Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Harmony Choi
Sheetmusicplus
Non classifié
414
Piano & claviers
Piano, Voix
228
Accompagnement Piano
65
Piano seul
45
Piano Facile
18
Instruments en Do
17
Piano, Voix et Guitare
12
Piano Trio: piano, violon, violoncelle
11
1 Piano, 4 mains
5
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
2
+ 6 instrumentations
Retracter
Guitares
Guitare
4
Guitare notes et tablatures
2
2 Guitares (duo)
1
Voix
Chorale SATB
947
Chorale TTBB
468
Chorale 3 parties
347
Chorale 2 parties
343
Chorale SSAA
343
Chorale Unison
81
Voix Tenor, Piano
44
Voix Alto, Piano
41
Voix Soprano, Piano
41
Voix Baryton, Piano
15
Voix duo, Piano
8
Chorale
5
Voix seule
4
Chorale SSAATTBB
4
Soli, choeur mixte et accompagnement
1
Voix basse, Piano
1
Voix duo
1
+ 12 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
14
Flûte traversière et Piano
12
Flûte, Trombone (duo)
11
Clarinette et Piano
11
Ensemble de Clarinettes
8
Quatuor de Saxophones: 4 saxophones
7
Quatuor de Flûtes : 4 flûtes
7
2 Flûtes traversières (duo)
7
2 Saxophones (duo)
6
Ensemble de Flûtes
6
Flûte, Hautbois, Clarinette, Basson
5
Clarinette
4
Saxophone Alto et Piano
4
2 Clarinettes (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Violon, Piano
4
Trio de Flûtes: 3 flûtes
3
Hautbois (partie séparée)
3
Flûte traversière
3
Flûte, Clarinette (duo)
3
2 Hautbois (duo)
3
Hautbois
3
Hautbois, Violoncelle
3
Hautbois, Clarinette (duo)
3
Hautbois et alto (duo)
2
Hautbois, violon (duo)
2
Flûte et Trio à cordes
2
Saxophone Baryton, Piano
2
4 Hautbois
2
Hautbois, Basson (duo)
2
2 Flûte à bec (duo)
2
Flûte, Alto (duo)
2
Ensemble de saxophones
2
Saxophone Tenor et Piano
2
Flûte, Violon
2
Clarinette, Violoncelle (duo)
2
Clarinette, Violon (duo)
2
Flûte, Violoncelle
2
3 Clarinettes (trio)
1
Ensemble De Flûte à bec
1
Quintette de Saxophone: 5 saxophones
1
Clarinette Basse
1
3 Saxophones (trio)
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Clarinette Basse, Piano
1
Clarinette et Alto
1
Saxophone Soprano et Piano
1
Clarinette, Harpe (duo)
1
Flûte, Violon et Violoncelle
1
+ 45 instrumentations
Retracter
Cuivres
Trompette, Piano
7
Trombone et Piano
5
Cor et Piano
5
Tuba
4
Trompette, Trombone (duo)
4
Trompette
4
Cor
4
Tuba et Piano
4
Trombone
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de cuivres: 4 trombones
3
2 Trombones (duo)
2
Quatuor de cuivres: 4 trompettes
2
2 Trompettes (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
2 Cors (duo)
2
Euphonium
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Tubas (duo)
2
Tuba et Orgue
2
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trombones
1
Trompette, violon (duo)
1
Quatuor de Cuivres
1
3 Trombones (trio)
1
2 Euphoniums et 2 Tubas
1
4 Euphoniums
1
+ 23 instrumentations
Retracter
Cordes
Violon et Piano
25
Violoncelle, Piano
18
Violoncelle
15
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon, Basson (duo)
14
Violon
13
Alto seul
11
Violon, Violoncelle (duo)
8
Alto, Piano
8
Contrebasse, Piano (duo)
6
Contre Basse
6
2 Violons (duo)
6
2 Violoncelles (duo)
5
2 Altos (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, violoncelle
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Harpe
1
Violon, Guitare (duo)
1
Contrebasse (partie séparée)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
31
Orchestre
17
Cloches
13
Orchestre à Cordes
8
Orchestre de chambre
6
Ensemble Jazz
4
Ensemble de cuivres
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
1
+ 4 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
2
Librairie Musicale
0
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Harmony Choi
SheetMusicPlus
Partitions à imprimer
2 partitions trouvées
<
1
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
#
2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
THREAD, Between the Octaves A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
(+)
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
(+)
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale