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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All Right
Non classifié
2 980
Piano & claviers
Piano seul
1 970
Piano, Voix
867
Piano Facile
725
Piano, Voix et Guitare
367
Orgue
162
Instruments en Do
84
1 Piano, 4 mains
46
Piano Trio: piano, violon, violoncelle
46
Piano grosses notes
29
Piano Quatuor: piano, violon, alto, violoncelle
27
2 Pianos, 4 mains
25
Accompagnement Piano
21
Piano (partie séparée)
10
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
2 Pianos, 8 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
2
1 Piano, 6 mains
1
Clavecin
1
Clavier
1
Accordéon
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
187
Guitare
158
Ligne De Mélodie, (Paroles) et Accords
52
Basse electrique
49
Ukulele
45
Paroles et Accords
23
Guitare (partie séparée)
20
2 Guitares (duo)
16
Banjo
15
Mandoline
11
Piano, Guitare (duo)
9
Dulcimer
9
4 Guitares (Quatuor)
3
Ukulele Baryton
2
2 Dulcimers (duo)
2
2 Ukuleles
1
3 Guitares (trio)
1
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
677
Chorale TTBB
313
Chorale 3 parties
282
Chorale 2 parties
168
Chorale SSAA
154
Chorale Unison
99
Voix Alto, Piano
76
Voix Baryton, Piano
66
Voix duo, Piano
51
Voix Soprano, Piano
48
Voix Tenor, Piano
37
Voix Tenor
30
Voix basse, Piano
30
Voix seule
27
Voix Soprano
26
Voix duo
13
Voix haute
13
Voix Mezzo-Soprano, Piano
8
Voix moyenne, Piano
7
Pack Instrumental pour Chorale
6
Chorale
5
Chorale SSATTB
2
Voix haute, Piano
1
Voix basse
1
Chorale SATBB
1
Chorale SSAATTBB
1
Chorale SSAB a cappella
1
+ 22 instrumentations
Retracter
Vents
2 Saxophones (duo)
222
Quatuor de Saxophones: 4 saxophones
184
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
149
Hautbois, Piano (duo)
111
3 Saxophones (trio)
109
Flûte traversière et Piano
102
Saxophone (partie séparée)
98
Clarinette
96
Flûte traversière
89
Clarinette et Piano
86
Quatuor de Clarinettes: 4 clarinettes
82
Flûte, Hautbois, Clarinette, Basson
78
2 Flûtes traversières (duo)
76
2 Clarinettes (duo)
73
Saxophone Alto et Piano
71
Saxophone Alto
66
Saxophone Tenor
59
Quatuor de Flûtes : 4 flûtes
57
2 Hautbois (duo)
53
Saxophone Tenor et Piano
53
Saxophone Soprano et Piano
48
Quintette de Saxophone: 5 saxophones
44
Hautbois (partie séparée)
43
Trio de Flûtes: 3 flûtes
43
3 Clarinettes (trio)
40
Quintette de Clarinettes: 5 clarinettes
34
Ensemble de Flûtes
30
Hautbois
30
Flûte, Hautbois, Basson
29
Flûte, Clarinette et Basson
27
Flûte, Clarinette (duo)
27
3 Hautbois
26
Ensemble de saxophones
24
Saxophone Baryton, Piano
24
4 Hautbois
23
Saxophone, Clarinette (duo)
22
Saxophone Soprano
22
Ensemble de Clarinettes
22
Hautbois, Clarinette (duo)
21
Saxophone
20
Hautbois, Basson (duo)
20
Cor Anglais
18
Clarinette, Violon (duo)
16
Flûte à bec Alto, Basse continue
14
Flûte à bec Soprano, Piano
13
Cor anglais, Piano
11
2 Flûte à bec (duo)
11
Flute (partie séparée)
11
Flûte et Guitare
11
Hautbois, Flûte
10
Harmonica
10
Flûte, Saxophone (duo)
9
Clarinette, Trompette (duo)
9
Clarinette et Alto
9
Clarinette Basse, Piano
9
Flûte, Hautbois, Piano (trio)
9
Quintette de Flûte : 5 flûtes
8
Clarinette (partie séparée)
8
Clarinette, Basson (duo)
8
Flûte, Alto (duo)
7
2 Flûtes traversières, Piano
7
Flûte, Violon
7
Flûte, Trompette (duo)
7
Flûte, Hautbois (duo)
6
Flûte, Violon et Violoncelle
6
Flûte à bec Alto, Piano
6
Flûte, Hautbois, Clarinette (trio)
5
Clarinette, Violoncelle, Piano (trio)
5
Saxophone Baryton
5
Hautbois, Guitare (duo)
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Violon, Piano
4
Flûte, Clarinette, Piano (trio)
4
2 Clarinettes, Piano
3
Flûte, Basson et Piano
3
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Violoncelle (duo)
3
Clarinette, Guitare (duo)
3
Clarinette, Basson, Piano (trio)
2
Flûte, Alto et Piano
2
Clarinette, Orchestre
2
2 Hautbois, Piano
2
Flûte, Violoncelle
2
Ocarina
2
5 Flûtes à bec
2
Flûte, trombone et piano
2
Quatuor de Flûtes à bec
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à Bec
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
3 Flûtes à bec (trio)
1
Flûte à bec Soprano
1
Flûte, Trombone (duo)
1
Saxophone et Guitare
1
Cor anglais, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Instruments en Mib
