English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
31
Librairie
Musicale
29
Matériel
de Musique
2 195
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
4166
PIANO & CLAVIERS
Piano seul
2825
Piano, Voix et Guitare
1098
Piano, Voix
1029
Piano Facile
998
Orgue
214
Instruments en Do
209
Accompagnement Piano
146
1 Piano, 4 mains
74
Piano grosses notes
62
Accordéon
33
Piano Trio: piano, violon, violoncelle
31
2 Pianos, 4 mains
31
Piano (partie séparée)
18
Piano Quatuor: piano, violon, alto, violoncelle
13
Clavecin
9
Orgue, Piano (duo)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Ligne De Mélodie, Piano
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavier
4
Orgue, Trompette (duo)
3
Accordéon, Voix
3
2 Orgues (duo)
2
Instrument seul et Orgue
1
2 Pianos, 8 mains
1
2 Accordéons
1
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
560
Guitare
440
Ligne De Mélodie, (Paroles) et Accords
381
Ukulele
203
Paroles et Accords
133
Piano, Guitare (duo)
121
Basse electrique
109
Guitare (partie séparée)
33
2 Guitares (duo)
32
Banjo
32
Mandoline
30
Dulcimer
10
Ukulele Baryton
10
4 Guitares (Quatuor)
8
Ensemble de guitares
8
3 Guitares (trio)
7
Basse électrique (partie séparée)
7
Guitare, Violon, Violoncelle (trio)
2
Ensemble de Ukulélés
2
Partitions De Groupes
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1067
Chorale 3 parties
422
Chorale 2 parties
410
Chorale TTBB
200
Chorale Unison
176
Chorale SSAA
138
Voix Alto, Piano
96
Voix Soprano, Piano
92
Voix Tenor, Piano
90
Voix seule
58
Pack Instrumental pour Chorale
42
Voix haute
37
Voix duo, Piano
37
Chorale
36
Voix duo
35
Voix Baryton, Piano
34
Voix Tenor
34
Voix Soprano
31
Voix moyenne, Piano
18
Voix basse, Piano
9
Soli, choeur mixte et accompagnement
3
Chorale SSAATTBB
3
Chorale SSATTB
3
Male Voice
2
Voix, Guitare
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix basse
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
385
Hautbois, Piano (duo)
375
Clarinette et Piano
364
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
282
Quatuor de Saxophones: 4 saxophones
272
Saxophone Alto et Piano
271
Flûte traversière
245
Saxophone (partie séparée)
223
Clarinette
211
Saxophone Tenor et Piano
192
2 Saxophones (duo)
187
2 Flûtes traversières (duo)
181
Flûte, Hautbois, Clarinette, Basson
146
Saxophone Alto
143
Quatuor de Clarinettes: 4 clarinettes
138
2 Clarinettes (duo)
130
Hautbois (partie séparée)
120
Quintette de Saxophone: 5 saxophones
101
Clarinette, Violon (duo)
86
Flûte, Clarinette (duo)
83
Saxophone Tenor
78
Quatuor de Flûtes : 4 flûtes
77
Saxophone Soprano et Piano
65
Flûte, Violon
65
Saxophone
62
Clarinette (partie séparée)
61
3 Saxophones (trio)
60
Ensemble de Clarinettes
55
3 Clarinettes (trio)
50
Ensemble de saxophones
49
Saxophone, Clarinette (duo)
49
2 Flûte à bec (duo)
44
Ensemble de Flûtes
44
Flûte, Hautbois, Clarinette (trio)
42
Quintette de Flûte : 5 flûtes
40
Quintette de Clarinettes: 5 clarinettes
39
2 Hautbois (duo)
37
Hautbois, Basson (duo)
37
Hautbois
36
Saxophone Baryton, Piano
36
Flute (partie séparée)
35
Flûte, Hautbois, Basson
34
Flûte et Guitare
31
Flûte, Clarinette et Basson
31
Trio de Flûtes: 3 flûtes
30
Hautbois, Clarinette (duo)
28
Clarinette, Trompette (duo)
26
Cor anglais, Piano
25
Flûte à bec Soprano
23
Flûte, Violon et Violoncelle
19
Clarinette Basse, Piano
19
Clarinette et Alto
19
Flûte à Bec
17
Flûte, Alto (duo)
17
Quatuor de Flûtes à bec
17
Flûte, Saxophone (duo)
17
Harmonica
16
Hautbois, Flûte
16
Clarinette, Basson (duo)
15
Clarinette, Guitare (duo)
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte, Violoncelle
14
Flûte, Violon, Piano
14
2 Clarinettes, Basson
12
Instruments en Mib
12
Flûte, Trompette (duo)
11
Clarinette, Violoncelle (duo)
10
Flûte, Hautbois (duo)
9
Flûte, Basson et Piano
8
Saxophone Soprano
8
Hautbois, Violoncelle
8
Flûte à bec Alto, Piano
7
2 Flûtes traversières, Piano
7
Flûte à bec Alto
7
Flûte à bec Soprano, Piano
6
Ocarina
6
Saxophone et Guitare
5
3 Flûtes à bec (trio)
5
Cor anglais, Guitare (duo)
5
2 Clarinettes, Piano
4
Hautbois, Guitare (duo)
4
Flûte, Hautbois, Piano (trio)
4
5 Flûtes à bec
4
Flûte, Clarinette, Piano (trio)
4
2 Hautbois et Basson
3
