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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
2 7
Sheetmusicplus
Non classifié
3 582
Piano & claviers
Piano seul
1 321
Piano, Voix
1 179
Piano Facile
428
Piano, Voix et Guitare
300
Piano Quintette: piano, 2 violons, alto, violoncelle
227
Orgue
148
Piano Quatuor: piano, 2 violons, violoncelle
107
1 Piano, 4 mains
101
2 Pianos, 4 mains
88
Instruments en Do
52
Piano Trio: piano, violon, violoncelle
49
Accompagnement Piano
26
Piano Quatuor: piano, violon, alto, violoncelle
18
Accordéon
17
Orgue, Trompette (duo)
11
2 Accordéons
9
Piano (partie séparée)
8
Clavecin
6
Orgue, Piano (duo)
4
2 Pianos, 8 mains
3
1 Piano, 6 mains
3
Piano grosses notes
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
297
Guitare
111
2 Guitares (duo)
110
Basse electrique
41
Ligne De Mélodie, (Paroles) et Accords
26
Ukulele
18
4 Guitares (Quatuor)
17
Ensemble de guitares
11
Paroles et Accords
9
2 Ukuleles
8
3 Guitares (trio)
7
Mandoline
6
2 Dulcimers (duo)
3
Dulcimer
2
Piano, Guitare (duo)
1
Mandoline, Piano (duo)
1
Guitare (partie séparée)
1
2 Guitares, Clarinette (trio)
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
+ 15 instrumentations
Retracter
Voix
Chorale 2 parties
1 657
Chorale SATB
1 211
Chorale 3 parties
634
Voix duo, Piano
349
Pack Instrumental pour Chorale
297
Chorale Unison
244
Chorale TTBB
239
Voix duo
143
Chorale SSAA
110
Chorale
21
Voix Soprano, Piano
17
Voix haute
10
Voix Tenor, Piano
10
Voix Alto, Piano
8
Voix moyenne, Piano
7
Voix seule
6
Voix Baryton, Piano
5
Voix basse, Piano
4
Chorale SSAB, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
2
Voix Tenor
2
Voix, Guitare
1
Voix d'Enfants
1
+ 19 instrumentations
Retracter
Vents
2 Saxophones (duo)
438
2 Flûtes traversières (duo)
402
Quatuor de Saxophones: 4 saxophones
399
Flûte traversière et Piano
363
2 Clarinettes (duo)
345
Flûte, Hautbois, Clarinette, Basson
306
Saxophone Alto et Piano
216
Hautbois, Piano (duo)
205
Clarinette et Piano
200
Quatuor de Clarinettes: 4 clarinettes
198
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
193
3 Clarinettes (trio)
164
Saxophone Tenor et Piano
162
Saxophone Soprano et Piano
119
2 Hautbois (duo)
113
Clarinette
110
2 Flûte à bec (duo)
106
Quatuor de Flûtes : 4 flûtes
84
Flûte traversière
80
Trio de Flûtes: 3 flûtes
75
3 Saxophones (trio)
74
Saxophone Baryton, Piano
74
Quintette de Saxophone: 5 saxophones
61
Saxophone (partie séparée)
57
Clarinette (partie séparée)
51
Hautbois (partie séparée)
45
Clarinette Basse, Piano
44
Flûte, Clarinette (duo)
43
Ensemble de Clarinettes
39
Hautbois, Basson (duo)
30
Flûte et Guitare
29
Quatuor de Flûtes à bec
26
Piccolo, Piano
26
Quintette de Clarinettes: 5 clarinettes
25
Cor anglais, Piano
24
Ensemble de Flûtes
24
Saxophone Alto
24
Hautbois, Clarinette (duo)
23
Flûte, Violon, Piano
21
Flute (partie séparée)
21
Clarinette, Basson (duo)
21
Flûte à bec Tenor
20
2 Clarinettes, Basson
20
Flûte à Bec, Piano
18
Saxophone Tenor
18
2 Saxophones, Piano
17
Flûte à bec Alto, Piano
16
Flûte à bec Soprano, Piano
16
Clarinette, Violon (duo)
16
Hautbois, Clarinette, Basson (trio d'anches)
15
Flûte, Violoncelle
14
Flûte, Clarinette et Basson
14
Clarinette, Violoncelle (duo)
13
2 Clarinettes, Piano
13
Flûte, Hautbois (duo)
12
Flûte, Violon
12
Ensemble de saxophones
11
Saxophone et Guitare
11
2 Cors Anglais Et Pianoforte
10
Hautbois
10
Flûte, Hautbois, Clarinette (trio)
10
Saxophone, Clarinette (duo)
9
Quintette de Flûte : 5 flûtes
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte à bec Soprano
7
Flûte, Trompette (duo)
7
3 Flûtes à bec (trio)
7
Clarinette, Guitare (duo)
7
Flûte, Alto (duo)
7
2 Flûtes traversières, Piano
7
Ensemble De Flûte à bec
6
Flûte à bec Alto
6
Clarinette et Alto
6
Hautbois, Flûte
6
Cor Anglais
5
Hautbois, violon (duo)
5
Hautbois, Violoncelle
5
Hautbois, Trompette (duo)
4
Saxophone, Violon (duo)
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Basson et Piano
4
Flûte, Hautbois, Basson
4
Cor anglais, Guitare (duo)
4
Piccolo
3
