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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
7
Non classifié
11 795
Piano & claviers
Piano, Voix et Guitare
13 633
Piano, Voix
10 855
Piano seul
9 762
Piano Facile
2 678
Orgue
687
1 Piano, 4 mains
397
Piano Trio: piano, violon, violoncelle
260
Piano grosses notes
256
Piano Quintette: piano, 2 violons, alto, violoncelle
229
Accordéon
127
Instruments en Do
123
2 Pianos, 4 mains
120
Piano Quatuor: piano, violon, alto, violoncelle
108
Piano Quatuor: piano, 2 violons, violoncelle
107
Accompagnement Piano
84
Piano (partie séparée)
74
Orgue, Trompette (duo)
34
Orgue, Piano (duo)
34
1 Piano, 6 mains
24
Clavecin
22
Accordéon, Voix
20
2 Accordéons
9
Clavier
8
2 Pianos, 8 mains
3
Ensemble d'Accordéons
2
Accordéon, Piano
2
Instrument seul et Orgue
1
+ 22 instrumentations
Retracter
Guitares
Guitare notes et tablatures
5 164
Guitare
622
Basse electrique
576
Ukulele
189
Ligne De Mélodie, (Paroles) et Accords
114
2 Guitares (duo)
110
Piano, Guitare (duo)
94
4 Guitares (Quatuor)
51
Paroles et Accords
38
3 Guitares (trio)
30
Ensemble de guitares
23
Dulcimer
16
Banjo
12
Guitare (partie séparée)
12
Mandoline
12
2 Ukuleles
8
Guitare, Violon, Violoncelle (trio)
5
Mandoline, Piano (duo)
4
2 Dulcimers (duo)
3
Ukulele Baryton
3
Mandoline, Guitare (duo)
2
Basse électrique (partie séparée)
2
3 Dulcimers (trio)
1
Orchestre à Plectres
1
2 Guitares, Clarinette (trio)
1
Partitions De Groupes
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
5 269
Chorale 3 parties
2 076
Chorale 2 parties
1 747
Chorale TTBB
1 194
Chorale SSAA
659
Voix duo, Piano
567
Pack Instrumental pour Chorale
466
Chorale Unison
414
Voix seule
236
Voix duo
213
Chorale
210
Voix Soprano, Piano
91
Voix haute
87
Voix Alto, Piano
42
Chorale SSAATTBB
39
Voix Tenor, Piano
34
Voix Baryton, Piano
33
Voix moyenne, Piano
29
Voix basse, Piano
27
Chorale SSATB
25
Chorale SSATTB
17
Chorale SSATBB
11
Voix Mezzo-Soprano, Piano
10
Voix Tenor
9
Soli, choeur mixte et accompagnement
7
Chorale SSAATB
7
Chorale SATTB
6
Voix Soprano
6
Voix Moyenne
5
Voix d'Enfants
5
Voix, Guitare
5
Chorale SSAB a cappella
4
Male Voice
4
Chorale SSAB, Piano
4
Chorale SAATB A Cappella
4
Chorale SATBB
1
Voix duo, Orgue
1
Chorale SATTBB A Cappella
1
Chorale, Orgue
1
Voix basse
1
+ 35 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 513
Quatuor de Saxophones: 4 saxophones
926
Clarinette et Piano
894
Hautbois, Piano (duo)
717
Saxophone Alto et Piano
693
Flûte, Hautbois, Clarinette, Basson
630
Quatuor de Clarinettes: 4 clarinettes
492
Saxophone Tenor et Piano
458
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
448
2 Saxophones (duo)
442
2 Flûtes traversières (duo)
412
Clarinette
365
3 Clarinettes (trio)
352
2 Clarinettes (duo)
345
Flûte traversière
302
Saxophone Soprano et Piano
265
Trio de Flûtes: 3 flûtes
240
3 Saxophones (trio)
229
Quatuor de Flûtes : 4 flûtes
225
Saxophone Baryton, Piano
160
Quintette de Saxophone: 5 saxophones
130
Flûte, Clarinette (duo)
126
Clarinette, Harpe (duo)
124
Saxophone (partie séparée)
121
Flûte, Hautbois, Clarinette (trio)
120
2 Hautbois (duo)
114
Flûte et Guitare
112
2 Flûte à bec (duo)
106
Quatuor de Flûtes à bec
101
Saxophone Alto
98
Ensemble de Clarinettes
92
Flûte à Bec
89
Clarinette (partie séparée)
86
Clarinette Basse, Piano
84
Hautbois, Basson (duo)
77
Hautbois (partie séparée)
71
Saxophone Tenor
70
Flûte, Hautbois, Violon
66
Flûte, Clarinette et Basson
66
Cor anglais, Piano
62
Hautbois, Clarinette (duo)
61
Flûte, Clarinette, Violon (trio)
60
Flûte, Violon, Piano
60
Piccolo, Piano
55
Clarinette, Guitare (duo)
55
Clarinette, Violon (duo)
52
Ensemble de Flûtes
49
Hautbois, Clarinette, Basson (trio d'anches)
48
Clarinette, Basson (duo)
47
Ensemble de saxophones
45
5 Flûtes à bec
43
Flûte, Violon
43
3 Flûtes à bec (trio)
41
Saxophone
40
Flûte à bec Tenor
40
Flute (partie séparée)
40
Saxophone, Clarinette (duo)
39
Quintette de Clarinettes: 5 clarinettes
39
Flûte, Violoncelle
38
Flûte, Hautbois, Basson
37
Flûte à bec Alto, Piano
36
Flûte à bec Soprano, Piano
35
Flûte à Bec, Piano
33
Flûte, Hautbois (duo)
33
Hautbois
33
Clarinette, Violoncelle (duo)
30
Flûte, Violoncelle, Piano (trio)
29
Hautbois, Flûte
27
Saxophone et Guitare
26
Flûte, Violon et Violoncelle
26
Harmonica
25
Flûte et Quatuor à Cordes
23
Flûte à bec Soprano
21
Clarinette et Alto
21
2 Clarinettes, Basson
20
Flûte, Alto (duo)
18
Ensemble De Flûte à bec
17
Quintette de Flûte : 5 flûtes
17
Flûte à bec Alto
17
2 Saxophones, Piano
17
Flûte, Trompette (duo)
16
Hautbois, violon (duo)
16
Flûte, Clarinette, Cor, Basson (Quartet)
15
Ocarina
15
Hautbois, Violoncelle
15
3 Hautbois
14
2 Clarinettes, Piano
13
Flûte, Basson et Piano
11
Flûte, Saxophone (duo)
11
Hautbois, Trompette (duo)
10
Saxophone, Violon (duo)
10
Clarinette, Trompette (duo)
10
Cor Anglais
10
2 Cors Anglais Et Pianoforte
10
Hautbois et alto (duo)
10
Saxophone et Piano
9
Hautbois, Guitare (duo)
9
Flûte, Clarinette, Piano (trio)
8
Cor anglais, Guitare (duo)
8
2 Flûtes traversières, Piano
7
Flûte, Trombone (duo)
7
Hautbois, trombone (duo)
7
Clarinette, Trombone (duo)
7
Clarinette, Basson, Piano (trio)
6
Flûte et Trio à cordes
6
Piccolo
6
Flûte à bec Alto, Basse continue
6
Flûte à bec, Guitare (duo)
5
4 Hautbois
5
Clarinette Basse
5
Saxophone et violoncelle
4
Flûte, Tuba (duo)
4
Flûte, Hautbois, Piano (trio)
4
Clarinette, Tuba
4
Flûte, alto et harpe
4
Flûte traversière, Orgue (duo)
4
Ensemble à vent
4
Saxophone, Basson (duo)
3
Flûte, Alto et Violoncelle
3
Saxophone Baryton
3
Hautbois, Harpe
3
Saxophone Soprano
3
Saxophone et Harpe
2
Flute, harpe et violon
2
2 Hautbois, Piano
2
Flûte, Harpe et Violoncelle
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Saxophone et Orgue
2
2 Flûtes à bec, Piano
2
Flûte, Violoncelle, Guitare
2
Flûte, Guitare, Piano
2
Instruments en Mib
2
Flûte traversière, Basse continue
2
2 Flûtes traversières, Guitare
1
Flûte, Alto et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes à bec, Guitare
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
2 Flûtes, Basse continue
1
Ensemble de Hautbois
1
Hautbois, Orgue
1
Flute, Cor (duo)
1
Flûte traversière, Orchestre
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec, Harpe
1
+ 142 instrumentations
Retracter
Cuivres
Trombone et Piano
551
Trompette, Piano
519
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
379
Quatuor de Cuivres : 2 trompettes, trombone, tuba
330
Cor et Piano
322
Trompette
279
Tuba et Piano
221
Quatuor de Cuivres: 2 trompettes, Cor, trombone
202
Quatuor de Cuivres
181
2 Trompettes (duo)
165
Quatuor de cuivres: 4 trombones
143
Euphonium, Piano (duo)
134
2 Trombones (duo)
131
Quatuor de cuivres: 4 cors
113
2 Cors (duo)
110
3 Trombones (trio)
106
Trompette (partie séparée)
106
Trombone
98
Cor
78
Trompette, Trombone (duo)
77
Trombone (partie séparée)
73
Cor anglais, Piano
62
Cor (partie séparée)
47
Trombone basse et Piano
44
3 Trompettes (trio)
36
Trio de Cuivres
36
2 Euphoniums et 2 Tubas
35
2 Tubas (duo)
34
Trompette, Saxophone (duo)
33
4 Tubas
32
Tuba (partie séparée)
29
Tuba
29
Ensemble de Trombones
29
Trompette, Cor (duo)
22
Quatuor de cuivres: 4 trompettes
20
Trompette, Tuba (duo)
19
Euphonium, Tuba (duo)
16
Trompette, violon (duo)
16
Ensemble de Cors
15
Trombone, Tuba (duo)
13
3 Cors (trio)
13
Trombone, violoncelle (duo)
11
Tuba et Orgue
11
Euphonium
11
2 Euphoniums (duo)
11
Trombone, Cor (duo)
11
Cor, Tuba (duo)
10
Cor Anglais
10
2 Cors Anglais Et Pianoforte
10
Trompette, Basson (duo)
8
Trombone, Orgue
8
Trombone, Violon (duo)
8
Cor anglais, Guitare (duo)
8
Ensemble de Trompettes
8
Cornet et Piano
6
3 Tubas (trio)
5
Tuba ou Euphonium ou Saxhorn
5
Trombone basse
5
2 Trompettes, Clavier (piano ou orgue)
4
Cor, Violoncelle (duo)
4
Trompette et Guitare
4
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
3 Euphoniums
3
Bass Clef Instruments
3
Cor et Basson (duo)
3
Trompette, Harpe
2
Trombone, Alto (duo)
2
Instruments en Sib
2
Trompette, Violoncelle (duo)
2
Trompette, Euphonium (duo)
2
Cor et Orgue
2
Cor et Harpe
2
G Instruments
2
Clarinette, Cor (duo)
2
Cor, Trompette, Trombone (trio)
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
Instruments en Fa
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 75 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 908
Violon et Piano
1 953
Violoncelle, Piano
1 251
Alto, Piano
986
Violon, Violoncelle (duo)
545
Trio à Cordes: violon, alto, violoncelle
461
Violon
367
2 Violons (duo)
361
Trio à Cordes: 2 violons, violoncelle
319
2 Violoncelles (duo)
307
Violoncelle
231
Harpe
225
Harpe, Flûte (duo)
223
Violon, Alto (duo)
219
2 Altos (duo)
196
4 Violoncelles
190
Trio à cordes: 3 violins
179
Quintette à cordes: 2 violons, alto, violoncelle, basse
178
Contrebasse, Piano (duo)
157
Harpe, Violon (duo)
134
Violon (partie séparée)
117
Trio à cordes
114
Alto seul
112
Quatuor à cordes: 4 violons
112
2 Violons, Piano
110
Alto, Violoncelle (duo)
101
Trio à Cordes: 3 violoncelles
93
Violon, Guitare (duo)
71
Quatuor à cordes : 4 altos
68
Piano Trio: Violon, Alto, Piano
67
Trio à Cordes: 2 violons, alto
63
Violoncelle , Guitare (duo)
62
Alto (partie séparée)
49
2 Violoncelles, Piano
44
Contrebasse (partie séparée)
38
Contre Basse
37
2 Altos, Piano
35
Alto, Guitare (duo)
30
Trio à cordes: 3 altos
29
2 Contrebasses (duo)
25
Violoncelle (partie séparée)
24
2 Harpes (duo)
22
Violon, Clarinette, Piano (trio)
22
Violon, Basson (duo)
20
Violoncelle, Contrebasse (duo)
16
Harpe, Violoncelle (duo)
11
Harpe, Voix
10
Violoncelle, Orgue
10
4 Contrebasses
10
Violon, Tuba (duo)
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Orgue
8
Alto et Basson
7
Alto et Harpe
6
3 Contrebasses
5
Ensemble de Violoncelles
