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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
IF
Non classifié
5 682
Piano & claviers
Piano seul
3 319
Piano, Voix
2 763
Piano, Voix et Guitare
2 289
Piano Facile
1 475
Orgue
242
Instruments en Do
217
Accompagnement Piano
167
Piano grosses notes
88
1 Piano, 4 mains
81
2 Pianos, 4 mains
50
Piano Trio: piano, violon, violoncelle
48
Piano (partie séparée)
22
Accordéon
20
Orgue, Piano (duo)
18
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
7
Clavier
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Ligne De Mélodie, Piano
3
1 Piano, 6 mains
2
Clavecin
2
2 Pianos, 8 mains
2
Instrument seul et Orgue
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
692
Ligne De Mélodie, (Paroles) et Accords
543
Guitare
320
Ukulele
297
Paroles et Accords
229
Basse electrique
83
Guitare (partie séparée)
55
2 Guitares (duo)
43
Dulcimer
22
Banjo
21
4 Guitares (Quatuor)
16
Mandoline
10
3 Guitares (trio)
8
Piano, Guitare (duo)
6
Ensemble de guitares
5
2 Dulcimers (duo)
5
2 Ukuleles
3
2 Mandolines (duo)
2
Guitare, Violon, Violoncelle (trio)
2
Guitare Pedal Steel
1
Mandoline, Guitare (duo)
1
Mandoline, Piano (duo)
1
Ukulele Baryton
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 473
Chorale 3 parties
662
Chorale TTBB
457
Chorale SSAA
293
Chorale 2 parties
268
Chorale Unison
179
Voix duo, Piano
85
Pack Instrumental pour Chorale
70
Chorale
58
Voix Soprano, Piano
51
Voix haute
50
Voix seule
47
Voix duo
41
Voix Tenor, Piano
31
Voix basse, Piano
18
Voix Alto, Piano
14
Voix Baryton, Piano
8
Voix Tenor
6
Voix basse
5
Voix moyenne, Piano
5
Chorale SSAATTBB
4
Voix Soprano
3
Chorale SSATTB
2
Voix Moyenne
2
Male Voice
2
Chorale SSATB
2
Chorale SSAB a cappella
1
Chorale SAATB A Cappella
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
+ 25 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
379
Quatuor de Saxophones: 4 saxophones
331
Flûte traversière
284
2 Saxophones (duo)
284
Flûte traversière et Piano
274
Flûte, Hautbois, Clarinette, Basson
257
Clarinette
238
Clarinette et Piano
235
Saxophone (partie séparée)
229
Quatuor de Clarinettes: 4 clarinettes
200
Saxophone Alto
198
Quintette de Saxophone: 5 saxophones
196
2 Flûtes traversières (duo)
191
Hautbois, Piano (duo)
180
Saxophone Tenor
155
Saxophone Alto et Piano
150
Ensemble de Clarinettes
123
Saxophone Tenor et Piano
115
2 Clarinettes (duo)
109
Saxophone
97
Quatuor de Flûtes : 4 flûtes
93
Hautbois (partie séparée)
91
Ensemble de Flûtes
85
Saxophone Soprano et Piano
81
Flûte irlandaise
81
Ensemble de saxophones
75
Saxophone, Clarinette (duo)
69
Quintette de Clarinettes: 5 clarinettes
68
Quintette de Flûte : 5 flûtes
63
2 Hautbois (duo)
62
Saxophone Baryton, Piano
61
Hautbois
59
Flûte et Guitare
55
Trio de Flûtes: 3 flûtes
51
Clarinette, Violon (duo)
48
Flûte, Clarinette (duo)
46
Clarinette (partie séparée)
43
Clarinette, Trompette (duo)
42
Cor anglais, Piano
38
Flûte à Bec
34
Hautbois, Basson (duo)
33
Saxophone Soprano
32
Flûte, Violon
31
Flute (partie séparée)
29
Hautbois, Clarinette (duo)
28
2 Flûtes traversières, Piano
27
Saxophone Baryton
27
3 Saxophones (trio)
27
3 Clarinettes (trio)
25
Hautbois, Flûte
23
2 Flûte à bec (duo)
22
Clarinette, Guitare (duo)
22
Flûte, Saxophone (duo)
21
Flûte, Trompette (duo)
21
Clarinette et Alto
20
Flûte à bec Soprano
20
Clarinette, Basson (duo)
17
Harmonica
16
Flûte, Alto (duo)
15
Quatuor de Flûtes à bec
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Ocarina
13
Clarinette Basse, Piano
13
Flûte à bec Alto
12
Flûte, Violon, Piano
10
Flûte à bec Tenor
10
Flûte, Clarinette et Basson
9
5 Flûtes à bec
8
Cor anglais, Guitare (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Violoncelle
7
Flûte à bec Soprano, Piano
7
Clarinette, Violoncelle (duo)
6
Instruments en Mib
6
Flûte, Hautbois (duo)
6
Flûte à bec Alto, Piano
6
Saxophone et Guitare
5
Cor Anglais
5
Flûte, Trombone (duo)
4
Flûte, Violon et Violoncelle
4
Flûte, Violoncelle, Piano (trio)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Clarinette, Piano (trio)
3
Saxophone et Orgue
3
Flûte, Hautbois, Piano (trio)
3
Ensemble à vent
3
Flûte, Hautbois, Basson
3
Flute, harpe et violon
2
Flûte, Basson et Piano
2
Ensemble De Flûte à bec
2
Flûte à bec, Guitare (duo)
2
Hautbois, Basson et Piano
2
2 Clarinettes, Piano
2
Clarinette, Trombone (duo)
1
Hautbois, Violoncelle
1
2 Hautbois, Piano
1
Piccolo
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière, Orgue (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Hautbois
1
2 Hautbois, 2 Cors et 2 Bassons
1
Clarinette, Alto et Piano (trio)
1
Flûte, trombone et piano
1
2 Flûtes à bec, Guitare
1
Clarinette, Harpe (duo)
1
Flûte à Bec, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Alto et Piano
1
Hautbois, Guitare (duo)
1
+ 106 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
487
Quatuor de Cuivres : 2 trompettes, trombone, tuba
274
Trompette
242
Trombone
189
Trombone (partie séparée)
187
Trompette, Piano
179
Trompette (partie séparée)
165
Cor et Piano
151
Trombone et Piano
141
Cor
134
Tuba et Piano
83
Quatuor de Cuivres: 2 trompettes, Cor, trombone
82
Tuba
80
2 Trombones (duo)
80
2 Trompettes (duo)
68
Ensemble de Trombones
68
Ensemble de Trompettes
55
Trompette, Trombone (duo)
47
Trompette, Saxophone (duo)
46
Quatuor de cuivres: 4 trombones
43
Cor anglais, Piano
38
Euphonium, Piano (duo)
38
Cor (partie séparée)
33
Quatuor de Cuivres
31
Tuba (partie séparée)
30
2 Cors (duo)
30
Quatuor de cuivres: 4 cors
29
2 Tubas (duo)
23
Euphonium
11
Ensemble de Cors
10
Bass Clef Instruments
10
Cor anglais, Guitare (duo)
8
2 Euphoniums et 2 Tubas
8
Trio de Cuivres
7
Quatuor de cuivres: 4 trompettes
6
4 Tubas
6
3 Trombones (trio)
6
Trompette, Cor (duo)
6
Cor, Tuba (duo)
6
Cor Anglais
5
Instruments en Sib
5
3 Trompettes (trio)
4
Trompette, Tuba (duo)
4
Tuba et Orgue
4
Trombone basse
4
Euphonium, Tuba (duo)
4
Trompette, Trombone, Piano
3
Trombone, Tuba (duo)
3
Trompette, violon (duo)
3
Trombone, Cor (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Trombone, Orgue
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Instruments en Fa
2
Trompette, Euphonium (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Basson (duo)
1
Ensemble de Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Euphoniums
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 162
Harpe
903
Violon
624
Violon, Violoncelle (duo)
464
Trio à Cordes: violon, alto, violoncelle
