is arranged in the keys of Bb, C, and D. This two piano duet arrangement would be great for worship! This arrangement is for both piano parts. (Approximately 4 min., 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
Wonderful Grace Of Jesus (two piano duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Haldor Lillenas
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Sandra Zylstra
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Wonderful Grace Of Jesus
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1410446 Composed by Haldor Lillenas. Arranged by Sandra Zylstra. Christian,Praise & Worship,Religious,Sa...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1410446 Composed by Haldor Lillenas. Arranged by Sandra Zylstra. Christian,Praise & Worship,Religious,Sacred. Score. 9 pages. Sandra dee zylstra #992863. Published by sandra dee zylstra (A0.1410446). Wonderful Grace Of Jesus is a popular hymn in many denominations that tells the story of the grace of Jesus. This hymn is arranged as a late intermediate two piano duet arranged in the keys of C and D. (appoximately 4:30 minutes, 9 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$7.00
How Majestic Is Your Name
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sandi Patty
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Marilyn Thompson
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How Majestic Is Your Name
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Marilyn Thompson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809617 By Sandi Patty. By Michael W. Smith. Arranged by Marilyn Thompson. Contemporary. Score. 9 pages. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809617 By Sandi Patty. By Michael W. Smith. Arranged by Marilyn Thompson. Contemporary. Score. 9 pages. Marilyn Thompson #6486787. Published by Marilyn Thompson (A0.809617). An exciting keyboard duo arrangement of this classic Praise and Worship song.
$8.99
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