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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Words
Non classifié
220
Piano & claviers
Piano seul
257
Piano, Voix
46
Instruments en Do
41
Piano, Voix et Guitare
38
Orgue
23
Piano Trio: piano, violon, violoncelle
5
Orgue, Piano (duo)
4
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
18
Ligne De Mélodie, (Paroles) et Accords
17
Guitare notes et tablatures
13
Basse electrique
2
Piano, Guitare (duo)
1
Ukulele
1
Banjo
1
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
287
Chorale 3 parties
40
Chorale TTBB
31
Chorale SSAA
23
Voix duo
9
Voix seule
9
Voix Soprano, Piano
8
Voix duo, Piano
5
Chorale 2 parties
5
Chorale
3
Chorale Unison
2
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
+ 9 instrumentations
Retracter
Vents
Ensemble de saxophones
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Flûte, Hautbois, Clarinette, Basson
16
Quatuor de Saxophones: 4 saxophones
16
Saxophone Alto et Piano
12
2 Flûtes traversières (duo)
10
Flûte traversière
9
Flûte traversière et Piano
9
Quatuor de Flûtes : 4 flûtes
9
Quatuor de Clarinettes: 4 clarinettes
9
Quintette de Saxophone: 5 saxophones
9
Saxophone (partie séparée)
8
Clarinette et Piano
8
Ensemble de Clarinettes
8
Clarinette, Guitare (duo)
7
Hautbois, Piano (duo)
6
Saxophone Tenor et Piano
6
Trio de Flûtes: 3 flûtes
4
2 Clarinettes (duo)
4
Clarinette
3
Saxophone Soprano et Piano
3
Ensemble de Flûtes
3
Flûte et Guitare
3
Saxophone Baryton, Piano
2
Saxophone Tenor
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Alto
2
3 Clarinettes (trio)
1
Quintette de Flûte : 5 flûtes
1
Harmonica
1
Piccolo
1
Cor anglais, Piano
1
Flûte à bec Alto, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette (duo)
1
2 Hautbois (duo)
1
2 Saxophones (duo)
1
+ 32 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de cuivres: 4 trombones
15
Trombone et Piano
10
Quatuor de Cuivres
10
Trompette (partie séparée)
8
Trombone (partie séparée)
8
Euphonium, Piano (duo)
8
Trompette, Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette
6
Tuba et Piano
6
Ensemble de Trombones
6
Cor et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trompettes
4
Ensemble de Cors
4
Quatuor de cuivres: 4 cors
2
Euphonium
2
Trombone
2
Cor
1
Trompette, Trombone (duo)
1
Cor anglais, Piano
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon et Piano
16
Violoncelle, Piano
11
Trio à Cordes: violon, alto, violoncelle
8
Alto, Piano
8
Violoncelle
7
Harpe
7
Violon, Violoncelle (duo)
6
Violon
5
2 Violons (duo)
4
2 Harpes (duo)
3
Violon, Alto (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violons
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
2 Altos (duo)
1
Violoncelle , Guitare (duo)
1
2 Violoncelles (duo)
1
Ensemble d'Altos
1
Alto (partie séparée)
1
4 Violoncelles
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
44
Ensemble Jazz
24
Orchestre à Cordes
24
Orchestre
19
Orchestre d'harmonie
18
Orchestre de chambre
8
Cloches
7
Jazz combo
4
Fanfare
2
Marimba
2
Batterie (partie séparée)
2
Batterie
2
Quintette à Vent
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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DOBRO - GUI…
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FLUTE A DIX…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Words
avancé
2 Pianos, 4 mains
Partitions à imprimer
2 partitions trouvées
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Sonata Hymnica No. 6
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
She Moved Through the Fair - arr. for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Richard Simm
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Richard Simm
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She Moved Through the Fair - a
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Richard Simm
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183755 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,Wo...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183755 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #783447. Published by Richard Simm (A0.1183755). Probably one of the loveliest folk melodies that have ever existed, this mysterious, key-elusive tune tells the story of a lover whose sweetheart has received permission from her family to marry him. He sees her move away from him at the fair, as she tells him, It will not be long, love, till our wedding day. But their love is ill-fated, as the sad ending of the story has her returning to him that night as a ghost, repeating the same words...
$6.95
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Words 
