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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Gin
Sheetmusicplus
Non classifié
28 483
Piano & claviers
Piano seul
18 277
Piano Facile
13 574
Piano, Voix
7 047
Piano, Voix et Guitare
3 630
Piano grosses notes
3 323
Orgue
3 223
Instruments en Do
1 674
1 Piano, 4 mains
795
Accompagnement Piano
656
Piano Trio: piano, violon, violoncelle
271
Accordéon
200
2 Pianos, 4 mains
175
Piano Quatuor: piano, violon, alto, violoncelle
125
Piano (partie séparée)
103
Clavier
77
Piano Quatuor: piano, 2 violons, violoncelle
55
Piano Quintette: piano, 2 violons, alto, violoncelle
45
1 Piano, 6 mains
44
Orgue, Piano (duo)
40
Orgue, Trompette (duo)
39
Clavecin
32
2 Accordéons
16
2 Pianos, 8 mains
12
Fake Book
7
Ensemble d'Accordéons
4
Tous Les Instruments
4
Orgue, Voix
4
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Ensemble de Pianos
1
Orgue et Orchestre
1
Accordéon, Piano
1
+ 26 instrumentations
Retracter
Guitares
Guitare notes et tablatures
2 199
Guitare
1 833
Basse electrique
704
Ukulele
668
Ligne De Mélodie, (Paroles) et Accords
508
2 Guitares (duo)
295
Guitare (partie séparée)
178
Paroles et Accords
115
Dulcimer
88
Banjo
76
Mandoline
75
4 Guitares (Quatuor)
74
Piano, Guitare (duo)
72
Guitare Pedal Steel
44
Ensemble de guitares
40
3 Guitares (trio)
31
Ukulele Baryton
8
2 Ukuleles
7
Basse électrique (partie séparée)
3
Dobro
3
Ensemble de Ukulélés
3
Mandoline, Piano (duo)
2
2 Dulcimers (duo)
2
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
2
Guitare, Quatuor à cordes
1
Luth
1
Cithare
1
+ 24 instrumentations
Retracter
Voix
Chorale SATB
8 408
Chorale 3 parties
3 167
Chorale 2 parties
2 062
Chorale Unison
1 800
Chorale TTBB
1 774
Chorale SSAA
1 128
Voix duo, Piano
451
Pack Instrumental pour Chorale
312
Voix Soprano, Piano
287
Voix duo
228
Voix haute
225
Voix Alto, Piano
209
Voix seule
185
Voix Baryton, Piano
167
Voix Tenor, Piano
156
Chorale
130
Voix basse, Piano
90
Voix moyenne, Piano
80
Voix Tenor
33
Chorale SSAATTBB
30
Chorale SSATB
19
Voix basse
17
Voix Soprano
14
Voix, Guitare
12
Voix Mezzo-Soprano, Piano
10
Chorale SSAB, Piano
7
Chorale SSAB a cappella
7
Soli, choeur mixte et accompagnement
6
Chorale SSATTB
6
Chorale, Orgue
4
Chorale SSAATB
4
Voix Moyenne
2
Chorale SATBB
2
Voix Baryton
1
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Voix duo, Orgue
1
+ 32 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
2 708
Flûte traversière et Piano
2 550
Flûte, Hautbois, Clarinette, Basson
2 015
Flûte traversière
1 936
2 Saxophones (duo)
1 808
Saxophone (partie séparée)
1 685
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 644
Clarinette et Piano
1 609
2 Flûtes traversières (duo)
1 533
Clarinette
1 520
Hautbois, Piano (duo)
1 508
Saxophone Alto
1 441
Saxophone Alto et Piano
1 274
Saxophone Tenor
1 202
2 Clarinettes (duo)
938
Quatuor de Clarinettes: 4 clarinettes
925
Saxophone Tenor et Piano
820
Hautbois (partie séparée)
788
Quintette de Saxophone: 5 saxophones
757
Saxophone Soprano et Piano
628
Quatuor de Flûtes : 4 flûtes
608
3 Saxophones (trio)
525
3 Clarinettes (trio)
494
2 Hautbois (duo)
415
Saxophone Baryton, Piano
398
Flûte, Clarinette (duo)
373
Ensemble de Clarinettes
342
Trio de Flûtes: 3 flûtes
337
Quatuor de Flûtes à bec
319
Hautbois
300
Saxophone Soprano
298
Saxophone, Clarinette (duo)
297
