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600
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527
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352
Instruments en Do
151
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106
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98
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41
Clavier
31
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30
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14
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Clavecin
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2 Pianos, 4 mains
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26
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274
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266
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234
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222
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213
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181
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108
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Clarinette, Basson, Piano (trio)
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Tuba
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Quatuor de Cuivres
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Quatuor de cuivres: 4 trombones
27
Cor (partie séparée)
25
3 Trombones (trio)
21
2 Tubas (duo)
14
Trompette, Saxophone (duo)
12
Tuba (partie séparée)
11
3 Tubas (trio)
10
Euphonium
9
Ensemble de Trombones
9
Quatuor de cuivres: 4 cors
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3 Trompettes (trio)
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Cor Anglais
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Trombone basse et Piano
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7
Ensemble de Trompettes
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Quatuor de cuivres: 4 trompettes
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Trio de Cuivres
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4
2 Euphoniums (duo)
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Cor et Harpe
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Instruments en Sib
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2 Euphoniums et 2 Tubas
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Trompette, Harpe
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4 Tubas
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Cor, Violoncelle (duo)
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Cor anglais, Guitare (duo)
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Trompette, Tuba (duo)
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3 Cors (trio)
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Clarinette, Cor (duo)
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Euphonium, Tuba (duo)
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Quatuor de cuivres: 2 trompettes, 2 trombones
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Cornet et orchestre
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
776
Violon
540
Violon et Piano
424
Violoncelle
326
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305
Alto, Piano
278
Alto seul
225
Trio à Cordes: violon, alto, violoncelle
131
Contrebasse, Piano (duo)
130
Harpe
126
Violon, Violoncelle (duo)
116
2 Violons (duo)
105
2 Violoncelles (duo)
85
Contre Basse
78
Trio à Cordes: 2 violons, violoncelle
67
Violon, Alto (duo)
66
Trio à cordes: 3 violins
54
2 Altos (duo)
54
Quintette à cordes: 2 violons, alto, violoncelle, basse
51
Trio à Cordes: 3 violoncelles
37
Violon (partie séparée)
34
Alto (partie séparée)
32
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23
4 Violoncelles
21
Alto, Violoncelle (duo)
19
2 Contrebasses (duo)
18
Contrebasse (partie séparée)
17
Piano Trio: Violon, Alto, Piano
17
2 Harpes (duo)
16
Trio à Cordes: 2 violons, alto
15
Violon, Basson (duo)
13
Harpe, Flûte (duo)
11
Violon, Guitare (duo)
11
Alto, Guitare (duo)
7
Violoncelle , Guitare (duo)
7
Harpe, Violon (duo)
7
Violoncelle (partie séparée)
6
Ensemble d'Altos
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
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Alto et Basson
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Ensemble de Violons
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Quintette à cordes : 2 violons, alto et 2 violoncelles
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Harpe, Violon, Violoncelle
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2
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1
2 Violons et Basse continue
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Harpe et mandoline
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Orchestre d'harmonie
888
Cloches
507
Orchestre à Cordes
352
Orchestre
257
Batterie
185
Ensemble Jazz
150
Ensemble de cuivres
116
Orchestre de chambre
93
Fanfare
48
Jazz combo
37
Ensemble de Percussions
28
Xylophone, Piano
25
Percussion (partie séparée)
16
Marimba
13
Batterie (partie séparée)
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Xylophone
6
Vibraphone
4
Percussion
3
Ensemble d'École
3
Orchestre, Violon
3
Timbales
3
2 Xylophones
2
2 Marimbas
1
3 Percussions
1
Piano et Orchestre
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Vibraphone et Marimba
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Big band
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Formation musicale - Solfège
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Cat 3
2 Pianos, 4 mains
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THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
El Aguacate
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1026066 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1026066 Composed by César Segundo Guerrero Tamayo. Arranged by Sandra Marin. Standards. Score. 3 pages. Andrea pazos Marin #5789247. Published by Andrea pazos Marin (A0.1026066). Partitura para Piano - Piano sheet Music.
