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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He and I
Non classifié
1 160
Piano & claviers
Piano seul
576
Piano, Voix
292
Piano, Voix et Guitare
242
Instruments en Do
101
Orgue
60
Piano Facile
41
Accompagnement Piano
22
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
9
Accordéon
5
Clavecin
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare
85
Guitare notes et tablatures
32
Ligne De Mélodie, (Paroles) et Accords
29
Ukulele
10
Basse electrique
6
2 Guitares (duo)
4
Mandoline, Guitare (duo)
4
Guitare (partie séparée)
2
Banjo
2
Paroles et Accords
2
Mandoline
1
4 Guitares (Quatuor)
1
Dulcimer
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
407
Chorale 3 parties
61
Chorale 2 parties
40
Chorale TTBB
29
Voix duo, Piano
28
Chorale Unison
21
Chorale SSAA
11
Voix Baryton, Piano
10
Voix Soprano, Piano
9
Voix haute
8
Voix duo
8
Voix Alto, Piano
8
Voix Tenor, Piano
5
Voix seule
5
Voix moyenne, Piano
2
Voix Tenor
1
Chorale SSATTB
1
Chorale
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
127
Quintette de Saxophone: 5 saxophones
93
Flûte traversière et Piano
60
Quatuor de Saxophones: 4 saxophones
60
Flûte, Hautbois, Clarinette, Basson
55
Ensemble de saxophones
48
Ensemble de Clarinettes
46
2 Flûtes traversières (duo)
42
2 Saxophones (duo)
42
Clarinette et Piano
39
Quatuor de Clarinettes: 4 clarinettes
37
Saxophone Alto et Piano
36
Clarinette
35
Hautbois, Piano (duo)
28
Ensemble de Flûtes
27
2 Clarinettes (duo)
26
Flûte traversière
23
Hautbois (partie séparée)
22
Saxophone Tenor et Piano
22
Quatuor de Flûtes : 4 flûtes
21
Saxophone Alto
16
Saxophone Soprano et Piano
16
Saxophone (partie séparée)
15
Quintette de Clarinettes: 5 clarinettes
15
Quintette de Flûte : 5 flûtes
14
3 Clarinettes (trio)
14
Saxophone Tenor
11
Cor anglais, Piano
11
Saxophone Baryton, Piano
10
Hautbois, Basson (duo)
9
Flûte, Clarinette (duo)
9
Saxophone, Clarinette (duo)
8
Flute (partie séparée)
7
Clarinette, Violon (duo)
7
Clarinette Basse, Piano
6
Ensemble De Flûte à bec
5
2 Hautbois (duo)
5
Trio de Flûtes: 3 flûtes
5
3 Saxophones (trio)
5
2 Saxophones, Piano
5
Clarinette, Guitare (duo)
4
Clarinette, Trompette (duo)
4
Hautbois, Clarinette (duo)
3
Clarinette, Basson (duo)
3
Flûte, Trompette (duo)
3
Flûte, Violon
3
Flûte, Clarinette, Piano (trio)
3
Clarinette et Alto
3
Hautbois, Guitare (duo)
3
5 Flûtes à bec
2
Flûte, Alto (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Harpe
2
Hautbois, Harpe
2
Saxophone Soprano
2
Flûte à Bec
2
Flûte, Alto et Piano
2
Flûte et Guitare
2
Quatuor de Flûtes à bec
2
2 Clarinettes, Piano
2
Saxophone
2
Flûte à bec Alto
2
Flûte à bec Tenor
2
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle (duo)
1
Piccolo, Piano
1
Hautbois
1
Flûte à bec Soprano
1
Cor Anglais
1
Hautbois, Violoncelle
1
Flûte, Basson et Piano
1
Flûte, Violoncelle, Guitare
1
Clarinette, Trombone (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Flûte et Trio à cordes
1
Flûte à bec Alto, Piano
1
Piccolo
1
Flûte à bec Soprano, Piano
1
Flûte, Violon, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Trombone (duo)
1
Flûte, Violoncelle
1
2 Cors Anglais Et Pianoforte
1
2 Flûtes traversières, Piano
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
111
Quatuor de Cuivres : 2 trompettes, trombone, tuba
89
Quatuor de Cuivres
42
Trompette
32
Trombone et Piano
31
Trompette, Piano
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Ensemble de Trombones
22
Cor et Piano
20
Trombone
19
Ensemble de Trompettes
16
Trombone (partie séparée)
15
Trompette, Trombone (duo)
14
Trompette (partie séparée)
13
Cor
12
2 Trombones (duo)
12
Cor anglais, Piano
11
2 Trompettes (duo)
10
Tuba et Piano
9
Euphonium, Piano (duo)
9
Tuba
9
2 Cors (duo)
8
Quatuor de cuivres: 4 trombones
7
Ensemble de Cors
5
Trompette, Saxophone (duo)
3
2 Tubas (duo)
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Trombones (trio)
3
Trio de Cuivres
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums et 2 Tubas
2
Trompette, Trombone, Piano
2
Trompette, Cor (duo)
2
Bass Clef Instruments
1
3 Cors (trio)
1
Cor Anglais
1
Ensemble de Tubas
1
Trompette, Harpe
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
Trompette, Euphonium (duo)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Harpe
1
2 Cors Anglais Et Pianoforte
1
Cor (partie séparée)
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
162
