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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
AMÉ
Non classifié
1 763
Piano & claviers
Piano seul
1 717
Piano, Voix
1 260
Piano, Voix et Guitare
1 001
Piano Facile
522
Instruments en Do
123
Orgue
102
Piano grosses notes
82
Accompagnement Piano
72
1 Piano, 4 mains
27
Accordéon
19
2 Pianos, 4 mains
8
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavier
3
Piano (partie séparée)
3
Clavecin
2
Orgue, Trompette (duo)
2
Ligne De Mélodie, Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
2 Accordéons
1
Instrument seul et Orgue
1
Accordéon, Voix
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
363
Guitare notes et tablatures
309
Guitare
232
Paroles et Accords
103
Ukulele
93
Basse electrique
57
2 Guitares (duo)
8
Banjo
8
4 Guitares (Quatuor)
6
Mandoline
5
Ensemble de guitares
3
3 Guitares (trio)
3
Dulcimer
2
Piano, Guitare (duo)
2
Dobro
1
Ukulele Baryton
1
Basse électrique (partie séparée)
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
799
Chorale 3 parties
202
Chorale TTBB
165
Pack Instrumental pour Chorale
150
Chorale 2 parties
149
Voix seule
124
Voix duo, Piano
69
Chorale Unison
65
Chorale SSAA
44
Voix Soprano, Piano
44
Voix Alto, Piano
38
Voix Baryton, Piano
36
Voix Tenor, Piano
33
Chorale
29
Voix duo
22
Voix haute
21
Voix moyenne, Piano
6
Chorale SSAATTBB
6
Voix Mezzo-Soprano, Piano
5
Voix basse, Piano
5
Chorale SSATB
3
Chorale SSATTB
3
Voix, Guitare
2
Chorale SSATBB
1
Chorale, Orgue
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière
245
Saxophone
215
Hautbois
204
Clarinette
187
Flûte à Bec
145
Flûte traversière et Piano
106
Clarinette et Piano
72
Saxophone Alto
70
Flûte, Hautbois, Clarinette, Basson
67
Quatuor de Saxophones: 4 saxophones
57
Saxophone Tenor
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
46
Hautbois, Piano (duo)
45
Saxophone (partie séparée)
44
Saxophone Alto et Piano
41
Saxophone Tenor et Piano
34
2 Flûtes traversières (duo)
32
2 Saxophones (duo)
31
Saxophone Soprano et Piano
31
Hautbois (partie séparée)
29
Quatuor de Clarinettes: 4 clarinettes
29
Flûte et Guitare
24
2 Clarinettes (duo)
19
Flûte, Clarinette (duo)
16
Saxophone Baryton, Piano
15
Quintette de Saxophone: 5 saxophones
15
Cor anglais, Piano
13
Quatuor de Flûtes : 4 flûtes
10
Flute (partie séparée)
10
Clarinette, Guitare (duo)
9
Ensemble de Clarinettes
9
Saxophone, Clarinette (duo)
9
Clarinette, Violon (duo)
8
Clarinette (partie séparée)
7
Saxophone Soprano
6
Hautbois, Basson (duo)
6
Flûte à bec Soprano
6
Ensemble de Flûtes
5
Trio de Flûtes: 3 flûtes
5
Flûte, Trompette (duo)
5
Flûte, Violon
5
Flûte à bec Alto
5
2 Flûtes traversières, Piano
4
Clarinette, Trompette (duo)
4
Hautbois, Clarinette (duo)
4
Clarinette, Basson (duo)
4
Quintette de Flûte : 5 flûtes
4
Instruments en Mib
4
Flûte à bec Alto, Piano
4
Clarinette et Alto
4
Flûte, Clarinette, Piano (trio)
4
Saxophone Baryton
4
Saxophone et Guitare
4
Clarinette Basse, Piano
4
Quatuor de Flûtes à bec
4
2 Saxophones, Piano
3
2 Flûte à bec (duo)
3
2 Hautbois (duo)
3
Cor anglais, Guitare (duo)
3
Flûte, Alto et Piano
3
3 Clarinettes (trio)
3
Flûte à bec Soprano, Piano
3
Clarinette, Harpe (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Tenor
2
Harmonica
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de saxophones
2
Flûte, Violon, Piano
2
Flûte, Violon et Violoncelle
2
Flûte, Alto (duo)
2
Flûte, Saxophone (duo)
2
3 Saxophones (trio)
2
Ocarina
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette et Basson
1
5 Flûtes à bec
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
2 Hautbois et Basson
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
Piccolo, Piano
1
Flûte à bec, Harpe
1
Flûte, Hautbois, Violon
1
Flûte, trombone et piano
1
Clarinette, Alto et Piano (trio)
1
4 Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Basson et Piano
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Piano
1
Flûte, Violon, Violoncelle et Piano
1
+ 88 instrumentations
Retracter
Cuivres
Trompette
113
Trombone
84
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
77
Trompette, Piano
61
Trombone et Piano
54
Cor
44
Ensemble de Trompettes
35
Cor et Piano
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette (partie séparée)
20
Tuba
17
Euphonium
14
2 Trompettes (duo)
14
Cor anglais, Piano
13
2 Trombones (duo)
12
Trombone (partie séparée)
11
Tuba et Piano
10
Quatuor de Cuivres
10
Quatuor de cuivres: 4 trombones
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette, Trombone (duo)
8
Euphonium, Piano (duo)
8