391
Violon et Piano
376
Violoncelle
290
Violoncelle, Piano
222
Alto seul
219
Quintette à cordes: 2 violons, alto, violoncelle, basse
218
Alto, Piano
187
2 Violons (duo)
126
2 Violoncelles (duo)
96
Violon, Alto (duo)
84
2 Altos (duo)
77
Contrebasse, Piano (duo)
72
Contre Basse
67
Alto (partie séparée)
53
Contrebasse (partie séparée)
49
Trio à Cordes: 2 violons, violoncelle
44
Alto, Violoncelle (duo)
40
Violon (partie séparée)
40
Ensemble de Violons
17
2 Contrebasses (duo)
17
4 Violoncelles
17
Violon, Guitare (duo)
16
Ensemble d'Altos
14
2 Harpes (duo)
13
Violoncelle , Guitare (duo)
13
Trio à Cordes: 2 violons, alto
12
Trio à Cordes: 3 violoncelles
11
Trio à cordes: 3 violins
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Quatuor à cordes : 4 altos
8
Harpe, Flûte (duo)
8
Alto, Guitare (duo)
8
Trio à cordes: 3 altos
7
Violoncelle, Contrebasse (duo)
7
Piano Trio: Violon, Alto, Piano
6
Quatuor à cordes: 4 violons
5
Harpe, Violon, Violoncelle
4
Violoncelle (partie séparée)
4
Violon, Basson (duo)
3
Flûte, Contrebasse (duo)
3
Trio à cordes
3
Harpe, Violoncelle (duo)
2
Harpe, Voix
2
Ensemble de Violoncelles
2
Alto et Basson
2
Harpe, Violon (duo)
2
Violoncelle, Orgue
2
Harpe (partie séparée)
1
Violoncelle, Basse continue
1
Violon, Violoncelle, Clarinette
1
2 Altos, Piano
1
3 Contrebasses
1
4 Contrebasses
1
Harpe, Trombone (duo)
1
4 Harpes
1
Violon, Tuba (duo)
1
2 Violoncelles, Piano
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 198
Orchestre à Cordes
545
Ensemble Jazz
500
Orchestre
389
Ensemble de cuivres
290
Cloches
173
Orchestre de chambre
116
Jazz combo
83
Batterie
74
Fanfare
74
Ensemble de Percussions
67
Batterie (partie séparée)
36
Percussion (partie séparée)
25
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
9
Vibraphone
7
Marimba
6
Timbales (partie séparée)
5
Orchestre, Violon
3
Big band
2
Xylophone
2
Quintette à Vent
2
Percussion
2
Xylophone, Piano
2
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone (partie séparée)
1
Piano et Orchestre
1
3 Marimbas
1
Ensemble d'École
1
+ 24 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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IF
2 Pianos, 4 mains
Partitions à imprimer
50 partitions trouvées
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1
26
If You Will Only Let God Guide You--Duo Piano.pdf
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Gospel Spirituel
#
George Neumark
#
Marilyn Thompsona
#
If You Will Only Let God Guide
#
Marilyn Thompson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809603 Composed by George Neumark. Arranged by Marilyn Thompsona. Christian,Gospel,Sacred. Score. 7 page...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809603 Composed by George Neumark. Arranged by Marilyn Thompsona. Christian,Gospel,Sacred. Score. 7 pages. Marilyn Thompson #6369959. Published by Marilyn Thompson (A0.809603). An animated and exciting rendition for Duo Piano (Keyboard) of this German hymn extolling trust in God in the midst of trials. Marilyn Thompson, ASCAP, is familiar arranger to many church pianists and is known for her many published collections. (Please contact marilyn@mtmusicministries.com for further information.)
