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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
If you
Non classifié
4 420
Piano & claviers
Piano seul
2 471
Piano, Voix et Guitare
1 406
Piano Facile
1 232
Piano, Voix
1 154
Orgue
193
Instruments en Do
180
Accompagnement Piano
148
Piano grosses notes
65
1 Piano, 4 mains
60
2 Pianos, 4 mains
42
Piano Trio: piano, violon, violoncelle
41
Accordéon
17
Piano (partie séparée)
13
Orgue, Piano (duo)
10
Orgue, Trompette (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Clavier
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
5
1 Piano, 6 mains
2
2 Pianos, 8 mains
2
Ligne De Mélodie, Piano
2
Instrument seul et Orgue
1
Clavecin
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
429
Ligne De Mélodie, (Paroles) et Accords
299
Ukulele
207
Guitare
199
Paroles et Accords
134
Basse electrique
66
2 Guitares (duo)
37
Guitare (partie séparée)
36
Dulcimer
15
Banjo
12
4 Guitares (Quatuor)
11
Mandoline
8
Piano, Guitare (duo)
5
3 Guitares (trio)
4
2 Ukuleles
3
2 Dulcimers (duo)
3
Guitare, Violon, Violoncelle (trio)
2
Ensemble de guitares
2
Guitare Pedal Steel
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
946
Chorale 3 parties
501
Chorale TTBB
349
Chorale SSAA
231
Chorale 2 parties
174
Chorale Unison
120
Voix duo, Piano
55
Voix Soprano, Piano
42
Voix haute
39
Voix duo
31
Voix Tenor, Piano
26
Chorale
23
Voix seule
21
Voix basse, Piano
16
Pack Instrumental pour Chorale
14
Voix Alto, Piano
12
Voix Baryton, Piano
7
Voix Tenor
6
Voix basse
5
Voix moyenne, Piano
5
Voix Moyenne
2
Voix Soprano
2
Chorale SSAB a cappella
1
Chorale SSATB
1
Chorale SSATTB
1
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SAATB A Cappella
1
+ 24 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
324
Quatuor de Saxophones: 4 saxophones
276
2 Saxophones (duo)
274
Flûte traversière et Piano
218
Flûte, Hautbois, Clarinette, Basson
206
Flûte traversière
203
Clarinette et Piano
189
Quintette de Saxophone: 5 saxophones
186
Clarinette
172
2 Flûtes traversières (duo)
160
Saxophone Alto
159
Saxophone (partie séparée)
154
Hautbois, Piano (duo)
150
Quatuor de Clarinettes: 4 clarinettes
149
Saxophone Alto et Piano
121
Saxophone Tenor
113
2 Clarinettes (duo)
99
Ensemble de Clarinettes
95
Saxophone Tenor et Piano
90
Flûte irlandaise
81
Hautbois (partie séparée)
78
Quatuor de Flûtes : 4 flûtes
71
Saxophone, Clarinette (duo)
69
Ensemble de Flûtes
66
Saxophone Soprano et Piano
65
Ensemble de saxophones
61
Quintette de Flûte : 5 flûtes
60
Quintette de Clarinettes: 5 clarinettes
58
Saxophone
54
2 Hautbois (duo)
53
Saxophone Baryton, Piano
50
Clarinette, Violon (duo)
47
Trio de Flûtes: 3 flûtes
47
Hautbois
46
Clarinette, Trompette (duo)
42
Flûte, Clarinette (duo)
42
Flûte et Guitare
42
Saxophone Soprano
32
Hautbois, Basson (duo)
31
Flûte, Violon
29
Cor anglais, Piano
27
Saxophone Baryton
27
2 Flûtes traversières, Piano
26
Hautbois, Clarinette (duo)
26
Clarinette (partie séparée)
24
Hautbois, Flûte
23
3 Saxophones (trio)
22
Flûte, Saxophone (duo)
21
Clarinette et Alto
20
Flûte, Trompette (duo)
19
3 Clarinettes (trio)
19
Flûte à Bec
18
Clarinette, Guitare (duo)
16
Flute (partie séparée)
16
Flûte à bec Soprano
16
Flûte, Alto (duo)
15
2 Flûte à bec (duo)
14
Harmonica
14
Flûte à bec Alto
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Clarinette, Basson (duo)
10
Ocarina
10
Flûte à bec Tenor
9
Flûte, Clarinette et Basson
8
5 Flûtes à bec
8
Flûte, Violon, Piano
8
Cor anglais, Guitare (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte à bec Soprano, Piano
6
Flûte, Violoncelle
5
Clarinette Basse, Piano
5
Flûte à bec Alto, Piano
5
Flûte, Hautbois (duo)
5
Quatuor de Flûtes à bec
4
Saxophone et Guitare
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Hautbois, Piano (trio)
3
Cor Anglais
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
2
Flûte, Hautbois, Basson
2
Ensemble à vent
2
Instruments en Mib
2
Saxophone et Orgue
2
Flûte, Violon et Violoncelle
2
Flute, harpe et violon
2
Hautbois, Basson et Piano
2
Clarinette, Violoncelle (duo)
1
Flûte à Bec, Piano
1
Piccolo
1
3 Hautbois
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Trombone (duo)
1
Hautbois, Guitare (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Basson et Piano
1
2 Hautbois, Piano
1
2 Clarinettes, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Trombone (duo)
1
3 Flûtes à bec (trio)
1
+ 99 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
421
Quatuor de Cuivres : 2 trompettes, trombone, tuba
241
Trompette
181
Trompette, Piano
152
Trombone
139
Cor et Piano
131
Trombone et Piano
122
Trombone (partie séparée)
120
Cor
105
Trompette (partie séparée)
101
Tuba et Piano
79
Tuba
73
Quatuor de Cuivres: 2 trompettes, Cor, trombone
73
2 Trombones (duo)
63
Ensemble de Trombones
62
2 Trompettes (duo)
58
Ensemble de Trompettes
54
Trompette, Saxophone (duo)
46
Trompette, Trombone (duo)
42
Quatuor de cuivres: 4 trombones
36
2 Cors (duo)
28
Cor anglais, Piano
27
Quatuor de cuivres: 4 cors
23
Quatuor de Cuivres
22
Cor (partie séparée)
21
Euphonium, Piano (duo)
21
Tuba (partie séparée)
18
2 Tubas (duo)
14
Ensemble de Cors
9
Euphonium
7
Trio de Cuivres
6
Trompette, Cor (duo)
6
Cor anglais, Guitare (duo)
6
Cor, Tuba (duo)
5
Quatuor de cuivres: 4 trompettes
5
3 Trombones (trio)
5
2 Euphoniums et 2 Tubas
5
Bass Clef Instruments
5
Trompette, Tuba (duo)
4
Tuba et Orgue
4
4 Tubas
3
3 Trompettes (trio)
3
Cor Anglais
3
Trombone, Cor (duo)
3
Trombone basse
2
Instruments en Sib
2
Trompette, Trombone, Piano
2
Trombone, Orgue
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Euphonium, Tuba (duo)
2
Instruments en Fa
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums (duo)
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 028
Harpe
868
Violon
537
Violon, Violoncelle (duo)
439
Trio à Cordes: violon, alto, violoncelle
366
Violon et Piano
305
Violoncelle
229
Quintette à cordes: 2 violons, alto, violoncelle, basse
218
Alto seul
181
Violoncelle, Piano
171
Alto, Piano
155
2 Violons (duo)
107
2 Violoncelles (duo)
80
Violon, Alto (duo)
73
2 Altos (duo)
71
Contrebasse, Piano (duo)
70
Contre Basse
66
Alto (partie séparée)
48
Alto, Violoncelle (duo)
33
Trio à Cordes: 2 violons, violoncelle
31
Contrebasse (partie séparée)
30
Violon (partie séparée)
29
Ensemble de Violons
16
4 Violoncelles
15
2 Contrebasses (duo)
14
Ensemble d'Altos
14
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Trio à Cordes: 2 violons, alto
8
Trio à Cordes: 3 violoncelles
8
Trio à cordes: 3 violins
8
Violon, Guitare (duo)
8
Trio à cordes: 3 altos
7
Violoncelle , Guitare (duo)
6
Piano Trio: Violon, Alto, Piano
6
Quatuor à cordes : 4 altos
6
Alto, Guitare (duo)
6
2 Harpes (duo)
6
Harpe, Flûte (duo)
5
Harpe, Violon, Violoncelle
3
Quatuor à cordes: 4 violons
3
Violon, Basson (duo)
3
Violoncelle, Contrebasse (duo)
3
Flûte, Contrebasse (duo)
2
Ensemble de Violoncelles
2
Trio à cordes
2
Violoncelle (partie séparée)
2
Alto et Basson
2
3 Contrebasses
1
2 Violoncelles, Piano
1
4 Contrebasses
1
2 Altos, Piano
1
Harpe, Voix
1
Harpe, Violon (duo)
1
Violon, Violoncelle, Clarinette
1
Violon, Orgue
1
4 Harpes
1
Violon, Tuba (duo)
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
821
Orchestre à Cordes
444
Ensemble Jazz
380
Orchestre
269
Ensemble de cuivres
203
Cloches
95
Orchestre de chambre
79
Jazz combo
64
Fanfare
59
Batterie
50
Ensemble de Percussions
38
Batterie (partie séparée)
22
Percussion (partie séparée)
16
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
9
Xylophone
2
Vibraphone
2
Big band
2
Xylophone, Piano
2
Marimba
2
Orchestre, Violon
1
Ensemble d'École
1
Percussion
1
Quintette à Vent
1
3 Marimbas
1
Timbales (partie séparée)
1
+ 20 instrumentations
Retracter
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Instruments
ACCORDEON
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AUTRES INST…
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BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
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CLAIRON
CLARINETTE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
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GUITARE
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HAUTBOIS
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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Vous avez sélectionné:
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2 Pianos, 4 mains
Partitions à imprimer
42 partitions trouvées
<
1
26
"A Youthful Vow" from An Icelandic Suite
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Ingunn Bjarnadóttir
#
Richard Simm
#
"A Youthful Vow" fro
#
Richard Simm
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Fol...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
If You Will Only Let God Guide You--Duo Piano.pdf
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Gospel Spirituel
#
George Neumark
#
Marilyn Thompsona
#
If You Will Only Let God Guide
#
Marilyn Thompson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809603 Composed by George Neumark. Arranged by Marilyn Thompsona. Christian,Gospel,Sacred. Score. 7 page...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809603 Composed by George Neumark. Arranged by Marilyn Thompsona. Christian,Gospel,Sacred. Score. 7 pages. Marilyn Thompson #6369959. Published by Marilyn Thompson (A0.809603). An animated and exciting rendition for Duo Piano (Keyboard) of this German hymn extolling trust in God in the midst of trials. Marilyn Thompson, ASCAP, is familiar arranger to many church pianists and is known for her many published collections. (Please contact marilyn@mtmusicministries.com for further information.)
$4.99
One Handed Trio #4
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2 Pianos, 4 mains
#
INTERMÉDIAIRE
#
Tom Rule
#
One Handed Trio #4
#
MaconMacMusicGuy
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812....
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
Twisted Nerve
#
2 Pianos, 4 mains
#
FACILE
#
Bernard Herrmann
#
Silvia V
#
Twisted Nerve
#
Silvia V
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.653998 Composed by Bernard Herrmann. Arranged by Silvia V. 20th Century,Contemporary,Film/TV,Video Game....
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.653998 Composed by Bernard Herrmann. Arranged by Silvia V. 20th Century,Contemporary,Film/TV,Video Game. Score. 5 pages. Silvia V #263086. Published by Silvia V (A0.653998). This is my arrangement of the Whistle Theme featured in Kill Bill Vol. 1, originally from Twisted Nerve by Bernard Herman. For 2 pianos. Please visit my channel https://www.youtube.com/channel/UCbqt7XsJNYFz8rcHFCXpjoQ/featured and let me know if you have a request! hotaru.chivi@gmail.com.
