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ACCORDEON
ALTO
AUTRES INST…
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BASSE
BASSON
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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XYLOPHONE
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653
Partitions
Numériques
1 475
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2 876
Matériel
de Musique
184 733
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
203303
PIANO & CLAVIERS
Piano seul
266264
Piano, Voix et Guitare
154330
Piano, Voix
113067
Piano Facile
71319
Orgue
16103
Instruments en Do
13758
Piano grosses notes
9795
1 Piano, 4 mains
7930
Accompagnement Piano
6466
Accordéon
6169
Piano (partie séparée)
2937
Piano Trio: piano, violon, violoncelle
2211
2 Pianos, 4 mains
1475
Ligne De Mélodie, Piano
564
Piano Quatuor: piano, violon, alto, violoncelle
561
Piano Quintette: piano, 2 violons, alto, violoncelle
542
Piano Quatuor: piano, 2 violons, violoncelle
475
Orgue, Trompette (duo)
429
Orgue, Piano (duo)
381
Clavecin
292
Clavier
264
1 Piano, 6 mains
240
Accordéon, Voix
217
Instrument seul et Orgue
165
2 Pianos, 8 mains
93
2 Accordéons
78
Ensemble d'Accordéons
56
Orgue, Voix
47
2 Orgues (duo)
30
Tous Les Instruments
23
Accordéon, Piano
13
Accordéon, Corde(s)
12
Accordéon et Orchestre
8
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Ensemble de Pianos
6
Orgue et Orchestre
5
Concertina
3
Piano Trio: Instruments de chambre mixtes
2
Fake Book
2
Accordéon - Piano, Voix, Guitare
2
3 Pianos
2
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
79280
Ligne De Mélodie, (Paroles) et Accords
50046
Guitare
29493
Paroles et Accords
24204
Ukulele
18597
Basse electrique
12918
Guitare (partie séparée)
3112
2 Guitares (duo)
2261
Banjo
1566
Mandoline
1117
4 Guitares (Quatuor)
1055
Basse électrique (partie séparée)
938
Dulcimer
931
Piano, Guitare (duo)
903
Ensemble de guitares
713
3 Guitares (trio)
524
Ukulele Baryton
326
Partitions De Groupes
280
Guitare Pedal Steel
209
Ensemble de Ukulélés
207
Dobro
92
2 Dulcimers (duo)
83
Mandoline, Piano (duo)
79
Mandoline, Guitare (duo)
66
Guitare, Violon, Violoncelle (trio)
40
Guitare Tab, Voix, Basse, Batterie
40
2 Ukuleles
31
3 Dulcimers (trio)
21
Guitare, Flûte, Clarinette
18
Orchestre à Plectres
16
Guitare, Orchestre
12
Guitare, Quatuor à cordes
11
2 Mandolines (duo)
11
Cithare
8
Luth
7
Bouzouki
5
2 Guitares et Orchestre
4
2 Guitares et Piano
2
Guitare, Harpe
2
2 Guitares, Clarinette (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
67576
Chorale 3 parties
27257
Chorale 2 parties
15862
Chorale TTBB
13260
Voix seule
9030
Chorale
8744
Chorale SSAA
6912
Chorale Unison
6279
Voix duo, Piano
3661
Voix haute
2095
Voix duo
1547
Voix Soprano, Piano
1456
Voix Tenor, Piano
847
Voix Alto, Piano
794
Voix basse, Piano
794
Voix Baryton, Piano
595
Voix, Guitare
407
Voix moyenne, Piano
393
Chorale SSATB
332
Voix Moyenne
247
Chorale SSAATTBB
238
Voix Mezzo-Soprano, Piano
195
Chorale SSATTB
160
Voix Tenor
140
Chorale SSATBB
125
Soli, choeur mixte et accompagnement
106
Chorale SATTB
93
Chorale SSAB a cappella
83
Voix Soprano
82
Voix haute, Piano
63
Chorale SSAB, Piano
62
Chorale, Orgue
59
Voix et basse continue
55
Chorale SSAATB
52
Voix basse
50
Voix d'Enfants
43
Chorale SAATB A Cappella
32
Chorale SATBB
25
Male Voice
25
Voix Baryton
19
Chorale, Orchestre
13
Chorale SATTBB, Clavier
11
Voix duo, Orgue
10
Chorale SSAATB A Cappella