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte irlandaise
1
Clarinette, Trombone (duo)
1
Clarinette, trompette et piano
1
Clarinette, Contrebasse (duo)
1
Ensemble à vent
1
Ensemble de Hautbois
1
Piccolo
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle et Piano
1
+ 103 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
150
Quatuor de Cuivres : 2 trompettes, trombone, tuba
131
Trombone
86
Trompette
85
Quatuor de Cuivres: 2 trompettes, Cor, trombone
73
Trompette, Piano
68
Trombone et Piano
68
Cor
60
2 Trompettes (duo)
59
2 Trombones (duo)
45
Trompette (partie séparée)
43
Trombone (partie séparée)
42
Cor et Piano
42
Trompette, Trombone (duo)
38
Tuba
32
Quatuor de Cuivres
31
Tuba et Piano
27
Cor Anglais
18
Trompette, Saxophone (duo)
15
2 Cors (duo)
15
Cor anglais, Piano
11
2 Tubas (duo)
11
Cor (partie séparée)
10
Euphonium, Piano (duo)
8
Euphonium
8
Quatuor de cuivres: 4 cors
8
Ensemble de Trombones
8
Ensemble de Cors
6
Trompette, Cor (duo)
6
3 Trombones (trio)
6
Quatuor de cuivres: 4 trombones
6
Tuba (partie séparée)
5
Quatuor de cuivres: 4 trompettes
4
Trombone basse
4
Trompette, violon (duo)
4
Trompette, Violoncelle (duo)
4
Ensemble de Trompettes
4
2 Euphoniums et 2 Tubas
3
4 Tubas
3
2 Cors, Piano
3
Cor, Tuba (duo)
3
Trompette, Tuba (duo)
2
Trompette, Basson (duo)
2
Trombone, Cor (duo)
2
Trombone basse et Piano
2
Trombone, Tuba (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Euphoniums
2
Trio de Cuivres
2
Euphonium, Tuba (duo)
1
Trombone et orchestre
1
Tuba et Orgue
1
Cor anglais, Guitare (duo)
1
Instruments en Sib
1
Cor et Orgue
1
Trompette, Euphonium (duo)
1
Bass Clef Instruments
1
3 Trompettes (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
+ 55 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
464
Violon, Violoncelle (duo)
173
Violon et Piano
172
Violon
136
Harpe
116
Violoncelle, Piano
111
Violoncelle
109
Trio à Cordes: 2 violons, violoncelle
104
Trio à Cordes: violon, alto, violoncelle
88
Alto, Piano
85
2 Violons (duo)
82
Alto seul
68
2 Violoncelles (duo)
67
Contre Basse
54
2 Altos (duo)
52
Violon, Alto (duo)
52
Trio à cordes: 3 violins
32
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Trio à Cordes: 3 violoncelles
31
Alto (partie séparée)
19
Violon (partie séparée)
18
Contrebasse, Piano (duo)
16
Alto, Violoncelle (duo)
14
2 Contrebasses (duo)
13
Violon, Basson (duo)
12
Contrebasse (partie séparée)
12
Violon, Basse continue
11
Piano Trio: Violon, Alto, Piano
11
Harpe, Flûte (duo)
6
Violoncelle (partie séparée)
5
Trio à cordes
5
Violon, Guitare (duo)
4
Harpe, Voix
4
4 Violoncelles
4
Quatuor à cordes: 4 violons
4
Violoncelle, Contrebasse (duo)
3
Ensemble de Violons
3
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
2
Ensemble d'Altos
2
2 Violoncelles, Piano
2
Trio à Cordes: 2 violons, alto
2
2 Violons, Piano
2
Alto et Harpe
1
4 Contrebasses
1
Alto et Basson
1
Flûte, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
574
Orchestre à Cordes
257
Orchestre
159
Ensemble de cuivres
155
Ensemble Jazz
134
Orchestre de chambre
95
Cloches
80
Fanfare
44
Batterie
35
Jazz combo
33
Ensemble de Percussions
13
Batterie (partie séparée)
11
Marimba
10
Percussion (partie séparée)
7
Percussion
6
Timbales
3
Caisse Claire
2
Xylophone
2
Xylophone, Piano
2
Xylophone ou Marimba ou Vibraphone
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Vibraphone
1
2 Marimbas
1
+ 19 instrumentations
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CONTREBASSE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DEEJAY
DIDGERIDOO
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
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MANDOLINE
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2 Pianos, 4 mains
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1
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
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2 Pianos, 4 mains
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FACILE
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Classique
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata D
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Music Innovators Workshop
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages....
