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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
a Classical
Non classifié
1 622
Piano & claviers
Piano seul
1 765
Piano, Voix
349
Orgue
128
Piano, Voix et Guitare
82
Piano Trio: piano, violon, violoncelle
49
1 Piano, 4 mains
32
2 Pianos, 4 mains
27
Instruments en Do
23
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano Facile
12
Accompagnement Piano
8
2 Pianos, 8 mains
5
Orgue, Trompette (duo)
5
Orgue, Piano (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavier
1
Fake Book
1
Accordéon
1
+ 15 instrumentations
Retracter
Guitares
Guitare
564
Guitare notes et tablatures
146
2 Guitares (duo)
88
4 Guitares (Quatuor)
19
Mandoline
14
Ukulele
9
Basse electrique
5
Piano, Guitare (duo)
4
Ligne De Mélodie, (Paroles) et Accords
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
2
Dulcimer
2
3 Guitares (trio)
2
Banjo
1
Mandoline, Piano (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Guitare (partie séparée)
1
Ukulele Baryton
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
335
Chorale TTBB
35
Chorale 3 parties
29
Chorale SSAA
28
Voix Soprano, Piano
21
Voix duo, Piano
12
Voix seule
11
Chorale 2 parties
9
Voix Baryton, Piano
9
Voix moyenne, Piano
9
Voix haute
7
Voix Tenor, Piano
6
Voix basse, Piano
6
Voix duo
6
Voix Soprano
6
Voix Alto, Piano
3
Chorale
2
Voix Tenor
2
Voix Mezzo-Soprano, Piano
2
Voix basse
1
Chorale Unison
1
Chorale SSATB
1
+ 17 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
219
Flûte traversière et Piano
150
Quatuor de Clarinettes: 4 clarinettes
118
Clarinette et Piano
117
Quatuor de Saxophones: 4 saxophones
108
Hautbois, Piano (duo)
80
Flûte, Hautbois, Clarinette, Basson
79
Saxophone Alto et Piano
76
2 Flûtes traversières (duo)
70
2 Clarinettes (duo)
68
Clarinette
62
Ensemble de saxophones
60
Quatuor de Flûtes : 4 flûtes
55
Flûte traversière
53
2 Saxophones (duo)
53
Ensemble de Clarinettes
46
Flûte et Guitare
40
Ensemble de Flûtes
37
Saxophone Tenor et Piano
35
3 Clarinettes (trio)
33
Quintette de Saxophone: 5 saxophones
30
Saxophone Soprano et Piano
26
Clarinette, Guitare (duo)
25
Saxophone Alto
23
Flûte, Clarinette (duo)
20
3 Saxophones (trio)
20
Hautbois (partie séparée)
19
Quintette de Clarinettes: 5 clarinettes
14
Saxophone Baryton, Piano
14
Flûte, Clarinette et Basson
12
Saxophone Tenor
12
Trio de Flûtes: 3 flûtes
12
Cor anglais, Piano
11
Saxophone (partie séparée)
11
2 Hautbois (duo)
8
Flûte, Hautbois, Basson
8
Hautbois
8
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Violoncelle
7
Flûte, Violon, Piano
6
Saxophone, Clarinette (duo)
6
Hautbois, Guitare (duo)
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Basson (duo)
6
2 Flûtes traversières, Piano
5
Hautbois, Clarinette (duo)
5
Clarinette, Violon (duo)
5
Clarinette Basse, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Violon, Violoncelle et Piano
5
Clarinette, Basson (duo)
5
Flûte à bec Soprano
4
Clarinette (partie séparée)
4
Flûte, Violoncelle, Piano (trio)
4
2 Clarinettes, Piano
4
Flûte, Violon
4
Quatuor de Flûtes à bec
4
2 Saxophones, Piano
3
Flute (partie séparée)
3
Flûte, Violoncelle, Guitare
3
Flûte, Alto (duo)
3
Flûte, Clarinette, Piano (trio)
3
4 Hautbois
3
Saxophone Soprano
3
Flûte, Basson et Piano
2
Flûte à bec, Guitare (duo)
2
Ocarina
2
Clarinette et Alto
2
Piccolo, Piano
2
Flûte, Hautbois (duo)
2
Saxophone Baryton
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone et Guitare
2
Clarinette, Violoncelle (duo)
2
Clarinette, Trombone (duo)
1
Saxophone et Harpe
1
Hautbois, Flûte
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Violoncelle
1
Saxophone et Orgue
1
Flûte à bec Alto
1
Flûte à Bec
1
Piccolo
1
2 Flûte à bec (duo)
1
Clarinette, Trompette (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Saxophone (duo)
1
Saxophone
1
Flûte et Trio à cordes
1
Flûte traversière, Orgue (duo)
1
Flûte, Alto et Piano
1
+ 86 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
149
Quatuor de Cuivres : 2 trompettes, trombone, tuba
78
Trompette, Piano
45
Trombone et Piano
45
Quatuor de cuivres: 4 trombones
41
Cor et Piano
39
Trompette
39
Quatuor de Cuivres