$4.99
If We Ever Broke Up
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Mae Stephens
#
Helios D'Andrea
#
If We Ever Broke Up
#
D'Andrea Helios
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska. Arranged by Hel...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska. Arranged by Helios D'Andrea. Pop. Score. 9 pages. D'Andrea Helios #809005. Published by D'Andrea Helios (A0.1211339). Arranged for two pianos by Helios D'Andrea.
$4.99
Concertino in C major I. Allegretto for Early Intermediate Piano
#
2 Pianos, 4 mains
#
FACILE
#
Sibylle Kuder
#
Concertino in C major I. Alleg
#
Sibylle Kuder
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119510 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 6 pages. Sibylle Kud...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119510 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 6 pages. Sibylle Kuder #720922. Published by Sibylle Kuder (A0.1119510). I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~ Early Intermediate. ~ Cheerful, light-hearted, needs very energetic staccato. ~ The PDF file has two versions: a 6-page practice version with lots of white space for adding comments, and a performance version condensed onto four pages, to fit the average music stand.
$3.99
Concertino in C major for Early Intermediate Piano
#
2 Pianos, 4 mains
#
FACILE
#
Sibylle Kuder
#
Concertino in C major for Earl
#
Sibylle Kuder
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119527 Composed by Sibylle Kuder. Classical,Contemporary,Contest,Festival,Instructional. Score. 18 page...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119527 Composed by Sibylle Kuder. Classical,Contemporary,Contest,Festival,Instructional. Score. 18 pages. Sibylle Kuder #720927. Published by Sibylle Kuder (A0.1119527). Concertino in three movements ~ I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~
$7.99
Concertino in C major III. Finale for Early Intermediate Piano
#
2 Pianos, 4 mains
#
FACILE
#
Sibylle Kuder
#
Concertino in C major III. Fin
#
Sibylle Kuder
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119278 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 5 pages. Sibylle Kud...
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119278 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 5 pages. Sibylle Kuder #720693. Published by Sibylle Kuder (A0.1119278). I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~.
$2.99
Concertino in C major II. Minuet and Trio for Early Intermediate Piano
#
2 Pianos, 4 mains
#
FACILE
#
Sibylle Kuder
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Concertino in C major II. Minu
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Sibylle Kuder
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119315 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 4 pages. Sibylle Kud...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119315 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 4 pages. Sibylle Kuder #720730. Published by Sibylle Kuder (A0.1119315). I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~.
$2.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Epilogue
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2 Pianos, 4 mains
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AVANCÉ
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Justin Hurwitz
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Danny McGarry
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Epilogue
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Danny McGarry
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period. Score. 21 pages. Danny McGarry #1047770. Published by Danny McGarry (A0.1470047). Accurately and artistically arranged for Virtuosic 2-Piano Duet. Much time was spent carefully mapping harmonies and optimizing rhythm from the original orchestration while utilizing a wide range of techniques unique to the piano. All fingerings are personally tested and informed from over a decade of experience playing advanced/virtuosic piano music. This duet is designed for balanced difficulty, melody/harmony balance, and solo time between parts.Approx. length: ~8:00If you enjoy this piece, please consider checking out the rest of my catalogue for more arrangements from film scores, musicals, radio classics, and original compositions in the future!
$12.99
From This Day Forward
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Kevin Kern
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Dave Prudon
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From This Day Forward
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Prudon String Ensembles
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 3 - SKU: A0.1364124 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,Jazz,New Age,Pop. 7 pages. P...
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Instrumental Duet,Keyboard - Level 3 - SKU: A0.1364124 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,Jazz,New Age,Pop. 7 pages. Prudon String Ensembles #948433. Published by Prudon String Ensembles (A0.1364124). If you've ever had the pleasure of sitting beside a friend or loved one and playing through a piano duet together, you're going to enjoy owning this beautiful arrangement. Â The parts are pretty evenly matched for difficulty so you can have fun playing either part.To see other arrangements for 2 pianists, take a look at:Â Prudon String Ensembles Sheet Music, where you will also find hundreds of other nice arrangements for strings.