Hautbois, Guitare (duo)
3
Clarinette, Trombone (duo)
3
Flûte, Trombone (duo)
3
Clarinette, Trompette (duo)
2
Ensemble à vent
2
Flûte à Bec
2
Flûte, Tuba (duo)
2
3 Hautbois
2
2 Flûtes à bec, Piano
2
Clarinette, Basson, Piano (trio)
2
Saxophone, Basson (duo)
2
2 Hautbois, Piano
2
Hautbois et alto (duo)
2
Ocarina
2
Saxophone et violoncelle
2
Flûte, Violon et Violoncelle
2
Saxophone
2
Flûte et Trio à cordes
2
Flûte, Alto et Piano
1
Flute, harpe et violon
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Saxophone Soprano
1
4 Hautbois
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violoncelle, Guitare
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Violon
1
Flûte à bec, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes à bec, Guitare
1
Flûte, Saxophone (duo)
1
Instruments en Mib
1
Flûte traversière, Basse continue
1
2 Flûtes traversières, Guitare
1
2 Flûtes, Basse continue
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette Basse
1
5 Flûtes à bec
1
Hautbois, trombone (duo)
1
Flûte, Harpe et Violoncelle
1
+ 119 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
375
Quatuor de Cuivres : 2 trompettes, trombone, tuba
329
Quatuor de Cuivres: 2 trompettes, Cor, trombone
202
Trombone et Piano
199
2 Trompettes (duo)
162
Trompette, Piano
144
2 Trombones (duo)
129
Cor et Piano
110
2 Cors (duo)
108
Tuba et Piano
103
Quatuor de Cuivres
85
Trompette
77
Euphonium, Piano (duo)
66
Trompette (partie séparée)
58
Trompette, Trombone (duo)
39
Trombone (partie séparée)
36
Trombone
34
2 Euphoniums et 2 Tubas
34
2 Tubas (duo)
34
Cor
31
Quatuor de cuivres: 4 trombones
30
Cor (partie séparée)
29
Cor anglais, Piano
24
Trombone basse et Piano
21
Quatuor de cuivres: 4 cors
19
Trio de Cuivres
18
Tuba (partie séparée)
14
Trompette, Cor (duo)
12
3 Trombones (trio)
12
Tuba
12
Trompette, Saxophone (duo)
11
2 Euphoniums (duo)
11
4 Tubas
11
Quatuor de cuivres: 4 trompettes
10
2 Cors Anglais Et Pianoforte
10
Euphonium, Tuba (duo)
10
Ensemble de Trombones
8
Trombone, Cor (duo)
8
Trompette, Tuba (duo)
7
Trompette, violon (duo)
7
Ensemble de Cors
7
Cor, Tuba (duo)
5
Trombone, violoncelle (duo)
5
Cor Anglais
5
Trompette, Basson (duo)
5
Ensemble de Trompettes
4
Trombone, Orgue
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
2 Trompettes, Clavier (piano ou orgue)
4
3 Cors (trio)
4
3 Tubas (trio)
4
3 Trompettes (trio)
4
Cor anglais, Guitare (duo)
4
Cor, Violoncelle (duo)
3
G Instruments
2
Euphonium
2
Trombone, Violon (duo)
2
Cor et Basson (duo)
2
Tuba ou Euphonium ou Saxhorn
2
Trompette, Euphonium (duo)
2
Trombone basse
2
Trompette et Guitare
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Instruments en Fa
1
3 Euphoniums
1
Trombone, Tuba (duo)
1
Clarinette, Cor (duo)
1
Cor, Trompette, Trombone (trio)
1
Trombone, Alto (duo)
1
Bass Clef Instruments
1
Tuba et Orgue
1
Instruments en Sib
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
+ 69 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 772
Violon et Piano
350
2 Violons (duo)
346
Trio à Cordes: 2 violons, violoncelle
314
2 Violoncelles (duo)
297
Violoncelle, Piano
246
Alto, Piano
237
2 Altos (duo)
197
Violon, Violoncelle (duo)
172
Quintette à cordes: 2 violons, alto, violoncelle, basse
172
Trio à Cordes: violon, alto, violoncelle
138
2 Violons, Piano
110
Violon
90
Trio à cordes: 3 violins
73
Violon, Alto (duo)
72
Trio à Cordes: 2 violons, alto
63
Violoncelle
63
Contrebasse, Piano (duo)
60
2 Violoncelles, Piano
44
Violon (partie séparée)
39
4 Violoncelles
37
2 Altos, Piano
35
Alto, Violoncelle (duo)
34
Harpe
31
Quatuor à cordes: 4 violons
26
2 Contrebasses (duo)
25
Alto seul
24
2 Harpes (duo)
22
Trio à Cordes: 3 violoncelles
19
Violon, Guitare (duo)
18
Alto (partie séparée)
17
Piano Trio: Violon, Alto, Piano
17
Quatuor à cordes : 4 altos
16
Violoncelle , Guitare (duo)
13
Contre Basse
10
Alto, Guitare (duo)
10
Harpe, Violon (duo)
9
Trio à cordes: 3 altos
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Basson (duo)
7
Harpe, Flûte (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto et Basson
