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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
CHORALE
Non classifié
758
Piano & claviers
Orgue
629
Piano seul
226
Piano Facile
32
Piano, Voix
29
Piano, Voix et Guitare
17
Accompagnement Piano
13
Piano (partie séparée)
8
1 Piano, 4 mains
6
Orgue, Trompette (duo)
6
2 Pianos, 4 mains
3
Instruments en Do
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Accordéon
1
Ligne De Mélodie, Piano
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
27
Guitare
23
Guitare (partie séparée)
16
4 Guitares (Quatuor)
5
Banjo
3
3 Guitares (trio)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
62 648
Chorale 3 parties
24 818
Pack Instrumental pour Chorale
19 899
Chorale 2 parties
15 107
Chorale TTBB
12 743
Chorale SSAA
6 721
Chorale Unison
6 186
Chorale
5 108
Chorale SSATB
324
Chorale SSAATTBB
222
Chorale SSATTB
153
Chorale SSAB a cappella
74
Chorale SSAB, Piano
52
Chorale SSAATB
51
Chorale SATBB
25
Voix seule
18
Chorale SSAATB A Cappella
9
Chorale SAATB A Cappella
7
Voix duo, Piano
6
Chorale SATTBB A Cappella
6
Voix Alto, Piano
1
Chorale, Orgue
1
Voix Tenor, Piano
1
Voix duo
1
+ 19 instrumentations
Retracter
Vents
Saxophone (partie séparée)
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Quatuor de Saxophones: 4 saxophones
68
Clarinette (partie séparée)
56
Flûte, Hautbois, Clarinette, Basson
48
Quatuor de Clarinettes: 4 clarinettes
38
Flûte et Guitare
36
Quatuor de Flûtes : 4 flûtes
34
Flûte traversière et Piano
34
Clarinette et Piano
28
Quintette de Saxophone: 5 saxophones
24
Flute (partie séparée)
23
Hautbois, Piano (duo)
22
2 Saxophones (duo)
19
Saxophone Alto et Piano
17
Hautbois (partie séparée)
15
Ensemble de Flûtes
14
Quatuor de Flûtes à bec
13
Ensemble de Clarinettes
13
Clarinette
12
2 Flûtes traversières (duo)
12
Saxophone Tenor et Piano
12
3 Saxophones (trio)
11
2 Clarinettes (duo)
10
Flûte, Clarinette (duo)
10
Saxophone Soprano et Piano
10
Flûte à Bec
9
3 Flûtes à bec (trio)
9
Quintette de Clarinettes: 5 clarinettes
8
3 Clarinettes (trio)
8
Flûte, Clarinette, Cor, Basson (Quartet)
7
Trio de Flûtes: 3 flûtes
6
Flûte à bec Soprano
6
Flûte traversière
6
Quintette de Flûte : 5 flûtes
6
Saxophone Alto
5
Saxophone Baryton, Piano
5
Cor anglais, Piano
5
2 Flûte à bec (duo)
4
Clarinette Basse, Piano
3
Ensemble de saxophones
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Clarinette, Orgue
3
Flûte, Hautbois, Clarinette (trio)
2
Ensemble De Flûte à bec
2
Flûte à bec Tenor
2
Saxophone Tenor
2
Clarinette, Basson (duo)
1
Hautbois, Quatuor à cordes
1
Flûte, Clarinette, Piano (trio)
1
2 Hautbois (duo)
1
Saxophone
1
2 Saxophones, Piano
1
4 Hautbois
1
Flûte et Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
Ensemble de Hautbois
1
Ensemble à vent
1
Hautbois, Clarinette (duo)
1
Hautbois, Harpe
1
Cor Anglais
1
Flûte à bec Alto
1
Hautbois, Basson (duo)
1
Cor anglais et Harpe (duo)
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
119
Trombone (partie séparée)
62
Trompette (partie séparée)
54
Quatuor de cuivres: 4 trombones
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Quatuor de Cuivres
27
Cor (partie séparée)
25
Trompette, Piano
24
Trombone et Piano
22
Tuba (partie séparée)
20
2 Euphoniums et 2 Tubas
16
Quatuor de cuivres: 4 cors
15
Trompette
13
Cor et Piano
13
Ensemble de Trombones
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trompette, Trombone (duo)
8
2 Trompettes (duo)
7
4 Tubas
7
3 Trombones (trio)
7
2 Trombones (duo)
5
Cor anglais, Piano
5
Tuba et Piano
5
Quatuor de cuivres: 4 trompettes
4
Cor
4
Euphonium, Tuba (duo)
4
3 Cors (trio)
4
Trombone
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Ensemble de Cors
3
2 Cors (duo)
3
Cornet A Pistons
3
Euphonium, Piano (duo)
3
Tuba et Orgue
2
Trompette, Cor (duo)
2
Trio de Cuivres
2
Ensemble de Trompettes
2
3 Trompettes (trio)
2
Euphonium (partie séparée)
1
Trombone, Cor (duo)
1
3 Tubas (trio)
1
Tuba
1
2 Tubas (duo)
1
Cor Anglais
1
4 Euphoniums
1
Trombone, Orgue
1
Cor anglais et Harpe (duo)
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
34
Alto, Piano
25
Violoncelle, Piano
22
Violon (partie séparée)
21