10
Voix Soprano, Orchestre
9
Chorale SATTBB A Cappella
6
Voix (avec Boîtes d'Accords)
4
Paroles Seulement
3
Voix d'Enfants, Piano
2
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
27905
Flûte traversière
22245
Clarinette
19968
Saxophone
17353
Clarinette (partie séparée)
15811
Flûte traversière et Piano
14167
Saxophone Alto
12899
Saxophone Tenor
11332
Quatuor de Saxophones: 4 saxophones
11028
Clarinette et Piano
10180
Saxophone Alto et Piano
7787
Hautbois, Piano (duo)
7535
2 Saxophones (duo)
7456
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7377
Flute (partie séparée)
6742
Flûte, Hautbois, Clarinette, Basson
6542
2 Flûtes traversières (duo)
6365
Hautbois (partie séparée)
6227
Quatuor de Clarinettes: 4 clarinettes
5932
Saxophone Tenor et Piano
5608
2 Clarinettes (duo)
5424
Quatuor de Flûtes : 4 flûtes
3377
Saxophone Soprano et Piano
3321
Quintette de Saxophone: 5 saxophones
2888
Hautbois
2591
3 Saxophones (trio)
2534
Flûte à Bec
2448
3 Clarinettes (trio)
2444
Flûte, Clarinette (duo)
2071
Flûte et Guitare
2046
Ensemble de Clarinettes
1929
Trio de Flûtes: 3 flûtes
1924
Instruments en Mib
1852
Ensemble de Flûtes
1577
Saxophone Baryton, Piano
1507
Quintette de Clarinettes: 5 clarinettes
1408
Ensemble de saxophones
1388
Saxophone Soprano
1385
2 Hautbois (duo)
1292
2 Flûte à bec (duo)
1269
Cor anglais, Piano
1161
Hautbois, Basson (duo)
1041
Harmonica
1022
Quatuor de Flûtes à bec
988
Flûte, Violon
913
Ocarina
901
Clarinette, Violon (duo)
857
Flûte à bec Soprano
811
Hautbois, Clarinette (duo)
806
Clarinette Basse, Piano
730
Flûte, Clarinette et Basson
700
Flûte, Hautbois, Clarinette (trio)
681
Saxophone, Clarinette (duo)
676
Clarinette, Basson (duo)
583
Flûte, Violoncelle
554
Flûte à bec Alto
542
Flûte, Hautbois, Basson
534
3 Flûtes à bec (trio)
512
Flûte, Hautbois (duo)
508
Clarinette, Guitare (duo)
507
Hautbois, Clarinette, Basson (trio d'anches)
502
Quintette de Flûte : 5 flûtes
429
Piccolo
426
Clarinette Basse
408
Saxophone Baryton
396
Hautbois, Flûte
391
Clarinette, Violoncelle (duo)
371
Flûte à bec Soprano, Piano
370
Cor Anglais
369
Flûte, Clarinette, Piano (trio)
363
Clarinette, Trompette (duo)
351
Flûte à bec Alto, Piano
349
Flûte, Trompette (duo)
338
Flûte, Alto (duo)
333
Piccolo, Piano
330
Flûte, Violoncelle, Piano (trio)
315
Flûte, Violon et Violoncelle
311
Flûte, Violon, Piano
306
Clarinette et Alto
305
5 Flûtes à bec
281
Flûte à Bec, Piano
275
2 Saxophones, Piano
274
Flûte à bec Tenor
272
Flûte, Saxophone (duo)
271
2 Flûtes traversières, Piano
268
Clarinette, Harpe (duo)
263
Ensemble De Flûte à bec
251
Saxophone et Guitare
243
3 Hautbois
235
Hautbois, Violoncelle
222
Hautbois, violon (duo)
219
Saxophone et Piano
208
2 Clarinettes, Piano
206
Flûte, Trombone (duo)
181
Flûte, Basson et Piano
175
Hautbois, Guitare (duo)
135
Clarinette, Violoncelle, Piano (trio)
132
Flûte, Hautbois, Violon
124
Flûte irlandaise
120
Clarinette, Trombone (duo)
118
Flûte, Clarinette, Violon (trio)
113
Saxophone, Violon (duo)
110
Hautbois, Trompette (duo)
102
Cor anglais, Guitare (duo)
102
2 Clarinettes, Basson
101
Ensemble à vent
100
Cornemuse
93
4 Hautbois
87
Flûte à bec, Guitare (duo)
85
Flûte, Harpe et Violoncelle
79
Flute, harpe et violon
78
Hautbois et alto (duo)
77
Flûte, Hautbois, Piano (trio)
77
Flûte traversière, Orgue (duo)
77
Clarinette, Basson, Piano (trio)
76
Flûte, Clarinette, Cor, Basson (Quartet)
73
Flûte et Trio à cordes
68
Flûte, Violon, Violoncelle et Piano
63
Saxophone et Orgue
63
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
63
Flûte, Alto et Piano
57
Flûte à bec Alto, Basse continue
55
Saxophone, Basson (duo)
48
Hautbois, trombone (duo)
48
Hautbois, Harpe
47
Flûte et Quatuor à Cordes
45
Harmonica, Piano
45
Clarinette, Alto et Piano (trio)
45
Flûte, Tuba (duo)
45
Saxophone et Harpe
44
Quintette de Clarinette: Clarinette, Quatuor à Cordes
39
Flûte traversière, Basse continue
38
Flûte, alto et harpe
37
2 Cors Anglais Et Pianoforte
36
Saxophone et violoncelle
34
Flûte, trombone et piano
33
Hautbois, Basson et Piano
32
Flûte traversière, Orchestre
31
Flûte, Violoncelle, Guitare
31
Clarinette, Tuba
30
Flûte, Violon, Guitare
29
Hautbois, Violoncelle et Piano
28
2 Flûtes à bec, Piano
28
Hautbois, Violin, Alto et Violoncelle (Quatuor)
27
Clarinette, Orgue
25
Flute, Cor (duo)
25
Clarinette, trompette et piano
25
Clarinette, Orchestre
24
2 Hautbois, Piano
22
Hautbois, Violon, Piano
19
Flûte, Alto et Violoncelle
19
Clarinette, Contrebasse (duo)
16
Hautbois, Clarinette et Piano (Trio)
16
Saxophone et Orchestre
15
Cor anglais et Harpe (duo)
15
2 Flûtes traversières, Guitare
14
Ensemble de Hautbois
14
2 Harmonicas
11
Flûte à bec Soprano, Basse continue
11
2 Hautbois et Cor anglais
10
Flûte à bec, Harpe
10
Hautbois, Orgue
10
2 Flûtes traversières, Harpe
10
2 Hautbois et Basson
9
Clarinette, Quatuor à cordes et Piano
9
Saxophone, Tuba (duo)
9
Flûte de Pan
8
Hautbois et Orchestre
7
2 Flûtes, 2 Clarinettes (Quatuor)
7
Flûte, Guitare, Piano
7
2 Flûtes, Basse continue
6
Melodica
5
Hautbois, Quatuor à cordes
4
Clarinette, Saxophone, Piano
3
Hautbois, Clarinette, Basson et Piano
3
2 clarinettes, 2 bassons
2
3 Flûtes à bec, Piano
2
2 Flûtes à bec, Guitare
2
Flute, alto, violoncelle et guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
19530
Trompette (partie séparée)
19345
Trompette
18322
Trombone
15158
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10314
Cor
8682
Cor (partie séparée)
7770
Trompette, Piano
7242
Trombone et Piano
6041
Tuba (partie séparée)
5087
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4487
Cor et Piano
4413
2 Trompettes (duo)
3147
Tuba
3118
2 Trombones (duo)
2714
Quatuor de Cuivres
2251
Tuba et Piano
2142
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1858
Bass Clef Instruments
1816
Instruments en Sib
1789
Quatuor de cuivres: 4 trombones
1469
Trompette, Trombone (duo)
1456
Euphonium, Piano (duo)
1299
Euphonium
1236
2 Cors (duo)
1202
Cor anglais, Piano
1161
2 Euphoniums et 2 Tubas
1034
Quatuor de cuivres: 4 cors
1025
Trio de Cuivres
718
Trompette, Saxophone (duo)
651
4 Tubas
650
Trompette, Cor (duo)
566
Ensemble de Trombones
501
3 Trombones (trio)
490
3 Trompettes (trio)
402
Tuba ou Euphonium ou Saxhorn
381
Cor Anglais
369
Cornet A Pistons
368
2 Tubas (duo)
364
Quatuor de cuivres: 4 trompettes
309
Instruments en Fa
296
Ensemble de Cors
283
Trombone basse et Piano
281
Ensemble de Trompettes
272
Trompette, Tuba (duo)
245
Trombone, Tuba (duo)
231
Tuba et Orgue
157
2 Trompettes, Clavier (piano ou orgue)
154
Euphonium, Tuba (duo)
147
Trombone, violoncelle (duo)
140
Trompette, violon (duo)
135
Trombone, Cor (duo)
126
Trombone basse
123
Trompette, Basson (duo)
118
Cor, Violoncelle (duo)
117
Cor, Tuba (duo)
117
Quatuor de cuivres: 2 trompettes, 2 trombones
114
3 Cors (trio)
108
Cor anglais, Guitare (duo)
102
Trombone, Violon (duo)
93
Trompette, Violoncelle (duo)
88
Ensemble de Tubas
84
2 Euphoniums (duo)
82
