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ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
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CHORALE - CHAN…
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CLARINETTE
CLAVECIN
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COR ANGLAIS
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660
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2 335
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843
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524
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292
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206
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187
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82
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25
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6
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1
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1
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1
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1
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1
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49
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48
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8
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6
4 Guitares (Quatuor)
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Paroles et Accords
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1
Guitare Pedal Steel
1
Dulcimer
1
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492
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106
Chorale 3 parties
71
Chorale TTBB
48
Chorale 2 parties
38
Chorale SSAA
34
Pack Instrumental pour Chorale
22
Chorale Unison
18
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8
Voix duo
4
Voix duo, Piano
3
Voix Alto, Piano
2
Voix Baryton, Piano
2
Chorale SSAB a cappella
1
Chorale
1
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1 359
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980
Clarinette
877
Saxophone Alto
243
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200
Flûte à Bec
164
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155
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129
Flûte traversière et Piano
94
Clarinette et Piano
91
Saxophone Alto et Piano
90
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78
Quatuor de Saxophones: 4 saxophones
62
Hautbois, Piano (duo)
57
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51
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49
Hautbois (partie séparée)
38
Clarinette (partie séparée)
34
2 Saxophones (duo)
33
Quatuor de Clarinettes: 4 clarinettes
32
3 Saxophones (trio)
27
Flûte, Hautbois, Clarinette, Basson
19
Ensemble de saxophones
18
2 Flûtes traversières (duo)
17
Saxophone Soprano et Piano
16
Saxophone Baryton, Piano
16
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14
Quatuor de Flûtes : 4 flûtes
12
Ensemble de Flûtes
11
3 Clarinettes (trio)
11
Trio de Flûtes: 3 flûtes
11
2 Clarinettes (duo)
11
Cor anglais, Piano
10
Quintette de Flûte : 5 flûtes
9
Saxophone Soprano
8
2 Flûte à bec (duo)
7
Ensemble de Hautbois
6
Ensemble de Clarinettes
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette Basse, Piano
6
Flûte, Clarinette (duo)
5
Quatuor de Flûtes à bec
5
Hautbois, Flûte
5
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4
4 Hautbois
4
Clarinette, Guitare (duo)
3
Flûte à bec Tenor
3
Flûte et Guitare
3
Flûte à bec Alto
3
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3
Ocarina
3
Hautbois, Guitare (duo)
2
Clarinette Basse
2
3 Flûtes à bec (trio)
2
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1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
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1
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes traversières, Piano
1
Hautbois et alto (duo)
1
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1
Saxophone et violoncelle
1
Flûte, Violon
1
Hautbois, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Alto (duo)
1
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1
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629
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76
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62
Trompette (partie séparée)
58
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44
Tuba
39
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33
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19
Tuba et Piano
16
Cor anglais, Piano
10
Tuba (partie séparée)
8
2 Cors (duo)
6
Euphonium, Piano (duo)
5
2 Tubas (duo)
5
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5
Tuba et Orgue
4
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4
2 Trompettes (duo)
4
3 Cors (trio)
3
Cornet A Pistons
3
Quatuor de cuivres: 4 trompettes
2
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2
4 Tubas
2
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2
3 Trompettes (trio)
1
Bass Clef Instruments
1
Trompette, Tuba (duo)
1
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1
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1
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1 209
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735
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442
Quatuor à cordes: 2 violons, alto, violoncelle
128
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82
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80
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61
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36
Violon, Violoncelle (duo)
30
Harpe
17
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15
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15
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10
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10
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9
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8
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8
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7
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6
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6
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6
2 Violons, Piano
5
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5
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5
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5
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5
Quatuor à cordes: 4 violons
4
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4
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4
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3
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3
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3
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2
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1
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1
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1
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224
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143
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54
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36
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31
Fanfare
22
Orchestre de chambre
16
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11
Ensemble Jazz
10
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8
Ensemble de Percussions
6
Cloches
6
Jazz combo
5
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3
3 Percussions
1
Vibraphone
1
Timbales
1
Marimba
1
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--INSTRUMENTS--
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BANJO
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CHORALE - CHAN…
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CORNET
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Vous avez sélectionné:
Free - Trombone 1
2 Pianos, 4 mains
Partitions à imprimer
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CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Alone
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Marshmello
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JoLaYo
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Alone
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Josiah Yowell
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4791595. Published by Josiah Yowell (A0.891220). This is a 2 Piano arrangement of the popular song Alone written by Marshmello. In addition to the full score (both piano parts side-by-side), there is an individual copy of each piano part included in the arrangement. This way, you only have to make one copy and you won't have to make as many page turns. Also, you can even have the option of playing the Piano 1 part as a solo arrangement!As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements!Email me at: sebbyomusic@gmail.com
$4.99
One Handed Trio #4
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Tom Rule
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One Handed Trio #4
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MaconMacMusicGuy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812....
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
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