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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Choi
Non classifié
19 950
Piano & claviers
Piano, Voix
2 653
Piano seul
1 608
Piano, Voix et Guitare
957
Accompagnement Piano
562
Piano Facile
458
Orgue
207
Instruments en Do
144
Piano Trio: piano, violon, violoncelle
97
1 Piano, 4 mains
41
2 Pianos, 4 mains
20
Piano Quatuor: piano, violon, alto, violoncelle
13
Orgue, Piano (duo)
11
Orgue, Trompette (duo)
10
Piano (partie séparée)
8
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavier
3
Clavecin
2
Piano grosses notes
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Voix
1
Fake Book
1
+ 16 instrumentations
Retracter
Guitares
Guitare
141
Piano, Guitare (duo)
118
Guitare notes et tablatures
114
Ligne De Mélodie, (Paroles) et Accords
76
Guitare (partie séparée)
65
2 Guitares (duo)
31
Basse electrique
20
Ukulele
16
4 Guitares (Quatuor)
8
3 Guitares (trio)
6
2 Ukuleles
5
Banjo
4
Dulcimer
4
Mandoline
4
Mandoline, Piano (duo)
2
Ensemble de guitares
2
Paroles et Accords
1
Orchestre à Plectres
1
Guitare Pedal Steel
1
Guitare, Violon, Violoncelle (trio)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
55 011
Chorale 3 parties
22 294
Chorale 2 parties
13 481
Chorale TTBB
11 190
Chorale
6 447
Chorale SSAA
5 623
Chorale Unison
5 298
Pack Instrumental pour Chorale
3 935
Chorale SSAATTBB
192
Chorale SSATB
181
Chorale SSATBB
125
Chorale SSATTB
119
Soli, choeur mixte et accompagnement
106
Voix duo, Piano
97
Chorale SATTB
93
Voix Soprano, Piano
91
Voix Tenor, Piano
68
Chorale SSAB a cappella
62
Chorale SSAB, Piano
59
Voix Alto, Piano
59
Voix d'Enfants
43
Voix duo
41
Chorale, Orgue
32
Chorale SSAATB
31
Chorale SAATB A Cappella
28
Voix seule
26
Voix Baryton, Piano
24
Voix haute
20
Chorale SATBB
19
Chorale SATTBB, Clavier
11
Voix moyenne, Piano
9
Voix basse, Piano
6
Chorale SATTBB A Cappella
6
Voix Tenor
4
Voix Mezzo-Soprano, Piano
3
Voix Soprano
3
Voix d'Enfants, Piano
2
Chorale SSAATB A Cappella
1
+ 33 instrumentations
Retracter
Vents
Ensemble de Flûtes
1 304
Ensemble de Clarinettes
1 095
Flûte traversière et Piano
429
Hautbois, Piano (duo)
428
Clarinette et Piano
425
Saxophone Alto et Piano
275
Quatuor de Clarinettes: 4 clarinettes
267
Quatuor de Saxophones: 4 saxophones
263
Flûte, Hautbois, Clarinette, Basson
262
Ensemble de saxophones
259
2 Saxophones (duo)
248
Saxophone Tenor et Piano
240
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
230
Quatuor de Flûtes : 4 flûtes
210
Saxophone (partie séparée)
208
Flûte traversière
179
Quintette de Saxophone: 5 saxophones
174
Flute (partie séparée)
174
Clarinette
156
2 Flûtes traversières (duo)
148
Saxophone Alto
125
Saxophone Soprano et Piano
106
Quintette de Clarinettes: 5 clarinettes
105
Hautbois (partie séparée)
102
2 Clarinettes (duo)
91
Quintette de Flûte : 5 flûtes
82
Saxophone Baryton, Piano
78
Clarinette (partie séparée)
77
Hautbois
75
Saxophone Tenor
74
3 Saxophones (trio)
70
2 Hautbois (duo)
57
3 Clarinettes (trio)
47
Trio de Flûtes: 3 flûtes
46
Saxophone Soprano
35
Flûte, Clarinette (duo)
33
Hautbois, Basson (duo)
33
Quatuor de Flûtes à bec
32
2 Flûte à bec (duo)
32
Saxophone Baryton
32
Cor anglais, Piano
31
5 Flûtes à bec
25
Clarinette Basse, Piano
20
Flûte, Violon, Piano
18
Flûte à bec Soprano
18
Flûte, Hautbois, Clarinette (trio)
16
Hautbois, Violoncelle
16
Flûte à Bec
15
Hautbois, Clarinette (duo)
15
Clarinette, Violon (duo)
15
Clarinette, Basson (duo)
14
Flûte, Trombone (duo)
14
Flûte, Violon
14
Flûte, Violoncelle
14
Flûte, Clarinette et Basson
10
Flûte et Guitare
10
Ensemble De Flûte à bec
10
Clarinette, Violoncelle (duo)
10
Clarinette et Alto
9
Flûte, Alto (duo)
9
3 Flûtes à bec (trio)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Hautbois, Basson
8
Flûte à bec Alto
7
Clarinette Basse
7
Piccolo, Piano
7
Hautbois, violon (duo)
7
Hautbois et alto (duo)
7
Saxophone, Clarinette (duo)
6
Saxophone
6
Flûte, Hautbois (duo)
6
4 Hautbois
5
Flûte à bec Tenor
5
Clarinette, Trompette (duo)
5
Ensemble à vent
5
Flûte et Trio à cordes
4
Clarinette, Guitare (duo)
4
Clarinette, Contrebasse (duo)
