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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here And Now
Non classifié
3 016
Piano & claviers
Piano grosses notes
3 300
Orgue
1 632
Piano seul
1 358
Piano, Voix
651
Piano, Voix et Guitare
504
Piano Facile
457
Instruments en Do
154
Accompagnement Piano
86
Clavier
59
1 Piano, 4 mains
41
Piano Trio: piano, violon, violoncelle
34
2 Pianos, 4 mains
14
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano (partie séparée)
11
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Accordéon
7
Orgue, Trompette (duo)
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Piano (duo)
3
2 Pianos, 8 mains
3
Clavecin
3
1 Piano, 6 mains
2
Fake Book
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
272
Guitare
153
Ligne De Mélodie, (Paroles) et Accords
103
Paroles et Accords
58
Ukulele
42
Basse electrique
38
Dulcimer
22
Guitare (partie séparée)
21
2 Guitares (duo)
17
Mandoline
15
4 Guitares (Quatuor)
13
Banjo
11
3 Guitares (trio)
6
Piano, Guitare (duo)
5
Ukulele Baryton
3
Ensemble de guitares
3
2 Dulcimers (duo)
3
Guitare, Orchestre
1
Mandoline, Guitare (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
761
Chorale Unison
363
Chorale 3 parties
262
Chorale 2 parties
206
Chorale TTBB
126
Chorale SSAA
63
Voix duo, Piano
52
Voix Soprano, Piano
43
Voix duo
25
Voix Tenor, Piano
24
Voix Alto, Piano
21
Voix seule
15
Voix haute
12
Voix Baryton, Piano
10
Voix Tenor
8
Voix basse, Piano
6
Voix moyenne, Piano
5
Chorale
4
Chorale SSAATTBB
3
Soli, choeur mixte et accompagnement
2
Voix Soprano
2
Voix basse
2
Pack Instrumental pour Chorale
2
Chorale SSATTB
2
Chorale SSATB
2
Chorale SSAB a cappella
1
Voix Baryton
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATB
1
+ 25 instrumentations
Retracter
Vents
2 Saxophones (duo)
398
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
295
Quatuor de Saxophones: 4 saxophones
270
Flûte traversière et Piano
237
Clarinette et Piano
204
Flûte, Hautbois, Clarinette, Basson
187
Quintette de Saxophone: 5 saxophones
163
2 Flûtes traversières (duo)
159
Hautbois, Piano (duo)
157
2 Clarinettes (duo)
153
Saxophone Alto et Piano
151
Saxophone Tenor et Piano
131
Quatuor de Clarinettes: 4 clarinettes
126
Clarinette
125
Saxophone, Clarinette (duo)
113
Flûte traversière
111
Saxophone Alto
103
Saxophone Soprano et Piano
99
Saxophone (partie séparée)
93
Clarinette, Violon (duo)
80
Ensemble de saxophones
78
Ensemble de Clarinettes
75
Flûte, Clarinette (duo)
72
Saxophone Baryton, Piano
72
3 Saxophones (trio)
70
Quatuor de Flûtes : 4 flûtes
67
Clarinette, Trompette (duo)
66
Cor anglais, Piano
64
Quintette de Clarinettes: 5 clarinettes
52
Ensemble de Flûtes
50
2 Hautbois (duo)
49
Saxophone Tenor
49
Quintette de Flûte : 5 flûtes
47
Hautbois (partie séparée)
45
3 Clarinettes (trio)
43
Hautbois, Basson (duo)
42
Flûte, Violon
40
Hautbois, Clarinette (duo)
40
Clarinette et Alto
39
Flûte, Saxophone (duo)
35
Flûte, Alto (duo)
32
Trio de Flûtes: 3 flûtes
31
Hautbois, Flûte
31
Hautbois
30
Clarinette Basse, Piano
30
Saxophone
26
Flûte, Trompette (duo)
26
Quatuor de Flûtes à bec
22
Flûte et Guitare
20
2 Flûte à bec (duo)
17
Flûte à bec Soprano
17
Clarinette, Guitare (duo)
15
Flûte, Hautbois, Clarinette (trio)
15
Hautbois, Clarinette, Basson (trio d'anches)
13
Flute (partie séparée)
12
5 Flûtes à bec
11
Saxophone Soprano
11
Flûte, Clarinette et Basson
11
Flûte à bec Alto
10
Saxophone Baryton
10
Clarinette (partie séparée)
9
3 Flûtes à bec (trio)
9
Flûte à bec Soprano, Piano
8
Cor Anglais
8
Flûte, Violoncelle
7
Clarinette, Basson (duo)
7
Flûte à Bec
6
Flûte, Clarinette, Piano (trio)
6
Flûte à bec Alto, Piano
5
Harmonica
5
Flûte, Violoncelle, Piano (trio)
5
Clarinette, Violoncelle (duo)
5
Flûte, Violon, Piano
