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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
OTHER INSTRUMENTS
Non classifié
6 244
Piano & claviers
Piano, Voix
6 388
Instruments en Do
1 457
Piano seul
963
Piano, Voix et Guitare
727
Piano Facile
291
Accompagnement Piano
98
Orgue
60
1 Piano, 4 mains
58
Piano grosses notes
46
Piano Trio: piano, violon, violoncelle
42
Orgue, Piano (duo)
15
2 Pianos, 4 mains
13
Piano Quatuor: piano, 2 violons, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
8
Accordéon
6
Ligne De Mélodie, Piano
5
Orgue, Trompette (duo)
4
Clavecin
2
Accordéon, Voix
1
Fake Book
1
Clavier
1
+ 16 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
16 910
Guitare notes et tablatures
228
Guitare
83
2 Guitares (duo)
71
Ukulele
58
Basse electrique
41
Mandoline
22
Dulcimer
14
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
7
Banjo
6
Ukulele Baryton
5
3 Guitares (trio)
4
Mandoline, Guitare (duo)
3
Ensemble de guitares
2
2 Ukuleles
2
Orchestre à Plectres
1
Paroles et Accords
1
2 Mandolines (duo)
1
+ 14 instrumentations
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Voix
Chorale SATB
343
Pack Instrumental pour Chorale
106
Chorale Unison
93
Chorale 3 parties
80
Chorale 2 parties
58
Voix duo, Piano
40
Voix Alto, Piano
33
Chorale
29
Voix Baryton, Piano
25
Chorale TTBB
21
Voix Soprano, Piano
17
Voix Tenor, Piano
15
Voix seule
12
Voix basse, Piano
12
Chorale SSAA
11
Voix duo
9
Voix moyenne, Piano
4
Voix haute
4
Soli, choeur mixte et accompagnement
3
Voix Soprano
1
Voix, Guitare
1
Chorale SSAB, Piano
1
Voix Tenor
1
+ 18 instrumentations
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Vents
Instruments en Mib
289
2 Saxophones (duo)
259
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
245
Quintette de Saxophone: 5 saxophones
232
Saxophone Alto et Piano
206
Flûte traversière et Piano
187
Flûte, Hautbois, Clarinette, Basson
182
Clarinette et Piano
141
Quatuor de Saxophones: 4 saxophones
141
2 Flûtes traversières (duo)
129
Hautbois, Piano (duo)
125
2 Clarinettes (duo)
118
Ensemble de saxophones
116
Saxophone Tenor et Piano
111
Saxophone, Clarinette (duo)
107
Flûte, Clarinette (duo)
104
Clarinette
76
Quatuor de Clarinettes: 4 clarinettes
74
Clarinette, Violon (duo)
73
Ensemble de Clarinettes
69
Clarinette, Trompette (duo)
66
3 Saxophones (trio)
66
Flûte traversière
63
Quintette de Clarinettes: 5 clarinettes
58
Saxophone Alto
55
Saxophone Tenor
54
2 Flûtes traversières, Piano
53
Saxophone Soprano et Piano
51
Hautbois, Basson (duo)
51
Saxophone (partie séparée)
49
Flûte, Violon
49
Flûte et Guitare
47
Hautbois, Clarinette (duo)
46
Flûte, Violon, Piano
46
Hautbois, Flûte
45
3 Clarinettes (trio)
45
Clarinette et Alto
42
Saxophone Baryton, Piano
37
Hautbois (partie séparée)
36
Ensemble de Flûtes
35
2 Hautbois (duo)
34
2 Clarinettes, Piano
33
2 Flûte à bec (duo)
31
Flûte, Alto (duo)
30
Quintette de Flûte : 5 flûtes
28
Quatuor de Flûtes : 4 flûtes
28
Flûte, Trompette (duo)
26
Flûte, Hautbois, Clarinette (trio)
26
Clarinette, Basson (duo)
26
Trio de Flûtes: 3 flûtes
26
Flûte, Saxophone (duo)
25
Clarinette Basse, Piano
22
Cor anglais, Piano
19
Flûte, Violoncelle
19
Clarinette, Violoncelle (duo)
14
Clarinette, Guitare (duo)
13
Flûte, Hautbois (duo)
13
Flûte, Clarinette et Basson
13
Hautbois
13
Hautbois, Violoncelle
13
Flûte à bec Soprano
11
Saxophone
10
Flûte, Violoncelle, Piano (trio)
9
Flûte à bec Alto
8
Quatuor de Flûtes à bec
8
2 Saxophones, Piano
8
Flûte à bec Soprano, Piano
7
3 Flûtes à bec (trio)
6
Flûte à bec Tenor
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte, Clarinette, Piano (trio)
6
Piccolo, Piano
6
Flûte à bec Alto, Piano
5
Hautbois, violon (duo)
5
Flûte à Bec
5
Saxophone et Guitare
5
Flute (partie séparée)
5
Flûte, Alto et Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette, Harpe (duo)
5
2 Cors Anglais Et Pianoforte
4
Flûte, Hautbois, Basson
4
Hautbois et alto (duo)
4
Harmonica
4
Flûte, Basson et Piano
4
Clarinette Basse
3
Hautbois, Basson et Piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Trombone (duo)
3
Hautbois, Clarinette et Piano (Trio)
3
Hautbois, Guitare (duo)
3
Hautbois, trombone (duo)
2
Clarinette, Tuba
2
Cornemuse
2
Flûte et Trio à cordes
2
Cor anglais, Guitare (duo)
2
Flûte, Violoncelle, Guitare
2
Saxophone et Harpe
2
Saxophone Soprano
2
Saxophone Baryton
2
Clarinette, Trombone (duo)
2
Saxophone et Orgue
2
Ocarina
2
Hautbois, Harpe
2
Flûte de Pan
1
Clarinette, Contrebasse (duo)
1
Cor anglais et Harpe (duo)
1
Flûte, Tuba (duo)
1
Flute, harpe et violon
1
Flûte, trombone et piano
1
2 Hautbois, Piano
1
Flûte à Bec, Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Hautbois, Trompette (duo)
1
Clarinette (partie séparée)
1
Clarinette, trompette et piano
1
Cor Anglais
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
5 Flûtes à bec
1
+ 115 instrumentations
Retracter
Cuivres
Bass Clef Instruments
310
Instruments en Sib
275
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
258
Quatuor de Cuivres : 2 trompettes, trombone, tuba
185
Trombone et Piano
118
Trompette, Piano
116
Trompette
103
Trompette, Trombone (duo)
81
Tuba et Piano
80
Cor et Piano
75
Ensemble de Trompettes
71
Trompette, Saxophone (duo)
68
Quatuor de Cuivres: 2 trompettes, Cor, trombone
57
Trombone
57
Cor
56
2 Trompettes (duo)
47
Ensemble de Trombones
44
2 Trombones (duo)
41
2 Cors (duo)
40
Quatuor de Cuivres
39
Quatuor de cuivres: 4 trombones
36
2 Tubas (duo)
30
Tuba
25
Euphonium, Piano (duo)
23
Trompette, Cor (duo)
22
Euphonium, Tuba (duo)
19
Cor anglais, Piano
19
Trompette (partie séparée)
15
Trombone (partie séparée)
9
Quatuor de cuivres: 4 cors
9
Instruments en Fa
8
3 Trompettes (trio)
7
Tuba et Orgue
6
Trombone, Tuba (duo)
6
Trompette, Tuba (duo)
6
Ensemble de Cors
6
Trombone, Orgue
5
Quatuor de cuivres: 4 trompettes
5
Cor, Violoncelle (duo)
5
2 Cors Anglais Et Pianoforte
4
Trombone, Cor (duo)
4
Cor, Tuba (duo)
4
Euphonium
4
Clarinette, Cor (duo)
3
Cor et Harpe
3
2 Euphoniums (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette et Guitare
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor et Orgue
2
Trompette, Violoncelle (duo)
2
Trio de Cuivres
2
Cor anglais, Guitare (duo)
2
Trompette, Basson (duo)
2
4 Tubas
2
2 Cors, Piano
1
Cor anglais et Harpe (duo)
1
Trompette, Harpe
1
Ensemble de Tubas
1
Trompette, Violoncelle et Piano
1
Trombone basse
1
2 Euphoniums et 2 Tubas
1
Cor Anglais
1
Trompette, violon (duo)
1
3 Cors (trio)
1
+ 60 instrumentations
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Cordes
Violon, Violoncelle (duo)
474
Quatuor à cordes: 2 violons, alto, violoncelle
322