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
Tango for the Road - for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Ofer Ben-Amots
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Tango for the Road - for two p
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The Composer's Own Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer'...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Fugue in G minor (BWV 578) ("Little Organ Fugue") by JS Bach - Arranged for 2 pianos
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2 Pianos, 4 mains
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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4th part on Pedals
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Fugue in G minor
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.497959 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. S...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.497959 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 15 pages. Published by Pietro Prugna (A0.497959). JS Bach's Little Organ Fugue in G minor (BWV 578) was originally written for the Organ. It has 4 parts. The 1st part is played by the right hand, 2nd part by right and left hands (at different parts), 3rd part on left hand; 4th part on Pedals. As the range of notes is wide, it is impossible to play on solo piano. In this arrangement the 1st and 3rd parts are played by Piano 1 (right and left hands respectively), while the 2nd and 4th parts are played by Piano 2 (right and left hands respectively). This allows a piano duo to play the Fugue together. For beginners, 4 pianists can play 1 part each on 2 pianos. This will allow the pianists to appreciate the beauty of the different parts of the Fugue and how they intriguingly blend together.
$1.99
Fugue in G minor (BWV 542) (from "Fantasia and Fugue") by JS Bach - Arranged for 2 pianos
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2 Pianos, 4 mains
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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Fugue in G minor
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.497957 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Wedding. Score. 2...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.497957 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Wedding. Score. 27 pages. Published by Pietro Prugna (A0.497957). JS Bach's Fugue in G minor (BWV 542) (from Fantasia and Fugue) was originally written for the Organ. It has 4 parts: 1st part is played by the right hand; 2nd part by right and left hands (at different parts); 3rd part on left hand; 4th part on Pedals. As the range of notes is wide, it is impossible to play on solo piano. In this arrangement, the 1st and 3rd parts are played by Piano 1 (right and left hands respectively) while the 2nd and 4th parts are played by Piano 2 (right and left hands respectively). This allows a piano duo to play the Fugue together. For beginners, 4 pianists can play 1 part each on 2 pianos too. This will allow the pianists to appreciate the beauty of the different parts of the Fugue and how they intriguingly blend together.
$1.99
Toccata from Organ Symphony No. 5
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2 Pianos, 4 mains
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AVANCÉ
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Richard Simm
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Richard Simm
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Toccata from Organ Symphony No
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1423827 By Richard Simm. By Charles Marie Widor. Arranged by Richard Simm. Classical,Praise & Worship,Re...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1423827 By Richard Simm. By Charles Marie Widor. Arranged by Richard Simm. Classical,Praise & Worship,Religious,Romantic Period,Sacred. Score. 13 pages. Richard Simm #1005053. Published by Richard Simm (A0.1423827). Richard Simm having some serious 2-piano fun with Widor's famous Toccata from his 5th Organ Symphony. The original is a technical marathon for the performer's right hand, although the footwork is relatively easy. So the idea here was to arrange this spectacular work in a new format for two pianos, and in such a way as to redistribute all those right-hand notes between two hands and generally give both performers a more comfortable time.
$8.95
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Piano Concerto No. 4 "The
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
And Can It Be? (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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And Can It Be?
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Religious,Sacred. Score. 15 pages. Sharon Wilson #1034900. Published by Sharon Wilson (A0.1455801). This arrangement of the familiar hymn tune SAGINA by Thomas Campbell is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and cheerful throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat musical interlude is desired. The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
To God Be the Glory (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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To God Be the Glory
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455797 By Sharon Wilson. By Fanny J. Crosby and William H. Doane. Arranged by Sharon Wilson. 19th Centu...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455797 By Sharon Wilson. By Fanny J. Crosby and William H. Doane. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 14 pages. Sharon Wilson #1034894. Published by Sharon Wilson (A0.1455797). This arrangement of the classic hymn tune To God Be the Glory by William H. Doane is written as a dual piano duet (for 2 pianos, 4 hands). The two pianos alternate leading with the melody making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and energetic throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever a cheerful musical interlude is desired. The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Sonata for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Gary R
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Sonata for Two Pianos
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Gary Smoke
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published by Gary Smoke (A0.835952). In three movements: the first (an allegro) is somewhat inspired in feel and scope by Mozart's Sonata for Two pianos; the second movement (subtitled Lullaby) is a slow and lyrical; and, the third movement is fast, highly chromatic and fairly aggressive.The starting times for the movements on the mp3 file: 1) 0:00; 2) 5:33; 3) 10:05. The total time for performance is ca. 15:30This is a MIDI perfomance (Piano1 is in right channel, Piano 2 in the left channel).
$25.00
Waltz from Sleeping Beauty, for 2 pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Pyotr Tchaikovsky
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Richard Simm
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Waltz from Sleeping Beauty, fo
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1074261 Composed by Pyotr Tchaikovsky. Arranged by Richard Simm. Classical,Romantic Period. Score. 14 pa...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1074261 Composed by Pyotr Tchaikovsky. Arranged by Richard Simm. Classical,Romantic Period. Score. 14 pages. Richard Simm #678551. Published by Richard Simm (A0.1074261). In this well-loved waltz by Tchaikovsky, the composer once again brings life, magic and colour to a famous fairy tale. It is a grand, bright and optimistic item, coming near the beginning of the ballet and before the dramatic conflict with the forces of evil at the heart of the story. As usual, Richard Simm's arrangement for 2 pianos is intended for concert performance by advanced pianists, but the delightful results will certainly repay the practice involved.
$8.95
Imgonnagetyouback
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Taylor Swift
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always_piano
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Imgonnagetyouback
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always_piano
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1502700 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by always_piano. 21st Century,Conte...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1502700 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by always_piano. 21st Century,Contemporary,New Age,Pop,Singer/Songwriter. Score. 10 pages. Always_piano #1078372. Published by always_piano (A0.1502700). imgonnagetyouback by Taylor SwiftFrom The Tortured Poets Department: The AnthologyNo Copyright Infringement IntendedAll Credits to Taylor Swift.
$5.99
The Black Dog
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Taylor Swift
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always_piano
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The Black Dog
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always_piano
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1502698 By Taylor Swift. By Taylor Swift. Arranged by always_piano. 21st Century,Contemporary,New Age,Po...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1502698 By Taylor Swift. By Taylor Swift. Arranged by always_piano. 21st Century,Contemporary,New Age,Pop,Singer/Songwriter. Score. 7 pages. Always_piano #1078369. Published by always_piano (A0.1502698). The Black Dog by Taylor SwiftFrom The Tortured Poets Department: The AnthologyNo Copyright Infringement IntendedAll Credits to Taylor Swift.
$5.99
The Alchemy
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Taylor Swift
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always_piano
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The Alchemy
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always_piano
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1470613 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by always_piano. 21st Century,Conte...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1470613 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by always_piano. 21st Century,Contemporary,New Age,Pop,Singer/Songwriter. Score. 7 pages. Always_piano #1048265. Published by always_piano (A0.1470613). The Alchemy by Taylor SwiftFrom The Tortured Poets DepartmentNo Copyright Infringement IntendedAll Credits to Taylor Swift.
$4.99
Clara Bow
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Taylor Swift
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always_piano
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Clara Bow
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always_piano
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1470614 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by always_piano. 21st Century,Conte...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1470614 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by always_piano. 21st Century,Contemporary,New Age,Pop,Singer/Songwriter. Score. 6 pages. Always_piano #1048266. Published by always_piano (A0.1470614). Clara Bow by Taylor SwiftFrom The Tortured Poets DepartmentNo Copyright Infringement IntendedAll Credits to Taylor Swift.
$4.99
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