Quintette de Clarinettes: 5 clarinettes
289
Clarinette (partie séparée)
283
Hautbois, Basson (duo)
275
Clarinette, Violon (duo)
269
2 Flûte à bec (duo)
261
Ensemble de saxophones
254
Hautbois, Clarinette (duo)
223
Flûte et Guitare
220
Ensemble de Flûtes
216
3 Flûtes à bec (trio)
206
Cor anglais, Piano
204
Flûte à bec Soprano
191
Flute (partie séparée)
182
Flûte, Violon
174
Clarinette, Trompette (duo)
174
Quintette de Flûte : 5 flûtes
140
5 Flûtes à bec
140
Clarinette et Alto
139
Saxophone Baryton
139
Flûte, Hautbois, Basson
139
Flûte, Alto (duo)
137
Clarinette Basse, Piano
131
Clarinette, Basson (duo)
129
Flûte, Violoncelle
124
Flûte à bec Alto
121
Flûte, Clarinette et Basson
119
Hautbois, Flûte
116
Flûte, Saxophone (duo)
104
Flûte à Bec
103
Flûte, Hautbois, Clarinette (trio)
101
Flûte, Violon, Piano
101
Ensemble De Flûte à bec
96
Hautbois, Violoncelle
92
Clarinette, Guitare (duo)
88
Harmonica
86
Flûte, Trompette (duo)
85
Hautbois, Clarinette, Basson (trio d'anches)
82
Clarinette, Violoncelle (duo)
80
Flûte, Hautbois (duo)
70
Clarinette, Harpe (duo)
60
Cor Anglais
60
3 Hautbois
49
Flûte, Violoncelle, Piano (trio)
49
Hautbois, violon (duo)
46
Flûte à bec Alto, Piano
45
Hautbois et alto (duo)
44
4 Hautbois
44
Saxophone
42
Flûte à bec Tenor
41
Piccolo
36
Flûte à bec Soprano, Piano
35
Flûte à bec Alto, Basse continue
34
Saxophone et Piano
34
Flûte, Clarinette, Piano (trio)
33
Piccolo, Piano
28
Flûte, Hautbois, Piano (trio)
28
Flûte, Basson et Piano
27
Flûte, Violon et Violoncelle
26
Clarinette, Trombone (duo)
25
Flûte, Trombone (duo)
25
Clarinette, Violoncelle, Piano (trio)
25
2 Clarinettes, Piano
21
2 Flûtes traversières, Piano
21
2 Saxophones, Piano
21
Ocarina
19
Flûte, Clarinette, Cor, Basson (Quartet)
19
Clarinette Basse
19
Flûte à Bec, Piano
18
Flûte, Alto et Piano
18
Flûte, Harpe et Violoncelle
17
2 Clarinettes, Basson
17
Cor anglais, Guitare (duo)
17
Saxophone et Guitare
16
Clarinette, Basson, Piano (trio)
15
Hautbois, trombone (duo)
14
Hautbois, Guitare (duo)
14
Clarinette, Tuba
13
Saxophone et Orgue
12
Clarinette, Alto et Piano (trio)
11
Flute, harpe et violon
10
Hautbois, Clarinette et Piano (Trio)
10
Hautbois, Basson et Piano
10
Flûte traversière, Orgue (duo)
9
Flûte, Tuba (duo)
9
Clarinette, Contrebasse (duo)
9
Hautbois, Trompette (duo)
8
Flûte irlandaise
8
Ensemble de Hautbois
6
Instruments en Mib
6
Hautbois, Violoncelle et Piano
5
Flûte et Trio à cordes
5
Hautbois, Violon, Piano
5
Flûte à bec Soprano, Basse continue
4
Ensemble à vent
4
2 Cors Anglais Et Pianoforte
4
Flûte, Hautbois, Violon
4
Flûte, trombone et piano
4
Hautbois, Violin, Alto et Violoncelle (Quatuor)
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Flûte traversière, Basse continue
4
Flûte, Violon, Violoncelle et Piano
4
2 Hautbois, Piano
3
2 Flûtes à bec, Piano
3
Flûte à bec, Guitare (duo)
2
Flute, Cor (duo)
2
Saxophone, Violon (duo)
2
Cornemuse
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Orgue
2
2 Flûtes traversières, Harpe
2
Hautbois, Harpe
2
2 Flûtes, Basse continue
2
Flûte de Pan
2
Flûte traversière, Orchestre
1
Saxophone, Basson (duo)
1
Clarinette, trompette et piano
1
Flûte, Violoncelle, Guitare
1
2 Flûtes à bec, Guitare
1
Flûte, Violon, Guitare
1
2 clarinettes, 2 bassons
1
Cor anglais et Harpe (duo)
1
Melodica
1
Clarinette, Saxophone, Piano
1
Flûte, alto et harpe
1