4
Cor Anglais
4
Hautbois, Flûte
3
Flûte à bec Alto, Piano
3
Flûte, Basson et Piano
3
Flûte, Violon et Violoncelle
3
Piccolo
3
Clarinette, Trombone (duo)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Alto et Piano
3
Clarinette, Harpe (duo)
3
Saxophone et Orgue
2
Flute, harpe et violon
2
Hautbois, Harpe
2
2 Saxophones, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Saxophone (duo)
2
Hautbois, Guitare (duo)
2
Harmonica
2
2 Clarinettes, Basson
2
Saxophone et Harpe
2
Clarinette, Tuba
2
Flûte, Violoncelle, Piano (trio)
2
Cor anglais et Harpe (duo)
1
Clarinette, Basson, Piano (trio)
1
Clarinette, trompette et piano
1
Hautbois, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte et Quatuor à Cordes
1
2 Hautbois, 2 Cors et 2 Bassons
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec, Guitare (duo)
1
2 Clarinettes, Piano
1
Flûte, Tuba (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Harpe et Violoncelle
1
2 Cors Anglais Et Pianoforte
1
Cornemuse
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Trompette (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Basson et Piano
1
3 Hautbois
1
Ensemble de Hautbois
1
Hautbois, trombone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Hautbois, Violon
1
+ 120 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
365
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
335
Trombone et Piano
304
Trompette, Piano
286
Trombone (partie séparée)
271
Trompette
242
Quatuor de Cuivres : 2 trompettes, trombone, tuba
211
Cor et Piano
172
Trombone
143
Cor
120
Ensemble de Trombones
120
Quatuor de Cuivres: 2 trompettes, Cor, trombone
116
Tuba et Piano
108
Tuba
108
2 Trombones (duo)
66
Ensemble de Trompettes
66
2 Trompettes (duo)
65
Quatuor de cuivres: 4 trombones
64
2 Cors (duo)
59
Quatuor de Cuivres
55
Cor (partie séparée)
42
Cor anglais, Piano
31
Trompette, Trombone (duo)
31
Euphonium, Piano (duo)
30
2 Tubas (duo)
27
Quatuor de cuivres: 4 cors
23
Tuba (partie séparée)
21
3 Trombones (trio)
19
Ensemble de Cors
19
Trompette, Cor (duo)
14
Quatuor de cuivres: 4 trompettes
12
Trio de Cuivres
11
Trombone, Tuba (duo)
8
Euphonium
7
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Tuba et Orgue
7
Cor, Violoncelle (duo)
6
3 Trompettes (trio)
6
Euphonium, Tuba (duo)
5
Trombone, Cor (duo)
5
Cor et Basson (duo)
5
4 Tubas
5
3 Tubas (trio)
4
Trombone basse
4
G Instruments
4
Cor Anglais
4
3 Cors (trio)
3
Trompette, Tuba (duo)
3
Trompette, Saxophone (duo)
3
Cor, Tuba (duo)
2
2 Euphoniums (duo)
2
Trompette, Basson (duo)
2
Trompette, Violoncelle (duo)
2
2 Euphoniums et 2 Tubas
2
Cor anglais et Harpe (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Orgue
1
Trombone, Violon (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Cor (duo)
1
Trompette, violon (duo)
1
Cor et Harpe
1
Trombone et orchestre
1
Ensemble de Tubas
1
Trombone basse et Piano
1
4 Euphoniums
1
+ 62 instrumentations
Retracter
Cordes
Violon et Piano
559
Quatuor à cordes: 2 violons, alto, violoncelle
460
Violoncelle, Piano
393
Alto, Piano
377
Violon
255
Violoncelle
236
Alto seul
151
2 Violons (duo)
141
Quintette à cordes: 2 violons, alto, violoncelle, basse
117
Contrebasse (partie séparée)
117
Violon, Violoncelle (duo)
107
Contre Basse
98
Violon (partie séparée)
95
Contrebasse, Piano (duo)
94
Trio à Cordes: violon, alto, violoncelle
92
2 Violoncelles (duo)
78
2 Altos (duo)
67
Alto (partie séparée)
63
Harpe
55
Trio à Cordes: 2 violons, violoncelle
53
Violon, Alto (duo)
47
4 Violoncelles
36
Quatuor à cordes: 4 violons
27
Trio à cordes: 3 violins
26
Violoncelle (partie séparée)
25
Violon, Basson (duo)
25
Alto, Violoncelle (duo)
19
Piano Trio: Violon, Alto, Piano
17
2 Contrebasses (duo)
16
Trio à Cordes: 3 violoncelles
15
Ensemble de Violoncelles
11
Violoncelle, Contrebasse (duo)
11
Violon, Guitare (duo)
10
Trio à cordes: 3 altos
8
2 Harpes (duo)
7
Harpe, Flûte (duo)
7
Alto et Basson
7
2 Violons, Piano
6
Trio à Cordes: 2 violons, alto
6
Quatuor à cordes : 4 altos
6
Flûte, Contrebasse (duo)
5
Violoncelle , Guitare (duo)
4
Harpe, Violon (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Clarinette, Piano (trio)
