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GUITARES
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44
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475
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4
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3
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3
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3
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1
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1
Chorale
1
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1
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1
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1
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VENTS
Flûte traversière et Piano
63
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54
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46
2 Saxophones (duo)
45
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42
Quatuor de Saxophones: 4 saxophones
37
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33
Saxophone Alto et Piano
31
2 Clarinettes (duo)
26
Flûte traversière
23
Clarinette
22
Quatuor de Clarinettes: 4 clarinettes
22
Saxophone Tenor et Piano
21
2 Flûtes traversières (duo)
20
Flûte, Hautbois, Clarinette, Basson
17
Clarinette (partie séparée)
16
Flûte, Clarinette (duo)
15
3 Saxophones (trio)
14
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14
Saxophone Soprano et Piano
14
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13
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12
3 Clarinettes (trio)
9
Flute (partie séparée)
9
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8
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7
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7
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6
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5
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4
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4
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2 Cors Anglais Et Pianoforte
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1
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CUIVRES
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38
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28
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23
Cor et Piano
23
Trompette
13
Euphonium, Piano (duo)
10
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10
Trombone
10
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9
Tuba et Piano
9
Tuba (partie séparée)
9
Cor (partie séparée)
9
Cor
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Ensemble de Trombones
7
2 Trompettes (duo)
7
Tuba
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Cor anglais, Piano
6
Quatuor de Cuivres
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Saxophone (duo)
5
Quatuor de cuivres: 4 cors
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Trombone basse
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2 Trombones (duo)
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2 Cors (duo)
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Ensemble de Cors
2
Quatuor de cuivres: 4 trompettes
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2 Euphoniums et 2 Tubas
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2 Tubas (duo)
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4 Tubas
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3 Trombones (trio)
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Cor et Basson (duo)
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2 Cors Anglais Et Pianoforte
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
124
Violon et Piano
77
Violoncelle, Piano
53
Alto, Piano
44
Violon (partie séparée)
38
Violon
30
Contrebasse (partie séparée)
22
2 Violons (duo)
20
Trio à Cordes: violon, alto, violoncelle
19
Violon, Violoncelle (duo)
17
Alto (partie séparée)
16
Harpe
16
Violoncelle
15
2 Altos (duo)
13
Violon, Alto (duo)
13
Alto seul
13
Violoncelle (partie séparée)
8
2 Violoncelles (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à cordes: 3 altos
3
Alto, Violoncelle (duo)
3
Contre Basse
3
Contrebasse, Piano (duo)
3
Harpe, Flûte (duo)
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Violoncelle, Orchestre
2
4 Contrebasses
1
Quatuor à cordes: 4 violons
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Violon, Basson (duo)
1
Violon, Orgue
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Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Contrebasse (duo)
1
Flûte, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1280
Orchestre à Cordes
201
Cloches
135
Orchestre
82
Ensemble de cuivres
48
Orchestre de chambre
37
Ensemble Jazz
21
Percussion (partie séparée)
11
Ensemble de Percussions
8
Batterie (partie séparée)
7
Jazz combo
7
Ensemble d'École
5
Fanfare
5
Vibraphone
3
Xylophone
2
Marimba
2
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Batterie
1
Timbales
1
2 Xylophones
1
Marimba, Piano (duo)
1
2 Marimbas
1
Piano et Orchestre
1
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AUTRES
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2 Pianos, 4 mains
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Harmonic Spaces (four-hands piano)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
8.93 €
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2 Pianos, 4 mains
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
Pre Zoom II [for 2 pianos]
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.912065 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.912065 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. Score. 22 pages. Motch Music #517993. Published by Motch Music (A0.912065). Original work by Masakazu Yamamoto.Work for 2 pianos. It consists of an improvisational approach and an ostinato contrast, and a slightly jazzy and rhythmic ensemble. Premiered at the concert that produced for 21st Century Music Creation from Yamanashi-Concert Part III by Yamanashi Composers held at Kingswell Hall (Kai City, Yamanashi Prefecture) in October 2018. Duration : about 12'40 Works For Piano Original Composition (Sheet Music Plus / Sheet Music Direct)→Music For Children (Sheet Music Plus / Sheet Music Direct) ​Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) Music Analysis (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$21.00
18.76 €
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2 Pianos, 4 mains
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Masakazu YAMAMOTO
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Pre Zoom II [for 2 pianos]
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Motch Music
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SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.86 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
In Dulci Jubilo - Piano Duet
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.721091 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.721091 Composed by Franz Liszt. Arranged by Music-Scores.com. Christmas,Concert,Romantic Period,Sacred. Score. 11 pages. Music-Scores.com #3879931. Published by Music-Scores.com (A0.721091). In Dulci Jubilo; Les bergers à la crèche; Shepherds at the Manger. No. 3 from Weihnachtsbaum, or Christmas Tree Suite. A delightfully delicate piece of a contrasting character to most of Liszt's piano works.For piano duet, 3 handsPlaying time 2 minutes, 30 seconds.
$5.95
5.31 €
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2 Pianos, 4 mains
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Franz Liszt
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Music-Scores
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Les bergers à la crèche
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In Dulci Jubilo - Piano Duet
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Music-Scores.com
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SheetMusicPlus
Mean
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.796619 By Taylor S…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.796619 By Taylor Swift. By Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 23 pages. DR GARY D BELSHAW #3062971. Published by DR GARY D BELSHAW (A0.796619). A Pop! Seriously! arrangement from Gary D. Belshaw Music. Price includes 2 copies of the score! Duration: about four and one-half minutes. As simple as may seem, this hit from Taylor Swift's 2010 album, Speak Now, makes for some awesome art music interaction among the four hands! Infused with energy, this is arranged with serious piano artistry in mind. The collaboration required for performing this is great preparation for students whose goals include the concerto repertoire. This will rapidly become a favorite for advanced intermediate students. Make the most of the contrasting dynamics, articulations, and phrasing. Write a review of this music here in Sheet Music Plus online. Follow us on Facebook and Twitter. Your reviews, views, opinions, experiences, and comments are always welcome and appreciated. Go ahead; you can tell me anything!
$7.99
7.14 €
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2 Pianos, 4 mains
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Taylor Swift
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Gary D
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you can tell me anything!
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Mean
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DR GARY D BELSHAW
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SheetMusicPlus
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