2 Cors Anglais Et Pianoforte
3
Flûte à bec Tenor
3
Hautbois, violon (duo)
3
Flûte, Trombone (duo)
3
2 Hautbois, Piano
3
Cor Anglais
3
Piccolo, Piano
3
Clarinette Basse
3
Clarinette, Violoncelle, Piano (trio)
2
Saxophone Baryton
2
Saxophone, Violon (duo)
2
Flûte à Bec, Piano
2
Flûte traversière, Basse continue
2
Hautbois et alto (duo)
2
Flûte irlandaise
2
Piccolo
2
Flûte, Violon, Violoncelle et Piano
1
3 Hautbois
1
Clarinette, Orchestre
1
Saxophone et Orgue
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Basson et Piano
1
Melodica
1
Ensemble de Hautbois
1
Flûte à bec Soprano, Basse continue
1
Flûte, Tuba (duo)
1
Flûte et Trio à cordes
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte et Quatuor à Cordes
1
Ensemble à vent
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
309
Trompette
283
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
255
Trompette, Piano
193
Trombone
179
Quatuor de Cuivres : 2 trompettes, trombone, tuba
173
Trompette (partie séparée)
151
Trombone (partie séparée)
136
Cor et Piano
125
Cor
118
Tuba et Piano
79
Tuba
76
2 Trompettes (duo)
63
Quatuor de Cuivres
56
2 Trombones (duo)
55
Euphonium, Piano (duo)
55
Ensemble de Trompettes
49
Ensemble de Trombones
48
Cor (partie séparée)
42
Quatuor de cuivres: 4 trombones
40
Trompette, Saxophone (duo)
36
Trompette, Trombone (duo)
34
Tuba (partie séparée)
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Cor anglais, Piano
25
2 Cors (duo)
25
2 Tubas (duo)
15
Quatuor de cuivres: 4 cors
14
Bass Clef Instruments
14
Instruments en Sib
13
Euphonium
10
2 Euphoniums et 2 Tubas
9
Trombone, Tuba (duo)
8
Trio de Cuivres
8
3 Trompettes (trio)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trompettes
6
Trompette, Violoncelle (duo)
6
Cor anglais, Guitare (duo)
5
2 Euphoniums (duo)
5
Trompette, Cor (duo)
5
2 Cors, Piano
4
3 Trombones (trio)
4
Euphonium, Tuba (duo)
4
Trombone basse
4
4 Tubas
4
2 Cors Anglais Et Pianoforte
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor, Violoncelle (duo)
3
Trompette, Tuba (duo)
3
Trompette, Basson (duo)
3
Cor Anglais
3
3 Euphoniums
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, violon (duo)
2
Cor et Basson (duo)
2
Trombone, Cor (duo)
2
Trompette, Violoncelle et Piano
2
Ensemble de Tubas
1
Instruments en Fa
1
Cor et Harpe
1
Trombone basse et Piano
1
Tuba ou Euphonium ou Saxhorn
1
Trombone, Violon (duo)
1
3 Cors (trio)
1
Tuba et Orgue
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
856
Violon
430
Violon et Piano
418
Alto, Piano
327
Violoncelle, Piano
312
Violon, Violoncelle (duo)
311
Trio à Cordes: violon, alto, violoncelle
286
Violoncelle
221
Alto seul
146
2 Violons (duo)
141
Harpe
140
2 Violoncelles (duo)
100
Quintette à cordes: 2 violons, alto, violoncelle, basse
80
Violon, Alto (duo)
65
Violon (partie séparée)
63
2 Altos (duo)
59
Alto (partie séparée)
51
Contrebasse (partie séparée)
48
2 Harpes (duo)
47
Contre Basse
39
Trio à Cordes: 2 violons, violoncelle
38
Contrebasse, Piano (duo)
35
4 Violoncelles
25
Alto, Violoncelle (duo)
25
Violon, Guitare (duo)
16
Violoncelle (partie séparée)
16
Trio à Cordes: 3 violoncelles
12
Violoncelle , Guitare (duo)
11
Ensemble de Violons
9
Quatuor à cordes: 4 violons
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Trio à cordes: 3 violins
8
Piano Trio: Violon, Alto, Piano
8
Violoncelle, Contrebasse (duo)
7
Harpe, Flûte (duo)
7
Quatuor à cordes : 4 altos
7
Violon, Basson (duo)
6
Flûte, Contrebasse (duo)
6
Alto et Basson
6
Ensemble d'Altos
6
Trio à Cordes: 2 violons, alto
6
Alto, Guitare (duo)
5
2 Contrebasses (duo)
4
Trio à cordes
3
Violon, Clarinette, Piano (trio)
3
4 Contrebasses
3
Ensemble de Violoncelles
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Violons, Piano
2
5 Harpes
2
2 Altos, Piano
2
Autoharp
2
2 Violoncelles, Piano
2
Alto et Harpe
2
Harpe, Violon (duo)
2
3 Harpes
2
Harpe, Violoncelle (duo)
1
Harpe, Voix
1
Violoncelle, Basse continue
1
Violon, Tuba (duo)
1
Harpe et Piano
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Violon, Contrebasse (duo)
1
Violon, Orgue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1794
Orchestre à Cordes
401
Orchestre
282
Fanfare
267
Ensemble Jazz
248
Ensemble de cuivres
151
Cloches
137
