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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All-4-One
Non classifié
6 889
Piano & claviers
Piano seul
1 770
Piano, Voix
728
Piano, Voix et Guitare
469
Piano Facile
343
Instruments en Do
252
1 Piano, 4 mains
189
Orgue
132
2 Pianos, 4 mains
80
Accompagnement Piano
57
Piano (partie séparée)
48
Piano Trio: piano, violon, violoncelle
47
Piano grosses notes
38
Piano Quatuor: piano, violon, alto, violoncelle
12
Accordéon
11
Orgue, Piano (duo)
8
2 Pianos, 8 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Trompette (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
3
2 Accordéons
1
Clavier
1
+ 17 instrumentations
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Guitares
Guitare notes et tablatures
183
Basse electrique
160
Guitare
144
Ligne De Mélodie, (Paroles) et Accords
72
Guitare (partie séparée)
69
4 Guitares (Quatuor)
45
2 Guitares (duo)
21
3 Guitares (trio)
12
Ukulele
11
Dulcimer
10
Ensemble de guitares
8
Paroles et Accords
8
Piano, Guitare (duo)
6
Guitare, Violon, Violoncelle (trio)
3
Mandoline
3
2 Dulcimers (duo)
2
2 Mandolines (duo)
2
Banjo
1
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
+ 15 instrumentations
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Voix
Chorale SATB
1 136
Chorale TTBB
296
Chorale SSAA
180
Chorale 3 parties
161
Chorale Unison
84
Chorale 2 parties
77
Voix Baryton, Piano
60
Pack Instrumental pour Chorale
51
Voix Soprano, Piano
39
Voix duo, Piano
34
Voix duo
26
Voix haute
26
Voix Tenor, Piano
12
Voix Alto, Piano
10
Voix moyenne, Piano
7
Voix Tenor
4
Chorale SSATTB
4
Voix seule
4
Voix basse, Piano
3
Chorale
2
Voix d'Enfants
2
Voix Soprano
2
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
+ 21 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
2 959
2 Saxophones (duo)
883
Saxophone (partie séparée)
484
Saxophone Alto et Piano
426
Quatuor de Clarinettes: 4 clarinettes
418
Saxophone Tenor et Piano
317
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
237
Saxophone Soprano et Piano
227
Saxophone Alto
200
Flûte traversière et Piano
198
Quatuor de Flûtes : 4 flûtes
195
Flûte, Hautbois, Clarinette, Basson
188
Quintette de Saxophone: 5 saxophones
180
2 Flûtes traversières (duo)
180
Clarinette et Piano
159
Saxophone Tenor
159
2 Clarinettes (duo)
159
Hautbois, Piano (duo)
157
3 Saxophones (trio)
150
Saxophone Baryton, Piano
150
Ensemble de saxophones
147
Saxophone, Clarinette (duo)
140
Flûte, Clarinette (duo)
81
Clarinette, Violon (duo)
80
Clarinette
78
Ensemble de Clarinettes
77
Flûte traversière
74
Clarinette, Trompette (duo)
69
Quintette de Clarinettes: 5 clarinettes
69
Hautbois (partie séparée)
65
Hautbois, Basson (duo)
63
Ensemble de Flûtes
61
Hautbois, Clarinette (duo)
55
2 Hautbois (duo)
53
Flûte, Saxophone (duo)
48
Clarinette et Alto
44
Flûte, Violon
41
Hautbois, Flûte
40
Flûte, Trompette (duo)
38
3 Clarinettes (trio)
36
Saxophone
35
Clarinette Basse, Piano
35
Flûte, Alto (duo)
34
Ocarina
29
Cor anglais, Piano
27
2 Flûtes traversières, Piano
26
Flute (partie séparée)
25
Quintette de Flûte : 5 flûtes
20
Flûte, Trombone (duo)
20
2 Flûte à bec (duo)
17
Trio de Flûtes: 3 flûtes
17
Hautbois, Violoncelle
16
Quatuor de Flûtes à bec
15
Clarinette (partie séparée)
14
Clarinette, Basson (duo)
13
4 Hautbois
13
Flûte et Guitare
13
Clarinette, Trombone (duo)
12
Saxophone Soprano
10
Saxophone Baryton
9
Hautbois, Clarinette, Basson (trio d'anches)
9
3 Flûtes à bec (trio)
8
Flûte, Hautbois, Basson
8
Clarinette, Guitare (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Hautbois (duo)
8
Clarinette, Violoncelle (duo)
7
Ensemble De Flûte à bec
7
Flûte à bec Soprano
7
Flûte à Bec
7
Flûte, Violon et Violoncelle
6
Flûte, Clarinette et Basson
6
Cor Anglais
5
Flûte, Hautbois, Piano (trio)
5
2 Saxophones, Piano
5
Saxophone et Guitare
5
Saxophone, Violon (duo)
4
Harmonica
4
Flûte, Violon, Piano
4
Flûte à bec Alto
4
Flute, harpe et violon
4
Flûte, Violoncelle
4
5 Flûtes à bec
4
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois
3
Instruments en Mib
3
Piccolo, Piano
3
Saxophone et Orgue
3
Hautbois, Violon, Piano
2