Flûte, Clarinette, Violon (trio)
1
+ 152 instrumentations
Retracter
Cuivres
Trompette
1 673
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 597
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1 454
Trombone
1 200
Trompette, Piano
1 156
Trombone et Piano
1 049
Cor et Piano
917
Cor
894
Trombone (partie séparée)
696
Tuba
676
Trompette (partie séparée)
658
2 Trompettes (duo)
593
2 Trombones (duo)
517
Tuba et Piano
511
Quatuor de Cuivres
465
Quatuor de Cuivres: 2 trompettes, Cor, trombone
456
Trompette, Trombone (duo)
320
2 Cors (duo)
260
Euphonium
241
Euphonium, Piano (duo)
231
Trompette, Saxophone (duo)
214
Cor anglais, Piano
204
Cor (partie séparée)
196
Quatuor de cuivres: 4 trombones
168
Tuba (partie séparée)
156
Quatuor de cuivres: 4 cors
133
Trompette, Cor (duo)
130
2 Tubas (duo)
113
Ensemble de Trombones
107
Trio de Cuivres
88
Ensemble de Trompettes
85
Tuba et Orgue
61
Quatuor de cuivres: 4 trompettes
61
Cor Anglais
60
2 Euphoniums et 2 Tubas
59
Ensemble de Cors
56
4 Tubas
44
3 Trombones (trio)
40
3 Trompettes (trio)
40
Trompette, Tuba (duo)
34
Trombone, Tuba (duo)
31
Trombone, Cor (duo)
31
Cor, Violoncelle (duo)
27
2 Euphoniums (duo)
24
Trombone basse
22
Trompette, Basson (duo)
20
Trombone basse et Piano
19
3 Tubas (trio)
18
Trombone, Violon (duo)
17
Euphonium, Tuba (duo)
17
Cor anglais, Guitare (duo)
17
Cor, Tuba (duo)
16
Trompette, Violoncelle (duo)
15
3 Cors (trio)
14
Trombone, Orgue
13
Cor et Basson (duo)
12
Trompette, violon (duo)
10
Trompette et Guitare
10
Bass Clef Instruments
9
Instruments en Sib
8
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Trompette, Trombone, Piano
7
Cor et Orgue
5
2 Cors, Piano
5
2 Trompettes, Clavier (piano ou orgue)
5
Cor et Harpe
4
2 Cors Anglais Et Pianoforte
4
Trombone et orchestre
3
3 Euphoniums
3
Clarinette, Cor (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Trombone, violoncelle (duo)
2
Trompette, Harpe
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
2 Trombones, Piano
2
Ensemble de Tubas
1
4 Euphoniums
1
Cor, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Trompette, Violoncelle et Piano
1
Trombone, Alto (duo)
1
+ 76 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5 510
Violon et Piano
2 897
Violon
2 822
Harpe
2 767
Violoncelle
1 928
Violoncelle, Piano
1 651
Alto, Piano
1 479
Alto seul
1 293
Violon, Violoncelle (duo)
1 140
Trio à Cordes: violon, alto, violoncelle
919
2 Violons (duo)
916
2 Violoncelles (duo)
742
Contre Basse
554
Violon, Alto (duo)
550
Contrebasse, Piano (duo)
535
2 Altos (duo)
529
Quintette à cordes: 2 violons, alto, violoncelle, basse
485
Alto (partie séparée)
393
Violon (partie séparée)
359
Trio à Cordes: 2 violons, violoncelle
314
Contrebasse (partie séparée)
249
4 Violoncelles
229
Trio à cordes: 3 violins
191
Harpe, Flûte (duo)
187
Alto, Violoncelle (duo)
181
2 Harpes (duo)
152
Trio à Cordes: 3 violoncelles
151
Violon, Guitare (duo)
124
2 Contrebasses (duo)
93
Piano Trio: Violon, Alto, Piano
85
Violon, Basson (duo)
83
Quatuor à cordes: 4 violons
79
Violoncelle (partie séparée)
78
Harpe, Violon (duo)
76
Violoncelle , Guitare (duo)
68
Quatuor à cordes : 4 altos
61
Violoncelle, Contrebasse (duo)
59
Trio à cordes: 3 altos
55
Trio à Cordes: 2 violons, alto
43
Alto et Basson
29
Trio à cordes
27
Alto, Guitare (duo)
25
Ensemble de Violons
24
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Flûte, Contrebasse (duo)
20
Ensemble d'Altos
20
Violon, Tuba (duo)
19
Violon, Clarinette, Piano (trio)
19
Violon, Orgue
15
Harpe, Violoncelle (duo)
13
Harpe, Voix
13
2 Violons, Piano
13
Ensemble de Violoncelles
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
10
4 Contrebasses
9
Violoncelle, Orgue
9
Harpe, Violon, Violoncelle
8
Harpe et Piano
8
Autoharp
7
3 Harpes
7
Alto et Harpe
7
4 Harpes
6
Violon, Violoncelle, Clarinette
4
Alto, Orgue
4
Harpe, Quatuor à cordes
4
Violoncelle, Orchestre
4
3 Contrebasses
4
2 Altos, Piano
4
Violoncelle, Basse continue
4
2 Violoncelles, Piano
3
5 Harpes
3
Violon, Basse continue
3
Harpe (partie séparée)
2
Harpe et mandoline
2
Harpe et Orgue
1
2 Violons et Basse continue
1
+ 71 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
8 990
Orchestre à Cordes
2 451
Orchestre
1 787
Cloches
1 675
Ensemble Jazz
1 379
Ensemble de cuivres
1 069
Orchestre de chambre
593
Fanfare
552
Jazz combo
384
Batterie
345
Percussion (partie séparée)
192
Ensemble de Percussions
192
Batterie (partie séparée)
121
Marimba
106
Xylophone, Piano
58
Xylophone
45
Vibraphone
45
Percussion
37
Timbales (partie séparée)
33
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
2 Xylophones
13
Quintette à Vent
10
Piano et Orchestre
10
Big band
9
Caisse Claire
8
Ensemble d'École
6
Xylophone ou Marimba ou Vibraphone
6
Vibraphone et Marimba
5
Quintette de Cuivres: autres combinaisons
4
Instrumentation Flexible
4
Timbales
3
Orchestre, Violon
3
Quatuor à Vent : 4 instruments à vents
2
Cajon
2
Marimba, Piano (duo)
2
Bongos
1
Marimba ou Xylophone et Piano
1
Marimba, Saxophone (duo)
1
2 Caisses Claires (duo)
1
Bodhran
1
3 Marimbas
1
3 Percussions
1
2 Marimbas
1
Conga
1
+ 39 instrumentations
Retracter
Autres
Théorie de la musique
5
Formation musicale - Solfège
5
Papeterie
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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COMEDIES MUSICALES -…
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FILM - TV
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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175 partitions trouvées
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Magic Flute / Zauberflöte: Queen of the Night (Revenge Aria) / Königin der Nacht (Rachearie)
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2 Pianos, 4 mains
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Classique
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Wolfgang Amadeus Mozart
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Magic Flute / Zauberflöte
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Uwe Roessler
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.504666 Composed by Wolfgang Amadeus Mozart. Arranged by Uwe Roessler / Rössler / Rassler. Classical,Contest,Fes...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.504666 Composed by Wolfgang Amadeus Mozart. Arranged by Uwe Roessler / Rössler / Rassler. Classical,Contest,Festival,Opera. Score. 14 pages. Published by Uwe Roessler (A0.504666). This is a unique arrangement for professionals: The aria of the Queen of the Night from Mozart´s Magic Flute. Unabridged. Originally written for a European Piano Duo. Comes with full score and voices for piano 1 and piano 2. Other music of this opera for piano duet also available.