Batterie
86
Orchestre de chambre
74
Jazz combo
50
Percussion (partie séparée)
46
Batterie (partie séparée)
43
Ensemble de Percussions
38
Marimba
27
Vibraphone
12
Timbales (partie séparée)
10
Xylophone, Piano
9
Percussion
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Xylophone
3
3 Marimbas
2
Piano et Orchestre
1
Ensemble d'École
1
2 Marimbas
1
Xylophone (partie séparée)
1
Caisse Claire
1
Instrumentation Flexible
1
Orchestre, Violon
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
8
Théorie de la musique
2
Vous avez sélectionné:
Hey, Hey,Hey
2 Pianos, 4 mains
Partitions à imprimer
31 partitions trouvées
<
1
26
Porgy and Bess™ Fantasy for Two Pianos
2 Pianos, 4 mains
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000614 Composed by Dorot…
(+)
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000614 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Percy Aldridge Grainger. Classical. 44 pages. Alfred Music - Digital Sheet Music #00-PB-0000614. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000614). ISBN 9780769260136. UPC: 029156130751.
$12.00
10.97 €
#
2 Pianos, 4 mains
#
Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
#
Percy Aldridge Grainger
#
Porgy and Bess™ Fantasy for Two Pianos
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.48 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson Music
#
When the Saints Go Marching In
#
Sharon Wilson
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
(+)
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Harmonic Spaces (four-hands piano)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
9.14 €
#
2 Pianos, 4 mains
#
Paul SanGregory
#
Harmonic Spaces
#
Distant Engraver Music
#
SheetMusicPlus
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon W…
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
5.48 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson
#
Swing Low, Sweet Chariot
#
Sharon Wilson
#
SheetMusicPlus
I Know Where I'm Going
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1187941 By Richard…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1187941 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 2 pages. Richard Simm #787548. Published by Richard Simm (A0.1187941). This suite is based upon Richard Simm's Five Irish Melodies, which were originally composed for beginner students to play as piano duets with their teachers or with advanced students. In their new guise for two pianos, they are technically more challenging, but they have the advantage of allowing each performer total control over the subtle pedalling which is sometimes needed here. The lyrics tell of a girl who knows which man she loves, but heaven only knows which one she'll marry...
$6.95
6.35 €
#
2 Pianos, 4 mains
#
Richard Simm
#
Richard Simm
#
I Know Where I'm Going
#
Richard Simm
#
SheetMusicPlus
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon …
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
16.45 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson
#
some soothing, some startling
#
Sounds of Creation
#
Sharon Wilson
#
SheetMusicPlus
Fugue in G minor (BWV 578) ("Little Organ Fugue") by JS Bach - Arranged for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497959 Composed by Johann Se…
(+)
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497959 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 15 pages. Published by Pietro Prugna (A0.497959). JS Bach's Little Organ Fugue in G minor (BWV 578) was originally written for the Organ. It has 4 parts. The 1st part is played by the right hand, 2nd part by right and left hands (at different parts), 3rd part on left hand; 4th part on Pedals. As the range of notes is wide, it is impossible to play on solo piano. In this arrangement the 1st and 3rd parts are played by Piano 1 (right and left hands respectively), while the 2nd and 4th parts are played by Piano 2 (right and left hands respectively). This allows a piano duo to play the Fugue together. For beginners, 4 pianists can play 1 part each on 2 pianos. This will allow the pianists to appreciate the beauty of the different parts of the Fugue and how they intriguingly blend together.