Hautbois et alto (duo)
2
Hautbois, trombone (duo)
2
Saxophone, Basson (duo)
2
Flûte à bec Tenor
2
2 Cors Anglais Et Pianoforte
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Guitare (duo)
2
Saxophone et violoncelle
2
3 Hautbois
2
Flûte à bec Alto, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Flûte traversière, Basse continue
1
Flûte irlandaise
1
Saxophone, Tuba (duo)
1
Flûte, Alto et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Piccolo
1
Flûte, Basson et Piano
1
Clarinette Basse
1
+ 110 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
600
Quatuor de Cuivres : 2 trompettes, trombone, tuba
419
Trombone (partie séparée)
412
Trombone et Piano
370
Quatuor de cuivres: 4 trombones
343
2 Trombones (duo)
230
Trombone
176
Trompette, Trombone (duo)
140
Trompette (partie séparée)
132
Quatuor de Cuivres: 2 trompettes, Cor, trombone
126
Trompette, Piano
109
Trompette, Saxophone (duo)
104
Cor et Piano
102
Ensemble de Trombones
89
Trompette
79
2 Trompettes (duo)
63
Quatuor de Cuivres
62
Tuba et Piano
61
Euphonium, Piano (duo)
50
Quatuor de cuivres: 4 cors
40
2 Euphoniums et 2 Tubas
37
Cor
35
Ensemble de Trompettes
34
2 Cors (duo)
33
Cor (partie séparée)
28
Cor anglais, Piano
27
Tuba
27
Tuba (partie séparée)
24
3 Trombones (trio)
24
4 Tubas
23
Trio de Cuivres
21
Quatuor de cuivres: 4 trompettes
17
2 Euphoniums (duo)
13
Trombone, Tuba (duo)
12
Trompette, Cor (duo)
12
Trombone, Cor (duo)
12
Euphonium, Tuba (duo)
11
2 Tubas (duo)
11
Ensemble de Cors
11
Trombone, Violon (duo)
7
Cor Anglais
5
Trombone basse
5
Euphonium
5
Tuba et Orgue
5
Instruments en Sib
5
Trombone, violoncelle (duo)
4
Trompette, Basson (duo)
4
Trombone basse et Piano
3
Bass Clef Instruments
3
Trompette, Trombone, Piano
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Trombone, Alto (duo)
2
3 Tubas (trio)
2
3 Cors (trio)
2
Cornet et orchestre
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Orgue
1
Cor, Trompette, Trombone (trio)
1
Trombone, Orgue
1
3 Euphoniums
1
Ensemble de Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, violon (duo)
1
+ 61 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
697
Violon, Violoncelle (duo)
319
Trio à Cordes: violon, alto, violoncelle
271
Violon et Piano
267
Violon
244
Violoncelle, Piano
200
Alto, Piano
151
2 Violons (duo)
119
Violoncelle
116
Harpe
115
Violon, Alto (duo)
97
2 Violoncelles (duo)
89
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
2 Altos (duo)
66
Contrebasse (partie séparée)
62
4 Violoncelles
61
Trio à Cordes: 2 violons, violoncelle
56
Alto seul
55
Contrebasse, Piano (duo)
45
Contre Basse
31
Quatuor à cordes: 4 violons
22
Alto, Violoncelle (duo)
22
Quatuor à cordes : 4 altos
19
Alto (partie séparée)
18
Violon (partie séparée)
14
Trio à cordes: 3 violins
14
Violon, Basson (duo)
14
Ensemble de Violons
11
Trio à Cordes: 3 violoncelles
11
Violoncelle, Contrebasse (duo)
10
Ensemble d'Altos
10
2 Contrebasses (duo)
8
Trio à cordes: 3 altos
8
Violoncelle , Guitare (duo)
7
2 Harpes (duo)
7
Trio à Cordes: 2 violons, alto
6
4 Contrebasses
4
Violon, Guitare (duo)
4
Harpe, Flûte (duo)
4
Piano Trio: Violon, Alto, Piano
4
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violon (duo)
2
Harpe, Violoncelle (duo)
2
3 Harpes
2
Violoncelle, Orgue
2
5 Harpes
2
Violon, Clarinette, Piano (trio)
2
Alto et Harpe
2
Alto, Guitare (duo)
2
Harpe, Voix
2
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
4 Harpes
1
Ensemble de Violoncelles
1
Alto et Basson
1
Harpe, Quatuor à cordes
1
2 Violons, Piano
1
+ 53 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
1 829
Ensemble Jazz
783
Orchestre
499
Ensemble de cuivres
368
Orchestre à Cordes
336
Cloches
189
Fanfare
138
Jazz combo
137
Orchestre de chambre
136
Ensemble de Percussions
64
Batterie (partie séparée)
47
Batterie
26
Xylophone, Piano
20
Marimba
16
Vibraphone
12
Percussion (partie séparée)
10
2 Xylophones
7
Xylophone
6
Ensemble d'École
6
Percussion
3
Vibraphone et Marimba
3
Big band
2
Piano et Orchestre
1
3 Marimbas
1
Marimba, Saxophone (duo)
1
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ACCORDEON
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CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
#
dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
THREAD, Between the Octaves A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Piano II: Various, Piano I:
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Simon Peberdy
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5 Easy Pieces for 2 pianos Boo
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Simon Peberdy
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SheetMusicPlus
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical...
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2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.
This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.
This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.
Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.
Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY
Schumann - Stckchen
W A Mozart - Menuett
Tschaikowsky - Old French song
G F Handel - Sarabande
Haydn - German Dance
Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w
Haydn - Shepherd's Song
Mozart - Air from a String Quartet
Handel - Sonatina in B flat
Rathgeber - Vivace in A
Hook - Pastorale
Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y
W.A. Mozart - Minuet in F (K5)
Hook - Tempo di Minuetto
J.S. Bach - Gavotte en Rondeau
Gurlitt - Wild Mignonette
W.F. Bach - Menuett
Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI
Hook - Air
Mller - Study in A minor
Purcell - Round O'
Couperin - Gavotte
Rameau - Minuet
Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q
J.S. Bach - Minuet in G (I)
J.S. Bach - Minuet in G minor
J.S. Bach - Minuet in G (II)
J.S. Bach - Minuet in A minor
J.S. Bach - Minuet in D minor
Arranged for 2 pianos, 4 hands by Simon Peberdy.
The pieces are also available individually from www.simonpeberdymusic.com
If you print out everything, there are 70 pages.
The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
Whiter Than Snow (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Whiter Than Snow
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037031. Published by Sharon Wilson (A0.1458061). Here is the beautiful hymn Whiter Than Snow by William G. Fischer arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of C major and then transitions to the key of G major for the second verse.This relaxed and flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by James L. Nicholson: Lord Jesus, I long to be perfectly whole; I want Thee forever to live in my soul . . . Whiter than snow, yes, whiter than snow, Now wash me, and I shall be whiter than snow.The purchase price includes an 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Piano Concerto No. 4 "The
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
Wild Mignonette (Gurlitt) for 2 pianos (additional piano part by Simon Peberdy)
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2 Pianos, 4 mains
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FACILE
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C
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Simon Peberdy
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Wild Mignonette
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757062 Composed by C. Gurlitt. Arranged by Simon Peberdy. Children,Classical,Instructional,Standards. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757062 Composed by C. Gurlitt. Arranged by Simon Peberdy. Children,Classical,Instructional,Standards. Score. 5 pages. Simon Peberdy #3689667. Published by Simon Peberdy (A0.757062). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 3 arranged by Simon Peberdy, a third book of arrangements in a series of 5.Video fo all of Book 3: https://youtu.be/7BugdfBm_2YFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
One Handed Trio #4
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Tom Rule
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One Handed Trio #4
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MaconMacMusicGuy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812....
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
I Shall Not Be Moved (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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I Shall Not Be Moved
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Stan...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Standards,Traditional. Score. 13 pages. Sharon Wilson #3516203. Published by Sharon Wilson (A0.565175). This arrangement of the traditional spiritual I Shall Not Be Moved is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the first chorus and verse. Bold and cheerful, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the words found in Psalm 1: Blessed is the man who doesn’t walk in the counsel of the wicked…but his delight is in Yahweh’s law…He will be like a tree planted by the streams of water… (WEB)Lyrics:I shall not be moved,I shall not be moved,I shall not be moved,Like a tree planted by the water,I shall not be moved.When my cross is heavy,I shall not be moved,When my cross is heavy,I shall not be moved,Like a tree planted by the water,I shall not be moved.
$5.99
The Valley of the High Plains - original piano duet for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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The Valley of the High Plains
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Kevin G. Pace
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.701128 Composed by Kevin G. Pace (ASCAP). Contemporary,Standards. Score and parts. 7 pages...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.701128 Composed by Kevin G. Pace (ASCAP). Contemporary,Standards. Score and parts. 7 pages. Kevin G. Pace #3025091. Published by Kevin G. Pace (A0.701128). A brilliant, beautiful, piano duet for two pianos for moderately advanced pianists. A polyrhythmic composition. Piano one is in 4/4 time. Piano two is in 3/4 time.
$3.95
Minuet (J P Rameau) - 2 pianos, 4 hands by Simon Peberdy
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2 Pianos, 4 mains
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FACILE
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Piano II: Jean Philippe Rameau
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Simon Peberdy
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Minuet
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757074 Composed by Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Ba...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757074 Composed by Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 5 pages. Simon Peberdy #4321405. Published by Simon Peberdy (A0.757074). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Holy, Holy, Holy (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Sharon Wilson
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Sharon Wilson
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Holy, Holy, Holy
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1455798 By Sharon Wilson. By John Bacchus Dykes and Reginald Heber. Arranged by Sharon Wilson. 19th Cent...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1455798 By Sharon Wilson. By John Bacchus Dykes and Reginald Heber. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Romantic Period,Sacred. Score. 10 pages. Sharon Wilson #1034895. Published by Sharon Wilson (A0.1455798). This arrangement of the beloved hymn tune NICAEA by John B. Dykes is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bold and energetic throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat, short musical interlude is desired. The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharo...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
There Is a Fountain (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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There Is a Fountain
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilso...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilson. Christian,Easter,Folk,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037039. Published by Sharon Wilson (A0.1458068). The beautiful American folk tune CLEANSING FOUNTAIN has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. Flowing reverently throughout, this piano duet is ideal for a prelude or offertory, or whenever a meditative musical interlude is desired. The purchase price includes a 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
And Can It Be? (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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And Can It Be?
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Religious,Sacred. Score. 15 pages. Sharon Wilson #1034900. Published by Sharon Wilson (A0.1455801). This arrangement of the familiar hymn tune SAGINA by Thomas Campbell is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and cheerful throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat musical interlude is desired. The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
To God Be the Glory (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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To God Be the Glory
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455797 By Sharon Wilson. By Fanny J. Crosby and William H. Doane. Arranged by Sharon Wilson. 19th Centu...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455797 By Sharon Wilson. By Fanny J. Crosby and William H. Doane. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 14 pages. Sharon Wilson #1034894. Published by Sharon Wilson (A0.1455797). This arrangement of the classic hymn tune To God Be the Glory by William H. Doane is written as a dual piano duet (for 2 pianos, 4 hands). The two pianos alternate leading with the melody making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and energetic throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever a cheerful musical interlude is desired. The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Re...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation - Pastoral
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
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