Trombone, Orgue
62
Cor et Harpe
56
Trompette, Trombone, Piano
50
Cor et Basson (duo)
49
Trompette, Violoncelle et Piano
45
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
2 Trombones, Piano
42
Trompette, Harpe
39
Trompette et Guitare
37
2 Cors Anglais Et Pianoforte
36
Clarinette, Cor (duo)
35
3 Tubas (trio)
31
Trombone, Alto (duo)
28
Cor et Orgue
22
Cor, Trompette, Trombone (trio)
20
4 Euphoniums
20
Trompette, Orchestre
19
2 Cors, Piano
18
Cornet et Piano
17
3 Euphoniums
15
Cor anglais et Harpe (duo)
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Bugle
12
Cor, Orchestre
10
Trombone et orchestre
8
Trompette, Euphonium (duo)
8
Euphonium (partie séparée)
8
Cor, Violoncelle et Piano
7
Euphonium Ou Saxhorn Et Piano
5
G Instruments
4
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Cornet et orchestre
2
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
33213
Violon
23188
Violon et Piano
19029
Violoncelle
15349
Alto seul
12760
Violoncelle, Piano
11998
Violon (partie séparée)
11279
Harpe
9012
Alto, Piano
8823
Contrebasse (partie séparée)
6811
2 Violons (duo)
6088
Violon, Violoncelle (duo)
5773
Trio à Cordes: violon, alto, violoncelle
4610
2 Violoncelles (duo)
4322
Alto (partie séparée)
4008
Violoncelle (partie séparée)
4005
Violon, Alto (duo)
2665
Contre Basse
2344
2 Altos (duo)
2122
Quintette à cordes: 2 violons, alto, violoncelle, basse
2113
Contrebasse, Piano (duo)
1763
Trio à Cordes: 2 violons, violoncelle
1753
Alto, Violoncelle (duo)
1408
4 Violoncelles
1124
Trio à cordes: 3 violins
1011
Violon, Guitare (duo)
908
Trio à cordes
880
Piano Trio: Violon, Alto, Piano
816
Harpe, Flûte (duo)
726
Trio à Cordes: 3 violoncelles
710
Violoncelle , Guitare (duo)
681
2 Harpes (duo)
639
Quatuor à cordes: 4 violons
529
Harpe (partie séparée)
455
Harpe, Violon (duo)
411
Trio à cordes: 3 altos
355
2 Contrebasses (duo)
354
Quatuor à cordes : 4 altos
347
2 Violons, Piano
347
Alto, Guitare (duo)
337
Violoncelle, Contrebasse (duo)
327
Trio à Cordes: 2 violons, alto
321
Violon, Basson (duo)
257
Alto et Basson
167
Quintette à cordes: 2 violons, 2 altos, violoncelle
162
Harpe, Violoncelle (duo)
128
2 Violoncelles, Piano
119
Harpe et Piano
107
Violon, Clarinette, Piano (trio)
105
Harpe, Voix
96
Quintette à cordes : 2 violons, alto et 2 violoncelles
94
Ensemble de Violoncelles
93
Violon, Orgue
81
Violoncelle, Orgue
74
Alto et Harpe
72
2 Altos, Piano
72
Violoncelle, Orchestre
68
4 Contrebasses
66
Flûte, Contrebasse (duo)
60
Violon, Basse continue
55
Harpe, Violon, Violoncelle
48
Ensemble de Violons
48
3 Contrebasses
43
Violoncelle, Basse continue
41
2 Violons et Basse continue
39
3 Harpes
34
Violon, Tuba (duo)
32
Ensemble d'Altos
31
Harpe et mandoline
24
Autoharp
21
Alto et orchestre
19
Violon, Contrebasse (duo)
16
Violon, Violoncelle, Clarinette
16
Alto, Orgue
15
Harpe, Trombone (duo)
15
Violoncelle et Marimba
15
Violon, Trompette et Piano
14
4 Harpes
12
Harpe, Orchestre
9
Harpe et Orgue
8
5 Harpes
6
Harpe, Quatuor à cordes
6
Violon, Clarinette et Guitare
3
Ensemble de Contre basses
3
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
77664
Orchestre
20767
Orchestre à Cordes
18741
Ensemble Jazz
14472
Batterie
12385
Percussion (partie séparée)
10360
Fanfare
8714
Cloches
6572
Ensemble de cuivres
5640
Batterie (partie séparée)
5431
Orchestre de chambre
3612
Percussion
3169
Jazz combo
2432
Timbales (partie séparée)
1990
Ensemble de Percussions
1553
Marimba
711
Timbales
546
Xylophone
523