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Violon, Violoncelle
3
Alto, Orgue
3
5 Harpes
3
Violoncelle, Basse continue
2
Harpe et Piano
2
Violon, Violoncelle, Clarinette
2
Violon, Basse continue
2
Flûte, Contrebasse (duo)
1
Ensemble de Violons
1
Ensemble d'Altos
1
3 Harpes
1
2 Violons et Basse continue
1
4 Harpes
1
Harpe, Trombone (duo)
1
+ 66 instrumentations
Retracter
Orchestre & Percussions
Orchestre
869
Orchestre d'harmonie
860
Orchestre à Cordes
619
Cloches
459
Ensemble Jazz
264
Ensemble de cuivres
245
Fanfare
231
Batterie
200
Orchestre de chambre
156
Jazz combo
125
Ensemble de Percussions
86
Percussion (partie séparée)
52
Vibraphone (partie séparée)
40
Marimba
27
Percussion
24
Batterie (partie séparée)
23
Timbales
19
Quatuor à Vent : 4 instruments à vents
15
Vibraphone
10
Xylophone, Piano
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Timbales (partie séparée)
7
2 Xylophones
7
Caisse Claire
5
2 Marimbas
5
Quintette à Vent
4
Instrumentation Flexible
4
Piano et Orchestre
4
Vibraphone et Marimba
3
Quintette de Cuivres: autres combinaisons
3
Trio à Vent: 3 instruments à vents
2
Xylophone
2
Batterie-Fanfare
2
Orchestre, Violon
2
Marimba, Piano (duo)
1
Xylophone ou Marimba ou Vibraphone
1
+ 31 instrumentations
Retracter
Autres
Formation musicale - Solfège
29
Théorie de la musique
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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Partitions Gratuites
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Librairie Musicale
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
7
2 Pianos, 4 mains
Partitions à imprimer
120 partitions trouvées
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101
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.Â
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.  Â
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.Â
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself.  Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contempora...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
Mahler - Symphony No. 7, IV. Nachtmusik
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, IV. N
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389354 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 4...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389354 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 49 pages. Barry Mortichesky #972937. Published by Barry Mortichesky (A0.1389354). Part of a long-term project to arrange the entire Mahler cycle, all 11 symphonic works, to only two pianos on four hands. This is my version of the fourth of five movements, the second of two Nachtmusik andantes, from Mahler's Seventh Symphony.
$15.00
Mahler - Symphony No. 7 (1905)
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389358 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 3...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389358 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 389 pages. Barry Mortichesky #972943. Published by Barry Mortichesky (A0.1389358). This is my complete version of Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. The mp3 recordings are available listen under each movement's individual entries. Thank you, and I hope you enjoy.
