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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
SAXOPHONE
SYNTHETISEUR
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Non classifié
17673
PIANO & CLAVIERS
Piano seul
6730
Piano Facile
3477
Piano grosses notes
3152
Piano, Voix
2910
Piano, Voix et Guitare
2280
Orgue
1936
Instruments en Do
1176
Accompagnement Piano
345
1 Piano, 4 mains
205
Piano Trio: piano, violon, violoncelle
191
Piano (partie séparée)
111
Accordéon
110
2 Pianos, 4 mains
82
Clavier
68
Piano Quatuor: piano, violon, alto, violoncelle
25
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Orgue, Trompette (duo)
15
Piano Quatuor: piano, 2 violons, violoncelle
15
Orgue, Piano (duo)
14
2 Pianos, 8 mains
8
1 Piano, 6 mains
8
Clavecin
3
Ensemble d'Accordéons
2
2 Accordéons
1
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GUITARES
Guitare notes et tablatures
965
Guitare
570
Basse electrique
488
Ligne De Mélodie, (Paroles) et Accords
386
Ukulele
329
Guitare (partie séparée)
211
Paroles et Accords
131
Mandoline
117
2 Guitares (duo)
75
4 Guitares (Quatuor)
50
Piano, Guitare (duo)
47
Dulcimer
47
Banjo
41
Mandoline, Piano (duo)
35
3 Guitares (trio)
23
Ensemble de guitares
15
Basse électrique (partie séparée)
12
2 Dulcimers (duo)
5
2 Ukuleles
4
Mandoline, Guitare (duo)
4
Guitare, Violon, Violoncelle (trio)
4
Ukulele Baryton
2
Ensemble de Ukulélés
1
Dobro
1
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VOIX
Chorale SATB
3709
Chorale 3 parties
1509
Chorale TTBB
1086
Chorale 2 parties
872
Chorale Unison
645
Chorale SSAA
615
Voix duo, Piano
136
Voix Alto, Piano
104
Voix Tenor, Piano
82
Voix Soprano, Piano
81
Voix duo
81
Voix Baryton, Piano
73
Voix seule
49
Voix haute
39
Voix Tenor
36
Chorale
30
Voix Soprano
28
Voix basse, Piano
23
Voix moyenne, Piano
9
Chorale SSATB
7
Chorale SAATB A Cappella
4
Chorale SSATTB
4
Chorale SSAATTBB
4
Chorale SSAB, Piano
3
Voix basse
2
Soli, choeur mixte et accompagnement
2
Chorale SATBB
2
Chorale SSAB a cappella
2
Chorale SSAATB
1
Voix Moyenne
1
Voix Baryton
1
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VENTS
2 Saxophones (duo)
1320
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1061
Saxophone (partie séparée)
974
Quatuor de Saxophones: 4 saxophones
959
Flûte traversière et Piano
958
Clarinette et Piano
853
Flûte, Hautbois, Clarinette, Basson
783
Hautbois, Piano (duo)
756
2 Flûtes traversières (duo)
704
Flûte traversière
692
Clarinette
687
Quintette de Saxophone: 5 saxophones
647
2 Clarinettes (duo)
633
Saxophone Alto et Piano
630
Saxophone Alto
564
Quatuor de Clarinettes: 4 clarinettes
488
Saxophone Tenor et Piano
458
Saxophone Tenor
431
Hautbois (partie séparée)
372
Saxophone Soprano et Piano
334
Saxophone, Clarinette (duo)
315
2 Hautbois (duo)
299
Flûte, Clarinette (duo)
280
Clarinette, Violon (duo)
268
3 Saxophones (trio)
233
Quatuor de Flûtes : 4 flûtes
222
Saxophone Baryton, Piano
212
Hautbois, Clarinette (duo)
210
2 Flûte à bec (duo)
207
Quintette de Clarinettes: 5 clarinettes
193
Ensemble de saxophones
191
3 Clarinettes (trio)
190
