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237
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409
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53
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18
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14
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10
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8
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5
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4
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2
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2
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1
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171
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79
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3
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1
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1
4 Guitares (Quatuor)
1
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42
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21
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19
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2
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2
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2
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1
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1
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1
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1
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Saxophone
29
Clarinette
26
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26
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20
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18
Saxophone Alto
11
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10
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9
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8
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8
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7
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7
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6
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6
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6
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5
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5
Ensemble de Clarinettes
5
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4
Saxophone Tenor et Piano
4
3 Clarinettes (trio)
4
2 Clarinettes (duo)
3
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3
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
2 Saxophones, Piano
1
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1
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31
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27
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21
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trompette, Piano
11
Ensemble de Trombones
8
Cor et Piano
7
Quatuor de cuivres: 4 cors
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
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4
Cor
3
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3
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3
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2
3 Trombones (trio)
1
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Trombone basse
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Cor et Orgue
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1
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1
2 Trombones (duo)
1
Euphonium
1
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44
Violon
28
Violoncelle
21
Violon et Piano
20
Violoncelle, Piano
17
Alto seul
13
Violon, Violoncelle (duo)
11
Alto, Piano
7
Harpe
7
4 Violoncelles
5
2 Violoncelles (duo)
4
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4
2 Violons (duo)
3
Alto (partie séparée)
3
Violon, Alto (duo)
3
Violoncelle, Contrebasse (duo)
2
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2
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2
2 Altos (duo)
1
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1
Violon, Guitare (duo)
1
2 Contrebasses (duo)
1
Piano Trio: Violon, Alto, Piano
1
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1
Contre Basse
1
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27
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26
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24
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21
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15
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6
Cloches
6
Orchestre de chambre
6
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2
Fanfare
2
Marimba
2
Piano et Orchestre
1
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Vous avez sélectionné:
melody
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2 Pianos, 4 mains
Partitions à imprimer
4 partitions trouvées
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1
The Swan
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Camille Saint-Saens
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Emile Naoumoff
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The Swan
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Schott Music - Digital
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SheetMusicPlus
2 pianos - advanced - SKU: S9.Q771472 Composed by Camille Saint-Saens. Arranged by Emile Naoumoff. Experience a new dimension of musicality with this fa...
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2 pianos - advanced - SKU: S9.Q771472 Composed by Camille Saint-Saens. Arranged by Emile Naoumoff. Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together. Downloadable, Separate edition. Duration 3' 14. Schott Music - Digital #Q771472. Published by Schott Music - Digital (S9.Q771472). Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together.
$9.99
Epilogue
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2 Pianos, 4 mains
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AVANCÉ
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Justin Hurwitz
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Danny McGarry
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Epilogue
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Danny McGarry
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period. Score. 21 pages. Danny McGarry #1047770. Published by Danny McGarry (A0.1470047). Accurately and artistically arranged for Virtuosic 2-Piano Duet. Much time was spent carefully mapping harmonies and optimizing rhythm from the original orchestration while utilizing a wide range of techniques unique to the piano. All fingerings are personally tested and informed from over a decade of experience playing advanced/virtuosic piano music. This duet is designed for balanced difficulty, melody/harmony balance, and solo time between parts.Approx. length: ~8:00If you enjoy this piece, please consider checking out the rest of my catalogue for more arrangements from film scores, musicals, radio classics, and original compositions in the future!
$12.99
Swanee
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2 Pianos, 4 mains
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AVANCÉ
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Paul Posnak & Anita Castiglion
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Paul Posnak
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Swanee
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Paul Posnak
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Cl...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
Scene from Gaelic Faram (Jig in Kiev) for 2 pianos (Piano 2 part)
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2 Pianos, 4 mains
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AVANCÉ
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Celtique/Irlandais
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John Pitts
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Maggie Chen).
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Scene from Gaelic Faram
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Intensely Pleasant Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.890709 Composed by John Pitts. Celtic,Contemporary,Folk,World. Score. 16 pages. Intensely Pleasant Music...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.890709 Composed by John Pitts. Celtic,Contemporary,Folk,World. Score. 16 pages. Intensely Pleasant Music #3424707. Published by Intensely Pleasant Music (A0.890709). Scene from Gaelic Faram (Jig in Kiev) is a 6-minute, note-filled, virtuosic piece inspired by British folksong, and includes adaptations of the Dargason jig and the reel Mary Mack, and starts with an attempt to capture some of the ornamented and decorated melody lines typical of Scottish bagpipes. The full 16-minute piece Gaelic Faram (Jig in Kiev) for 2 pianos and 2 percussionists was composed for the Kiev Piano Duo (Oleksandra Zaytseva and Dmytro Tavanets) for the Kiev Chamber Music Session Festival 2012. This new arrangement of a 6-minute scene from it, just for 2 pianos, was made in 2016 for the Australian Piano Duo (Vicky Yang & Maggie Chen).
$4.99
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