Bass Clef Instruments
7
2 Cors (duo)
6
Cor (partie séparée)
6
Instruments en Sib
5
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trompettes
4
Trompette, Cor (duo)
4
Ensemble de Trombones
3
Trio de Cuivres
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trompettes (trio)
2
Trompette, Violoncelle et Piano
2
2 Trompettes, Clavier (piano ou orgue)
1
4 Tubas
1
4 Euphoniums
1
2 Cors Anglais Et Pianoforte
1
Cor anglais et Harpe (duo)
1
2 Trombones, Piano
1
Trompette, violon (duo)
1
Trombone, Tuba (duo)
1
2 Cors, Piano
1
Trombone basse
1
Tuba (partie séparée)
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
Trompette, Saxophone (duo)
1
+ 44 instrumentations
Retracter
Cordes
Violon
297
Quatuor à cordes: 2 violons, alto, violoncelle
174
Violon et Piano
117
Violoncelle
93
Violoncelle, Piano
79
Alto seul
62
Alto, Piano
50
Violon, Violoncelle (duo)
30
Harpe
29
2 Violoncelles (duo)
20
Trio à Cordes: violon, alto, violoncelle
18
Violon, Alto (duo)
16
2 Violons (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violon (partie séparée)
14
Contrebasse, Piano (duo)
13
2 Altos (duo)
11
Alto (partie séparée)
11
Alto, Violoncelle (duo)
8
Violon, Guitare (duo)
8
Contrebasse (partie séparée)
6
Contre Basse
6
Harpe, Voix
5
Piano Trio: Violon, Alto, Piano
5
Ensemble de Violons
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
3
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
2
2 Violons, Piano
2
Violoncelle , Guitare (duo)
2
Trio à cordes
2
4 Violoncelles
2
Quatuor à cordes: 4 violons
2
Violoncelle, Orchestre
1
Trio à cordes: 3 altos
1
Violon, Tuba (duo)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe et Piano
1
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Ensemble de Violoncelles
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
104
Orchestre
101
Ensemble de cuivres
70
Fanfare
66
Batterie
58
Orchestre à Cordes
57
Ensemble Jazz
47
Orchestre de chambre
30
Cloches
25
Jazz combo
17
Percussion (partie séparée)
7
Batterie (partie séparée)
6
Ensemble de Percussions
5
Xylophone
2
Marimba
2
Instrumentation Flexible
2
Xylophone ou Marimba ou Vibraphone
2
Vibraphone
2
Piano et Orchestre
1
Xylophone, Piano
1
Quatuor à Vent : 4 instruments à vents
1
Xylophone (partie séparée)
1
+ 17 instrumentations
Retracter
Autres
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ACCORDEON
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BANJO
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BASSON
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CITHARE
CLAIRON
CLARINETTE
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CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
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SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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OPERA
PATRIOTIQUE
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2 Pianos, 4 mains
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SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Danses concertantes
2 Pianos, 4 mains
2 pianos - difficult - Digital Download SKU: S9.Q563062 Concert vesion for two p…
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2 pianos - difficult - Digital Download SKU: S9.Q563062 Concert vesion for two pianos by Ingolf Dahl. Composed by Igor Stravinsky. Arranged by Ingolf Dahl. Downloadable. Duration 20 minutes. Schott Music - Digital #Q563062. Published by Schott Music - Digital (S9.Q563062). Igor Strawinsky schrieb die Danses concertantes ursprünglich für ein in Kalifornien ansässiges Unterhaltungsorchester. Die fünf Sätze sind allerdings mehr als rein orchestrale Tänze. Das Stück erinnert an eine Ballettsuite. Die beiden Märsche zu Beginn und am Ende untermalen Auftritt (Prolog) und Abgang (Epilog) der Tänzer, wobei zwei der mittleren Sätze – „Pas d’action“ und „Pas de deux“ – offenkundig auf das Ballett anspielen. Die Bearbeitung für zwei Klaviere von Ingolf Dahl ist nicht nur eine Reduktion des Orchestersatzes, sondern ganz bewusst als eigenständige Konzertfassung gedacht.
$40.99
37.79 €
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2 Pianos, 4 mains
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Igor Stravinsky
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Ingolf Dahl
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Danses concertantes
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Schott Music - Digital
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SheetMusicPlus
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