$1.99
1.82 €
#
2 Pianos, 4 mains
#
Johann Sebastian Bach
#
Pietro Prugna
#
4th part on Pedals
#
Fugue in G minor
#
Pietro Prugna
#
SheetMusicPlus
Blue Christmas
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.632804 By Elvis Pr…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.632804 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Fishel Pustilnik. Rock. Score. 6 pages. F & N Enterprise #3133845. Published by F & N Enterprise (A0.632804). An excellent arrangement of famous Blue Christmas for Alto Sax and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.56 €
#
2 Pianos, 4 mains
#
Elvis Presley
#
Fishel Pustilnik
#
Blue Christmas
#
F & N Enterprise
#
SheetMusicPlus
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
9.13 €
#
2 Pianos, 4 mains
#
Carl Philipp Emanuel Bach, Giovanni Battista Pescetti
#
Kiyoshi Tamagawa
#
Concertino Barocco
#
Mastery for Strings Press
#
SheetMusicPlus
Løvfald ("Falling Leaves")
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Vestergaard #4810583. Published by Christian Vestergaard (A0.921614). A late night improvisation on the piano, about 3½ minutes long. Technically not a particularly difficult piece to learn. I do a lot of improvisations on the piano and sometimes they end up as finished piano works like this one :-)The synth part is optional, so the piece can be performed as a piano solo, or as a duet with a synth player. I recommend using a sustain pedal and mod wheel for the synth, like I did in my own recording of the piece.Christian Vestergaard, Composer & Pianistwww.christianvestergaard.dk www.youtube.com/cvnielsenwww.facebook.com/chrvestergaardwww.soundcloud.com/christian-vestergaard-wennerlin
$3.99
3.65 €
#
2 Pianos, 4 mains
#
Christian Vestergaard
#
Løvfald
#
Christian Vestergaard
#
SheetMusicPlus
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon W…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
4.56 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson
#
some soothing, some startling
#
Sounds of Creation - Pastoral
#
Sharon Wilson
#
SheetMusicPlus
Swanee
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Po…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
10.97 €
#
2 Pianos, 4 mains
#
Paul Posnak & Anita Castiglione
#
Paul Posnak
#
Swanee
#
Paul Posnak
#
SheetMusicPlus
Sir Duke
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635785 By Stevie W…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N Enterprise #5798587. Published by F & N Enterprise (A0.635785). An excellent arrangement of the famous Song Sir Duke for Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/mRT5rBfIA2Y The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.56 €
#
2 Pianos, 4 mains
#
Stevie Wonder
#
Fishel Pustilnik
#
Sir Duke
#
F & N Enterprise
#
SheetMusicPlus
Fugue in G minor (BWV 542) (from "Fantasia and Fugue") by JS Bach - Arranged for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497957 Composed by Johann Se…
(+)
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497957 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Wedding. Score. 27 pages. Published by Pietro Prugna (A0.497957). JS Bach's Fugue in G minor (BWV 542) (from Fantasia and Fugue) was originally written for the Organ. It has 4 parts: 1st part is played by the right hand; 2nd part by right and left hands (at different parts); 3rd part on left hand; 4th part on Pedals. As the range of notes is wide, it is impossible to play on solo piano. In this arrangement, the 1st and 3rd parts are played by Piano 1 (right and left hands respectively) while the 2nd and 4th parts are played by Piano 2 (right and left hands respectively). This allows a piano duo to play the Fugue together. For beginners, 4 pianists can play 1 part each on 2 pianos too. This will allow the pianists to appreciate the beauty of the different parts of the Fugue and how they intriguingly blend together.
$1.99
1.82 €
#
2 Pianos, 4 mains
#
Johann Sebastian Bach
#
Pietro Prugna
#
Fugue in G minor
#
Pietro Prugna
#
SheetMusicPlus
"Ghost Story" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1126731 Composed b…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #727380. Published by Richard Simm (A0.1126731). The first item in this suite of Icelandic tunes by Richard Simm is a hair-raising ghost story! These Icelandic melodies were originally arranged by Simm for beginner students to play as piano duets with their teachers or with advanced students. In their new form for two pianos, they are more embellished and technically challenging than the originals, but are short enough not to present too much of a hurdle. Four of the five songs are known to every Icelander, and their original texts often have stark, dramatic undertones.
$4.95
4.53 €
#
2 Pianos, 4 mains
#
Richard Simm
#
Richard Simm
#
"Ghost Story" from An Icelandic Suite
#
Richard Simm
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale