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217
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104
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61
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59
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27
Orgue
16
1 Piano, 4 mains
12
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5
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3
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2
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
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Guitares
Guitare notes et tablatures
24
Guitare
23
Ligne De Mélodie, (Paroles) et Accords
5
Piano, Guitare (duo)
3
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2
Banjo
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2
Mandoline
1
2 Guitares (duo)
1
Ukulele
1
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76
Chorale 3 parties
13
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9
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9
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7
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2
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2
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1
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1
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1
Voix Tenor
1
Voix Soprano, Piano
1
Chorale Unison
1
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Flûte traversière et Piano
22
Clarinette et Piano
21
Clarinette
17
Saxophone Tenor et Piano
15
2 Saxophones (duo)
15
Quatuor de Saxophones: 4 saxophones
14
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14
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13
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12
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11
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10
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10
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10
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10
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9
2 Flûtes traversières (duo)
9
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Alto et Piano
8
Ensemble de Clarinettes
7
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7
Saxophone Alto
7
Hautbois (partie séparée)
7
2 Clarinettes (duo)
6
Flûte, Clarinette (duo)
6
Flûte à bec Soprano
5
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5
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5
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5
Saxophone, Clarinette (duo)
4
3 Saxophones (trio)
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4
Clarinette, Trompette (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
2 Flûte à bec (duo)
3
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3
3 Clarinettes (trio)
3
Quatuor de Flûtes : 4 flûtes
3
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3
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2
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2
Flûte, Violon
2
Hautbois, Basson (duo)
2
2 Hautbois (duo)
2
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2
Flûte, Saxophone (duo)
2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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21
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14
Trompette
14
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11
Cor anglais, Piano
10
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8
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8
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8
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5
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5
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5
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4
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4
Tuba
3
2 Trompettes (duo)
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2
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2
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46
Trio à Cordes: violon, alto, violoncelle
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Violon
19
Alto, Piano
18
Violon et Piano
18
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17
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15
Violoncelle
13
Harpe
13
2 Violons (duo)
8
Violon, Alto (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Violoncelles (duo)
5
Trio à Cordes: 2 violons, violoncelle
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Alto seul
4
Trio à cordes: 3 violins
2
Contre Basse
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2
2 Altos (duo)
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2
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4 Violoncelles
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Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
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Trio à Cordes: 3 violoncelles
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Trio à cordes: 3 altos
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24
Ensemble de cuivres
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Fanfare
5
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Vous avez sélectionné:
The Wanted
2 Pianos, 4 mains
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RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
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Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Owen Meldon
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Sonata for Two Pianos, I. Alle
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Owen Meldon
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SheetMusicPlus
Percussion Quartet Marimba - Level 5 - SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #8...
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Percussion Quartet Marimba - Level 5 - SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #811788. Published by Owen Meldon (A0.1214857). I was a freshman in high school and just figured out how to use MuseScore. With a holiday concert on the horizon, I wanted to put together a fun arrangement of a classical piece for four percussionists. I settled on Mozart’s Sonata for Two Pianos in D Major (fun fact: this piece has been studied extensively and has proven epilepsy-combatting power!*) and broke down the four piano hands into four marimba parts. In December 2016, I premiered the first iteration of this arrangement with the help of three of my peers; years later, I revisited this arrangement and gave it some much-needed revisions. I also finished arranging the second half of the original, which I couldn’t do in 2016 as the first arrangement had to be fairly short. This is the arrangement in its new finished version, which definitely looks and sounds a lot better than the first. We all start somewhere… *Lin, Lung-Chang, et al. “The Long-Term Effect of Listening to MOZART K.448 Decreases Epileptiform Discharges in Children with Epilepsy.†Instrumentation:Marimba I (4.3 octave marimba minimum)Marimba II (4.3 octave marimba minimum)Marimba III (5.0 octave marimba)Marimba IV (5.0 octave marimba)Duration: c. 6'
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