Hautbois, Basson (duo)
185
Clarinette, Trompette (duo)
183
Hautbois
179
Ensemble de Clarinettes
179
Flûte, Violon
159
Ensemble de Flûtes
146
Clarinette (partie séparée)
132
Trio de Flûtes: 3 flûtes
132
Clarinette et Alto
128
Ocarina
127
Flûte à bec Soprano
118
Flûte, Saxophone (duo)
116
Quintette de Flûte : 5 flûtes
113
Flute (partie séparée)
112
Flûte, Alto (duo)
108
Hautbois, Flûte
108
Flûte, Trompette (duo)
97
Cor anglais, Piano
86
Saxophone Soprano
83
Flûte, Hautbois (duo)
70
Saxophone Baryton
69
Clarinette Basse, Piano
63
Flûte et Guitare
63
Clarinette, Basson (duo)
60
Flûte, Hautbois, Clarinette (trio)
59
Flûte à Bec
58
Hautbois, Clarinette, Basson (trio d'anches)
54
Flûte, Clarinette et Basson
53
Cor Anglais
53
Flûte, Violoncelle
50
Flûte à bec Alto
44
2 Clarinettes, Piano
41
Flûte, Violon, Piano
38
Clarinette, Violoncelle (duo)
38
2 Flûtes traversières, Piano
37
Harmonica
36
Quatuor de Flûtes à bec
34
Ensemble De Flûte à bec
33
Flûte, Violon et Violoncelle
33
Flûte, Clarinette, Violon (trio)
33
Hautbois, Violoncelle
32
Flûte, Hautbois, Basson
31
Flûte, Clarinette, Piano (trio)
30
Clarinette, Guitare (duo)
29
Clarinette, Harpe (duo)
29
Flûte, Basson et Piano
23
Flûte, Violoncelle, Piano (trio)
23
5 Flûtes à bec
23
Hautbois, violon (duo)
23
Clarinette, Trombone (duo)
18
3 Flûtes à bec (trio)
17
Flûte, Trombone (duo)
17
Hautbois et alto (duo)
15
Flûte, Alto et Piano
15
Flûte à Bec, Piano
15
Flûte à bec Soprano, Piano
14
Clarinette, Violoncelle, Piano (trio)
14
Flûte, Clarinette, Cor, Basson (Quartet)
13
Flûte à bec Tenor
13
Flute, harpe et violon
12
Flûte à bec Alto, Piano
11
Clarinette Basse
10
Flûte, Hautbois, Violon
10
Flûte irlandaise
10
Hautbois, Guitare (duo)
10
Piccolo, Piano
9
Cor anglais, Guitare (duo)
9
Flûte, trombone et piano
8
Hautbois, Violon, Piano
8
Piccolo
8
Flûte, Hautbois, Piano (trio)
7
Saxophone
7
Clarinette, Contrebasse (duo)
7
Flûte, Harpe et Violoncelle
6
Instruments en Mib
5
Clarinette, Tuba
5
Clarinette, Alto et Piano (trio)
5
3 Hautbois
5
Hautbois, trombone (duo)
5
Flûte traversière, Orgue (duo)
5
Hautbois, Violoncelle et Piano
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Clarinette, Basson, Piano (trio)
5
Saxophone et Guitare
5
Hautbois, Basson et Piano
4
Flûte, Violon, Violoncelle et Piano
4
Flûte et Trio à cordes
4
Hautbois, Clarinette et Piano (Trio)
4
2 Saxophones, Piano
4
Clarinette, trompette et piano
4
Flûte, Tuba (duo)
4
Flûte de Pan
3
Saxophone et Harpe
3
2 Hautbois, Piano
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
2 Clarinettes, Basson
2
4 Hautbois
2
Ensemble à vent
2
Hautbois, Trompette (duo)
2
Saxophone et Orgue
2
Flûte, alto et harpe
1
2 Flûtes traversières, Harpe
1
2 Flûtes à bec, Piano
1
Clarinette, Orgue
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle, Guitare
1
Ensemble de Hautbois
1
Hautbois, Harpe
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1017
Trompette
638
Trompette, Piano
613
Trombone (partie séparée)
600
Trombone et Piano
590
Quatuor de Cuivres : 2 trompettes, trombone, tuba
570
Trompette (partie séparée)
529
Trombone
509
Cor et Piano