$70.00
Mahler - Symphony No. 7, II. Nachtmusik
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, II. N
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389349 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 5...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389349 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 59 pages. Barry Mortichesky #972932. Published by Barry Mortichesky (A0.1389349). This is my version of the second of five movements, the first of two Nachtmusik andantes, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Mahler - Symphony No. 7, III. Scherzo
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, III.
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389350 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 6...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389350 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 69 pages. Barry Mortichesky #972933. Published by Barry Mortichesky (A0.1389350). This is my version of the third of five movements, the Scherzo, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Mahler - Symphony No. 7, I. Langsam, Adagio
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, I. La
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389348 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 1...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389348 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 112 pages. Barry Mortichesky #972931. Published by Barry Mortichesky (A0.1389348). This is my version of the first of five movements, Langsam-Adagio, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles.Thank you, and I hope you enjoy.
$15.00
Orchestral Suite 2 BWV 1067, mov. 2-7 for piano duet
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Orchestral Suite 2 BWV 1067, m
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. A...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. Amadeus Music #2026685. Published by Amadeus Music (A0.530862). For piano duet, score, no parts, 13 pages. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$8.95
Bach 2 Part Invention No. 7 in E minor for 2 pianos, 4 hands (second piano part by Simon Peberdy)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Simon Peberdy
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Bach 2 Part Invention No. 7 in
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.757127 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instructional,Standards. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.757127 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instructional,Standards. Score. 6 pages. Simon Peberdy #6097739. Published by Simon Peberdy (A0.757127). One of Bach's popular 2 part inventions with a new additional piano part written by Simon Peberdy to double the fun! For more music for 2 pianos and piano duets, please visit www.simonpeberdymusic.com.For a video of the first 5 of Bach's 2 Part Inventions in new arrangements with an additional piano part by Simon Peberdy, click [https://www.youtube.com/watch?v=rx3IphRUhBo]
$2.99
7. Le Courant Limpide (The Limpid Stream) 25 Progressive Studies Opus 100 for 2 pianos by Friedrich
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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7. Le Courant Limpide
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Philip Kim
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SheetMusicPlus
Composed by Johann Friedrich Burgmuller (1806-1874). Arranged by Philip Kim. Instructional. Score and parts. 2 pages. Philip Kim #4303241. Published b...
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Composed by Johann Friedrich Burgmuller (1806-1874). Arranged by Philip Kim. Instructional. Score and parts. 2 pages. Philip Kim #4303241. Published by Philip Kim
$4.00
Bach 2 Part Inventions No. 7 for 2 pianos
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2 Pianos, 4 mains
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Classique
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Johann Sebastian Bach
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Philip Kim
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Bach 2 Part Inventions No. 7 f
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Philip Kim. Baroque, Instructional, Standards. Score and parts. 5 pages. Philip Kim #571264...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Philip Kim. Baroque, Instructional, Standards. Score and parts. 5 pages. Philip Kim #5712649. Published by Philip Kim
$6.00
Studies No. 6 & 7
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2 Pianos, 4 mains
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AVANCÉ
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Methodes Etudes
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Conlon Nancarrow
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Studies No. 6 & 7
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Schott Music - Digital
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SheetMusicPlus
Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Sch...
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Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q40444. Published by Schott Music - Digital
Nancarrow's music for player piano with .acrobatic complexity .that sounds .hardly performable has been known for more than four decades. The traditional notation is replaced by the accurate manual punching of individual holes in player piano roles, thus enabling multi-part sounds and rhythmic counterpoints in irrational relations which could never be played so accurately by human performers.
Fortunately, Nancarrow's less complex studies are again and again arranged for a wide variety of live instrumentation. The arrangement for two pianos by the renowned British composer and conductor Thomas Adè.s (*1971) presents the ideal opportunity for every experienced pianist to not only listen to the studies but to play them as well.