$5.99
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Bat Country
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Avenged Sevenfold
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Willem Mante
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Bat Country
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Willem Mante
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1083887 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Matthew Sanders, and Zachary Baker. A...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1083887 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Matthew Sanders, and Zachary Baker. Arranged by Willem Mante. Contest,Festival,Rock,Video Game. Score. 38 pages. Willem Mante #688089. Published by Willem Mante (A0.1083887). This is a piano duet arrangement of Bat Country by Avenged Sevenfold which includes the score and both parts. Performers will be challenged to maintain energy and tempo throughout the piece while difficult rhythmic passages and harmonies command communication between each pianist. A large range on the piano is utilized so as to create a full-bodied sound and opportunity for performers to showcase their range of abilities. If you choose to purchase this arrangement, thank you!
$4.99
Sonata for Two Pianos (after Quintet Op. 44)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Robert Schumann
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Paul Ton
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Sonata for Two Pianos
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Paul Ton
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.924614 Composed by Robert Schumann. Arranged by Paul Ton. Romantic Period. Score. 91 pages. Paul Ton #39...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.924614 Composed by Robert Schumann. Arranged by Paul Ton. Romantic Period. Score. 91 pages. Paul Ton #3910961. Published by Paul Ton (A0.924614). Robert Schumann - Sonata for Two Pianos (after Quintet Op. 44) The sheet music is in full score format and includes all four movements of the Quintet.Contact me if you'd like to request separate piano parts or for any other enquiries: paul_ton@live.com.
$19.99
Visconti Sforza Tarot Cards, opus 66 ... Il Matto (1996) for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic P...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #32677. Published by Thomas Oboe Lee (A0.869254). When the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" fro
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Fol...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 16 Il Diavolo
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #32739. Published by Thomas Oboe Lee (A0.869342). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Vocalise
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Sergei Rachmaninoff
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Richard Simm
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Vocalise
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.800632 Composed by Sergei Rachmaninoff. Arranged by Richard Simm. Romantic Period. Score. 4 pages. Richa...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.800632 Composed by Sergei Rachmaninoff. Arranged by Richard Simm. Romantic Period. Score. 4 pages. Richard Simm #5888483. Published by Richard Simm (A0.800632). This arrangement by Richard Simm for two pianos is based upon Rachmaninoff's orchestral version in E minor. The work was originally part of a set of 14 Romances for voice and piano, but its popularity has led to it being arranged for many combinations of instruments. The composer himself orchestrated the accompaniment both in its original key, with a singer as soloist, and in this higher key, scored for violin soloists. Its haunting beauty is best captured by playing softly, as if in the distance.
$7.95
For The First Time In Forever (reprise - Broadway Version)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Kristen Anderson-Lopez and Rob
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Halle Kaye
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For The First Time In Forever
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Halle Kaye
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Mus...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Musical/Show,Pop. Score. 11 pages. Halle Kaye #106795. Published by Halle Kaye (A0.491259). Piano duet based on Frozen Broadway's For the First Time in Forever (reprise). Piano 1 sings Elsa's melody and piano 2 sings Anna's melody. I really love the tension in this piece and I think it is represented beautifully through this dueling piano style. This is the full score. If you would like individual parts please reach out!
$7.00
Twisted Nerve
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2 Pianos, 4 mains
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FACILE
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Bernard Herrmann
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Silvia V
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Twisted Nerve
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Silvia V
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.653998 Composed by Bernard Herrmann. Arranged by Silvia V. 20th Century,Contemporary,Film/TV,Video Game....
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.653998 Composed by Bernard Herrmann. Arranged by Silvia V. 20th Century,Contemporary,Film/TV,Video Game. Score. 5 pages. Silvia V #263086. Published by Silvia V (A0.653998). This is my arrangement of the Whistle Theme featured in Kill Bill Vol. 1, originally from Twisted Nerve by Bernard Herman. For 2 pianos. Please visit my channel https://www.youtube.com/channel/UCbqt7XsJNYFz8rcHFCXpjoQ/featured and let me know if you have a request! hotaru.chivi@gmail.com.
$4.99
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