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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hot Hot Hot - Trombone 1
Sheetmusicplus
Non classifié
1 125
Piano & claviers
Piano seul
746
1 Piano, 4 mains
254
Piano Facile
122
Piano, Voix
115
Instruments en Do
76
Orgue
52
Piano, Voix et Guitare
52
Accordéon
27
2 Pianos, 4 mains
16
1 Piano, 6 mains
9
Piano Trio: piano, violon, violoncelle
7
Piano grosses notes
2
Clavier
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Tous Les Instruments
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
+ 12 instrumentations
Retracter
Guitares
Guitare
279
Ukulele
215
Basse electrique
58
Ligne De Mélodie, (Paroles) et Accords
45
Guitare notes et tablatures
30
Guitare (partie séparée)
25
2 Guitares (duo)
16
Dulcimer
3
Basse électrique (partie séparée)
2
Guitare, Flûte, Clarinette
1
Ensemble de guitares
1
Paroles et Accords
1
4 Guitares (Quatuor)
1
Mandoline
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
215
Chorale TTBB
113
Chorale 3 parties
54
Voix moyenne, Piano
20
Chorale SSAA
20
Chorale Unison
13
Voix Soprano, Piano
9
Chorale SSATTB
9
Chorale 2 parties
9
Chorale SSATB
9
Voix haute
7
Chorale SSAATTBB
6
Voix haute, Piano
6
Pack Instrumental pour Chorale
5
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Baryton, Piano
2
Chorale SSAATB
2
Chorale SATBB
2
Voix seule
2
Voix Alto, Piano
2
Chorale
1
Voix Tenor, Piano
1
Voix duo, Piano
1
+ 19 instrumentations
Retracter
Vents
2 Flûte à bec (duo)
57
Flûte traversière et Piano
55
Flûte traversière
53
Saxophone (partie séparée)
51
Saxophone Alto
50
Clarinette
47
Saxophone Tenor
40
Clarinette et Piano
29
Clarinette (partie séparée)
28
Hautbois, Piano (duo)
25
2 Flûtes traversières (duo)
24
Quatuor de Flûtes à bec
21
Quatuor de Saxophones: 4 saxophones
21
Saxophone Tenor et Piano
17
Hautbois (partie séparée)
16
Ensemble de saxophones
14
Flûte à bec Alto, Basse continue
14
Quatuor de Clarinettes: 4 clarinettes
14
Flûte traversière, Basse continue
14
Flûte à bec Soprano
13
Flûte à bec Alto, Piano
11
Flûte, Hautbois, Clarinette, Basson
10
Flute (partie séparée)
10
3 Flûtes à bec (trio)
9
2 Clarinettes (duo)
9
Flûte à bec Alto
9
Flûte à bec Soprano, Piano
8
Saxophone Alto et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
2 Saxophones, Piano
6
Flûte et Guitare
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone Baryton, Piano
5
Hautbois
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone
3
Ensemble de Flûtes
3
Cor anglais, Piano
3
Quintette de Saxophone: 5 saxophones
3
Flûte, Alto et Violoncelle
2
Saxophone Soprano et Piano
2
Saxophone Soprano
2
2 Hautbois (duo)
2
Ensemble de Clarinettes
2
Trio de Flûtes: 3 flûtes
2
Instruments en Mib
1
Flûte traversière, Orchestre
1
Flûte à Bec
1
Flûte à bec Tenor
1
5 Flûtes à bec
1
Hautbois et Orchestre
1
Clarinette Basse, Piano
1
2 Saxophones (duo)
1
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Flûte : 5 flûtes
1
Cor Anglais
1
Flûte à Bec, Piano
1
Saxophone et Piano
1
Ensemble à vent
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Orchestre
1
Ocarina
1
+ 58 instrumentations
Retracter
Cuivres
Trompette
52
Trompette (partie séparée)
46
Trompette, Piano
25
Cor (partie séparée)
16
Cor et Piano
11
2 Trompettes (duo)
9
Cor
9
Tuba (partie séparée)
8
2 Cors (duo)
4
Euphonium, Piano (duo)
4
Cor anglais, Piano
3
Tuba et Orgue
3
2 Tubas (duo)
2
Tuba ou Euphonium ou Saxhorn
1
Cor Anglais
1
Instruments en Sib
1
Bass Clef Instruments
1
+ 12 instrumentations
Retracter
Cordes
Violon et Piano
150
Violon (partie séparée)
120
Quatuor à cordes: 2 violons, alto, violoncelle
109
Violon
101
Violoncelle, Piano
98
Violoncelle
58
2 Violoncelles (duo)
51
Alto, Piano
49
Alto (partie séparée)
33
Violon, Violoncelle (duo)
29
Trio à Cordes: violon, alto, violoncelle
24
Alto seul
19
2 Violons (duo)
18
Violon, Basse continue
13