Trio à Cordes: violon, alto, violoncelle
19
Violon
15
Contrebasse (partie séparée)
15
Violon, Violoncelle (duo)
11
Violoncelle
11
2 Violons (duo)
9
4 Violoncelles
8
Violoncelle (partie séparée)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Harpe
6
Alto (partie séparée)
5
2 Violoncelles (duo)
5
Violon, Orgue
5
2 Altos (duo)
5
Violon, Alto (duo)
5
Trio à cordes
4
Alto seul
4
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
2
Contre Basse
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
1
Violon, Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble d'Altos
1
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
Violoncelle, Orgue
1
Ensemble de Violons
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
545
Orchestre à Cordes
71
Ensemble de cuivres
59
Orchestre de chambre
37
Orchestre
36
Ensemble Jazz
31
Cloches
23
Percussion (partie séparée)
17
Batterie (partie séparée)
8
Marimba
8
Fanfare
7
Timbales (partie séparée)
5
Ensemble de Percussions
4
Jazz combo
3
Vibraphone
2
Percussion
2
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
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FLUTE DE PA…
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LUTH, THEOR…
MANDOLINE
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ORGUE
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CHRISTIAN (contempor…
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FUNK
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HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
CHORALE
2 Pianos, 4 mains
Partitions à imprimer
3 partitions trouvées
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1
Five Chorales from The Intelligence Park
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2 Pianos, 4 mains
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AVANCÉ
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Gerald Barry
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Five Chorales from The Intelli
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Schott Music - Digital
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SheetMusicPlus
2 pianos - difficult - SKU: S9.Q46705 For two pianos. Composed by Gerald Barry. This edition: Sheet music. Downloadable. Duration 16 minutes. Sch...
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2 pianos - difficult - SKU: S9.Q46705 For two pianos. Composed by Gerald Barry. This edition: Sheet music. Downloadable. Duration 16 minutes. Schott Music - Digital #Q46705. Published by Schott Music - Digital (S9.Q46705). The Chorales are taken from my opera, The Intelligence Park.© Gerald Barry.
$33.99
Chorale Prelude Op.67 N.49 for Piano Duet (2 Pianos)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Max Reger
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Cristiano Vecchi
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L
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Chorale Prelude Op.67 N.49 for
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Cristiano Vecchi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Per...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Sacred. Score. 16 pages. Cristiano Vecchi #6589577. Published by Cristiano Vecchi (A0.963576). Werde munter mein Gemüte (Be alert, my soul):a warm chorale prelude with a rhythmic diminutio in the way of the ancient fantasia and an interesting dynamic bass part, originally composed for Organ by Max Reger in five real parts. Arrangement for two Pianos. Since the 1st Piano Part is easier, this arrangement can be played by pupil and teacher, in a recital or for a sight-reading exercitation. Added extra parts to replace the 1st Piano with two instruments, like a Piano Trio: R.H. Fl. Ob. Vl. Vla. Cl.Bb Sopr.Sax Cl. Eb; L.H. Bass Fl. Engl. or French Horn Cl.Bb Bsn. Vlc. Vla. Bass Cl. Tenor Sax Alto Sax.Duration: 1'35.Also available for Woodwind Quintet, String Quintet (in D Major like this one).SCORE and PARTS. MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$3.99
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
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CHORALE