3
Alto, Guitare (duo)
3
Trio à cordes
2
Harpe, Violon, Violoncelle
2
Violon, Orgue
2
Ensemble d'Altos
1
Harpe, Trombone (duo)
1
Harpe et mandoline
1
Violon, Violoncelle, Clarinette
1
Ensemble de Violons
1
Harpe et Piano
1
2 Altos, Piano
1
Harpe, Violoncelle (duo)
1
Violon, Tuba (duo)
1
+ 53 instrumentations
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Orchestre & Percussions
Cloches
2 117
Orchestre d'harmonie
1 739
Orchestre
619
Ensemble de cuivres
404
Orchestre à Cordes
391
Orchestre de chambre
255
Ensemble Jazz
146
Fanfare
84
Percussion (partie séparée)
83
Batterie (partie séparée)
60
Jazz combo
51
Batterie
40
Timbales (partie séparée)
18
Quintette de Cuivres: autres combinaisons
18
Ensemble de Percussions
13
Percussion
11
Marimba
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Vibraphone
6
Xylophone, Piano
2
Instrumentation Flexible
2
Caisse Claire
2
Quintette à Vent
2
Xylophone
2
Voix et Orchestre
1
Vibraphone et Marimba
1
3 Percussions
1
2 Xylophones
1
+ 23 instrumentations
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Autres
Formation musicale - Solfège
86
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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CLAIRON
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Vous avez sélectionné:
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2 Pianos, 4 mains
Partitions à imprimer
20 partitions trouvées
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1
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contempora...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation - Pastoral
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Blue Christmas
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Rock
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Elvis Presley
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Fishel Pustilnik
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Blue Christmas
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F & N Enterprise
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.632804 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Fishel Pustilnik. Rock. Score. 6 pa...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.632804 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Fishel Pustilnik. Rock. Score. 6 pages. F & N Enterprise #3133845. Published by F & N Enterprise (A0.632804). An excellent arrangement of famous Blue Christmas for Alto Sax and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Lights
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2 Pianos, 4 mains
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AVANCÉ
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Pop musique
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Ellie Goulding
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Gary D
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Lights
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DR GARY D BELSHAW
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.796758 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard. Arranged by Gar...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.796758 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 43 pages. DR GARY D BELSHAW #5869247. Published by DR GARY D BELSHAW (A0.796758). Piano Quartet (2 Pianos 8 hands). Duration about 3:30. An arrangement of Ellie Goulding's hit single, Lights, for 2 piano, 8 hands. This advanced level piano quartet is in the original key of G-sharp Minor (5 sharps). This synth-pop hit will give your audiences something to rock on about, and will inspire piano students by giving them something powerful to work toward.Lights was released on Ellie's Bright Lights album which spent 33 weeks on the charts, and peaked at #2 on the Billboard Hot 100. Many listeners will relate to the singers own inability to sleep with the light off. As a personal statement, the music of Lights then is intense, yet calming. Would make an excellent choice for various social functions, including fund-raisers for appropriate causes.
