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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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PIANO & CLAVIERS
Piano seul
4183
Accordéon
246
Piano, Voix
150
Orgue
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Instruments en Do
27
1 Piano, 4 mains
16
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
9
Piano Quatuor: piano, violon, alto, violoncelle
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Clavecin
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2
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2
Banjo
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6
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3
Chorale SSAATTBB
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Voix duo, Piano
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3081
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1323
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164
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119
Hautbois
48
Flûte à Bec
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Flûte traversière et Piano
22
Ensemble de Clarinettes
19
Quatuor de Clarinettes: 4 clarinettes
17
Quatuor de Saxophones: 4 saxophones
17
Saxophone Alto et Piano
12
Hautbois, Piano (duo)
11
Flûte, Hautbois, Clarinette, Basson
9
Quintette de Clarinettes: 5 clarinettes
8
Saxophone Soprano et Piano
7
Hautbois (partie séparée)
6
Ensemble de saxophones
6
Quatuor de Flûtes : 4 flûtes
5
2 Saxophones (duo)
5
Clarinette et Piano
4
Quintette de Saxophone: 5 saxophones
4
2 Flûtes traversières (duo)
3
Clarinette (partie séparée)
3
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3
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Cor anglais, Piano
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2 Clarinettes (duo)
2
3 Clarinettes (trio)
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1
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1
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Piccolo
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Clarinette, Basson (duo)
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Clarinette Basse, Piano
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Cor
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Trombone et Piano
23
Tuba
17
Quatuor de cuivres: 4 trombones
15
Euphonium, Piano (duo)
14
Ensemble de Trombones
13
Tuba et Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Euphonium
10
Trompette, Piano
8
Cor et Piano
7
Trompette (partie séparée)
4
Cor (partie séparée)
4
Trombone (partie séparée)
4
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3
Cor anglais, Piano
3
Quatuor de cuivres: 4 cors
3
Cor Anglais
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2
Trombone basse et Piano
2
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2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Trombone basse
2
2 Trompettes (duo)
2
2 Cors (duo)
1
Ensemble de Cors
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Trombone et orchestre
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Euphonium, Tuba (duo)
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Quatuor de Cuivres
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2 Trombones (duo)
1
2 Euphoniums (duo)
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589
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319
Alto seul
205
Quatuor à cordes: 2 violons, alto, violoncelle
99
Contre Basse
48
Violon et Piano
34
Harpe
28
Violoncelle, Piano
16
Violoncelle (partie séparée)
13
Trio à Cordes: violon, alto, violoncelle
11
Violon, Alto (duo)
7
2 Violons (duo)
7
Alto, Piano
6
Violon, Violoncelle (duo)
6
Violon, Guitare (duo)
5
Alto (partie séparée)
4
2 Violoncelles (duo)
4
Contrebasse, Piano (duo)
4
Violoncelle, Contrebasse (duo)
3
2 Altos (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
Ensemble de Violoncelles
1
4 Harpes
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Violon, Clarinette, Piano (trio)
1
Violon (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Batterie
1028
Orchestre
273
Orchestre de chambre
67
Orchestre d'harmonie
62
Orchestre à Cordes
53
Ensemble Jazz
40
Jazz combo
28
Ensemble de cuivres
24
Cloches
20
Percussion
16
Big band
8
Ensemble de Percussions
6
Fanfare
5
Marimba
2
Xylophone
1
Piano et Orchestre
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AUTRES
Formation musicale - Solfège
5
Vous avez sélectionné:
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2 Pianos, 4 mains
Partitions à imprimer
11 partitions trouvées
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1
Toccata from Organ Symphony No. 5
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1423827 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1423827 By Richard Simm. By Charles Marie Widor. Arranged by Richard Simm. Classical,Praise & Worship,Religious,Romantic Period,Sacred. Score. 13 pages. Richard Simm #1005053. Published by Richard Simm (A0.1423827). Richard Simm having some serious 2-piano fun with Widor's famous Toccata from his 5th Organ Symphony. The original is a technical marathon for the performer's right hand, although the footwork is relatively easy. So the idea here was to arrange this spectacular work in a new format for two pianos, and in such a way as to redistribute all those right-hand notes between two hands and generally give both performers a more comfortable time.
$8.95
8.26 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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Toccata from Organ Symphony No. 5
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Richard Simm
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SheetMusicPlus
TOCCATA for two pianos and string orchestra
2 Pianos, 4 mains
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1021573 Composed by Alisher …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1021573 Composed by Alisher Latif-Zade. Concert,Contemporary,Standards. Score and parts. 54 pages. Alisher Latif-Zade #6070321. Published by Alisher Latif-Zade (A0.1021573).
