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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Be Like That
Non classifié
1 502
Piano & claviers
Piano seul
585
Piano, Voix
215
Piano Facile
160
Piano, Voix et Guitare
109
Orgue
37
Instruments en Do
22
Piano Quatuor: piano, violon, alto, violoncelle
8
1 Piano, 4 mains
8
2 Pianos, 4 mains
6
Accordéon
5
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
5
Piano (partie séparée)
4
Piano grosses notes
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
2
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
56
Guitare
51
Ukulele
13
Basse electrique
10
Ligne De Mélodie, (Paroles) et Accords
7
Guitare (partie séparée)
3
4 Guitares (Quatuor)
3
Dulcimer
3
Mandoline
3
Banjo
2
Paroles et Accords
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
272
Chorale 3 parties
223
Chorale 2 parties
47
Chorale TTBB
38
Chorale Unison
37
Chorale SSAA
31
Voix Alto, Piano
12
Voix Soprano, Piano
11
Voix haute
8
Voix duo
6
Voix duo, Piano
5
Voix Baryton, Piano
4
Voix moyenne, Piano
2
Chorale SSAATTBB
2
Chorale SSAB a cappella
1
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Voix Tenor, Piano
1
Voix seule
1
Chorale SSATTB
1
Voix basse, Piano
1
Voix Soprano
1
+ 17 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
106
Ensemble de saxophones
101
2 Saxophones (duo)
84
Quatuor de Saxophones: 4 saxophones
83
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
71
2 Clarinettes (duo)
48
Flûte, Hautbois, Clarinette, Basson
46
Ensemble de Clarinettes
44
Quatuor de Clarinettes: 4 clarinettes
41
Flûte traversière et Piano
40
2 Flûtes traversières (duo)
32
Hautbois, Piano (duo)
31
Clarinette et Piano
29
Flûte traversière
28
Ensemble de Flûtes
25
Quatuor de Flûtes : 4 flûtes
23
Saxophone Alto et Piano
23
2 Hautbois (duo)
22
Quintette de Flûte : 5 flûtes
22
Saxophone Tenor et Piano
20
Clarinette
20
Saxophone (partie séparée)
19
Saxophone Soprano et Piano
18
Saxophone Baryton, Piano
17
3 Clarinettes (trio)
16
3 Saxophones (trio)
16
Hautbois (partie séparée)
15
Cor anglais, Piano
13
Saxophone Alto
13
Saxophone Tenor
13
Trio de Flûtes: 3 flûtes
11
Saxophone, Clarinette (duo)
11
Clarinette Basse, Piano
11
Quintette de Clarinettes: 5 clarinettes
9
Quatuor de Flûtes à bec
8
3 Hautbois
7
4 Hautbois
7
Hautbois, Basson (duo)
7
5 Flûtes à bec
6
Clarinette, Violon (duo)
6
Flûte, Saxophone (duo)
5
Flûte à bec Soprano
5
Flûte, Violoncelle
5
Clarinette et Alto
4
Flûte, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
Hautbois, Clarinette (duo)
4
2 Flûte à bec (duo)
3
Hautbois, Flûte
3
Clarinette (partie séparée)
3
Flute (partie séparée)
3
Flûte, Violon
3
Flûte, Alto (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, Violoncelle (duo)
2
Clarinette, Guitare (duo)
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Basson (duo)
2
Flûte, Trompette (duo)
2
Flûte et Guitare
1
Flûte à bec Alto
1
Harmonica
1
Flûte à bec Soprano, Piano
1
Ocarina
1
Clarinette, Orgue
1
Flûte à Bec
1
Clarinette, Violoncelle, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Instruments en Mib
1
Cor Anglais
1
Hautbois
1
Hautbois, Violoncelle
1
Saxophone
1
2 Saxophones, Piano
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
127
Quatuor de Cuivres : 2 trompettes, trombone, tuba
93
Ensemble de Trompettes
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
41
Ensemble de Trombones
32
2 Trombones (duo)
31
2 Trompettes (duo)
27
Trompette
25
Trombone et Piano
23
Euphonium, Piano (duo)
21
2 Cors (duo)
21
Quatuor de cuivres: 4 trombones
17
2 Tubas (duo)
17
Trombone
16
Tuba
16
Trompette, Piano
16
Cor et Piano
15
Quatuor de Cuivres
14
Cor
14
Trombone (partie séparée)
13
Cor anglais, Piano
13
Trompette (partie séparée)
13
Tuba et Piano
10
Trompette, Trombone (duo)
8
Ensemble de Cors
7
Euphonium
6
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 trompettes
5
Quatuor de cuivres: 4 cors
5
Cor (partie séparée)
3
Trio de Cuivres
2
Tuba (partie séparée)
2
3 Trompettes (trio)
2
Trombone basse et Piano
2
2 Cors Anglais Et Pianoforte
2
2 Euphoniums (duo)
2
4 Tubas
2
Cor, Violoncelle (duo)
2
3 Euphoniums
1
Bass Clef Instruments
1
Instruments en Fa
1
Tuba et Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
Instruments en Sib
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon
44
Violon et Piano
44
Trio à Cordes: violon, alto, violoncelle
40
Violon, Violoncelle (duo)
36
Violoncelle
32
2 Violons (duo)
31
2 Violoncelles (duo)
28
Harpe
26
Alto, Piano
26
2 Altos (duo)
24
Violoncelle, Piano
23
Ensemble d'Altos
21
Ensemble de Violons
20
2 Contrebasses (duo)
17
Trio à Cordes: 2 violons, violoncelle
14
Alto seul
11
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à cordes: 3 violins
7
Violon, Alto (duo)
7
Violoncelle , Guitare (duo)
6
Trio à cordes: 3 altos
6
4 Violoncelles
6
Trio à Cordes: 3 violoncelles
5
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quatuor à cordes: 4 violons
4
Harpe, Voix