Violon et Piano
274
Violon, Alto (duo)
182
Violoncelle, Piano
138
Violon
125
Alto, Piano
121
Trio à Cordes: violon, alto, violoncelle
118
2 Violons (duo)
82
Quintette à cordes: 2 violons, alto, violoncelle, basse
82
Trio à Cordes: 2 violons, violoncelle
79
Violoncelle
75
2 Violoncelles (duo)
67
Harpe
67
2 Harpes (duo)
59
Alto, Violoncelle (duo)
58
Alto seul
54
2 Altos (duo)
37
Violon, Guitare (duo)
37
Piano Trio: Violon, Alto, Piano
28
Ensemble de Violons
27
Ensemble d'Altos
26
Contrebasse, Piano (duo)
25
Harpe, Violon (duo)
22
Contre Basse
22
Trio à cordes: 3 violins
22
2 Contrebasses (duo)
20
Harpe, Flûte (duo)
16
Alto et Harpe
16
Violoncelle, Contrebasse (duo)
15
Alto (partie séparée)
14
Harpe, Violoncelle (duo)
13
Violoncelle , Guitare (duo)
10
Violon, Basson (duo)
9
4 Violoncelles
8
Violon (partie séparée)
6
Trio à Cordes: 2 violons, alto
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 3 violoncelles
5
Alto, Guitare (duo)
5
Contrebasse (partie séparée)
5
Harpe, Voix
5
Quatuor à cordes: 4 violons
4
Harpe, Violon, Violoncelle
4
Alto et Basson
4
Violoncelle, Basse continue
3
Trio à cordes: 3 altos
3
Violoncelle (partie séparée)
3
Alto, Orgue
2
Violoncelle, Orgue
2
Flûte, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
2
Harpe et Piano
2
4 Contrebasses
1
2 Violoncelles, Piano
1
Violoncelle, Orchestre
1
Violon, Tuba (duo)
1
Harpe, Trombone (duo)
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Clarinette, Piano (trio)
1
2 Altos, Piano
1
+ 58 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
278
Ensemble Jazz
231
Cloches
207
Orchestre à Cordes
181
Orchestre
174
Ensemble de cuivres
136
Jazz combo
94
Orchestre de chambre
78
Ensemble de Percussions
40
Marimba
26
Fanfare
8
Xylophone, Piano
7
Ensemble d'École
7
Vibraphone
7
Batterie
6
2 Xylophones
4
Quintette de Cuivres: autres combinaisons
2
Instrumentation Flexible
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Vibraphone et Marimba
2
3 Marimbas
2
Percussion
1
Quintette à Vent
1
Piano et Orchestre
1
Orchestre, Violon
1
Marimba, Piano (duo)
1
3 Percussions
1
Percussion (partie séparée)
1
Xylophone
1
+ 24 instrumentations
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Théorie de la musique
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Formation musicale - Solfège
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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2 Pianos, 4 mains
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1
World S Smallest Violin
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1182892 By AJR. By…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1182892 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by JRN Piano Duo. Contemporary,Pop,Singer/Songwriter. Score. 29 pages. JRN Piano Duo #782641. Published by JRN Piano Duo (A0.1182892). The popular song 'World's Smallest Violin' by AJR arranged and performed by the JRN Piano Duo on two digital pianos (with the help of some digital equipment). You will need a way to loop other instruments and percussion while playing and you need to be able to change your instruments while playing. In the video, a Maschine Mikro MK2 is used. The score includes a compact condensed score and a full orchestral score. Both conatin the same information but differently presented.
$5.99
5.52 €
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2 Pianos, 4 mains
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AJR
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JRN Piano Duo
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World S Smallest Violin
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JRN Piano Duo
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Sucker
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Br…
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Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Brothers. By Adam Feeney, Homer Steinweiss, Joseph Jonas, Kevin Jonas, Louis Bell, Miles Ale, Mustafa Ahmed, Nick Jonas, and Ryan Tedder. Arranged by Dave Prudon. Pop,Rock. 8 pages. Prudon String Ensembles #947813. Published by Prudon String Ensembles (A0.1363305). One of the most satisfying musical experiences one can have is sitting next to a friend or loved one and playing through a piano duet together.  This arrangement of Sucker by the Jonas Brothers, will bring a smile to your face every time you play through it.  Written for two different levels of playing ability, it's perfect when played by a teacher and student, or a parent and child. You can find other duets like this one at:  Prudon String Ensembles Sheet Music, where you'll also find tons of nice arrangements for strings.
$5.99
5.52 €
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2 Pianos, 4 mains
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Jonas Brothers
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Dave Prudon
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Sucker
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Prudon String Ensembles
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SheetMusicPlus
Brandenburg Concerto No. 3, Third Movement, for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800634 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800634 Composed by Johann Sebastian Bach. Arranged by Richard Simm. Baroque,Classical. Score. 8 pages. Richard Simm #6714545. Published by Richard Simm (A0.800634). Bach's music often lends itself to performance by instruments other than the ones he specified. In this 2-piano transcription by Richard Simm, the wide range of a modern piano allows for an entertaining, even humorous, two-piano treatment of this wonderfully lively piece.
$8.95
8.25 €
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2 Pianos, 4 mains
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Johann Sebastian Bach
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Richard Simm
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Brandenburg Concerto No. 3, Third Movement, for 2 pianos
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Richard Simm
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SheetMusicPlus
From This Day Forward
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1364124 By Kevin Ke…
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Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1364124 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,Jazz,New Age,Pop. 7 pages. Prudon String Ensembles #948433. Published by Prudon String Ensembles (A0.1364124). If you've ever had the pleasure of sitting beside a friend or loved one and playing through a piano duet together, you're going to enjoy owning this beautiful arrangement. Â The parts are pretty evenly matched for difficulty so you can have fun playing either part.To see other arrangements for 2 pianists, take a look at:Â Prudon String Ensembles Sheet Music, where you will also find hundreds of other nice arrangements for strings.
$5.99
5.52 €
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2 Pianos, 4 mains
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Kevin Kern
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Dave Prudon
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From This Day Forward
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Prudon String Ensembles
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SheetMusicPlus
"Chatty Tango" for two pianos four hands
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.979251 Compose…
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.979251 Composed by Weily Luc. Concert,Contemporary. Score and parts. 17 pages. Weily Luc #3479757. Published by Weily Luc (A0.979251). A fun piece for two intermediate level piano players to chat with each other.
$6.99
6.44 €
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2 Pianos, 4 mains
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Weily Luc
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"Chatty Tango" for two pianos four hands
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Weily Luc
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SheetMusicPlus
Bunte Blätter
2 Pianos, 4 mains
2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joer…
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2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771527. Published by Schott Music - Digital (S9.Q771527). After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection of highly diverse and multifaceted pieces and forms, ranging from Walzer (Waltz) to Danse macabre, from Fanfare to Zirkusparade (Circus Parade). The fact that the interpreters of the world premiere, Arthur and Lucas Jussen, are siblings, may and should be felt in the teasingly affectionate Fangspiel (Game of Tag) in which the two pianists sometimes deliberately play past each other. The collection is completed by Rätsel (Riddle) for Peter Sloterdijk's 75th birthday, a small, sphinx-like piece for the librettist of my Babylon opera. - Jörg Widmann.
$31.99
29.49 €
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2 Pianos, 4 mains
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Joerg Widmann
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Bunte Blätter
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Schott Music - Digital
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SheetMusicPlus
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