$3.00
2.74 €
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2 Pianos, 4 mains
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César Segundo Guerrero Tamayo
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Sandra Marin
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El Aguacate
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Andrea pazos Marin
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SheetMusicPlus
Streight Lines
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. Score. 2 pages. Robert A. Howard #6224931. Published by Robert A. Howard (A0.998855). This graphic score composition 'Streight Lines' is deliberately entitled as such (and spelled that way) as a pun on Steve Reich's minimalist classic 'Eight Lines'. The work focuses on various straight lines, superimposed over traditional music staves. These give an implication of pitch, duration, and texture, and perhaps other elements, without being too specific. The score indicates the basic outline of musical contours on staves (thus always implying certain pitches). However, many elements, such as dynamics, and exact pitches and durations, are left for the performer to determine. The work remains accessible for the listener and is appropriate for most standards of pianist, including students and professionals.Variable durationRegistered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
2.28 €
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2 Pianos, 4 mains
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Robert A
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Streight Lines
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Robert A. Howard
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SheetMusicPlus
Happy Birthday - 4 Hands Piano
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.506681 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.506681 Composed by Mildred J. Hill. Arranged by Catia Lee. Children,Holiday,Multicultural,Pop,Traditional,World. Score. 3 pages. Catia Lee #118109. Published by Catia Lee (A0.506681). Happy Birthday for piano duet. 4 hands piano. With chords.
$2.00
1.83 €
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2 Pianos, 4 mains
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Mildred J
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Catia Lee
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Happy Birthday - 4 Hands Piano
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Catia Lee
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SheetMusicPlus
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
7.54 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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James Nathaniel Holland
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SheetMusicPlus
In Dulci Jubilo - Piano Duet
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.721091 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.721091 Composed by Franz Liszt. Arranged by Music-Scores.com. Christmas,Concert,Romantic Period,Sacred. Score. 11 pages. Music-Scores.com #3879931. Published by Music-Scores.com (A0.721091). In Dulci Jubilo; Les bergers à la crèche; Shepherds at the Manger. No. 3 from Weihnachtsbaum, or Christmas Tree Suite. A delightfully delicate piece of a contrasting character to most of Liszt's piano works.For piano duet, 3 handsPlaying time 2 minutes, 30 seconds.
$5.95
5.44 €
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2 Pianos, 4 mains
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Franz Liszt
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Music-Scores
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Les bergers à la crèche
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In Dulci Jubilo - Piano Duet
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Music-Scores.com
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SheetMusicPlus
Gwyn, Lord of Cinder
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1461609 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1461609 Composed by Yuka Kitamura. Arranged by Jefferson Sequeira. 21st Century,Film/TV,Medieval,Video Game. Score. 9 pages. Jeff Sequeira #1040353. Published by Jeff Sequeira (A0.1461609). Immerse yourself in the majesty and intensity of this iconic musical piece from the original Dark Souls game. This two-piano arrangement captures all the grandeur and drama of battling the Lords of Cinder, transporting you directly to the dark and immersive landscapes of Lordran.Meticulously designed for pianists and game enthusiasts alike, this arrangement showcases both the technical skill and emotional depth required to master its performance. From its powerful opening chords to its evocative and moving melodies, each note is carefully chosen to capture the essence of combat against formidable foes.Perfect for live performances, studio recordings, or simply enjoying at home, this two-piano arrangement of Lord of Cinder is a musical masterpiece that transcends the boundaries of classical interpretation and the gaming universe. Prepare to explore and rediscover the emotional intensity and narrative of Dark Souls through this exceptionally powerful and moving interpretation.Discover why Lord of Cinder from the original Dark Souls remains a benchmark in video game music and delve into this unique musical experience that blends the best of classical artistry with gaming culture.
$10.00
9.14 €
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2 Pianos, 4 mains
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Yuka Kitamura
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Jefferson Sequeira
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Gwyn, Lord of Cinder
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Jeff Sequeira
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SheetMusicPlus
Misplaced Keys (Intermediate Piano Duo)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.919967 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.919967 Composed by Kate Emht. Concert,Latin,Standards. Score. 10 pages. Katherine Madonna McDowell #6046641. Published by Katherine Madonna McDowell (A0.919967). Misplaced Keys is a fun piece for two pianos with a catchy, repeating theme. This was written in the late 80's using an eight-track cassette recorder (!!).
$4.99
4.56 €
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2 Pianos, 4 mains
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Kate Emht
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Misplaced Keys
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Katherine Madonna McDowell
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SheetMusicPlus
The Rakes of Mallow
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
7.27 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.14 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
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