4
Alto et Harpe
4
Harpe, Violoncelle (duo)
3
Violoncelle, Contrebasse (duo)
3
Violoncelle (partie séparée)
3
Contrebasse (partie séparée)
3
Trio à cordes
2
4 Contrebasses
2
Harpe et Piano
1
Violon, Tuba (duo)
1
Violoncelle, Basse continue
1
Flûte, Contrebasse (duo)
1
Violoncelle, Orgue
1
2 Violons et Basse continue
1
3 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
357
Orchestre à Cordes
243
Cloches
230
Orchestre
162
Ensemble de cuivres
106
Orchestre de chambre
81
Ensemble Jazz
53
Ensemble de Percussions
39
Fanfare
38
Percussion (partie séparée)
33
Jazz combo
28
Timbales
15
Batterie
12
Percussion
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
2 Xylophones
7
Timbales (partie séparée)
5
2 Marimbas
4
Vibraphone
3
Marimba
3
Batterie (partie séparée)
3
Quintette de Cuivres: autres combinaisons
2
Vibraphone et Marimba
2
Xylophone ou Marimba ou Vibraphone
1
Xylophone
1
Vibraphone (partie séparée)
1
Instrumentation Flexible
1
Piano et Orchestre
1
Xylophone, Piano
1
+ 24 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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76
Orchestral Suite 2 BWV 1067, mov. 2-7 for piano duet
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Klas Krantz
#
Orchestral Suite 2 BWV 1067, m
#
Amadeus Music
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. A...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. Amadeus Music #2026685. Published by Amadeus Music (A0.530862). For piano duet, score, no parts, 13 pages. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$8.95
C. P. E. Bach Solfeggietto (Solfeggio) in C minor - 2 pianos
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
C
#
Philip Kim
#
C. P. E. Bach Solfeggietto
#
SheetMusicPlus
Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Techniqu...
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Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Technique Training. 7 pages. Published by Philip Kim
This is my 2 piano arrangement of C.P.E. Bach's famous Solfeggietto (solfeggio) in C minor for the piano. I know there are other arrangements our there for 2 performers. Mine is just another addition.
The original piano part is based the the autograph manuscript with some edits. I hardly made any edits in dynamic markings or phrases. I will leave that up to the teacher and the performer. Enjoy.
https://youtu.be/y0d4G332uPM
$10.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contempora...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Bach 2 Part Invention No. 7 in E minor for 2 pianos, 4 hands (second piano part by Simon Peberdy)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Simon Peberdy
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Bach 2 Part Invention No. 7 in
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.757127 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instructional,Standards. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.757127 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instructional,Standards. Score. 6 pages. Simon Peberdy #6097739. Published by Simon Peberdy (A0.757127). One of Bach's popular 2 part inventions with a new additional piano part written by Simon Peberdy to double the fun! For more music for 2 pianos and piano duets, please visit www.simonpeberdymusic.com.For a video of the first 5 of Bach's 2 Part Inventions in new arrangements with an additional piano part by Simon Peberdy, click [https://www.youtube.com/watch?v=rx3IphRUhBo]
$2.99
7. Le Courant Limpide (The Limpid Stream) 25 Progressive Studies Opus 100 for 2 pianos by Friedrich
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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7. Le Courant Limpide
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Philip Kim
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SheetMusicPlus
Composed by Johann Friedrich Burgmuller (1806-1874). Arranged by Philip Kim. Instructional. Score and parts. 2 pages. Philip Kim #4303241. Published b...