26
2 Trombones (duo)
24
Ensemble de Trombones
22
Tuba et Piano
20
Cor
20
Trombone
19
Euphonium, Piano (duo)
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
2 Cors (duo)
14
2 Trompettes (duo)
12
Cor anglais, Piano
11
Trompette (partie séparée)
11
Tuba
11
Ensemble de Cors
9
Quatuor de cuivres: 4 cors
9
Ensemble de Trompettes
6
Euphonium
6
Cor et Basson (duo)
5
Trompette, Trombone (duo)
4
Trompette, Tuba (duo)
4
Euphonium, Tuba (duo)
3
2 Euphoniums et 2 Tubas
3
Trompette, Saxophone (duo)
3
2 Tubas (duo)
3
Trombone (partie séparée)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trio de Cuivres
2
3 Trombones (trio)
2
Cor (partie séparée)
2
Trombone, Tuba (duo)
2
Ensemble de Tubas
1
Cor et Harpe
1
Cor et Orgue
1
2 Cors Anglais Et Pianoforte
1
Trombone basse et Piano
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cornet et orchestre
1
2 Trompettes, Clavier (piano ou orgue)
1
4 Tubas
1
Trombone et orchestre
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
409
Violon et Piano
186
Violoncelle, Piano
135
Violon
102
Violon, Violoncelle (duo)
98
Harpe
90
Alto, Piano
87
Trio à Cordes: violon, alto, violoncelle
72
Violoncelle
57
2 Violons (duo)
53
2 Violoncelles (duo)
43
Violon, Guitare (duo)
42
Alto seul
33
Violon, Alto (duo)
25
2 Harpes (duo)
23
Violoncelle , Guitare (duo)
21
2 Altos (duo)
19
Contre Basse
17
Trio à Cordes: 2 violons, violoncelle
16
Contrebasse, Piano (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Alto, Guitare (duo)
15
Trio à cordes: 3 violins
12
Alto, Violoncelle (duo)
12
Trio à Cordes: 2 violons, alto
8
Harpe, Flûte (duo)
7
Trio à Cordes: 3 violoncelles
7
4 Violoncelles
7
Quatuor à cordes: 4 violons
6
Alto (partie séparée)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à cordes: 3 altos
4
Piano Trio: Violon, Alto, Piano
3
Harpe, Violon (duo)
3
Violoncelle, Orchestre
3
Ensemble d'Altos
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Violon, Violoncelle
2
Violoncelle, Contrebasse (duo)
2
Harpe et mandoline
2
Ensemble de Violons
2
4 Contrebasses
1
Alto et Basson
1
2 Contrebasses (duo)
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Violon, Orgue
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre
335
Orchestre d'harmonie
298
Orchestre à Cordes
255
Orchestre de chambre
124
Ensemble de cuivres
43
Ensemble Jazz
19
Cloches
14
Ensemble de Percussions
10
Jazz combo
7
Marimba
4
Batterie
4
Fanfare
3
Percussion (partie séparée)
3
Orchestre, Violon
3
Vibraphone
3
Piano et Orchestre
1
2 Xylophones
1
Vibraphone et Marimba
1
+ 13 instrumentations
Retracter
Autres
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ACCORDEON
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BASSON
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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PERCU. ORCH…
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TROMPETTE
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VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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2 Pianos, 4 mains
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RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
"A Youthful Vow" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
4.56 €
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2 Pianos, 4 mains
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
Concertino in C
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.901018 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.901018 Composed by J.B. Vanhal. Arranged by Tabitha Kierszka. Classical. Score. 33 pages. Tabitha Kierszka #6570171. Published by Tabitha Kierszka (A0.901018). A classical style Concertino in C, for piano, with accompaniment of a second piano. This original concerto is a wonderful easy concerto for intermediate piano students. The solo part is comparable in difficulty to the Mozart sonata KV545. The original viola and cello parts have been arranged to be played on a second piano. Student concerto. Both the score with both parts on top of each other (17 pages) as separate parts (8 pages each) have been provided.
