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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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BASSON
BATTERIE
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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FLUTE DE PAN
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FORMATION MUSI…
GUITARE
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HARPE
HAUTBOIS
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LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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Voice and Orchestra
Non classifié
1 297
Piano & claviers
Piano seul
751
Piano, Voix et Guitare
470
Piano, Voix
264
Piano Facile
14
Accompagnement Piano
8
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
5
Piano grosses notes
4
2 Pianos, 4 mains
2
Orgue
2
Accordéon
2
1 Piano, 4 mains
2
Ensemble d'Accordéons
1
Accordéon, Corde(s)
1
+ 9 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
80
Guitare
32
Guitare notes et tablatures
12
Basse electrique
5
Ukulele
5
2 Guitares (duo)
2
Mandoline
1
Guitare, Orchestre
1
4 Guitares (Quatuor)
1
+ 4 instrumentations
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143
Voix seule
103
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29
Chorale Unison
21
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19
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17
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15
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14
Voix haute
14
Voix duo
10
Voix Baryton, Piano
9
Voix Soprano, Orchestre
9
Voix Soprano, Piano
8
Soli, choeur mixte et accompagnement
6
Voix basse, Piano
3
Voix Tenor, Piano
3
Voix Soprano
2
Voix moyenne, Piano
2
Voix Mezzo-Soprano, Piano
2
Pack Instrumental pour Chorale
1
Voix Alto, Piano
1
Chorale SSATB
1
Voix Tenor
1
+ 18 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Quatuor de Saxophones: 4 saxophones
7
Quintette de Saxophone: 5 saxophones
6
Clarinette (partie séparée)
6
Flûte traversière et Piano
5
5 Flûtes à bec
5
Flute (partie séparée)
5
3 Saxophones (trio)
4
Flûte traversière
4
Flûte, Hautbois, Clarinette, Basson
4
Hautbois (partie séparée)
3
Ensemble De Flûte à bec
3
Flûte et Guitare
2
Quatuor de Flûtes à bec
2
2 Saxophones (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Quintette de Flûte : 5 flûtes
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Piano (duo)
2
Clarinette et Piano
2
3 Clarinettes (trio)
2
Ensemble de Hautbois
1
2 Flûtes traversières (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble de saxophones
1
Clarinette, Trompette (duo)
1
4 Hautbois
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Alto
1
Clarinette
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Basson, Piano (trio)
1
+ 29 instrumentations
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Cuivres
Tuba
12
Trompette (partie séparée)
8
Trombone (partie séparée)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Piano
3
Cor (partie séparée)
3
Trombone et Piano
3
Quatuor de cuivres: 4 trombones
2
Tuba (partie séparée)
2
Cor et Piano
2
Trombone
2
3 Trombones (trio)
1
Clarinette, Cor (duo)
1
Tuba et Piano
1
Cor
1
Ensemble de Tubas
1
Euphonium, Piano (duo)
1
Ensemble de Cors
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon (partie séparée)
19
Violon
14
Violon et Piano
13
Harpe
13
Trio à Cordes: violon, alto, violoncelle
9
Alto (partie séparée)
9
Violoncelle
5
Violoncelle (partie séparée)
5
Contre Basse
5
Violoncelle, Piano
4
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
3
Contrebasse (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon, Guitare (duo)
2
Alto seul
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orchestre
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre
753
Orchestre à Cordes
286
Orchestre de chambre
238
Ensemble Jazz
80
Orchestre d'harmonie
40
Cloches
7
Voix et Orchestre
7
Ensemble de Percussions
7
Ensemble de cuivres
7
Jazz combo
3
Percussion (partie séparée)
3
Voix Mezzo-Soprano, Orchestre
2
Vibraphone
2
Xylophone
1
Piano et Orchestre
1
Marimba
1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CORNET
DEEJAY
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FLUTE TRAVERSI…
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Vous avez sélectionné:
Voice and Orchestra
2 Pianos, 4 mains
Partitions à imprimer
2 partitions trouvées
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Swanee
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2 Pianos, 4 mains
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AVANCÉ
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Paul Posnak & Anita Castiglion
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Paul Posnak
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Swanee
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Paul Posnak
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Cl...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
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