3
Violon, Basson (duo)
2
Violon (partie séparée)
2
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Alto et Basson
2
Contrebasse, Piano (duo)
2
Harpe, Violon (duo)
2
Quatuor à cordes : 4 altos
1
Harpe et Piano
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Violon, Orgue
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
170
Orchestre
73
Orchestre à Cordes
66
Ensemble Jazz
59
Ensemble de Percussions
35
Ensemble de cuivres
31
Cloches
25
Orchestre de chambre
15
Fanfare
9
Jazz combo
7
Batterie
4
Batterie (partie séparée)
3
Marimba
2
Percussion (partie séparée)
2
Vibraphone et Marimba
1
Vibraphone
1
Conga
1
Instrumentation Flexible
1
Orchestre, Violon
1
Piano et Orchestre
1
Xylophone ou Marimba ou Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
2 Xylophones
1
+ 18 instrumentations
Retracter
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Instruments
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CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FUNK
GOSPEL - SPIRITUEL -…
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MARIAGE - AMOUR - BA…
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Vous avez sélectionné:
Be Like That
2 Pianos, 4 mains
Partitions à imprimer
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1
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Swanee
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Po…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
11.04 €
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2 Pianos, 4 mains
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Paul Posnak & Anita Castiglione
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Paul Posnak
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Swanee
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Paul Posnak
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SheetMusicPlus
Dance of the Comedians (from The Bartered Bride)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1433983 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1433983 Composed by Bedrich Smetana. Arranged by Patrick Speckamp. 19th Century,Classical. Score. 21 pages. Patrick Speckamp #1014212. Published by Patrick Speckamp (A0.1433983). This is a two-piano version of B. Smetana's ever popular and energetic Dance of the Comedians. Smetana employed the lively Czech folk dance Skočná in the third act of his opera The Bartered Bride, where a circus troupe performs an array of tricks and acrobatics. The transcription is intended to be played by two pianists at two pianos. The original orchestral score has been rendered as accurately as possible, while also keeping issues of piano-specific playability in mind. Where appropriate, slight changes to the original text (such as changes in register, piano-specific figurations) have been made to either enhance the overall sound impression and/or to improve playability on the piano. The difficulty level of the arrangement is high-intermediate to advanced. That said, Dance of the Comedians is a rewarding and fun piece - as well as a genuine crowd-pleaser - that may be performed by skilled amateurs and professional pianists alike.
$9.99
9.19 €
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2 Pianos, 4 mains
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Bedrich Smetana
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Patrick Speckamp
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Dance of the Comedians
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Patrick Speckamp
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SheetMusicPlus
Bunte Blätter
2 Pianos, 4 mains
2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joer…
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2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771527. Published by Schott Music - Digital (S9.Q771527). After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection of highly diverse and multifaceted pieces and forms, ranging from Walzer (Waltz) to Danse macabre, from Fanfare to Zirkusparade (Circus Parade). The fact that the interpreters of the world premiere, Arthur and Lucas Jussen, are siblings, may and should be felt in the teasingly affectionate Fangspiel (Game of Tag) in which the two pianists sometimes deliberately play past each other. The collection is completed by Rätsel (Riddle) for Peter Sloterdijk's 75th birthday, a small, sphinx-like piece for the librettist of my Babylon opera. - Jörg Widmann.
$31.99
29.44 €
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2 Pianos, 4 mains
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Joerg Widmann
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Bunte Blätter
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Schott Music - Digital
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SheetMusicPlus
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