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106
1 Piano, 4 mains
66
Piano grosses notes
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29
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21
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8
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28
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26
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67
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9
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Cor Anglais
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Bass Clef Instruments
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CORDES
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277
Violon
190
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139
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115
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106
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103
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84
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70
Harpe
70
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66
Contre Basse
61
2 Altos (duo)
57
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55
Contrebasse, Piano (duo)
49
Trio à Cordes: 2 violons, violoncelle
39
Alto (partie séparée)
32
Violon (partie séparée)
30
Contrebasse (partie séparée)
24
Ensemble d'Altos
20
Ensemble de Violons
19
Alto, Violoncelle (duo)
18
2 Contrebasses (duo)
14
Piano Trio: Violon, Alto, Piano
12
4 Violoncelles
10
Trio à cordes: 3 violins
10
Violoncelle, Contrebasse (duo)
8
2 Harpes (duo)
8
Trio à cordes: 3 altos
8
Violoncelle , Guitare (duo)
6
Violon, Guitare (duo)
6
Quatuor à cordes: 4 violons
6
Quatuor à cordes : 4 altos
5
Harpe, Flûte (duo)
5
Harpe, Voix
5
Trio à Cordes: 3 violoncelles
4
2 Violons, Piano
4
Violon, Basson (duo)
4
Violoncelle, Orgue
3
Violoncelle (partie séparée)
3
Violon, Clarinette, Piano (trio)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: 2 violons, alto
2
Harpe, Violon (duo)
2
Alto et Basson
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Alto, Guitare (duo)
2
Trio à cordes
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Harpe, Violoncelle (duo)
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Violon, Violoncelle, Clarinette
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Flûte, Contrebasse (duo)
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4 Contrebasses
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Violon, Tuba (duo)
1
Ensemble de Violoncelles
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Alto et Harpe
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
975
Orchestre
233
Orchestre à Cordes
176
Ensemble Jazz
144
Cloches
141
Ensemble de cuivres
105
Fanfare
47
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45
Orchestre de chambre
42
Jazz combo
20
Ensemble de Percussions
20
Percussion (partie séparée)
15
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12
Marimba
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Xylophone
8
Xylophone, Piano
5
Vibraphone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
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Cajon
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Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
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Orchestre, Violon
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Big band
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Vous avez sélectionné:
Come To You
2 Pianos, 4 mains
Partitions à imprimer
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1
Sunday Worship For Two, Volume 2 (late intermediate to early advanced 2 piano duets)
2 Pianos, 4 mains
Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacr…
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Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by sandra dee zylstra
This is the second book in the series of hymns from long ago that have stood the test of time and are still used in churches today. The following hymns and medleys are included: A Mighty Fortress Is Our God, Come, Thou Fount Of Every Blessing, Glory And Praise, How Great Thou Art, In The Blood Of The Lamb, Leaning On God\'s Promises, Standing Firm, Worship The Almighty King. All of these hymns can also be viewed and purchased separately. (57 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/This is the second book in the series of hymns from long ago that have stood the test of time and are still used in churches today. The following hymns and medleys are included: A Mighty Fortress Is Our God, Come, Thou Fount Of Every Blessing, Glory And Praise, How Great Thou Art, In The Blood Of The Lamb, Leaning On God\'s Promises, Standing Firm, Worship The Almighty King. All of these hymns can also be viewed and purchased separately. (57 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$17.00
15.54 €
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2 Pianos, 4 mains
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Various
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Worship, Sacred
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Sunday Worship For Two, Volume 2
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sandra dee zylstra
#
SheetMusicPlus
Sir Duke
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635785 By Stevie W…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N Enterprise #5798587. Published by F & N Enterprise (A0.635785). An excellent arrangement of the famous Song Sir Duke for Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/mRT5rBfIA2Y The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.56 €
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2 Pianos, 4 mains
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Stevie Wonder
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Fishel Pustilnik
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Sir Duke
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F & N Enterprise
#
SheetMusicPlus
Blue Christmas
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.632804 By Elvis Pr…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.632804 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Fishel Pustilnik. Rock. Score. 6 pages. F & N Enterprise #3133845. Published by F & N Enterprise (A0.632804). An excellent arrangement of famous Blue Christmas for Alto Sax and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.56 €
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2 Pianos, 4 mains
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Elvis Presley
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Fishel Pustilnik
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Blue Christmas
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F & N Enterprise
#
SheetMusicPlus
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.71 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.71 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.71 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Hymns of Reflection for Two Pianos
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Sharon Wilson
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
"Conversations" A piece for Piano Four (4) Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ANTONIOS KOUNDOURAKIS #3471903. Published by ANTONIOS KOUNDOURAKIS (A0.991619). In this piece Antonis explores the polyphonic and the homophonic style of composition with the added benefit and freedom of having 2 extra hands on the keyboard. Therefore there is a wide range being used simultaneously and in many cases the piece requires good coordination of the performers while in other cases independence of dynamics and phrasing. There is an extended period of stretto immitations, normally found in the style of the Fugue, and a 7 voice homophonic section resembling choral music. The different styles are juxtaposed in the form of a conversation, hence the title of the piece.This piece is ideal for live performance but can also be played by teacher and student while interchanging the parts they play for added benefit of learing coordination and understanding the challenges of the other performer when playing together. In case you buy and perform the piece don't hesitate to contact Antonis at midnightnotesband@gmail.com to give him any feedback on the score legibility/playability and the experience of playing his composition! Videos are also very welcome!
$6.00
5.49 €
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2 Pianos, 4 mains
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Antonis Koundourakis
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"Conversations" A piece for Piano Four
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ANTONIOS KOUNDOURAKIS
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SheetMusicPlus
Minuet (J P Rameau) - 2 pianos, 4 hands by Simon Peberdy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757074 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757074 Composed by Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 5 pages. Simon Peberdy #4321405. Published by Simon Peberdy (A0.757074). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet
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Simon Peberdy
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SheetMusicPlus
Minuet in A minor (J S Bach) from the little music book of Anna Magdalena, Arr Simon Peberdy
2 Pianos, 4 mains
Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757079
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Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757079 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #4350643. Published by Simon Peberdy (A0.757079). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available). Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in A minor
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Simon Peberdy
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SheetMusicPlus
Minuet in G minor (J S Bach) from the little music book of Anna Magdalena, Arr Simon Peberdy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757078 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757078 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #4347415. Published by Simon Peberdy (A0.757078). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available). Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in G minor
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Simon Peberdy
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SheetMusicPlus
Minuet in G (II) from Anna Magdalena's Notebook (J S Bach), arr for 2 pianos by Simon Peberdy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757072 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757072 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #4319611. Published by Simon Peberdy (A0.757072). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available).Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in G
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Simon Peberdy
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SheetMusicPlus
Study in A minor (August Müller) for 2 pianos 4 hands (additional piano part by Simon Peberdy)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757071 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757071 Composed by Piano II: Müller, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #4313333. Published by Simon Peberdy (A0.757071). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth book in a series of 5.Video of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: Müller, PIano I: Simon Peberdy
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Simon Peberdy
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Study in A minor
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Simon Peberdy
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SheetMusicPlus
Air Lesson XVII from Guida di Musica (James Hook) for 2 pianos (2nd piano part by Simon Peberdy)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757068 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757068 Composed by James Hook. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #3690565. Published by Simon Peberdy (A0.757068). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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James Hook
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Simon Peberdy
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Air Lesson XVII from Guida di Musica
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Simon Peberdy
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SheetMusicPlus
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