2 Violons et Basse continue
12
Harpe
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Violoncelle (partie séparée)
9
Contrebasse (partie séparée)
8
Trio à Cordes: 2 violons, violoncelle
8
Contrebasse, Piano (duo)
7
Violoncelle, Basse continue
6
Violoncelle, Orchestre
6
2 Altos (duo)
5
Violon, Alto (duo)
4
Trio à cordes: 3 violins
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Orgue
1
Violoncelle, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
421
Fanfare
154
Orchestre
71
Orchestre à Cordes
53
Orchestre de chambre
49
Ensemble Jazz
39
Percussion (partie séparée)
19
Ensemble de cuivres
12
Batterie
12
Percussion
6
Batterie (partie séparée)
6
Ensemble de Percussions
3
Orchestre, Violon
3
Cloches
3
Timbales (partie séparée)
2
Piano et Orchestre
2
Xylophone
2
Jazz combo
1
Cajon
1
Quintette de Cuivres: autres combinaisons
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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Vous avez sélectionné:
Hot Hot Hot - Trombone 1
SheetMusicPlus
Partitions à imprimer
16 partitions trouvées
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1
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
#
AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
INITIATE, Between the Octaves
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Piano Concerto No. 1 in C
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2 Pianos, 4 mains
#
Josef Palenicek
#
Piano Concerto No. 1 in C
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Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - SKU: S9.Q41432 Composed by Josef Palenicek. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Schott Musi...
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Piano and orchestra - SKU: S9.Q41432 Composed by Josef Palenicek. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Schott Music - Digital #Q41432. Published by Schott Music - Digital (S9.Q41432).
$24.99
Piano Concerto No. 1
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2 Pianos, 4 mains
#
Bohuslav Martinu
#
Piano Concerto No. 1
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Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - SKU: S9.Q5937 Per pianoforte e orchestra. Composed by Bohuslav Martinu. This edition: piano reduction for 2 pianos. Downloa...
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Piano and orchestra - SKU: S9.Q5937 Per pianoforte e orchestra. Composed by Bohuslav Martinu. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 27 minutes. Schott Music - Digital #Q5937. Published by Schott Music - Digital (S9.Q5937). Key: D major.
$29.99
Suite no. 1
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2 Pianos, 4 mains
#
AVANCÉ
#
Contemporain
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Mikis Theodorakis
#
Suite no. 1
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Schott Music - Digital
#
SheetMusicPlus
For piano and orchestra. Composed by Mikis Theodorakis (1925-). This edition: piano reduction for 2 pianos. Downloadable. Duration 25 minutes. Schott ...
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For piano and orchestra. Composed by Mikis Theodorakis (1925-). This edition: piano reduction for 2 pianos. Downloadable. Duration 25 minutes. Schott Music - Digital #Q43339. Published by Schott Music - Digital
$35.99
Hot Enuff (Piano duet)
#
2 Pianos, 4 mains
#
DÉBUTANT
#
Leonie Caparaaro
#
Hot Enuff
#
Notewell Music
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.892899 Composed by Leonie Caparaaro. Children,Jazz,Rock. Score. 5 pages. Notewell Music #5315395. Publis...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.892899 Composed by Leonie Caparaaro. Children,Jazz,Rock. Score. 5 pages. Notewell Music #5315395. Published by Notewell Music (A0.892899). A roaring hot original piano duet graded early elementary.
$5.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
More Piano Sight-Reading 2
#
2 Pianos, 4 mains
#
FACILE
#
More Piano Sight-Reading 2
#
Schott Music - Digital
#
SheetMusicPlus
Piano (2- and 4-hands) - easy to intermediate - SKU: S9.Q19483 Additional material for piano solo and duet. This edition: Sheet music. Schott Sig...
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Piano (2- and 4-hands) - easy to intermediate - SKU: S9.Q19483 Additional material for piano solo and duet. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19483. Published by Schott Music - Digital (S9.Q19483). English â?¢ French â?¢ German.This collection of original tunes is an ideal extension of Piano Sight-Reading 2 (ED 12791), or a continuation of Piano Sight-Reading 1 (ED 12736), which presents 144 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the 7 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as piano duets for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember. PIANO SIGHT-READING and MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kemberâ??s â??Piano Sight-Reading Seriesâ?? jumps to the top of my list of recommendations. - PIANODAO.COM.
$13.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
SURRENDER, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Twisted Nerve
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2 Pianos, 4 mains
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FACILE
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Bernard Herrmann
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Silvia V
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Twisted Nerve
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Silvia V
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.653998 Composed by Bernard Herrmann. Arranged by Silvia V. 20th Century,Contemporary,Film/TV,Video Game....
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.653998 Composed by Bernard Herrmann. Arranged by Silvia V. 20th Century,Contemporary,Film/TV,Video Game. Score. 5 pages. Silvia V #263086. Published by Silvia V (A0.653998). This is my arrangement of the Whistle Theme featured in Kill Bill Vol. 1, originally from Twisted Nerve by Bernard Herman. For 2 pianos. Please visit my channel https://www.youtube.com/channel/UCbqt7XsJNYFz8rcHFCXpjoQ/featured and let me know if you have a request! hotaru.chivi@gmail.com.
$4.99
Music for Two Pianos
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2 Pianos, 4 mains
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George Percy Aldridge Grainger
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Music for Two Pianos
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Schott Music - Digital
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SheetMusicPlus
2 pianos (4 hands) - SKU: S9.Q3687 Composed by George Percy Aldridge Grainger. This edition: Sheet music. Downloadable. Op. Vol. 1. Schott Music - Digit...
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2 pianos (4 hands) - SKU: S9.Q3687 Composed by George Percy Aldridge Grainger. This edition: Sheet music. Downloadable. Op. Vol. 1. Schott Music - Digital #Q3687. Published by Schott Music - Digital (S9.Q3687).
$22.99
Piano Concerto No. 5
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2 Pianos, 4 mains
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AVANCÉ
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Rodion Shchedrin
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II: Gong [h
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Piano Concerto No. 5
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction....
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Piano and orchestra - difficult - SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 32 minutes. Schott Music - Digital #Q3160. Published by Schott Music - Digital (S9.Q3160). Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 2 · 2 – 4 · 3 · 3 · 1 – 4 P. S. (I: hg. Crot. [chrom.] · Tr. [h.] · Choclo · Glass-chimes; II: Gong [h.] · Tamt. [t.] · Tr. [m.] · Choclo · Guiro [m.]; III: Sonagli [Troika] · gr. Tr. · Bambusi [oder Guiro h.]) (3 Spieler) – Str. (16 · 14 · 12 · 10 · 8).
$43.99
Alla Turca Jazz
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Fazil Say
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30
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart. Composed by Fazil Say. Arranged by Selin Şekeranber ...
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Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart. Composed by Fazil Say. Arranged by Selin Şekeranber and Yudum Çetiner. Eingangsmelodie - Handy- Klingelton - Mozart - Türkischer Marsch. Downloadable, Separate edition. Op. 5b. Duration 1\' 30. Schott Music - Digital #Q555589. Published by Schott Music - Digital
$7.99
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