5
Flûte, Hautbois (duo)
4
2 Saxophones, Piano
4
Instruments en Mib
4
Ensemble De Flûte à bec
4
Hautbois, Violoncelle
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte irlandaise
4
3 Hautbois
3
Hautbois, Guitare (duo)
3
Clarinette, Harpe (duo)
2
Saxophone et Guitare
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Piccolo, Piano
2
Flûte, Violon et Violoncelle
2
Hautbois, violon (duo)
2
Clarinette, Trombone (duo)
2
Flûte à bec Tenor
2
2 Flûtes traversières, Piano
2
Clarinette Basse
2
Hautbois, Harpe
1
Clarinette, trompette et piano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte à bec Alto, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Basson et Piano
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Saxophone et Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Piano
1
Flûte, Harpe et Violoncelle
1
Flute, harpe et violon
1
2 Clarinettes, Basson
1
Flûte traversière, Orgue (duo)
1
Flûte à bec, Guitare (duo)
1
Ensemble de Hautbois
1
Piccolo
1
Flûte à Bec, Piano
1
+ 106 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
270
Quatuor de Cuivres : 2 trompettes, trombone, tuba
223
Trombone et Piano
160
Trompette, Piano
134
Trompette
129
Cor et Piano
104
Trombone
88
Trompette, Saxophone (duo)
84
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
2 Trompettes (duo)
67
Cor anglais, Piano
64
2 Trombones (duo)
62
Trombone (partie séparée)
62
Trompette (partie séparée)
60
Quatuor de cuivres: 4 trombones
58
Trompette, Trombone (duo)
56
Tuba et Piano
52
Ensemble de Trompettes
52
Euphonium, Piano (duo)
51
Ensemble de Trombones
50
Cor
50
Tuba
47
Quatuor de Cuivres
44
Quatuor de cuivres: 4 cors
21
2 Cors (duo)
18
Ensemble de Cors
16
Quatuor de cuivres: 4 trompettes
15
Cor (partie séparée)
14
3 Trompettes (trio)
12
Tuba (partie séparée)
12
4 Tubas
11
2 Tubas (duo)
9
Trompette, Cor (duo)
9
Cor Anglais
8
Tuba et Orgue
5
3 Trombones (trio)
5
Bass Clef Instruments
4
Trio de Cuivres
4
Euphonium
4
2 Euphoniums et 2 Tubas
4
Instruments en Sib
4
Trombone basse
3
Trombone, Tuba (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone, Orgue
2
Trompette, Basson (duo)
2
Cor, Tuba (duo)
2
Trompette, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Cors (trio)
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
Trombone, Cor (duo)
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
3 Euphoniums
1
3 Tubas (trio)
1
Cor et Orgue
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
646
Violon et Piano
269
Violoncelle, Piano
207
Alto, Piano
164
Violon
138
Violoncelle
137
Violon, Violoncelle (duo)
115
2 Violons (duo)
111
Trio à Cordes: violon, alto, violoncelle
107
Harpe
79
2 Violoncelles (duo)
73
Violon, Alto (duo)
73
Alto seul
72
2 Altos (duo)
65
Quintette à cordes: 2 violons, alto, violoncelle, basse
54
Contrebasse, Piano (duo)
39
Contre Basse
37
Trio à Cordes: 2 violons, violoncelle
32
Contrebasse (partie séparée)
28
Trio à cordes: 3 violins
25
4 Violoncelles
21
Alto (partie séparée)
19
Violon (partie séparée)
17
Trio à Cordes: 3 violoncelles
16
Alto, Violoncelle (duo)
14
Ensemble d'Altos
14
Trio à cordes: 3 altos
13
Ensemble de Violons
13
Quatuor à cordes: 4 violons
12
2 Harpes (duo)
11
Piano Trio: Violon, Alto, Piano
11
Quatuor à cordes : 4 altos
10
2 Contrebasses (duo)
7
Harpe, Voix
7
Harpe, Flûte (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Violon, Guitare (duo)
5
Harpe, Violon (duo)
5
Violoncelle , Guitare (duo)
4
Violoncelle (partie séparée)
3
Violon, Orgue
3
Violoncelle, Orgue
2
3 Contrebasses
2
Trio à Cordes: 2 violons, alto
2
2 Violons, Piano
2
Violoncelle, Orchestre
2
Violon, Clarinette, Piano (trio)
2
Alto et Basson
1
Violon, Basson (duo)
1
4 Contrebasses
1
Violon, Violoncelle, Clarinette
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Basse continue
1
Alto, Orgue
1
Ensemble de Violoncelles
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
645
Orchestre à Cordes
229
Orchestre
215
Ensemble Jazz
153
Ensemble de cuivres
118
Orchestre de chambre
81
Cloches
75
Jazz combo
34
Fanfare
29
Batterie
26
Ensemble de Percussions
25
Batterie (partie séparée)
11
Marimba
9
Percussion (partie séparée)
8
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
3
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
2
Vibraphone et Marimba
1
Instrumentation Flexible
1
Orchestre, Violon
1
Piano et Orchestre
1
2 Marimbas
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
Here And Now
2 Pianos, 4 mains
Partitions à imprimer
14 partitions trouvées
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1
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" fro
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Fol...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
Whiter Than Snow (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Whiter Than Snow
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037031. Published by Sharon Wilson (A0.1458061). Here is the beautiful hymn Whiter Than Snow by William G. Fischer arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of C major and then transitions to the key of G major for the second verse.This relaxed and flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by James L. Nicholson: Lord Jesus, I long to be perfectly whole; I want Thee forever to live in my soul . . . Whiter than snow, yes, whiter than snow, Now wash me, and I shall be whiter than snow.The purchase price includes an 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
"Lullaby" from An Icelandic Suite
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2 Pianos, 4 mains
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AVANCÉ
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Richard Simm
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Richard Simm
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"Lullaby" from An Ic
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1130804 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1130804 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #731074. Published by Richard Simm (A0.1130804). This innocent title belies another sad tale of Iceland's desperate and often tragic past, with battles against Nature at her most harsh, and the need to survive uppermost in everyone's thoughts. There are two well-known melodies to the lullaby, which was also used in a play about a kind of Icelandic Robin Hood, but the arranger found this one particularly beautiful.
$4.95
I Know Where I'm Going
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2 Pianos, 4 mains
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INTERMÉDIAIRE
#
Richard Simm
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Richard Simm
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I Know Where I'm Going
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1187941 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1187941 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 2 pages. Richard Simm #787548. Published by Richard Simm (A0.1187941). This suite is based upon Richard Simm's Five Irish Melodies, which were originally composed for beginner students to play as piano duets with their teachers or with advanced students. In their new guise for two pianos, they are technically more challenging, but they have the advantage of allowing each performer total control over the subtle pedalling which is sometimes needed here. The lyrics tell of a girl who knows which man she loves, but heaven only knows which one she'll marry...
