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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
trad
Non classifié
229
Piano & claviers
Piano seul
113
Piano, Voix
14
Piano Trio: piano, violon, violoncelle
7
Orgue
6
Accordéon
4
1 Piano, 4 mains
4
Instruments en Do
3
Piano, Voix et Guitare
3
Accompagnement Piano
2
2 Pianos, 4 mains
2
2 Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare
44
Guitare notes et tablatures
14
2 Guitares (duo)
4
Basse electrique
3
Mandoline, Guitare (duo)
1
Mandoline
1
Ensemble de guitares
1
+ 2 instrumentations
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Voix
Chorale SATB
56
Chorale TTBB
16
Chorale 3 parties
15
Voix seule
12
Voix Soprano, Piano
7
Chorale SSAA
5
Voix haute
2
Voix duo
1
Chorale 2 parties
1
Voix Alto, Piano
1
Chorale Unison
1
Voix Soprano
1
+ 7 instrumentations
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Vents
2 Flûtes traversières, Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quatuor de Saxophones: 4 saxophones
21
Quatuor de Clarinettes: 4 clarinettes
19
Ensemble de saxophones
14
Flûte, Hautbois, Clarinette, Basson
9
Flûte traversière
9
Quintette de Saxophone: 5 saxophones
9
Clarinette et Piano
9
Saxophone Alto
8
Saxophone Tenor
8
2 Clarinettes (duo)
8
Quatuor de Flûtes : 4 flûtes
7
3 Saxophones (trio)
6
3 Clarinettes (trio)
6
Flûte traversière et Piano
6
Trio de Flûtes: 3 flûtes
6
Ensemble de Clarinettes
5
Flûte et Guitare
5
2 Saxophones (duo)
4
2 Flûtes traversières (duo)
4
Saxophone Alto et Piano
4
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Guitare (duo)
3
Flûte, Clarinette et Basson
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Clarinette (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone Tenor et Piano
2
Saxophone Soprano et Piano
2
5 Flûtes à bec
1
Hautbois, Piano (duo)
1
Cor anglais, Piano
1
Hautbois, Clarinette (duo)
1
Saxophone et Guitare
1
2 Hautbois (duo)
1
Cor anglais, Guitare (duo)
1
Ensemble de Flûtes
1
Quatuor de Flûtes à bec
1
Hautbois, Basson (duo)
1
Clarinette, Basson (duo)
1
Saxophone Baryton, Piano
1
Clarinette Basse, Piano
1
2 Flûte à bec (duo)
1
+ 43 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trompette, Piano
7
Quatuor de cuivres: 4 trombones
5
Ensemble de Trombones
5
Quatuor de Cuivres
5
2 Trombones (duo)
4
2 Euphoniums et 2 Tubas
4
Cor et Piano
3
Trompette
3
Trombone et Piano
3
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 cors
2
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais, Piano
1
Ensemble de Tubas
1
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
Ensemble de Trompettes
1
2 Cors (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone
1
Tuba et Piano
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon et Piano
18
Trio à Cordes: violon, alto, violoncelle
17
Violoncelle, Piano
15
Violon
15
Violoncelle
12
Harpe
10
Violon, Violoncelle (duo)
9
Violon, Alto (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
2 Violoncelles (duo)
8
2 Violons (duo)
6
Alto, Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
2
4 Violoncelles
2
Alto (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
2 Altos (duo)
1
Ensemble d'Altos
1
Violoncelle, Orgue
1
Violoncelle, Orchestre
1
Ensemble de Violons
1
Violon, Guitare (duo)
1
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Alto, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
+ 26 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
23
Orchestre à Cordes
21
Orchestre
20
Ensemble Jazz
15
Ensemble de cuivres
8
Orchestre de chambre
6
Ensemble de Percussions
4
Cloches
2
Orchestre, Violon
2
Jazz combo
2
Marimba
2
Vibraphone
1
Batterie
1
Fanfare
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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TROMPETTE
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2 Pianos, 4 mains
Partitions à imprimer
2 partitions trouvées
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1
Sonata Hymnica No. 6
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Carl Philipp Emanuel Bach, Gio
#
Kiyoshi Tamagawa
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Concertino Barocco
#
Mastery for Strings Press
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
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