Vibraphone
449
Quintette à Vent
310
Instrumentation Flexible
282
Caisse Claire
189
Xylophone, Piano
156
Piano et Orchestre
144
Quatuor à Vent : 4 instruments à vents
120
Vibraphone (partie séparée)
105
Big band
69
2 Xylophones
63
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Orchestre, Violon
57
Quintette de Cuivres: autres combinaisons
41
Vibraphone et Marimba
33
Batterie-Fanfare
32
Vibraphone, Piano
29
Orchestre Symphonique
27
Ensemble d'École
25
2 Marimbas
24
Trio à Vent: 3 instruments à vents
18
Xylophone (partie séparée)
18
3 Marimbas
18
Marimba, Piano (duo)
17
Marimba et Orgue
13
Xylophone ou Marimba ou Vibraphone
12
Voix et Orchestre
11
3 Percussions
11
2 Percussions
8
Bongos
7
2 Caisses Claires (duo)
6
Cajon
4
Mariachi
4
Conga
4
Marimba ou Xylophone et Piano
3
Bodhran
3
Voix Mezzo-Soprano, Orchestre
2
4 Percussions
2
Marimba, Saxophone (duo)
1
Caisse Claire, Piano
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
421
Théorie de la musique
53
Papeterie
33
Eveil Musical
1
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Nocturne for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1497521 By Gold an…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1497521 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Classical,Contemporary. Score. 5 pages. Musik Fabrik Music Publishing #1073934. Published by Musik Fabrik Music Publishing (A0.1497521). The manuscript for this Nocturne was found in Tailleferre's personal archives, which are now part of Robert Shapiro's private collection. The work was titled Partita for Two Pianos, but only the manuscript for the Nocturne was found. It appears that Tailleferre intended to adapt her Partita for Solo Piano for a piano duo for her friends Gold and Fizdale. It is likely that Gold and Fizdale arranged for the publication of two works (the Partita for Solo Piano and the serial Solo Clarinet Sonata) during the 1960s with the firm Rongwen Music, which was later acquired by Broude Brothers Limited. Thanks are due to Ronald Broude for authorizing the publication of this work.
$12.95
11.73 €
#
2 Pianos, 4 mains
#
Gold and Fizdale
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Nocturne for two pianos
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Musik Fabrik Music Publishing
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Imgonnagetyouback
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1502700 By Taylor …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1502700 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by always_piano. 21st Century,Contemporary,New Age,Pop,Singer/Songwriter. Score. 10 pages. Always_piano #1078372. Published by always_piano (A0.1502700). imgonnagetyouback by Taylor SwiftFrom The Tortured Poets Department: The AnthologyNo Copyright Infringement IntendedAll Credits to Taylor Swift.
$5.99
5.43 €
#
2 Pianos, 4 mains
#
Taylor Swift
#
always_piano
#
Imgonnagetyouback
#
always_piano
#
SheetMusicPlus
The Black Dog
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1502698 By Taylor …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1502698 By Taylor Swift. By Taylor Swift. Arranged by always_piano. 21st Century,Contemporary,New Age,Pop,Singer/Songwriter. Score. 7 pages. Always_piano #1078369. Published by always_piano (A0.1502698). The Black Dog by Taylor SwiftFrom The Tortured Poets Department: The AnthologyNo Copyright Infringement IntendedAll Credits to Taylor Swift.