$6.95
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Hymns of Reflection for Two Pi
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spaf...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Reflections on a Winter's Morning
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2 Pianos, 4 mains
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AVANCÉ
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Matthew Nunes
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Reflections on a Winter's Morn
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Matthew Nunes Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #85...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #856450. Published by Matthew Nunes Music (A0.1263486). Listen to this piece hereCommissioned by James EhmerReflections on a Winter’s Morning is a piece especially composed for James Ehmer, a composer, euphonium player, and soon to be medical student, as a personal thank you for his generous donation to my “Get Matt to Maryland†Rally via rally.org. James came to me with two wonderful poems describing idyllic winter scenes and the awe of a morning’s sun. These instantly reminded me of the first mornings I would ever wake to snow fall. The two pianos share multiple roles in recalling these moments: the persistence of an alarm clock in a drowsy morning, the first few fluttering snowflakes, a child teeming with excitement, and finally the grandeur of the sun reigning over the flurry.Orlando, May 2014- Matthew Nunes.
$9.99
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
The Rakes of Mallow
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
C. P. E. Bach Solfeggietto (Solfeggio) in C minor - 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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C
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Philip Kim
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C. P. E. Bach Solfeggietto
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SheetMusicPlus
Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Techniqu...
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Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Technique Training. 7 pages. Published by Philip Kim
This is my 2 piano arrangement of C.P.E. Bach's famous Solfeggietto (solfeggio) in C minor for the piano. I know there are other arrangements our there for 2 performers. Mine is just another addition.
The original piano part is based the the autograph manuscript with some edits. I hardly made any edits in dynamic markings or phrases. I will leave that up to the teacher and the performer. Enjoy.
https://youtu.be/y0d4G332uPM
$10.00
Mean
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Gary D
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you can tell me anything!
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Mean
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DR GARY D BELSHAW
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.796619 By Taylor Swift. By Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 23 pages. DR G...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.796619 By Taylor Swift. By Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 23 pages. DR GARY D BELSHAW #3062971. Published by DR GARY D BELSHAW (A0.796619). A Pop! Seriously! arrangement from Gary D. Belshaw Music. Price includes 2 copies of the score! Duration: about four and one-half minutes. As simple as may seem, this hit from Taylor Swift's 2010 album, Speak Now, makes for some awesome art music interaction among the four hands! Infused with energy, this is arranged with serious piano artistry in mind. The collaboration required for performing this is great preparation for students whose goals include the concerto repertoire. This will rapidly become a favorite for advanced intermediate students. Make the most of the contrasting dynamics, articulations, and phrasing. Write a review of this music here in Sheet Music Plus online. Follow us on Facebook and Twitter. Your reviews, views, opinions, experiences, and comments are always welcome and appreciated. Go ahead; you can tell me anything!
$7.99
The Mastersingers of Nuremberg
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Richard Wagner
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The Mastersingers of Nuremberg
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Schott Music - Digital
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SheetMusicPlus
Piano or 2 pianos (4 hands) - difficult - SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Series. Downloadab...
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Piano or 2 pianos (4 hands) - difficult - SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Series. Downloadable. Op. 6. Duration 10 minutes. Schott Music - Digital #Q17510. Published by Schott Music - Digital (S9.Q17510). With the prelude to the Mastersingers we now publish the second of three Wagner transcriptions already made legendary by Gould's 1973 recording. Gould brought Wagner's 'brilliant counterpoint' to life with the help of recording technology, by superimposing a second, supplementary part over an initial recording. For live performances it is therefore preferable to have two pianists playing the piece on two pianos, rather than the piano solo version which is made possible with some cuts.Den glanzvollen Kontrapunkt Wagners realisierte Gould mit Hilfe der Aufnahmetechnik, indem er eine erste Aufnahme mit einem ergänzenden zweiten Teil überblendete. Für Aufführungen ist daher eine Ausführung an zwei Klavieren zu vier Händen einer mit Abstrichen möglichen Realisierung zu zwei Händen vorzuziehen.
$15.99
The Irish Washerwoman, arr. for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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The Irish Washerwoman, arr. fo
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183771 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,Wo...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183771 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #783459. Published by Richard Simm (A0.1183771). The third piece in Richard Simm's 2-piano set is an irresistible jig, which needs no introduction, since anyone who has had anything to do with folk dance from the British Isles will know it. The similar English folk tune, Dargason, probably lies behind this melody, but here we are using what is generally considered to be the Irish version - and very lively it is too!
$6.95
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