$13.99
Sir Duke
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Soul/R&B
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Stevie Wonder
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Fishel Pustilnik
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Sir Duke
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F & N Enterprise
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N Enterprise #5798587. Published by F & N Enterprise (A0.635785). An excellent arrangement of the famous Song Sir Duke for Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/mRT5rBfIA2Y The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Lights
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ellie Goulding
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Gary D
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Lights
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DR GARY D BELSHAW
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.796760 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard. Arranged by Gar...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.796760 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 43 pages. DR GARY D BELSHAW #5869803. Published by DR GARY D BELSHAW (A0.796760). Piano Quartet (2 Pianos 8 hands). Duration about 3:30. An arrangement of Ellie Goulding's hit single, Lights, for 2 pianos, 8 hands. This advanced intermediate level piano quartet is in the key of A-sharp Minor (no sharps or flats). Your audiences something to rock on about with this synth-pop hit, and it will inspire piano students by giving them something cool, yet substantial to work toward.Lights was released on Ellie's Bright Lights album. It spent 33 weeks on the charts, and peaked at #2 on the Billboard Hot 100. Some of your fans will no doubt be able to relate to the singers own inability to sleep with the light off. As a personal statement, the music of Lights then is intense, yet calming. Would make an excellent choice for various social functions, including fund-raisers for appropriate causes.
$12.99
Jesu, Joy of Man's Desiring (BWV 147) - Arranged for 2 Pianos
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2 Pianos, 4 mains
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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Jesu, Joy of Man's Desiring
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.497955 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. S...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.497955 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 17 pages. Published by Pietro Prugna (A0.497955). Jesu, Joy of Man's Desiring is a beautiful song for Choir, String Orchestra and Tromba. This is an arrangement for 2 pianos. As the range of the Tromba/Soprano overlaps with Violin 1, some of the melodies are hidden in each other. Violin 1 is 1 octave higher in this arrangement. Piano 1 plays the Violin 1 melody on the right hand and parts of the strings (except continuo) on the left. Piano 2 plays the Choir/Continuo. Occasionally, the right hand plays some parts of Strings, when the Choir is silent.
$1.99
Bourree 1 & 2 from Suite No 1, BWV 1066 for piano duet, 4 hands (score only)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Bourree 1 & 2 from Suite N
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.530879 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Am...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.530879 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Amadeus Music #12617. Published by Amadeus Music (A0.530879). Score only. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$4.95
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Bourree Suite 2 BWV 1067 for piano duet (2 pianos)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Bourree Suite 2 BWV 1067 for p
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.532422 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 6 pages. Am...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.532422 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 6 pages. Amadeus Music #6070527. Published by Amadeus Music (A0.532422). Score and parts.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$3.95
Orchestral Suite 2 BWV 1067, mov. 2-7 for piano duet
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Orchestral Suite 2 BWV 1067, m
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. A...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. Amadeus Music #2026685. Published by Amadeus Music (A0.530862). For piano duet, score, no parts, 13 pages. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$8.95
Little Concerto
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2 Pianos, 4 mains
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Classique
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Albert Rozin
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Solo Small Ensembles
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Little Concerto
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Jubilate Music Group - Digital
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SheetMusicPlus
Composed by Albert Rozin. Piano Duo (2 Pianos, 4 Hands); Solo Small Ensembles. Score. 20 pages. Jubilate Music Group - Digital #00- BP4. Published by Jubila...
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Composed by Albert Rozin. Piano Duo (2 Pianos, 4 Hands); Solo Small Ensembles. Score. 20 pages. Jubilate Music Group - Digital #00- BP4. Published by Jubilate Music Group - Digital
English. Deuteronomy 26:1-11, Psalm 91, Luke 4:1-13, Romans 10:8b-13.
One of our best-selling anthems is now available in a unison or 2-part edition. Mark Hayes' transcendent choral arrangement of Michael Joncas' timeless song, On Eagle's Wings, is a perennial favorite of many denominations and singers of all ages. The unforgettable text adaptation of Psalm 91 is well suited to performance by both school and church choirs throughout the year, and especially Baptism, Benediction, Funerals, Graduation, Lent and Weddings. In 4 voicings for singers of all ages.
$14.95
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