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328
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251
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191
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160
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15
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2
Piano (partie séparée)
2
Piano Trio: piano, violon, violoncelle
1
Clavier
1
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61
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47
Guitare
21
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11
Ukulele
9
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7
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1
Dulcimer
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1
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1
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2 Guitares (duo)
1
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Chorale SATB
186
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67
Chorale 3 parties
63
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45
Chorale TTBB
25
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13
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13
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12
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11
Voix duo, Piano
8
Voix duo
7
Voix haute
6
Voix Soprano, Piano
4
Voix moyenne, Piano
3
Voix seule
3
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2
Chorale SSAATTBB
1
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1
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1
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30
Clarinette (partie séparée)
26
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17
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13
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13
Flute (partie séparée)
12
Flûte traversière
12
Flûte, Hautbois, Clarinette, Basson
12
Hautbois (partie séparée)
11
Clarinette et Piano
11
Clarinette
11
Hautbois, Piano (duo)
10
Saxophone Alto
9
2 Saxophones (duo)
9
Saxophone Tenor
8
Quatuor de Saxophones: 4 saxophones
8
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7
Saxophone Tenor et Piano
5
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5
Saxophone Soprano et Piano
4
Saxophone Soprano
4
Ensemble de saxophones
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Cor anglais, Piano
3
Hautbois
3
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3
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2
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2
Flûte à Bec
2
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2
Saxophone Baryton, Piano
2
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2
Flûte, Clarinette, Piano (trio)
1
5 Flûtes à bec
1
3 Saxophones (trio)
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
Clarinette Basse
1
Flûte, Alto et Piano
1
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1
Flûte, Violon
1
Clarinette Basse, Piano
1
2 Flûtes traversières, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Alto
1
Flûte, Violoncelle
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette (partie séparée)
24
Trombone (partie séparée)
23
Trompette
16
Trombone et Piano
11
Cor (partie séparée)
11
Tuba (partie séparée)
10
Trombone
10
Trompette, Piano
9
Cor
8
Cor et Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Ensemble de Trombones
5
Tuba et Piano
3
Cor anglais, Piano
3
Cornet A Pistons
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 cors
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trombones
1
Cor, Violoncelle (duo)
1
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Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon (partie séparée)
27
Violon et Piano
21
Trio à Cordes: violon, alto, violoncelle
19
Violoncelle, Piano
15
Violon
14
Alto seul
12
Violoncelle
11
Alto, Piano
10
Violon, Violoncelle (duo)
9
Violoncelle (partie séparée)
8
Contrebasse (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto (partie séparée)
5
Contrebasse, Piano (duo)
5
Contre Basse
4
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Piano Trio: Violon, Alto, Piano
2
Harpe
2
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Guitare (duo)
1
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322
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60
Orchestre
46
Ensemble de cuivres
32
Fanfare
29
Ensemble Jazz
25
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25
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18
Cloches
11
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7
Jazz combo
5
Vibraphone
3
Percussion
3
Batterie
2
Batterie (partie séparée)
2
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1
Timbales
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Xylophone
1
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2 Pianos, 4 mains
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Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
"Conversations" A piece for Piano Four (4) Hands
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Antonis Koundourakis
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"Conversations" A pi
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ANTONIOS KOUNDOURAKIS
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ANTONIOS KOUNDOURAKIS #3471903. Published by ANTONIOS KOUNDOURAKIS (A0.991619). In this piece Antonis explores the polyphonic and the homophonic style of composition with the added benefit and freedom of having 2 extra hands on the keyboard. Therefore there is a wide range being used simultaneously and in many cases the piece requires good coordination of the performers while in other cases independence of dynamics and phrasing. There is an extended period of stretto immitations, normally found in the style of the Fugue, and a 7 voice homophonic section resembling choral music. The different styles are juxtaposed in the form of a conversation, hence the title of the piece.This piece is ideal for live performance but can also be played by teacher and student while interchanging the parts they play for added benefit of learing coordination and understanding the challenges of the other performer when playing together. In case you buy and perform the piece don't hesitate to contact Antonis at midnightnotesband@gmail.com to give him any feedback on the score legibility/playability and the experience of playing his composition! Videos are also very welcome!
$6.00
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