$4.99
Bach 2 Part Inventions 11-15 for 2 pianos, 4 hands (second piano part by Simon Peberdy)
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Simon Peberdy
#
Bach 2 Part Inventions 11-15 f
#
Simon Peberdy
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.757135 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instructional,Standards. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.757135 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instructional,Standards. Score. 28 pages. Simon Peberdy #6211737. Published by Simon Peberdy (A0.757135). A second book of Bach's 2 part inventions with a new additional piano part written by Simon Peberdy (there is also a book of Bach 2 Part Inventions 1-5 for 2 pianos available)No. 11 in G minorNo. 12 in A majorNo. 13 in A minorNo. 14 in B flat majorNo. 15 in B minorFor more music for 2 pianos and piano duets, or if you would prefer to buy a printed, bound copy of this music, please visit www.simonpeberdymusic.com The mp3 is of No. 14 in B flat major. The youtube video is of all 5.
$9.99
Concertino in C major I. Allegretto for Early Intermediate Piano
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2 Pianos, 4 mains
#
FACILE
#
Sibylle Kuder
#
Concertino in C major I. Alleg
#
Sibylle Kuder
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119510 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 6 pages. Sibylle Kud...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119510 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 6 pages. Sibylle Kuder #720922. Published by Sibylle Kuder (A0.1119510). I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~ Early Intermediate. ~ Cheerful, light-hearted, needs very energetic staccato. ~ The PDF file has two versions: a 6-page practice version with lots of white space for adding comments, and a performance version condensed onto four pages, to fit the average music stand.
$3.99
Concertino in C major for Early Intermediate Piano
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2 Pianos, 4 mains
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FACILE
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Sibylle Kuder
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Concertino in C major for Earl
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Sibylle Kuder
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119527 Composed by Sibylle Kuder. Classical,Contemporary,Contest,Festival,Instructional. Score. 18 page...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119527 Composed by Sibylle Kuder. Classical,Contemporary,Contest,Festival,Instructional. Score. 18 pages. Sibylle Kuder #720927. Published by Sibylle Kuder (A0.1119527). Concertino in three movements ~ I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~
$7.99
Concertino in C major III. Finale for Early Intermediate Piano
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2 Pianos, 4 mains
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FACILE
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Sibylle Kuder
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Concertino in C major III. Fin
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Sibylle Kuder
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119278 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 5 pages. Sibylle Kud...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119278 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 5 pages. Sibylle Kuder #720693. Published by Sibylle Kuder (A0.1119278). I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~.
$2.99
Concertino in C major II. Minuet and Trio for Early Intermediate Piano
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2 Pianos, 4 mains
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FACILE
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Sibylle Kuder
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Concertino in C major II. Minu
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Sibylle Kuder
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119315 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 4 pages. Sibylle Kud...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119315 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 4 pages. Sibylle Kuder #720730. Published by Sibylle Kuder (A0.1119315). I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~.
$2.99
From This Day Forward
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Kevin Kern
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Dave Prudon
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From This Day Forward
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Prudon String Ensembles
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 3 - SKU: A0.1364124 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,Jazz,New Age,Pop. 7 pages. P...
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Instrumental Duet,Keyboard - Level 3 - SKU: A0.1364124 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,Jazz,New Age,Pop. 7 pages. Prudon String Ensembles #948433. Published by Prudon String Ensembles (A0.1364124). If you've ever had the pleasure of sitting beside a friend or loved one and playing through a piano duet together, you're going to enjoy owning this beautiful arrangement. Â The parts are pretty evenly matched for difficulty so you can have fun playing either part.To see other arrangements for 2 pianists, take a look at:Â Prudon String Ensembles Sheet Music, where you will also find hundreds of other nice arrangements for strings.
$5.99
Alone
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Marshmello
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JoLaYo
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Alone
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Josiah Yowell
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4791595. Published by Josiah Yowell (A0.891220). This is a 2 Piano arrangement of the popular song Alone written by Marshmello. In addition to the full score (both piano parts side-by-side), there is an individual copy of each piano part included in the arrangement. This way, you only have to make one copy and you won't have to make as many page turns. Also, you can even have the option of playing the Piano 1 part as a solo arrangement!As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements!Email me at: sebbyomusic@gmail.com
$4.99
Bat Country
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Avenged Sevenfold
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Willem Mante
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Bat Country
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Willem Mante
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1083887 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Matthew Sanders, and Zachary Baker. A...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1083887 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Matthew Sanders, and Zachary Baker. Arranged by Willem Mante. Contest,Festival,Rock,Video Game. Score. 38 pages. Willem Mante #688089. Published by Willem Mante (A0.1083887). This is a piano duet arrangement of Bat Country by Avenged Sevenfold which includes the score and both parts. Performers will be challenged to maintain energy and tempo throughout the piece while difficult rhythmic passages and harmonies command communication between each pianist. A large range on the piano is utilized so as to create a full-bodied sound and opportunity for performers to showcase their range of abilities. If you choose to purchase this arrangement, thank you!
$4.99
Epilogue
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2 Pianos, 4 mains
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AVANCÉ
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Justin Hurwitz
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Danny McGarry
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Epilogue
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Danny McGarry
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period. Score. 21 pages. Danny McGarry #1047770. Published by Danny McGarry (A0.1470047). Accurately and artistically arranged for Virtuosic 2-Piano Duet. Much time was spent carefully mapping harmonies and optimizing rhythm from the original orchestration while utilizing a wide range of techniques unique to the piano. All fingerings are personally tested and informed from over a decade of experience playing advanced/virtuosic piano music. This duet is designed for balanced difficulty, melody/harmony balance, and solo time between parts.Approx. length: ~8:00If you enjoy this piece, please consider checking out the rest of my catalogue for more arrangements from film scores, musicals, radio classics, and original compositions in the future!
$12.99
Sonata for Two Pianos (after Quintet Op. 44)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Robert Schumann
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Paul Ton
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Sonata for Two Pianos
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Paul Ton
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.924614 Composed by Robert Schumann. Arranged by Paul Ton. Romantic Period. Score. 91 pages. Paul Ton #39...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.924614 Composed by Robert Schumann. Arranged by Paul Ton. Romantic Period. Score. 91 pages. Paul Ton #3910961. Published by Paul Ton (A0.924614). Robert Schumann - Sonata for Two Pianos (after Quintet Op. 44) The sheet music is in full score format and includes all four movements of the Quintet.Contact me if you'd like to request separate piano parts or for any other enquiries: paul_ton@live.com.
$19.99
For The First Time In Forever (reprise - Broadway Version)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Kristen Anderson-Lopez and Rob
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Halle Kaye
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For The First Time In Forever
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Halle Kaye
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Mus...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Musical/Show,Pop. Score. 11 pages. Halle Kaye #106795. Published by Halle Kaye (A0.491259). Piano duet based on Frozen Broadway's For the First Time in Forever (reprise). Piano 1 sings Elsa's melody and piano 2 sings Anna's melody. I really love the tension in this piece and I think it is represented beautifully through this dueling piano style. This is the full score. If you would like individual parts please reach out!
$7.00
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Piano II: Various, Piano I:
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Simon Peberdy
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5 Easy Pieces for 2 pianos Boo
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Simon Peberdy
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SheetMusicPlus
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical...
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2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.
This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.
This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.
Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.
Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY
Schumann - Stckchen
W A Mozart - Menuett
Tschaikowsky - Old French song
G F Handel - Sarabande
Haydn - German Dance
Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w
Haydn - Shepherd's Song
Mozart - Air from a String Quartet
Handel - Sonatina in B flat
Rathgeber - Vivace in A
Hook - Pastorale
Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y
W.A. Mozart - Minuet in F (K5)
Hook - Tempo di Minuetto
J.S. Bach - Gavotte en Rondeau
Gurlitt - Wild Mignonette
W.F. Bach - Menuett
Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI
Hook - Air
Mller - Study in A minor
Purcell - Round O'
Couperin - Gavotte
Rameau - Minuet
Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q
J.S. Bach - Minuet in G (I)
J.S. Bach - Minuet in G minor
J.S. Bach - Minuet in G (II)
J.S. Bach - Minuet in A minor
J.S. Bach - Minuet in D minor
Arranged for 2 pianos, 4 hands by Simon Peberdy.
The pieces are also available individually from www.simonpeberdymusic.com
If you print out everything, there are 70 pages.
The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 16 Il Diavolo
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #32739. Published by Thomas Oboe Lee (A0.869342). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
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