$5.99
5.43 €
#
2 Pianos, 4 mains
#
Taylor Swift
#
always_piano
#
The Black Dog
#
always_piano
#
SheetMusicPlus
I Love to Tell the Story
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1505100 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1505100 Composed by William G. Fischer. Arranged by Cristian J. Albee. Christian,Ragtime,Religious,Sacred,Traditional. Score. 4 pages. Cristian J. Albee #1080505. Published by Cristian J. Albee (A0.1505100). A jaunty, ragtime update of the hymn tune for piano duet.
$5.99
5.43 €
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2 Pianos, 4 mains
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William G
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Cristian J
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I Love to Tell the Story
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Cristian J. Albee
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SheetMusicPlus
Jingle Bells - Xmas Piano Duet
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1506418 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1506418 Composed by Pierpont, James. Arranged by Anne Christopherson GRSM ARCM. Children,Christmas,Holiday,Instructional. Score. 8 pages. Music-Scores.com #1081784. Published by Music-Scores.com (A0.1506418). Jingle Bells: Dashing through the Snow on a one horse open sleigh! Arranged for Piano Duet, 4 hands at one piano.Duration about 1 minute per verse.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com.
$5.99
5.43 €
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2 Pianos, 4 mains
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Pierpont, James
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Anne Christopherson GRSM ARCM
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Jingle Bells - Xmas Piano Duet
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Music-Scores.com
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SheetMusicPlus
Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle ("Fantaisie-tableaux") Original For 2Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1485084 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1485084 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 65 pages. Poon #1062165. Published by poon (A0.1485084). Sergei Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle (Fantaisie-tableaux) Original For 2 Pianos - Allegretto Score and Parts.
$5.99
5.43 €
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2 Pianos, 4 mains
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle
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poon
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SheetMusicPlus
Rachmaninoff - Suite No.1, Op.5 II.La nuit... L'amour - ("Fantaisie-tableaux") Original For 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1486436 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1486436 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 45 pages. Poon #1063499. Published by poon (A0.1486436). Sergei Rachmaninoff - Suite No.1, Op.5 2.La nuit... L'amour - (Fantaisie-tableaux) Original For 2 Pianos 4hands - Adagio sostenuto (D major) Score and Parts.
$5.99
5.43 €
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2 Pianos, 4 mains
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1, Op.5 II.La nuit... L'amour -
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poon
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SheetMusicPlus
Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - ("Fantaisie-tableaux") Original For 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1486711 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1486711 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 27 pages. Poon #1063777. Published by poon (A0.1486711). Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - (Fantaisie-tableaux) Original For 2 Pianos 4hands - Largo di molto (G minor) Score and Parts.
$5.99
5.43 €
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2 Pianos, 4 mains
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes -
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poon
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SheetMusicPlus
The Swan
2 Pianos, 4 mains
2 pianos - advanced - Digital Download SKU: S9.Q771472 Composed by Camille Saint-Sa…
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2 pianos - advanced - Digital Download SKU: S9.Q771472 Composed by Camille Saint-Saens. Arranged by Emile Naoumoff. Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together. Downloadable, Separate edition. Duration 3' 14. Schott Music - Digital #Q771472. Published by Schott Music - Digital (S9.Q771472). Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together.
$9.99
9.05 €
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2 Pianos, 4 mains
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Camille Saint-Saens
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Emile Naoumoff
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The Swan
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Schott Music - Digital
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SheetMusicPlus
Three for Two
2 Pianos, 4 mains
2 pianos - difficult - Digital Download SKU: S9.Q777460 Triptych. Composed b…
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2 pianos - difficult - Digital Download SKU: S9.Q777460 Triptych. Composed by Nikolai Kapustin. Three for Two. Triptych für 2 Klaviere op. 145 schrieb Kapustin 2012 für das japanische Klavierduo PiaNA, bestehend aus Natsuki Nishimoto und Asuka Matsumoto. Downloadable. Op. 145. Duration 16' 20. Schott Music - Digital #Q777460. Published by Schott Music - Digital (S9.Q777460). Three for Two. Triptych for 2 pianos op. 145 was written by Kapustin in 2012 for the Japanese piano duo PiaNA, consisting of Natsuki Nishimoto and Asuka Matsumoto.
