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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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PIANO & CLAVIERS
Piano seul
503
Orgue
88
Piano Facile
59
Piano, Voix
38
Piano, Voix et Guitare
35
Accompagnement Piano
12
Piano Trio: piano, violon, violoncelle
11
1 Piano, 4 mains
10
2 Pianos, 4 mains
9
Instruments en Do
7
Orgue, Trompette (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavecin
2
2 Pianos, 8 mains
1
Piano (partie séparée)
1
Instrumentations suivantes
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GUITARES
Guitare
75
2 Guitares (duo)
23
Guitare notes et tablatures
16
4 Guitares (Quatuor)
11
Ligne De Mélodie, (Paroles) et Accords
6
Ukulele
5
3 Guitares (trio)
5
Piano, Guitare (duo)
5
Guitare (partie séparée)
4
Guitare, Violon, Violoncelle (trio)
2
Banjo
1
Mandoline
1
Orchestre à Plectres
1
Instrumentations suivantes
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VOIX
Chorale SATB
195
Chorale 2 parties
120
Chorale 3 parties
72
Voix duo
32
Voix duo, Piano
23
Chorale TTBB
21
Chorale Unison
10
Voix haute
9
Voix Baryton, Piano
8
Chorale SSAA
4
Voix Soprano, Piano
3
Voix moyenne, Piano
3
Voix basse
3
Voix Alto, Piano
2
Voix seule
2
Voix basse, Piano
1
Voix Tenor
1
Voix Tenor, Piano
1
Voix Soprano, Orchestre
1
Chorale SSAATTBB
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
139
Clarinette et Piano
130
Saxophone Alto et Piano
128
Quatuor de Saxophones: 4 saxophones
108
Hautbois, Piano (duo)
104
Quatuor de Clarinettes: 4 clarinettes
100
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
99
Flûte, Hautbois, Clarinette, Basson
90
Saxophone Soprano et Piano
78
Saxophone Tenor et Piano
72
Quatuor de Flûtes : 4 flûtes
64
2 Saxophones (duo)
63
2 Flûtes traversières (duo)
58
3 Saxophones (trio)
51
3 Clarinettes (trio)
45
Ensemble de Clarinettes
45
2 Clarinettes (duo)
44
Saxophone Baryton, Piano
42
Flûte traversière
39
Quintette de Saxophone: 5 saxophones
39
Clarinette
38
Quatuor de Flûtes à bec
31
Cor anglais, Piano
30
Saxophone (partie séparée)
29
Hautbois, Basson (duo)
23
Ensemble de Flûtes
22
Trio de Flûtes: 3 flûtes
22
Ensemble de saxophones
22
Clarinette (partie séparée)
21
Quintette de Clarinettes: 5 clarinettes
20
2 Hautbois (duo)
19
Clarinette, Basson (duo)
19
Clarinette Basse, Piano
19
Flûte, Clarinette (duo)
16
Flûte, Violoncelle
16
Flûte, Violon et Violoncelle
15
2 Flûte à bec (duo)
13
Flûte, Clarinette et Basson
13
Clarinette, Violoncelle (duo)
12
Flûte, Hautbois (duo)
12
Flûte et Guitare
12
Saxophone Alto
12
Flûte, Saxophone (duo)
11
Flûte, Violon
11
Flûte à Bec
10
Flûte à bec Soprano, Piano
10
Hautbois (partie séparée)
9
Saxophone Tenor
9
Flûte, Trompette (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Hautbois, Clarinette (duo)
7
2 Clarinettes, Basson
7
Flûte à bec Soprano
7
Quintette de Flûte : 5 flûtes
7
Hautbois, Violoncelle
6
Flûte, Hautbois, Basson
6
3 Flûtes à bec (trio)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Guitare (duo)
6
Flûte, Trombone (duo)
6
Hautbois
5
Flûte, Violoncelle, Piano (trio)
5
Saxophone, Violon (duo)
5
Flûte à bec Alto
5
Flûte, Alto (duo)
5
5 Flûtes à bec
5
Flute (partie séparée)
5
Piccolo
4
Flûte à bec Alto, Piano
4
Cor Anglais
3
Hautbois, Flûte
3
Flûte, Violon, Violoncelle et Piano
3
Saxophone et Orgue
3
Hautbois, violon (duo)
3
2 Saxophones, Piano
3
Flûte à bec Alto, Basse continue
2
Clarinette, Orchestre
2
Saxophone Soprano
2
Clarinette, Contrebasse (duo)
2
Saxophone Baryton
2
Flûte à bec, Guitare (duo)
2
Piccolo, Piano
2
2 Flûtes traversières, Piano
2
2 Flûtes, Basse continue
1
Harmonica
1
Clarinette, Harpe (duo)
1
Flûte traversière, Basse continue
1
Saxophone et Guitare
1
Flûte à bec Tenor
1
Clarinette, Trombone (duo)
1
Ensemble de Hautbois
1
Flûte, Alto et Piano
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Basson et Piano
1
Clarinette et Alto
1
Clarinette Basse
1
Clarinette, Orgue
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Trombone et Piano
98
