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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Due South
Non classifié
85
Piano & claviers
1 Piano, 4 mains
19
Piano, Voix et Guitare
12
Piano seul
11
2 Pianos, 4 mains
6
Piano, Voix
4
Piano Facile
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue
1
Orgue, Piano (duo)
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
11
2 Guitares (duo)
6
Guitare notes et tablatures
3
Piano, Guitare (duo)
2
Mandoline, Piano (duo)
1
Mandoline, Guitare (duo)
1
Ukulele
1
+ 2 instrumentations
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Voix
Chorale SATB
12
Voix duo
11
Voix duo, Piano
9
Chorale TTBB
4
Chorale 3 parties
3
Chorale 2 parties
3
Chorale SSAA
2
Voix haute
1
+ 3 instrumentations
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Vents
2 Saxophones (duo)
64
Hautbois, Piano (duo)
21
2 Clarinettes (duo)
20
2 Flûtes traversières (duo)
18
Flûte traversière et Piano
8
Saxophone Tenor et Piano
7
Flûte, Clarinette (duo)
7
Saxophone, Clarinette (duo)
7
Clarinette et Piano
6
Hautbois, Basson (duo)
6
Flûte et Guitare
5
Saxophone Alto et Piano
5
Saxophone Soprano et Piano
4
Flûte, Saxophone (duo)
4
Clarinette et Alto
2
Clarinette, Trompette (duo)
2
Flûte, Violon
2
Flûte à bec Soprano
2
Hautbois, Flûte
2
Hautbois, Clarinette (duo)
2
Clarinette, Violon (duo)
2
2 Hautbois (duo)
2
Flûte traversière, Orgue (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Alto (duo)
1
2 Flûte à bec (duo)
1
Saxophone et Guitare
1
Cor anglais et Harpe (duo)
1
Clarinette, Guitare (duo)
1
Saxophone Baryton, Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette
1
Flûte, Hautbois (duo)
1
Hautbois, Guitare (duo)
1
2 Flûtes traversières, Piano
1
+ 32 instrumentations
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Cuivres
2 Trombones (duo)
10
Trompette, Saxophone (duo)
9
2 Trompettes (duo)
8
Trompette, Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trombone et Piano
5
2 Cors (duo)
4
Trompette, Trombone (duo)
4
Euphonium, Piano (duo)
3
2 Tubas (duo)
1
Cor anglais et Harpe (duo)
1
Trombone, Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 9 instrumentations
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Cordes
2 Violons (duo)
15
Violon, Violoncelle (duo)
10
2 Violoncelles (duo)
9
2 Harpes (duo)
7
Alto, Piano
6
Violon et Piano
6
Violon, Alto (duo)
6
Piano Trio: Violon, Alto, Piano
5
Violon, Guitare (duo)
5
2 Altos (duo)
5
Violoncelle, Piano
3
Harpe, Flûte (duo)
3
Contrebasse, Piano (duo)
2
Harpe, Violon (duo)
2
Harpe
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Alto, Violoncelle (duo)
1
Alto (partie séparée)
1
Violon, Orgue
1
Alto, Guitare (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violon
1
Harpe, Voix
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orgue
1
Trio à Cordes: 3 violoncelles
1
Violoncelle , Guitare (duo)
1
+ 22 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
4
Ensemble de Percussions
3
Ensemble de cuivres
2
Jazz combo
1
Orchestre à Cordes
1
Orchestre
1
Piano et Orchestre
1
Orchestre de chambre
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
Due South
2 Pianos, 4 mains
Partitions à imprimer
6 partitions trouvées
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1
North vs. South Pole
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
Holden R
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North vs. South Pole
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Holden Magee
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.708618 Composed by Holden R. Magee. Contemporary. Score. 6 pages. Holden Magee #317185. Published by Hol...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.708618 Composed by Holden R. Magee. Contemporary. Score. 6 pages. Holden Magee #317185. Published by Holden Magee (A0.708618). A polyphonic challenge for experienced piano players. Perfect for recitals, studios, and auditions.
$4.99
Spanish Moss
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2 Pianos, 4 mains
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Contemporain
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Patricia Hurlbutt
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Spanish Moss
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Patricia Hurlbutt
#
SheetMusicPlus
Composed by Patricia Hurlbutt. 21st Century, Impressionistic, Latin, South American, Recital. Sheet Music Single. 6 pages. Published by Patricia Hurlbutt (S0.10...
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Composed by Patricia Hurlbutt. 21st Century, Impressionistic, Latin, South American, Recital. Sheet Music Single. 6 pages. Published by Patricia Hurlbutt (S0.109391). - Sheet Music Single - 21st Century,Impressionistic,Latin,South American,Recital - Patricia Hurlbutt
$4.99
Jazz Brazilian Piano Concerto No 1 in Three Movements (2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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Latin/Musique du monde
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Jazz
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James Nathaniel Holland
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Jazz Brazilian Piano Concerto
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James Nathaniel Holland
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SheetMusicPlus
Composed by James Nathaniel Holland. Jazz, Latin Jazz, Bossa Nova, Latin, South American. Individual Part, Piano Reduction. 82 pages. Published by James Nathani...
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Composed by James Nathaniel Holland. Jazz, Latin Jazz, Bossa Nova, Latin, South American. Individual Part, Piano Reduction. 82 pages. Published by James Nathaniel Holland (S0.84233). - Individual Part,Piano Reduction - Jazz,Latin Jazz,Bossa Nova,Latin,South American - James Nathaniel Holland
$9.95
Piano Quintet in A minor
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2 Pianos, 4 mains
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AVANCÉ
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Cla...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
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