$22.99
20.83 €
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2 Pianos, 4 mains
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Nikolai Kapustin
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Three for Two
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Schott Music - Digital
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SheetMusicPlus
Bunte Blätter
2 Pianos, 4 mains
2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joer…
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2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771527. Published by Schott Music - Digital (S9.Q771527). After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection of highly diverse and multifaceted pieces and forms, ranging from Walzer (Waltz) to Danse macabre, from Fanfare to Zirkusparade (Circus Parade). The fact that the interpreters of the world premiere, Arthur and Lucas Jussen, are siblings, may and should be felt in the teasingly affectionate Fangspiel (Game of Tag) in which the two pianists sometimes deliberately play past each other. The collection is completed by Rätsel (Riddle) for Peter Sloterdijk's 75th birthday, a small, sphinx-like piece for the librettist of my Babylon opera. - Jörg Widmann.
$31.99
28.98 €
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2 Pianos, 4 mains
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Joerg Widmann
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Bunte Blätter
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Schott Music - Digital
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SheetMusicPlus
Epilogue
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1470047 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period. Score. 21 pages. Danny McGarry #1047770. Published by Danny McGarry (A0.1470047). Accurately and artistically arranged for Virtuosic 2-Piano Duet. Much time was spent carefully mapping harmonies and optimizing rhythm from the original orchestration while utilizing a wide range of techniques unique to the piano. All fingerings are personally tested and informed from over a decade of experience playing advanced/virtuosic piano music. This duet is designed for balanced difficulty, melody/harmony balance, and solo time between parts.Approx. length: ~8:00If you enjoy this piece, please consider checking out the rest of my catalogue for more arrangements from film scores, musicals, radio classics, and original compositions in the future!
$12.99
11.77 €
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2 Pianos, 4 mains
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Justin Hurwitz
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Danny McGarry
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Epilogue
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Danny McGarry
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SheetMusicPlus
The Alchemy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1470613 By Taylor …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1470613 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by always_piano. 21st Century,Contemporary,New Age,Pop,Singer/Songwriter. Score. 7 pages. Always_piano #1048265. Published by always_piano (A0.1470613). The Alchemy by Taylor SwiftFrom The Tortured Poets DepartmentNo Copyright Infringement IntendedAll Credits to Taylor Swift.
$4.99
4.52 €
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2 Pianos, 4 mains
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Taylor Swift
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always_piano
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The Alchemy
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always_piano
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SheetMusicPlus
Clara Bow
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1470614 By Taylor …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1470614 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by always_piano. 21st Century,Contemporary,New Age,Pop,Singer/Songwriter. Score. 6 pages. Always_piano #1048266. Published by always_piano (A0.1470614). Clara Bow by Taylor SwiftFrom The Tortured Poets DepartmentNo Copyright Infringement IntendedAll Credits to Taylor Swift.
$4.99
4.52 €
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2 Pianos, 4 mains
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Taylor Swift
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always_piano
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Clara Bow
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always_piano
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SheetMusicPlus
Frozen Heart
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1472760 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1472760 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Joanna Vasanth. Film/TV. Score. 5 pages. Joanna Vasanth #1050395. Published by Joanna Vasanth (A0.1472760).
$4.99
4.52 €
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2 Pianos, 4 mains
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Kristen Anderson-Lopez and Robert Lopez
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Joanna Vasanth
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Frozen Heart
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Joanna Vasanth
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SheetMusicPlus
Even The Nights Are Better
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1475995 By Air Sup…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1475995 By Air Supply. By J.L. Wallace, Ken Bell, and Terry Skinner. Arranged by Unknown. 21st Century,A Cappella,Contemporary,Contest,Festival,Pop. Score. 4 pages. Clem & Jun Bascar #1053561. Published by Clem & Jun Bascar (A0.1475995). A wonderful piece to play and explore. Playing with four hands, this music is very suitable specially during night time. Play and enjoy.
$4.99
4.52 €
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2 Pianos, 4 mains
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Air Supply
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Unknown
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Even The Nights Are Better
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Clem & Jun Bascar
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SheetMusicPlus
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.59 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Hymns of Reflection for Two Pianos
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Sharon Wilson
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SheetMusicPlus
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.43 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
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Sharon Wilson
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SheetMusicPlus
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