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Non classifié
299
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275
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32
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10
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7
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6
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5
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4
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4
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4
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3
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3
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1
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32
Guitare
25
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2
Basse electrique
2
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2
4 Guitares (Quatuor)
2
2 Guitares (duo)
1
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1
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1
Ukulele
1
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46
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10
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9
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4
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3
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2
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1
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1
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1
Voix Baryton, Piano
1
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30
Saxophone
22
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21
Clarinette
17
Flûte traversière et Piano
16
Flute (partie séparée)
13
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12
Hautbois (partie séparée)
11
Clarinette et Piano
11
Saxophone Alto et Piano
8
Hautbois, Piano (duo)
8
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7
Saxophone (partie séparée)
5
Saxophone Alto
5
Ensemble de Clarinettes
5
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5
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4
Saxophone Soprano et Piano
4
Trio de Flûtes: 3 flûtes
4
Clarinette (partie séparée)
3
Saxophone Tenor et Piano
3
Ensemble de saxophones
3
Saxophone Tenor
3
3 Clarinettes (trio)
3
Hautbois
3
Quintette de Saxophone: 5 saxophones
2
Clarinette, Violon (duo)
2
2 Saxophones (duo)
2
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2
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2
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2
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2
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1
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1
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1
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1
Flûte, Clarinette (duo)
1
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1
Ensemble de Flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Baryton, Piano
1
Hautbois, Basson et Piano
1
Cor Anglais
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois (duo)
1
Piccolo
1
+ 41 instrumentations
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Cuivres
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26
Trompette
20
Cor
17
Trombone et Piano
11
Trombone
8
Trompette (partie séparée)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone (partie séparée)
7
Tuba et Piano
7
Cor et Piano
6
Euphonium, Piano (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Piano
5
Ensemble de Trombones
4
Tuba
3
Quatuor de cuivres: 4 trombones
2
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2
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2
Quatuor de Cuivres
2
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2
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2
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1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
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1
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1
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1
2 Trombones (duo)
1
Trio de Cuivres
1
4 Tubas
1
Cor Anglais
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon
37
Harpe
24
Violon et Piano
24
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20
Alto seul
13
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12
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8
Violon, Alto (duo)
8
Trio à Cordes: violon, alto, violoncelle
7
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6
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6
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5
Violon (partie séparée)
3
Alto (partie séparée)
3
Contre Basse
3
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3
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2
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2
2 Violoncelles (duo)
2
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
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1
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1
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1
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1
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71
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59
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25
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11
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7
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4
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3
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2
Timbales (partie séparée)
2
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1
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1
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Vous avez sélectionné:
Air
expert
2 Pianos, 4 mains
Partitions à imprimer
4 partitions trouvées
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Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Owen Meldon
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Sonata for Two Pianos, I. Alle
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Owen Meldon
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SheetMusicPlus
Percussion Quartet Marimba - Level 5 - SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #8...
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Percussion Quartet Marimba - Level 5 - SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #811788. Published by Owen Meldon (A0.1214857). I was a freshman in high school and just figured out how to use MuseScore. With a holiday concert on the horizon, I wanted to put together a fun arrangement of a classical piece for four percussionists. I settled on Mozart’s Sonata for Two Pianos in D Major (fun fact: this piece has been studied extensively and has proven epilepsy-combatting power!*) and broke down the four piano hands into four marimba parts. In December 2016, I premiered the first iteration of this arrangement with the help of three of my peers; years later, I revisited this arrangement and gave it some much-needed revisions. I also finished arranging the second half of the original, which I couldn’t do in 2016 as the first arrangement had to be fairly short. This is the arrangement in its new finished version, which definitely looks and sounds a lot better than the first. We all start somewhere… *Lin, Lung-Chang, et al. “The Long-Term Effect of Listening to MOZART K.448 Decreases Epileptiform Discharges in Children with Epilepsy.†Instrumentation:Marimba I (4.3 octave marimba minimum)Marimba II (4.3 octave marimba minimum)Marimba III (5.0 octave marimba)Marimba IV (5.0 octave marimba)Duration: c. 6'
$29.99
Neues Duo
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2 Pianos, 4 mains
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AVANCÉ
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Peter Michael Braun
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Neues Duo
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Schott Music - Digital
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SheetMusicPlus
2 pianos - advanced to difficult - SKU: S9.Q53562 After the “Schöne Lau†– fairy tale in music. Composed by Peter Michael B...
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2 pianos - advanced to difficult - SKU: S9.Q53562 After the “Schöne Lau†– fairy tale in music. Composed by Peter Michael Braun. This edition: score and parts. Downloadable, Score and parts. Duration 32 minutes. Schott Music - Digital #Q53562. Published by Schott Music - Digital (S9.Q53562).
$17.99
Waltz from Sleeping Beauty, for 2 pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Pyotr Tchaikovsky
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Richard Simm
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Waltz from Sleeping Beauty, fo
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1074261 Composed by Pyotr Tchaikovsky. Arranged by Richard Simm. Classical,Romantic Period. Score. 14 pa...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1074261 Composed by Pyotr Tchaikovsky. Arranged by Richard Simm. Classical,Romantic Period. Score. 14 pages. Richard Simm #678551. Published by Richard Simm (A0.1074261). In this well-loved waltz by Tchaikovsky, the composer once again brings life, magic and colour to a famous fairy tale. It is a grand, bright and optimistic item, coming near the beginning of the ballet and before the dramatic conflict with the forces of evil at the heart of the story. As usual, Richard Simm's arrangement for 2 pianos is intended for concert performance by advanced pianists, but the delightful results will certainly repay the practice involved.
$8.95
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
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