$48.99
It Is Well with My Soul (When Peace Like a River)
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2 Pianos, 4 mains
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Musique Sacrée
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Paul Jones
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It Is Well with My Soul
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Paul S. Jones
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SheetMusicPlus
Composed by Paul Jones. Christian, Sacred, General Worship, Funeral, Recital. Score. 7 pages. Published by Paul S. Jones (S0.377639). - Score - Christian,Sacred...
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Composed by Paul Jones. Christian, Sacred, General Worship, Funeral, Recital. Score. 7 pages. Published by Paul S. Jones (S0.377639). - Score - Christian,Sacred,General Worship,Funeral,Recital - Paul S. Jones
$9.99
The Bare Necessities - piano duet
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2 Pianos, 4 mains
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Terry Gilkyson
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Ian Assersohn
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The Bare Necessities - piano d
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Apple Tree Music
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SheetMusicPlus
By Terry Gilkyson. Arranged by Ian Assersohn. Sheet Music Single. 7 pages. Published by Apple Tree Music (H0.161049-58600). - Sheet Music Single - - Apple Tree...
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By Terry Gilkyson. Arranged by Ian Assersohn. Sheet Music Single. 7 pages. Published by Apple Tree Music (H0.161049-58600). - Sheet Music Single - - Apple Tree Music
$6.50
Near the Cross for Piano Duet
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2 Pianos, 4 mains
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Musique Sacrée
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William H
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Ian Wei
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Near the Cross for Piano Duet
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Ian Wei
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SheetMusicPlus
Composed by William H. Doane. Arranged by Ian Wei. Christian. Score. 7 pages. Published by Ian Wei (S0.12498). - Score - Christian - Ian Wei...
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Composed by William H. Doane. Arranged by Ian Wei. Christian. Score. 7 pages. Published by Ian Wei (S0.12498). - Score - Christian - Ian Wei
$7.99
Leaning On God's Promises
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2 Pianos, 4 mains
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Musique Sacrée
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Carter, Hoffman, Showaiter
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Sandra Zylstra
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Leaning On God's Promises
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Sandra Zylstra
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SheetMusicPlus
Composed by Carter, Hoffman, Showaiter. Arranged by Sandra Zylstra. Christian, Sacred, Praise & Worship, General Worship. Sheet Music Single. 7 pages. Published...
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Composed by Carter, Hoffman, Showaiter. Arranged by Sandra Zylstra. Christian, Sacred, Praise & Worship, General Worship. Sheet Music Single. 7 pages. Published by Sandra Zylstra (S0.350117). - Sheet Music Single - Christian,Sacred,Praise & Worship,General Worship - Sandra Zylstra
$5.25
Imagine
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2 Pianos, 4 mains
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John Lennon
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GC
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Imagine
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Giuseppe Cataldi
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SheetMusicPlus
By John Lennon. Arranged by GC. 7 pages. Published by Giuseppe Cataldi (H0.265015-393120). - - - Giuseppe Cataldi...
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By John Lennon. Arranged by GC. 7 pages. Published by Giuseppe Cataldi (H0.265015-393120). - - - Giuseppe Cataldi
$4.99
Someone In The Crowd
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2 Pianos, 4 mains
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Film/TV
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Comédie Musicale
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Emma Stone, Callie Hernandez,
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Someone In The Crowd
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Hal Leonard - PNODT - Film/TV,Musical/Show - Hal Leonard - Digital Sheet Music
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SheetMusicPlus
From the movie 'La La Land'. By Emma Stone, Callie Hernandez, Sonoya Mizuno & Jessica Rothe, Justin Hurwitz, Justin Paul, Benj Pasek, Brent Edstrom. This...
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From the movie 'La La Land'. By Emma Stone, Callie Hernandez, Sonoya Mizuno & Jessica Rothe, Justin Hurwitz, Justin Paul, Benj Pasek, Brent Edstrom. This edition: Interactive Download. Film/TV, Musical/Show. PNODT. 7 pages. Published by Hal Leonard - PNODT - Film/TV,Musical/Show - Hal Leonard - Digital Sheet Music
$4.99
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