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Composed by Johann Friedrich Burgmuller (1806-1874). Arranged by Philip Kim. Instructional. Score and parts. 2 pages. Philip Kim #4303241. Published by Philip Kim
$4.00
Mahler - Symphony No. 7, IV. Nachtmusik
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, IV. N
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389354 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 4...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389354 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 49 pages. Barry Mortichesky #972937. Published by Barry Mortichesky (A0.1389354). Part of a long-term project to arrange the entire Mahler cycle, all 11 symphonic works, to only two pianos on four hands. This is my version of the fourth of five movements, the second of two Nachtmusik andantes, from Mahler's Seventh Symphony.
$15.00
Mahler - Symphony No. 7 (1905)
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389358 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 3...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389358 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 389 pages. Barry Mortichesky #972943. Published by Barry Mortichesky (A0.1389358). This is my complete version of Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. The mp3 recordings are available listen under each movement's individual entries. Thank you, and I hope you enjoy.
$70.00
Mahler - Symphony No. 7, II. Nachtmusik
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, II. N
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389349 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 5...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389349 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 59 pages. Barry Mortichesky #972932. Published by Barry Mortichesky (A0.1389349). This is my version of the second of five movements, the first of two Nachtmusik andantes, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Mahler - Symphony No. 7, III. Scherzo
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, III.
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389350 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 6...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389350 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 69 pages. Barry Mortichesky #972933. Published by Barry Mortichesky (A0.1389350). This is my version of the third of five movements, the Scherzo, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Mahler - Symphony No. 7, I. Langsam, Adagio
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, I. La
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389348 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 1...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389348 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 112 pages. Barry Mortichesky #972931. Published by Barry Mortichesky (A0.1389348). This is my version of the first of five movements, Langsam-Adagio, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles.Thank you, and I hope you enjoy.
$15.00
Mahler - Symphony No. 7, V. Rondo-Finale
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, V. Ro
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389355 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 9...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389355 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 96 pages. Barry Mortichesky #972939. Published by Barry Mortichesky (A0.1389355). This is my version of the last of five movements, the Rondo-Finale, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharo...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
And Can It Be? (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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And Can It Be?
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Religious,Sacred. Score. 15 pages. Sharon Wilson #1034900. Published by Sharon Wilson (A0.1455801). This arrangement of the familiar hymn tune SAGINA by Thomas Campbell is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and cheerful throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat musical interlude is desired. The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
More Piano Sight-Reading 2
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2 Pianos, 4 mains
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FACILE
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More Piano Sight-Reading 2
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Schott Music - Digital
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SheetMusicPlus
Piano (2- and 4-hands) - easy to intermediate - SKU: S9.Q19483 Additional material for piano solo and duet. This edition: Sheet music. Schott Sig...
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Piano (2- and 4-hands) - easy to intermediate - SKU: S9.Q19483 Additional material for piano solo and duet. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19483. Published by Schott Music - Digital (S9.Q19483). English â?¢ French â?¢ German.This collection of original tunes is an ideal extension of Piano Sight-Reading 2 (ED 12791), or a continuation of Piano Sight-Reading 1 (ED 12736), which presents 144 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the 7 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as piano duets for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember. PIANO SIGHT-READING and MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kemberâ??s â??Piano Sight-Reading Seriesâ?? jumps to the top of my list of recommendations. - PIANODAO.COM.
$13.99
Hark! The Herald Angels Sing (2 piano duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Noël
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Felix Bartholdy Mendelssohn
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Sandra Zylstra
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Hark! The Herald Angels Sing
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score. 8 pages. Sandra dee zylstra #6039401. Published by sandra dee zylstra (A0.712487). Luke 2:13-14 And suddenly there was with the angel a multitude of the heavenly host praising God and saying: Glory to God in the highest, and on earth peace, goodwill toward men! Hark! The Herald Angels Sing is a great classic Christmas carol. This late intermediate two-piano duet arrangement takes on a new twist with some extra syncopated rhythms! This arrangement includes both piano parts. (Approximately 3:30, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
Burgmüller Etude Op 105 No.2 for 2 pianos "La Dramatique"
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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Johann Friedrich Burgmuller
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Simon Peberdy
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Burgmüller Etude Op 105 No.2
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Simon Peberdy
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SheetMusicPlus
Composed by Johann Friedrich Burgmuller (1806-1874). Arranged by Simon Peberdy. Instructional, Romantic Period, Standards. Score. 7 pages. Simon Peber...
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Composed by Johann Friedrich Burgmuller (1806-1874). Arranged by Simon Peberdy. Instructional, Romantic Period, Standards. Score. 7 pages. Simon Peberdy #5375139. Published by Simon Peberdy
$1.99
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