$15.00
Imagine
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2 Pianos, 4 mains
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FACILE
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Rock
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John Lennon And The Plastic On
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Yuan (Kevin) Qiu
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Imagine
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Kevin Qiu
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.799995 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Yuan (Kevin) Qiu. Rock. Scor...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.799995 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Yuan (Kevin) Qiu. Rock. Score. 5 pages. Kevin Qiu #3632539. Published by Kevin Qiu (A0.799995). John Lennon - Imagine piano. For piano duo. For All Situations.Instagram: kevin_piano_covers.
$4.99
Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle ("Fantaisie-tableaux") Original For 2Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1 Op.5
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1485084 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 65 pages. Poon #1062165. Pu...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1485084 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 65 pages. Poon #1062165. Published by poon (A0.1485084). Sergei Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle (Fantaisie-tableaux) Original For 2 Pianos - Allegretto Score and Parts.
$5.99
Rachmaninoff - Suite No.1, Op.5 II.La nuit... L'amour - ("Fantaisie-tableaux") Original For 2 Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1, Op.
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486436 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 45 pages. Poon #1063499. Pu...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486436 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 45 pages. Poon #1063499. Published by poon (A0.1486436). Sergei Rachmaninoff - Suite No.1, Op.5 2.La nuit... L'amour - (Fantaisie-tableaux) Original For 2 Pianos 4hands - Adagio sostenuto (D major) Score and Parts.
$5.99
Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - ("Fantaisie-tableaux") Original For 2 Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1, Op.
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486711 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 27 pages. Poon #1063777. Pu...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486711 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 27 pages. Poon #1063777. Published by poon (A0.1486711). Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - (Fantaisie-tableaux) Original For 2 Pianos 4hands - Largo di molto (G minor) Score and Parts.
$5.99
Beethoven - Symphony No.5 in C Minor, Op. 67 IV.Allegro - For 2Piano 4hands - Original
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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poon
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Beethoven - Symphony No.5 in C
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1327809 Composed by Ludwig van Beethoven. Arranged by poon. Classical. Score. 54 pages. Poon #915852. Pu...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1327809 Composed by Ludwig van Beethoven. Arranged by poon. Classical. Score. 54 pages. Poon #915852. Published by poon (A0.1327809). Beethoven - Symphony No.5 in C Minor, Op. 67 IV.Allegro - For 2Piano 4hands - Original.
$1.99
Imagine
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2 Pianos, 4 mains
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DÉBUTANT
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Contemporain
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David Archuleta
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Warren & Debby
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Debby
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Imagine
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SheetMusicPlus
By David Archuleta. By John Lennon. Arranged by Warren & Debby. Children, Classical, Contemporary, Film/TV, Traditional. Score. 2 pages. World Mus...
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By David Archuleta. By John Lennon. Arranged by Warren & Debby. Children, Classical, Contemporary, Film/TV, Traditional. Score. 2 pages. World Music #436391. Published by World Music
$5.99
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
"Ghost Story" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Richard Simm
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Richard Simm
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"Ghost Story" from A
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditi...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #727380. Published by Richard Simm (A0.1126731). The first item in this suite of Icelandic tunes by Richard Simm is a hair-raising ghost story! These Icelandic melodies were originally arranged by Simm for beginner students to play as piano duets with their teachers or with advanced students. In their new form for two pianos, they are more embellished and technically challenging than the originals, but are short enough not to present too much of a hurdle. Four of the five songs are known to every Icelander, and their original texts often have stark, dramatic undertones.