$17.00
15.69 €
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2 Pianos, 4 mains
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Alisher Latif-Zade
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TOCCATA for two pianos and string orchestra
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Alisher Latif-Zade
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SheetMusicPlus
Talkata
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.987496 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.987496 Composed by Suzanne Sheppard. Contemporary. Score. 24 pages. Suzanne Sheppard #4795105. Published by Suzanne Sheppard (A0.987496). Talkata, pronounced toccata, is just that -- a toccata for two pianos. The pianos are talking to each other, sometimes at each other, hence the title. Approximately 6 minutes in duration, this driving and unrelenting technical showpiece for advanced pianists will keep audience members on the edge of their seats. Appropriate for professional piano duos as well as college student recitals. To achieve a stereophonic effect of the musical conversation, it is suggested that the pianos be placed a distance apart from one another on the concert stage. 24 pages. Two copies of the score may be made.
$17.95
16.57 €
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2 Pianos, 4 mains
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Suzanne Sheppard
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Talkata
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Suzanne Sheppard
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SheetMusicPlus
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
7.61 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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James Nathaniel Holland
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SheetMusicPlus
Fantasy for Two Pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.11352…
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Instrumental Duet Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1135248 Composed by John Galt Carey. Classical,Contemporary. Score and parts. 39 pages. John Carey Compositions #735290. Published by John Carey Compositions (A0.1135248). A virtuosic showcase for two pianists. Combining a variety of stylistic influences (characterized primarily by distinctly jazz-tinged harmonies, encompassed within a late-romantic/impressionistic framework), this two-movement work features a wide range of opportunities for performers to demonstrate both their technical proficiency as well as expressive capabilities. Noteworthy for it's distinctly memorable opening theme, rhapsodic Reverie movement, and explosive Toccata (containing driving rhythms, complex meter changes, and Palm-glissandi), it can easily be programmed in a variety of contexts, particularly when a contemporary work is desired that is accessible to general audiences without being anachronistic or excessively derivative.
$14.99
13.83 €
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2 Pianos, 4 mains
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John Galt Carey
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Fantasy for Two Pianos
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John Carey Compositions
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SheetMusicPlus
Piano Quintet in A minor
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
4.61 €
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2 Pianos, 4 mains
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
Polka from "Czech Suite", for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.800641 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.800641 Composed by Antonin Dvorak. Arranged by Richard Simm. Romantic Period. Score. 6 pages. Richard Simm #6857813. Published by Richard Simm (A0.800641). This arrangement is an exciting challenge for pianists who regret that Dvorak did not write more music for their instrument. As usual, Richard Simm has not simplified the original orchestration for pianists who want to play this fascinating folk-style music. Rather the aim has been to exploit what two pianos can do to approach the composer's unique talent for attractive and evocative orchestration.
$8.95
8.26 €
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2 Pianos, 4 mains
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Antonin Dvorak
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Richard Simm
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Polka from "Czech Suite", for 2 pianos
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Richard Simm
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SheetMusicPlus
Harmonic Spaces (four-hands piano)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
9.23 €
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2 Pianos, 4 mains
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
A Shropshire Lad - Rhapsody
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1288884 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1288884 By Richard Simm. By George Butterworth. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 11 pages. Richard Simm #879723. Published by Richard Simm (A0.1288884). George Butterworth was a uniquely gifted composer and arranger of English folk songs, who was tragically killed in action during WW1 at the age of only 31.His small output included the song cycle, A Shropshire Lad, from which he expanded the first song, Loveliest of Trees into a wonderful orchestral rhapsody.The music is full of passion, but also the most delicate sensitivity, capturing the romantic essence of the English countryside from bygone days.This arrangement by Richard Simm for two pianos now gives pianists access to this beautiful music.
$7.95
7.34 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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A Shropshire Lad - Rhapsody
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Richard Simm
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.41 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Gian Paolo Chiti: Play On B.A.C.H. for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534395
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3417517. Published by Musik Fabrik Music Publishing (A0.534395). Gian Paolo Chiti wrote “Play on B.A.C.H.†for the Moreno Gistain Duo, who premièred the work on the 28th February, 2015, for the concert season of the Fundación Juan March in Madrid. It was also recorded for Spanish National Radio. Juan Fernando Moreno Gistain wrote of the work: “It´s an honour for us that Maestro Chiti composed “Play on B.A.C.H.†for our concert programme dedicated to works based on the motif formed by the notes B.A.C.H. “Play on BACH†is a wonderful piece for piano duo and we are sure many duos will perform this in the future. The work has an amazing feeling of nostalgia, humour and charm; the audience loved it at every performance. It´s a masterwork and fits incredibly well in our concert programme.â€
$19.95
18.41 €
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2 Pianos, 4 mains
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Gian Paolo Chiti
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Gian Paolo Chiti: Play On B.A.C.H. for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
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