Trompette, Piano
78
Cor et Piano
72
Quatuor de Cuivres : 2 trompettes, trombone, tuba
69
Euphonium, Piano (duo)
48
Trompette
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
2 Cors (duo)
30
Cor anglais, Piano
30
Quatuor de cuivres: 4 trombones
28
Ensemble de Trompettes
26
3 Trombones (trio)
25
Trombone (partie séparée)
25
Trompette (partie séparée)
24
2 Trombones (duo)
22
Tuba et Piano
19
Cor
19
2 Trompettes (duo)
19
Quatuor de Cuivres
15
Trompette, Trombone (duo)
14
Quatuor de cuivres: 4 cors
14
Ensemble de Trombones
12
Trompette, Violoncelle (duo)
11
Trio de Cuivres
10
Trompette, violon (duo)
10
Trombone
9
Cor (partie séparée)
9
3 Trompettes (trio)
7
2 Tubas (duo)
7
4 Tubas
7
Tuba et Orgue
6
Euphonium, Tuba (duo)
6
Quatuor de cuivres: 4 trompettes
5
Trompette, Saxophone (duo)
5
Tuba (partie séparée)
5
Cor, Violoncelle (duo)
5
2 Euphoniums (duo)
4
Cor, Tuba (duo)
4
Trombone basse et Piano
4
Cor Anglais
3
Trompette, Cor (duo)
3
Trombone basse
3
Trombone, Tuba (duo)
3
Tuba
3
Ensemble de Cors
3
Euphonium
2
Trombone, Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Tubas (trio)
1
3 Cors (trio)
1
Trombone et orchestre
1
2 Euphoniums et 2 Tubas
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
265
Violon et Piano
188
Violoncelle, Piano
135
Alto, Piano
127
2 Violons (duo)
50
Violon, Violoncelle (duo)
48
Trio à Cordes: violon, alto, violoncelle
38
Violoncelle
37
4 Violoncelles
35
2 Altos (duo)
32
Quatuor à cordes: 4 violons
32
Violon, Alto (duo)
32
Violon
32
Quatuor à cordes : 4 altos
30
Contrebasse, Piano (duo)
29
Harpe
26
2 Violoncelles (duo)
25
Alto seul
23
Violon (partie séparée)
21
Violoncelle, Contrebasse (duo)
19
4 Contrebasses
16
Alto, Violoncelle (duo)
15
Contrebasse (partie séparée)
13
Trio à cordes: 3 violins
13
Trio à cordes: 3 altos
12
Violon, Guitare (duo)
12
2 Contrebasses (duo)
11
3 Contrebasses
9
Alto (partie séparée)
8
Trio à Cordes: 3 violoncelles
7
Alto, Guitare (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Violoncelle (partie séparée)
6
Piano Trio: Violon, Alto, Piano
5
Violoncelle , Guitare (duo)
5
Contre Basse
5
Flûte, Contrebasse (duo)
4
Violoncelle, Basse continue
3
Trio à Cordes: 2 violons, alto
3
Violoncelle, Orchestre
3
Violon, Violoncelle, Clarinette
2
Ensemble de Violoncelles
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orgue
1
Violon, Orgue
1
2 Violoncelles, Piano
1
Ensemble d'Altos
1
Alto et Basson
1
Ensemble de Violons
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
775
Orchestre à Cordes
207
Orchestre
96
Ensemble de cuivres
86
Orchestre de chambre
76
Ensemble Jazz
28
Ensemble de Percussions
13
Cloches
13
Percussion (partie séparée)
11
Xylophone, Piano
8
Jazz combo
4
Vibraphone
3
Timbales (partie séparée)
3
Piano et Orchestre
3
Instrumentation Flexible
3
Batterie (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
Xylophone
2
Orchestre, Violon
2
Batterie
2
Percussion
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Marimba et Orgue
1
Marimba
1
Instrumentations suivantes
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AUTRES
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Concert Works
2 Pianos, 4 mains
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1
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
8.93 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Piano Concerto No. 5
2 Pianos, 4 mains
Piano and orchestra - difficult - Digital Download SKU: S9.Q3160 Composed by Rodion…
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Piano and orchestra - difficult - Digital Download SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 32 minutes. Schott Music - Digital #Q3160. Published by Schott Music - Digital (S9.Q3160). Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 2 · 2 – 4 · 3 · 3 · 1 – 4 P. S. (I: hg. Crot. [chrom.] · Tr. [h.] · Choclo · Glass-chimes; II: Gong [h.] · Tamt. [t.] · Tr. [m.] · Choclo · Guiro [m.]; III: Sonagli [Troika] · gr. Tr. · Bambusi [oder Guiro h.]) (3 Spieler) – Str. (16 · 14 · 12 · 10 · 8).