$4.95
Fur Elise - Beethoven (Piano Duet Beginner)
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2 Pianos, 4 mains
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DÉBUTANT
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Classique
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Ludwig can Beethoven
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Phoebe Tak Man Chow
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Fur Elise - Beethoven
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Phoebe Tak Man Chow
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.1084689 Composed by Ludwig can Beethoven. Arranged by Phoebe Tak Man Chow. Classical. Score. 7 pages. Ph...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.1084689 Composed by Ludwig can Beethoven. Arranged by Phoebe Tak Man Chow. Classical. Score. 7 pages. Phoebe Tak Man Chow #688871. Published by Phoebe Tak Man Chow (A0.1084689). This arrangement is ideally suitable for grade 1-3 pianists.
$5.00
Fourth Rendez Vous (Easy Piano Duet)
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2 Pianos, 4 mains
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DÉBUTANT
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New Age
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Jean-Michel Jarre
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G L Harvey
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Fourth Rendez Vous
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G L Harvey
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SheetMusicPlus
Easy Piano, Piano Duet, Drums - Easy/Beginner - Digital Download By Jean-Michel Jarre. Arranged by G L Harvey. Score, Set of Parts. 11 pages. Publish...
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Easy Piano, Piano Duet, Drums - Easy/Beginner - Digital Download By Jean-Michel Jarre. Arranged by G L Harvey. Score, Set of Parts. 11 pages. Published by G L Harvey
This 1986 electronic classic by Jean-Michel Jarre is a dynamic foot tapper and students will love being transported back to the 80's. Arranged as a beginner duet for piano in traditional notation with an optional drum kit part. Great for school ensemble work and adaptable for any four hands on keyboards or synthesizers (especially useful when an ensemble is required for 4 fairly easy single hand keyboard parts, plus drums). It would also work as a full percussion ensemble with 3/4 tuned parts and drums. To be printed portrait on A4. Pdf includes full score, primo/secondo parts and drum kit part (11 pages in total).
Duration about 3 minutes with all repeats
$4.99
Semi classical, peacefull, calm, relaxing, different original, unique
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Chris de Jager
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Semi classical, peacefull, cal
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Chris de Jager
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1030446 Composed by Chris de Jager. Classical,Film/TV,Holiday,Sacred,World. Score. 11 pages. Chris de Ja...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1030446 Composed by Chris de Jager. Classical,Film/TV,Holiday,Sacred,World. Score. 11 pages. Chris de Jager #6317897. Published by Chris de Jager (A0.1030446). Classical5.57 min durationRelaxing, background musicBeautiful themeScore not complicated, easy to perform as chamber music. Ideal for learners and studentsLight and peacefull
$10.00
The Valley of the High Plains - original piano duet for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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The Valley of the High Plains
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Kevin G. Pace
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.701128 Composed by Kevin G. Pace (ASCAP). Contemporary,Standards. Score and parts. 7 pages...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.701128 Composed by Kevin G. Pace (ASCAP). Contemporary,Standards. Score and parts. 7 pages. Kevin G. Pace #3025091. Published by Kevin G. Pace (A0.701128). A brilliant, beautiful, piano duet for two pianos for moderately advanced pianists. A polyrhythmic composition. Piano one is in 4/4 time. Piano two is in 3/4 time.
$3.95
Essential Two-Piano Repertoire: 20 Late Intermediate to Early Advanced Selections in Their Original Form - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Essential Two-Piano Repertoire
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Edited by Lucy Mauro and Scott Beard. Classical. 144 pages. Alfred Music - Digital Sheet Music #00-PB-0000648. Published by Alfred Music - Digital She...
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Edited by Lucy Mauro and Scott Beard. Classical. 144 pages. Alfred Music - Digital Sheet Music #00-PB-0000648. Published by Alfred Music - Digital Sheet Music
$17.99
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach, Gio
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Publ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Re...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Piano Concerto No. 4 "The
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
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