493
Cor
431
Tuba et Piano
356
2 Trombones (duo)
349
Tuba
339
2 Trompettes (duo)
336
Quatuor de Cuivres
295
Quatuor de Cuivres: 2 trompettes, Cor, trombone
279
Trompette, Saxophone (duo)
228
Trompette, Trombone (duo)
222
2 Cors (duo)
177
Cor (partie séparée)
161
Quatuor de cuivres: 4 trombones
119
Tuba (partie séparée)
113
Ensemble de Trompettes
96
Ensemble de Trombones
93
Cor anglais, Piano
86
Euphonium, Piano (duo)
78
2 Tubas (duo)
72
Quatuor de cuivres: 4 cors
64
Cor Anglais
53
Trompette, Cor (duo)
49
2 Euphoniums et 2 Tubas
43
Euphonium
38
Trio de Cuivres
38
3 Trombones (trio)
37
Trombone, Tuba (duo)
26
Ensemble de Cors
22
Quatuor de cuivres: 4 trompettes
20
Trombone basse
18
2 Euphoniums (duo)
18
4 Tubas
15
Trombone, Cor (duo)
13
Tuba et Orgue
13
Trompette, Tuba (duo)
13
3 Trompettes (trio)
13
Euphonium, Tuba (duo)
13
Trompette, Basson (duo)
12
Trompette, Violoncelle (duo)
9
Trombone basse et Piano
9
Bass Clef Instruments
9
Cor anglais, Guitare (duo)
9
2 Trombones, Piano
7
3 Tubas (trio)
7
Instruments en Sib
7
Trompette, Violoncelle et Piano
7
Trompette, Harpe
7
2 Trompettes, Clavier (piano ou orgue)
6
Trombone, Orgue
6
Cor, Violoncelle (duo)
6
Cor, Tuba (duo)
6
Cor et Harpe
6
Trompette, Trombone, Piano
6
Trombone, Violon (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
3 Cors (trio)
4
Cor et Basson (duo)
3
2 Cors, Piano
3
Tuba ou Euphonium ou Saxhorn
3
Clarinette, Cor (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Ensemble de Tubas
1
Trompette, Orchestre
1
2 Cors Anglais Et Pianoforte
1
Cornet et orchestre
1
Cor et Orgue
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2788
Violon et Piano
1354
Violon
1126
Violon, Violoncelle (duo)
870
Violoncelle
827
Violoncelle, Piano
826
Harpe
781
Alto, Piano
776
Trio à Cordes: violon, alto, violoncelle
681
2 Violons (duo)
532
Quintette à cordes: 2 violons, alto, violoncelle, basse
526
Alto seul
511
2 Violoncelles (duo)
398
Violon, Alto (duo)
369
2 Altos (duo)
341
Contre Basse
325
Contrebasse, Piano (duo)
311
Trio à Cordes: 2 violons, violoncelle
223
Contrebasse (partie séparée)
213
Violon (partie séparée)
173
Alto (partie séparée)
151
Alto, Violoncelle (duo)
105
Trio à cordes: 3 violins
82
4 Violoncelles
82
2 Contrebasses (duo)
70
2 Harpes (duo)
67
Trio à Cordes: 3 violoncelles
43
Piano Trio: Violon, Alto, Piano
42
Violoncelle, Contrebasse (duo)
39
Harpe, Flûte (duo)
34
Violoncelle (partie séparée)
33
Quatuor à cordes: 4 violons
31
Trio à cordes: 3 altos
29
Harpe, Violon (duo)
29
Violon, Basson (duo)
28
Quatuor à cordes : 4 altos
25
Trio à Cordes: 2 violons, alto
24
Ensemble de Violons
24
Ensemble d'Altos
22
Quintette à cordes: 2 violons, 2 altos, violoncelle
21
Violon, Clarinette, Piano (trio)
15
Violon, Guitare (duo)
14
Quintette à cordes : 2 violons, alto et 2 violoncelles
14
Violoncelle , Guitare (duo)
14
Flûte, Contrebasse (duo)
13
Harpe, Voix
12
2 Violons, Piano
11
Alto et Basson
11
Trio à cordes
8
Harpe, Violon, Violoncelle
6
4 Contrebasses
6
Alto et Harpe
6
2 Violoncelles, Piano
6
Violon, Tuba (duo)
6
Harpe, Violoncelle (duo)
5
3 Harpes
4
2 Altos, Piano
4
3 Contrebasses
4
Alto, Guitare (duo)
3
Violon, Trompette et Piano
3
4 Harpes
3
Harpe (partie séparée)
3
Ensemble de Violoncelles
2
Harpe, Trombone (duo)
2
5 Harpes
2
Violon, Violoncelle, Clarinette
1
Autoharp
1
Violoncelle, Basse continue
1
Violon, Orgue
1
Harpe et mandoline
1
Violoncelle, Orchestre
1
Harpe et Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
5966
Orchestre à Cordes
1425
Ensemble Jazz
1023
Orchestre
875
Ensemble de cuivres
489
Cloches
485
Fanfare
318
Orchestre de chambre
270
Batterie
186
Ensemble de Percussions
175
Batterie (partie séparée)
175
Jazz combo
171
Percussion (partie séparée)
124
Marimba
89
Vibraphone
39
Percussion
37
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
32
Xylophone
29
Xylophone, Piano
25
2 Xylophones
8
Instrumentation Flexible
8
3 Marimbas
5
Orchestre, Violon
3
Ensemble d'École
2
Bongos
2
Big band
2
Quintette de Cuivres: autres combinaisons
2
Timbales
2
Quintette à Vent
2
Voix et Orchestre
1
Marimba, Piano (duo)
1
Cajon
1
Xylophone (partie séparée)
1
Vibraphone et Marimba
1
Vibraphone (partie séparée)
1
Timbales (partie séparée)
1
Caisse Claire
1
Conga
1
Xylophone ou Marimba ou Vibraphone
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
3
Théorie de la musique
2
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Deck the halls - Christmas Carol - Polyphonic - Piano Duet (4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.568102 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.568102 Composed by Trad. Arranged by Thomas Graf. 20th Century,Christmas. Score. 14 pages. Thomas Graf - the-hit-factory.com #2835607. Published by Thomas Graf - the-hit-factory.com (A0.568102). Polyphonic arrangement of the traditional Christmas, yuletide, and New Years' carol. The melody is Welsh dating back to the sixteenth century, and belongs to a winter carol, Nos Galan. As played by the ORIGINAL DRACHENFELSER MUSIKANTEN on CD MERRY CHRISTMAS. Big fun to play! Not difficult! Instrumentation: Piano 4 Hands Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog included (2016,9 pages) Video: https://www.youtu.be/AjYVrrNMRMI 2016 Easy Piano Contest Entry .
$5.00
4.53 €
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2 Pianos, 4 mains
#
Trad
#
Thomas Graf
#
Nos Galan
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Deck the halls - Christmas Carol - Polyphonic - Piano Duet
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Do You Hear What I Hear
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.914814 By Carrie U…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.914814 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Lynn Hutchinson. Christian,Gospel,Rock. Score. 19 pages. Lynn Hutchinson Music #4896239. Published by Lynn Hutchinson Music (A0.914814). Doubled piano and horn instrumentation makes this setting both visually and sonically captivating. And really fun to play (thus says the pianist!). Upbeat and modern yet suitable for conservative audiences, this arrangement is ideal for both concert stage and church setting. Price includes score and parts.
$15.99
14.5 €
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2 Pianos, 4 mains
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Carrie Underwood
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Lynn Hutchinson
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Do You Hear What I Hear
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Lynn Hutchinson Music
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SheetMusicPlus
"A Youthful Vow" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
4.49 €
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2 Pianos, 4 mains
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
World S Smallest Violin
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1182892 By AJR. By…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1182892 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by JRN Piano Duo. Contemporary,Pop,Singer/Songwriter. Score. 29 pages. JRN Piano Duo #782641. Published by JRN Piano Duo (A0.1182892). The popular song 'World's Smallest Violin' by AJR arranged and performed by the JRN Piano Duo on two digital pianos (with the help of some digital equipment). You will need a way to loop other instruments and percussion while playing and you need to be able to change your instruments while playing. In the video, a Maschine Mikro MK2 is used. The score includes a compact condensed score and a full orchestral score. Both conatin the same information but differently presented.
$5.99
5.43 €
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2 Pianos, 4 mains
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AJR
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JRN Piano Duo
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World S Smallest Violin
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JRN Piano Duo
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SheetMusicPlus
French Ballet Class
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1120657 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1120657 Composed by George Gershwin. Arranged by Daryl McKenzie. 20th Century,Film/TV. Score. 14 pages. Daryl McKenzie #721905. Published by Daryl McKenzie (A0.1120657). Arranged as a Piano Duet. Duration 1:06 French Ballet Class is a six-minute piece written by George Gershwin in 1937 for two pianos for the movie Shall We Dance. This sequence was meant to accompany a scene of dozens of ballet dancers practicing their positions. It is written in the style of the galop. Only two minutes of this music was used in the final film. This arrangement is just over 1 minute long. Same arrangement for single Piano and String Orchestra available.: https://bit.ly/3MKmYbo More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$19.99
18.12 €
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2 Pianos, 4 mains
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George Gershwin
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Daryl McKenzie
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French Ballet Class
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Daryl McKenzie
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SheetMusicPlus
The Rakes of Mallow
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
7.21 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
Imgonnagetyouback
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1502700 By Taylor …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1502700 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by always_piano. 21st Century,Contemporary,New Age,Pop,Singer/Songwriter. Score. 10 pages. Always_piano #1078372. Published by always_piano (A0.1502700). imgonnagetyouback by Taylor SwiftFrom The Tortured Poets Department: The AnthologyNo Copyright Infringement IntendedAll Credits to Taylor Swift.
$5.99
5.43 €
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2 Pianos, 4 mains
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Taylor Swift
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always_piano
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Imgonnagetyouback
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always_piano
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
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2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Jesus Is All the World to Me
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.828568 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.828568 Composed by Will L. Thompson. Arranged by Gary Prim. Sacred,Spiritual. Score. 7 pages. DAVID M COMBS #6427097. Published by DAVID M COMBS (A0.828568). This is the fifth track on the Inspirational Treasures album produced by Dave Combs and arranged and performed by Gary Prim. This sheet music is an exact, note-for-note transcription of Gary's arrangement as performed on the album. Play the sample audio to hear the entire first page of this song as you preview the sheet music.
$4.99
4.52 €
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2 Pianos, 4 mains
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Will L
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Gary Prim
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Jesus Is All the World to Me
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DAVID M COMBS
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SheetMusicPlus
Løvfald ("Falling Leaves")
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Vestergaard #4810583. Published by Christian Vestergaard (A0.921614). A late night improvisation on the piano, about 3½ minutes long. Technically not a particularly difficult piece to learn. I do a lot of improvisations on the piano and sometimes they end up as finished piano works like this one :-)The synth part is optional, so the piece can be performed as a piano solo, or as a duet with a synth player. I recommend using a sustain pedal and mod wheel for the synth, like I did in my own recording of the piece.Christian Vestergaard, Composer & Pianistwww.christianvestergaard.dk www.youtube.com/cvnielsenwww.facebook.com/chrvestergaardwww.soundcloud.com/christian-vestergaard-wennerlin
$3.99
3.62 €
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2 Pianos, 4 mains
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Christian Vestergaard
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Løvfald
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Christian Vestergaard
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SheetMusicPlus
Girls Like You
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1008701 By Maroon …
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1008701 By Maroon 5. By Adam Levine, Brittany Hazzard, Gian Stone, Henry Walter, and Jason Evigan. Arranged by Kristine Peters. Pop,Rock. Score. 6 pages. Kristine Peters #6535615. Published by Kristine Peters (A0.1008701). Beginner, appropriate for small ensemble - duet, trio or Piano Ensemble.
$12.99
11.78 €
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2 Pianos, 4 mains
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Maroon 5
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Kristine Peters
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Girls Like You
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Kristine Peters
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Reflections on a Winter's Morning
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1263486 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #856450. Published by Matthew Nunes Music (A0.1263486). Listen to this piece hereCommissioned by James EhmerReflections on a Winter’s Morning is a piece especially composed for James Ehmer, a composer, euphonium player, and soon to be medical student, as a personal thank you for his generous donation to my “Get Matt to Maryland†Rally via rally.org. James came to me with two wonderful poems describing idyllic winter scenes and the awe of a morning’s sun. These instantly reminded me of the first mornings I would ever wake to snow fall. The two pianos share multiple roles in recalling these moments: the persistence of an alarm clock in a drowsy morning, the first few fluttering snowflakes, a child teeming with excitement, and finally the grandeur of the sun reigning over the flurry.Orlando, May 2014- Matthew Nunes.
$9.99
9.06 €
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2 Pianos, 4 mains
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Matthew Nunes
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Reflections on a Winter's Morning
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Matthew Nunes Music
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SheetMusicPlus
The campanella for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1401526 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1401526 Composed by Franz Liszt. Arranged by Roy R. Davila Gomez (R.Music). Classical,Historic,Multicultural,Romantic Period,World. Score. 18 pages. R.Music #984709. Published by R.Music (A0.1401526). The score of La Campanella for two pianos is a gem of the piano repertoire that captures the magic and virtuosity of Franz Liszt's musical genius. has been adapted for two pianos, offering performers a unique experience of musical collaboration.The score presents exciting technical challenges for both pianists, from dizzying arpeggios to dazzling melodic passages. Liszt's ability to create an enchanting atmosphere is reflected in every note, transporting the listener to a world of beauty and passion.This edition for two pianos allows you to explore the harmonic richness and structural complexity of the piece in a new and exciting way. The two pianists immerse themselves in a fluid musical dialogue, creating a unique and captivating performance that will delight both performers and audiences.Get this musical masterpiece today and let yourself be carried away by the magic of Franz Liszt's La Campanella in the privacy of two pianos!
$9.99
9.06 €
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2 Pianos, 4 mains
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Franz Liszt
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Roy R
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The campanella for two pianos
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R.Music
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SheetMusicPlus
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
1.81 €
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2 Pianos, 4 mains
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata Duet Arrangement -
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Music Innovators Workshop
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SheetMusicPlus
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 16 Il Diavolo
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869342 Compose…
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #32739. Published by Thomas Oboe Lee (A0.869342). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
9.06 €
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos
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Thomas Oboe Lee
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SheetMusicPlus
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 20 Il Sole
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869327 Compose…
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869327 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2032505. Published by Thomas Oboe Lee (A0.869327). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
9.06 €
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos
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Thomas Oboe Lee
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SheetMusicPlus
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 11 La Ruota d
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869323 Compose…
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869323 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #2032483. Published by Thomas Oboe Lee (A0.869323). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
9.06 €
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos
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Thomas Oboe Lee
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SheetMusicPlus
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 18 La Stella
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869426
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 4 pages. Thomas Oboe Lee #2071133. Published by Thomas Oboe Lee (A0.869426). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
9.06 €
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos
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Thomas Oboe Lee
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SheetMusicPlus
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