$43.99
39.49 €
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2 Pianos, 4 mains
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Rodion Shchedrin
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II: Gong [h
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Piano Concerto No. 5
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Schott Music - Digital
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
29.58 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baoba
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.962351 Composed by Sergio Ro…
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.962351 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score. 12 pages. Sergio Roberto de Oliveira #4822133. Published by Sergio Roberto de Oliveira (A0.962351). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$8.55
7.68 €
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2 Pianos, 4 mains
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Sergio Roberto de Oliveira
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Baoba
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Sergio Roberto de Oliveira
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SheetMusicPlus
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
8.97 €
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2 Pianos, 4 mains
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Carl Philipp Emanuel Bach, Giovanni Battista Pescetti
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
Pre Zoom II [for 2 pianos]
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.912065 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.912065 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. Score. 22 pages. Motch Music #517993. Published by Motch Music (A0.912065). Original work by Masakazu Yamamoto.Work for 2 pianos. It consists of an improvisational approach and an ostinato contrast, and a slightly jazzy and rhythmic ensemble. Premiered at the concert that produced for 21st Century Music Creation from Yamanashi-Concert Part III by Yamanashi Composers held at Kingswell Hall (Kai City, Yamanashi Prefecture) in October 2018. Duration : about 12'40 Works For Piano Original Composition (Sheet Music Plus / Sheet Music Direct)→Music For Children (Sheet Music Plus / Sheet Music Direct) ​Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) Music Analysis (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$21.00
18.85 €
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2 Pianos, 4 mains
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Masakazu YAMAMOTO
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Pre Zoom II [for 2 pianos]
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Motch Music
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SheetMusicPlus
Gian Paolo Chiti: Play On B.A.C.H. for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534395
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3417517. Published by Musik Fabrik Music Publishing (A0.534395). Gian Paolo Chiti wrote “Play on B.A.C.H.†for the Moreno Gistain Duo, who premièred the work on the 28th February, 2015, for the concert season of the Fundación Juan March in Madrid. It was also recorded for Spanish National Radio. Juan Fernando Moreno Gistain wrote of the work: “It´s an honour for us that Maestro Chiti composed “Play on B.A.C.H.†for our concert programme dedicated to works based on the motif formed by the notes B.A.C.H. “Play on BACH†is a wonderful piece for piano duo and we are sure many duos will perform this in the future. The work has an amazing feeling of nostalgia, humour and charm; the audience loved it at every performance. It´s a masterwork and fits incredibly well in our concert programme.â€
$19.95
17.91 €
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2 Pianos, 4 mains
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Gian Paolo Chiti
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Gian Paolo Chiti: Play On B.A.C.H. for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
In Dulci Jubilo - Piano Duet
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.721091 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.721091 Composed by Franz Liszt. Arranged by Music-Scores.com. Christmas,Concert,Romantic Period,Sacred. Score. 11 pages. Music-Scores.com #3879931. Published by Music-Scores.com (A0.721091). In Dulci Jubilo; Les bergers à la crèche; Shepherds at the Manger. No. 3 from Weihnachtsbaum, or Christmas Tree Suite. A delightfully delicate piece of a contrasting character to most of Liszt's piano works.For piano duet, 3 handsPlaying time 2 minutes, 30 seconds.
$5.95
5.34 €
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2 Pianos, 4 mains
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Franz Liszt
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Music-Scores
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Les bergers à la crèche
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In Dulci Jubilo - Piano Duet
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Music-Scores.com
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
8.98 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
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