Violon et Piano
83
Violoncelle, Piano
47
Violon
44
Trio à Cordes: violon, alto, violoncelle
38
Harpe
35
Violoncelle
34
Alto, Piano
32
2 Harpes (duo)
31
2 Violons (duo)
25
Violon, Violoncelle (duo)
23
Violon, Alto (duo)
20
2 Violoncelles (duo)
19
Alto seul
18
2 Altos (duo)
14
Contre Basse
12
Ensemble de Violons
12
Ensemble d'Altos
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Trio à Cordes: 2 violons, violoncelle
8
Violon, Guitare (duo)
7
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Harpe, Voix
4
Alto (partie séparée)
4
Harpe, Violon (duo)
4
Piano Trio: Violon, Alto, Piano
3
Violoncelle , Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Contrebasses (duo)
2
2 Violons, Piano
2
Violon (partie séparée)
2
Harpe, Flûte (duo)
2
Alto et Harpe
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
2
Harpe, Trombone (duo)
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 altos
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
145
Orchestre
87
Orchestre à Cordes
73
Ensemble de cuivres
64
Orchestre de chambre
51
Ensemble Jazz
44
Jazz combo
22
Cloches
19
Marimba
19
Batterie
4
Fanfare
3
Ensemble de Percussions
2
Vibraphone
2
2 Marimbas
1
Batterie (partie séparée)
1
Percussion
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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Instruments
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BASSON
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
He and I
2 Pianos, 4 mains
Partitions à imprimer
9 partitions trouvées
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1
I Shall Not Be Moved (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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I Shall Not Be Moved
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Stan...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Standards,Traditional. Score. 13 pages. Sharon Wilson #3516203. Published by Sharon Wilson (A0.565175). This arrangement of the traditional spiritual I Shall Not Be Moved is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the first chorus and verse. Bold and cheerful, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the words found in Psalm 1: Blessed is the man who doesn’t walk in the counsel of the wicked…but his delight is in Yahweh’s law…He will be like a tree planted by the streams of water… (WEB)Lyrics:I shall not be moved,I shall not be moved,I shall not be moved,Like a tree planted by the water,I shall not be moved.When my cross is heavy,I shall not be moved,When my cross is heavy,I shall not be moved,Like a tree planted by the water,I shall not be moved.
$5.99
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spir...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Re...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Swanee
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2 Pianos, 4 mains
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AVANCÉ
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Paul Posnak & Anita Castiglion
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Paul Posnak
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Swanee
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Paul Posnak
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Cl...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
Piano Concerto No. 5
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2 Pianos, 4 mains
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AVANCÉ
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Rodion Shchedrin
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II: Gong [h
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Piano Concerto No. 5
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction....
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Piano and orchestra - difficult - SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 32 minutes. Schott Music - Digital #Q3160. Published by Schott Music - Digital (S9.Q3160). Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 2 · 2 – 4 · 3 · 3 · 1 – 4 P. S. (I: hg. Crot. [chrom.] · Tr. [h.] · Choclo · Glass-chimes; II: Gong [h.] · Tamt. [t.] · Tr. [m.] · Choclo · Guiro [m.]; III: Sonagli [Troika] · gr. Tr. · Bambusi [oder Guiro h.]) (3 Spieler) – Str. (16 · 14 · 12 · 10 · 8).
$43.99
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
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