$5.00
4.61 €
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2 Pianos, 4 mains
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J
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Tabitha Kierszka
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Concertino in C
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Tabitha Kierszka
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SheetMusicPlus
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
24.85 €
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2 Pianos, 4 mains
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.22 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Piano Concerto No. 6, Two Pianos/Four Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1321769 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score. 52 pages. James Nathaniel Holland #910236. Published by James Nathaniel Holland (A0.1321769). 2 PIANOS/4 HANDS (Piano 2, Reduced Orchestra)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.25
12.22 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Piano Concerto No. 6, Two Pianos/Four Hands
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James Nathaniel Holland
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SheetMusicPlus
Visconti Sforza Tarot Cards, opus 66 ... Il Matto (1996) for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869254
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #32677. Published by Thomas Oboe Lee (A0.869254). When the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
9.21 €
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, opus 66 ... Il Matto
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Thomas Oboe Lee
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SheetMusicPlus
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 18 La Stella
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869426
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 4 pages. Thomas Oboe Lee #2071133. Published by Thomas Oboe Lee (A0.869426). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
9.21 €
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos
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Thomas Oboe Lee
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SheetMusicPlus
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 02 Il Saltimb
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869427
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869427 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2071127. Published by Thomas Oboe Lee (A0.869427). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
9.21 €
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos
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Thomas Oboe Lee
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SheetMusicPlus
"Raven's Feast" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1128421 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1128421 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #729041. Published by Richard Simm (A0.1128421). In the freezing Icelandic winter, a cold and hungry raven wonders what on earth a poor soul is supposed to eat. Following his nose, he gets lucky and finds a dead sheep near a garden.
$4.95
4.56 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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"Raven's Feast" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
Canon in F - 2 Pianos, 4 Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1118276 By Bill Wa…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,New Age. Score. 23 pages. Bill Walker Music Publishing #719791. Published by Bill Walker Music Publishing (A0.1118276). Composer and Pianist Bill Walker was talking to his uncle one day, many years ago, about the chord progression in Canon in D by Pachelbel. After the conversation ended, Bill decided to write a modern day Canon. Thus, Canon in F was born. Originally written for one piano, this version is for two pianos. Grab a friend and a second piano and have fun with this modern piece of music. Both pianists get their time to shine in the spotlight, so it doesn't matter who plays Piano I or Piano II. Key Signature: F major. Pages: 23. Published by Bill Walker Music Publishing.
$6.99
6.44 €
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2 Pianos, 4 mains
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Bill Walker
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Bill Walker
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Canon in F - 2 Pianos, 4 Hands
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Bill Walker Music Publishing
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SheetMusicPlus
Into My Mind
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.976590 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen Porter #3684933. Published by Helen Porter (A0.976590). IT CAME INTO MY MIND is a 2 movement 2 piano composition, for medium/advanced players. The first section is playful and happy and the second is very exciting and rhythmic, building to a climax at the end. Both piano parts are of equal standard of difficulty.
$15.00
13.83 €
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2 Pianos, 4 mains
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Helen Porter
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medium/advanced players
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Into My Mind
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Helen Porter
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SheetMusicPlus
F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #1900279. Published by Philip Kim (A0.743879). I wrote a second piano part for this lovely sonatine by Kulau for my students to introduce them to chamber music. I hope you enjoy them as well. There are 1st and 2nd movements also and are uploaded separately. I have also uploaded all 3 movements of this sonatine as a single download. Youtube link: https://youtu.be/tYugVedixf4.
$7.00
6.45 €
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2 Pianos, 4 mains
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
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Philip Kim
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SheetMusicPlus
Fughetta for Two Pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1028461
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1028461 Composed by Abigail Rae. Baroque,Classical,Contemporary. Score and parts. 8 pages. Abigail Rae #6638969. Published by Abigail Rae (A0.1028461). This work is a duo for two pianos. It is a short fugue. .
$2.99
2.76 €
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2 Pianos, 4 mains
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Abigail Rae
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Fughetta for Two Pianos
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Abigail Rae
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SheetMusicPlus
Nocturne for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1497521 By Gold an…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1497521 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Classical,Contemporary. Score. 5 pages. Musik Fabrik Music Publishing #1073934. Published by Musik Fabrik Music Publishing (A0.1497521). The manuscript for this Nocturne was found in Tailleferre's personal archives, which are now part of Robert Shapiro's private collection. The work was titled Partita for Two Pianos, but only the manuscript for the Nocturne was found. It appears that Tailleferre intended to adapt her Partita for Solo Piano for a piano duo for her friends Gold and Fizdale. It is likely that Gold and Fizdale arranged for the publication of two works (the Partita for Solo Piano and the serial Solo Clarinet Sonata) during the 1960s with the firm Rongwen Music, which was later acquired by Broude Brothers Limited. Thanks are due to Ronald Broude for authorizing the publication of this work.
$12.95
11.94 €
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2 Pianos, 4 mains
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Gold and Fizdale
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Nocturne for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Norwegian March, from Lyric Suite, op. 54
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1117571 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1117571 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 5 pages. Richard Simm #719109. Published by Richard Simm (A0.1117571). The second piece in Grieg's orchestral suite is a rustic march, here arranged for two pianos by Richard Simm.
$5.95
5.49 €
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2 Pianos, 4 mains
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Edvard Grieg
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Richard Simm
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Norwegian March, from Lyric Suite, op. 54
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Richard Simm
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SheetMusicPlus
March of the Dwarfs, from "Lyric Suite"
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1121874 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. Richard Simm #723067. Published by Richard Simm (A0.1121874). The final piece in Grieg's orchestral suite is a volatile and powerful depiction of these mysterious characters from Norwegian folklore. Here it has been arranged for two pianos by Richard Simm.
$5.95
5.49 €
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2 Pianos, 4 mains
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Edvard Grieg
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Richard Simm
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March of the Dwarfs, from "Lyric Suite"
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Richard Simm
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SheetMusicPlus
Bourree Suite 2 BWV 1067 for piano duet (2 pianos)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.532422 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.532422 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 6 pages. Amadeus Music #6070527. Published by Amadeus Music (A0.532422). Score and parts.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$3.95
3.64 €
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2 Pianos, 4 mains
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Johann Sebastian Bach
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Klas Krantz
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Bourree Suite 2 BWV 1067 for piano duet
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Amadeus Music
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SheetMusicPlus
Brandenburg Concerto No. 3, Third Movement, for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800634 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800634 Composed by Johann Sebastian Bach. Arranged by Richard Simm. Baroque,Classical. Score. 8 pages. Richard Simm #6714545. Published by Richard Simm (A0.800634). Bach's music often lends itself to performance by instruments other than the ones he specified. In this 2-piano transcription by Richard Simm, the wide range of a modern piano allows for an entertaining, even humorous, two-piano treatment of this wonderfully lively piece.
$8.95
8.25 €
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2 Pianos, 4 mains
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Johann Sebastian Bach
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Richard Simm
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Brandenburg Concerto No. 3, Third Movement, for 2 pianos
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Richard Simm
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SheetMusicPlus
Souvenir de la Cerisaie
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1280616 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1280616 Composed by Moyuru Maeda. 21st Century,Chamber,Classical,Multicultural,World. Score. 15 pages. Musik Fabrik Music Publishing #872029. Published by Musik Fabrik Music Publishing (A0.1280616). A work for two pianos based on traditional Japanese music.
$23.95
22.08 €
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2 Pianos, 4 mains
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Moyuru Maeda
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Souvenir de la Cerisaie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Orchestral Suite 2 BWV 1067, mov. 2-7 for piano duet
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.530862 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. Amadeus Music #2026685. Published by Amadeus Music (A0.530862). For piano duet, score, no parts, 13 pages. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$8.95
8.25 €
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2 Pianos, 4 mains
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Johann Sebastian Bach
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Klas Krantz
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Orchestral Suite 2 BWV 1067, mov. 2-7 for piano duet
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Amadeus Music
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SheetMusicPlus
Muzio Clementi Piano Sonatine Op. 36 No. 5 Complete Movements
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743981 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standards. Score. 21 pages. Philip Kim #5773765. Published by Philip Kim (A0.743981). This is the complete 3 movements of Clementi's Op. 36 No. 5. I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. Complete and each separate movements are also uploaded.
$20.00
18.44 €
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2 Pianos, 4 mains
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine Op. 36 No. 5 Complete Movements
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Philip Kim
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SheetMusicPlus
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