Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ian Clar
Non classifié
12 898
Piano & claviers
Piano seul
1 692
Piano, Voix et Guitare
888
Piano, Voix
575
Piano Facile
575
Accompagnement Piano
496
Instruments en Do
125
Piano Trio: piano, violon, violoncelle
88
Piano (partie séparée)
46
Orgue
45
Piano grosses notes
27
1 Piano, 4 mains
23
2 Pianos, 4 mains
14
Piano Quatuor: piano, violon, alto, violoncelle
11
2 Pianos, 8 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
3
1 Piano, 6 mains
3
Accordéon et Orchestre
2
Orgue, Trompette (duo)
2
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Fake Book
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
54
Guitare
43
Guitare notes et tablatures
21
Guitare (partie séparée)
12
Paroles et Accords
9
Ukulele
8
Basse electrique
5
Piano, Guitare (duo)
4
Guitare, Flûte, Clarinette
3
Mandoline
3
Dulcimer
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Mandoline, Piano (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
571
Pack Instrumental pour Chorale
503
Chorale 3 parties
181
Chorale 2 parties
110
Chorale Unison
63
Chorale SSAA
56
Voix seule
49
Chorale TTBB
44
Voix duo, Piano
31
Voix Soprano, Piano
25
Voix haute
20
Voix Tenor, Piano
15
Voix duo
15
Voix Alto, Piano
8
Voix moyenne, Piano
7
Voix d'Enfants
6
Voix Mezzo-Soprano, Piano
4
Voix Baryton, Piano
3
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Chorale
1
+ 17 instrumentations
Retracter
Vents
Clarinette et Piano
10 289
Clarinette
10 113
Flûte, Hautbois, Clarinette, Basson
2 650
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2 598
2 Clarinettes (duo)
1 661
Quatuor de Clarinettes: 4 clarinettes
1 548
Flûte, Clarinette (duo)
921
Clarinette Basse, Piano
728
Ensemble de Clarinettes
726
Clarinette (partie séparée)
722
3 Clarinettes (trio)
713
2 Saxophones (duo)
502
Hautbois, Piano (duo)
427
Quintette de Clarinettes: 5 clarinettes
379
Clarinette, Violon (duo)
372
Flûte, Clarinette, Piano (trio)
364
Hautbois, Clarinette (duo)
358
Saxophone, Clarinette (duo)
337
Flûte traversière et Piano
303
Saxophone Alto et Piano
270
Flûte, Clarinette et Basson
215
Saxophone Tenor et Piano
214
Clarinette, Basson (duo)
211
2 Clarinettes, Piano
206
Flûte, Hautbois, Clarinette (trio)
202
Clarinette, Trompette (duo)
196
2 Flûtes traversières (duo)
195
Hautbois, Clarinette, Basson (trio d'anches)
167
Saxophone Soprano et Piano
165
Clarinette et Alto
147
Clarinette, Guitare (duo)
139
Clarinette, Violoncelle, Piano (trio)
132
Clarinette, Violoncelle (duo)
113
2 Hautbois (duo)
107
Hautbois, Basson (duo)
104
Flûte, Violon
97
Flûte, Saxophone (duo)
82
Clarinette, Basson, Piano (trio)
76
Flûte, Trompette (duo)
75
Flûte, Alto (duo)
69
Saxophone (partie séparée)
64
Hautbois, Flûte
63
Quatuor de Saxophones: 4 saxophones
58
Flûte traversière
50
3 Saxophones (trio)
46
Clarinette, Alto et Piano (trio)
44
Flûte, Clarinette, Cor, Basson (Quartet)
35
Saxophone Baryton, Piano
34
Clarinette, Trombone (duo)
33
Trio de Flûtes: 3 flûtes
31
Clarinette, Harpe (duo)
30
Quintette de Saxophone: 5 saxophones
27
Clarinette Basse
25
Clarinette, trompette et piano
25
Flûte à bec Soprano
24
2 Clarinettes, Basson
24
Saxophone Tenor
23
Saxophone Alto
22
Flûte et Guitare
21
Flûte, Clarinette, Violon (trio)
21
Cor anglais, Piano
20
Flûte, Hautbois (duo)
17
Saxophone
16
Flûte à bec Soprano, Piano
16
Cor Anglais
16
Clarinette, Tuba
16
Hautbois, Clarinette et Piano (Trio)
16
Flûte à bec Tenor
15
Quatuor de Flûtes : 4 flûtes
14
Flûte à bec Alto, Piano
14
Hautbois (partie séparée)
12
Flûte à Bec, Piano
11
Hautbois, violon (duo)
11
Flute (partie séparée)
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
Clarinette, Orgue
9
Quintette de Flûte : 5 flûtes
7
Hautbois
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte, Violon, Piano
7
Flûte, Alto et Piano
6
Ensemble à vent
6
2 Flûte à bec (duo)
6
3 Flûtes à bec (trio)
5
Clarinette, Orchestre
5
Flûte, Basson et Piano
5
Flûte, Hautbois, Basson
4
Ensemble de saxophones
4
2 Saxophones, Piano
4
Clarinette, Contrebasse (duo)
4
Hautbois, Clarinette, Basson et Piano
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Saxophone, Piano
3
Flute, harpe et violon
3
Flûte, Hautbois, Piano (trio)
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle
3
Flûte à Bec
3
Cor anglais, Guitare (duo)
3
Piccolo, Piano
3
Ensemble de Flûtes
2
5 Flûtes à bec
1
Piccolo
1
Flûte traversière, Orchestre
1
Hautbois, Violoncelle
1
Saxophone et Orgue
1
Flûte, Violon et Violoncelle
1
Flûte à bec Alto
1
2 Cors Anglais Et Pianoforte
1
Instruments en Mib
1
Saxophone Soprano
1
Ensemble De Flûte à bec
1
Cor anglais et Harpe (duo)
1
Hautbois, Violon, Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Basson et Piano
1
+ 112 instrumentations
Retracter
Cuivres
Trompette, Piano
171
Trompette, Saxophone (duo)
157
Trombone et Piano
141
Trompette
135
Trompette, Trombone (duo)
103
2 Trombones (duo)
98
2 Trompettes (duo)
97
Cor et Piano
86
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Tuba et Piano
33
Trombone (partie séparée)
31
Trompette (partie séparée)
29
Instruments en Sib
28
Trombone
26
Euphonium, Piano (duo)
23
Cor anglais, Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor Anglais
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor
11
Clarinette, Cor (duo)
11
Euphonium
10
Cor (partie séparée)
9
Tuba
7
3 Trompettes (trio)
7
2 Cors (duo)
5
Tuba et Orgue
5
Tuba (partie séparée)
5
Quatuor de Cuivres
4
Ensemble de Trombones
4
Trombone basse et Piano
3
2 Tubas (duo)
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
2 Euphoniums (duo)
2
Trio de Cuivres
2
3 Cors (trio)
1
4 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Cor et Orgue
1
Trombone et orchestre
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Cor anglais et Harpe (duo)
1
Trompette, Cor (duo)
1
+ 44 instrumentations
Retracter
Cordes
Violon et Piano
364
Alto, Piano
265
Violoncelle, Piano
233
Quatuor à cordes: 2 violons, alto, violoncelle
176
2 Altos (duo)
118
2 Violoncelles (duo)
118
Violon
112
Violon, Clarinette, Piano (trio)
105
Violon, Alto (duo)
104
Violon, Violoncelle (duo)
98
2 Violons (duo)
96
Violoncelle
71
Alto seul
58
Contrebasse, Piano (duo)
41
4 Violoncelles
38
Harpe
35
Trio à Cordes: violon, alto, violoncelle
31
Harpe, Flûte (duo)
18
Harpe, Violon (duo)
16
Alto et Harpe
15
Violon, Guitare (duo)
14
Harpe, Violoncelle (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Contrebasse (partie séparée)
12
Trio à cordes: 3 violins
10
Piano Trio: Violon, Alto, Piano
9
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: 3 violoncelles
6
Violon (partie séparée)
6
Alto, Guitare (duo)
5
Alto (partie séparée)
4
Contre Basse
4
Violoncelle , Guitare (duo)
4
2 Harpes (duo)
4
Harpe, Voix
4
Violon, Violoncelle, Clarinette
4
Violoncelle (partie séparée)
3
Ensemble d'Altos
2
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Alto et orchestre
1
Ensemble de Violons
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 777
Orchestre
953
Ensemble Jazz
507
Orchestre de chambre
272
Fanfare
78
Ensemble de cuivres
69
Jazz combo
66
Orchestre à Cordes
54
Vibraphone
21
Marimba
18
Batterie
13
Piano et Orchestre
13
Xylophone, Piano
11
Cloches
8
Batterie (partie séparée)
8
Ensemble de Percussions
8
Ensemble d'École
6
Quintette à Vent
5
Big band
2
Percussion (partie séparée)
2
Trio à Vent: 3 instruments à vents
2
Marimba, Piano (duo)
1
Xylophone
1
Xylophone ou Marimba ou Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
2 Xylophones
1
Instrumentation Flexible
1
Timbales (partie séparée)
1
+ 24 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
14
Librairie Musicale
19
Matériel de Musique
598
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Ian Clar
2 Pianos, 4 mains
Partitions à imprimer
14 partitions trouvées
<
1
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
(+)
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Clara Bow
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE
#
Taylor Swift
#
always_piano
#
Clara Bow
#
always_piano
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1470614 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by always_piano. 21st Century,Conte...
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1470614 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by always_piano. 21st Century,Contemporary,New Age,Pop,Singer/Songwriter. Score. 6 pages. Always_piano #1048266. Published by always_piano (A0.1470614). Clara Bow by Taylor SwiftFrom The Tortured Poets DepartmentNo Copyright Infringement IntendedAll Credits to Taylor Swift.
$4.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
#
2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
SURRENDER, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
(+)
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
#
2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
THREAD, Between the Octaves A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
(+)
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
(+)
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
(+)
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
#
2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
CURVE, Between the Octaves - A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
(+)
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
#
2 Pianos, 4 mains
#
AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
INITIATE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
(+)
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
"La Fleur" from "Carmen", arr. for 2 pianos
#
2 Pianos, 4 mains
#
AVANCÉ
#
Opera
#
Classique
#
Georges Bizet
#
Richard Simm
#
"La Fleur" from &quo
#
Richard Simm
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1170301 Composed by Georges Bizet. Arranged by Richard Simm. 19th Century,Classical,Opera,Romantic Perio...
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1170301 Composed by Georges Bizet. Arranged by Richard Simm. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Richard Simm #770661. Published by Richard Simm (A0.1170301). The brigadier, Don José, has fallen madly in love with Carmen, but she already has her eyes on another man, the bull-fighter, Escamillo. In this aria Don José declares his love for Carmen, but she belittles his passionate attempts to convince her of his feelings, saying that if he really loved her, he would take her away from her humble surroundings to a place where she could really be free.The arranger has added a short bridge passage between the opera's initial scenes of communal life centred around a cigarette factory and Don José's beautiful expression of his ill-fated love in Act II.
$7.95
Simple Melody - Piano Duo (2 Pianos, 4 Hands)
#
2 Pianos, 4 mains
#
Irving Berlin
#
Mary Elizabeth Clark
#
Simple Melody - Piano Duo
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Piano Duets & Four Hands - SKU: AX.00-PB-0000796 Composed by Irving Berlin. Arranged by Mary Elizabeth Clark. Standards. 4 pages. Alfred Music - Digital...
(+)
Piano Duets & Four Hands - SKU: AX.00-PB-0000796 Composed by Irving Berlin. Arranged by Mary Elizabeth Clark. Standards. 4 pages. Alfred Music - Digital Sheet Music #00-PB-0000796. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000796). UPC: 038081252612.
$5.95
Slavonic Dance No. 1 - Piano Duo (2 Pianos, 4 Hands)
#
2 Pianos, 4 mains
#
Classique
#
Antonin Dvorak
#
Mary Elizabeth Clark
#
Slavonic Dance No. 1 - Piano D
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Composed by Antonin Dvorak (1841-1904). Arranged by Mary Elizabeth Clark. Classical. 7 pages. Alfred Music - Digital Sheet Music #00-PB-0000835. Publi...
(+)
Composed by Antonin Dvorak (1841-1904). Arranged by Mary Elizabeth Clark. Classical. 7 pages. Alfred Music - Digital Sheet Music #00-PB-0000835. Published by Alfred Music - Digital Sheet Music
$8.95
Nocturne for two pianos
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gold and Fizdale
#
Nocturne for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1497521 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Classical,Contemporary. Score...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1497521 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Classical,Contemporary. Score. 5 pages. Musik Fabrik Music Publishing #1073934. Published by Musik Fabrik Music Publishing (A0.1497521). The manuscript for this Nocturne was found in Tailleferre's personal archives, which are now part of Robert Shapiro's private collection. The work was titled Partita for Two Pianos, but only the manuscript for the Nocturne was found. It appears that Tailleferre intended to adapt her Partita for Solo Piano for a piano duo for her friends Gold and Fizdale. It is likely that Gold and Fizdale arranged for the publication of two works (the Partita for Solo Piano and the serial Solo Clarinet Sonata) during the 1960s with the firm Rongwen Music, which was later acquired by Broude Brothers Limited. Thanks are due to Ronald Broude for authorizing the publication of this work.
$12.95
When I'm Sixty-four
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
The Beatles
#
Fishel Pustilnik
#
When I'm Sixty-four
#
F & N Enterprise
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635525 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Ar...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635525 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Fishel Pustilnik. Rock. Score. 8 pages. F & N Enterprise #5312151. Published by F & N Enterprise (A0.635525). An excellent arrangement of the famous Song When I'm Sixty-Four (by The Beatles) for Clarinet and Piano-Jazz/Pop Version.
$4.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale