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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Non classifié
24 616
Piano & claviers
Piano seul
18 122
Piano, Voix et Guitare
7 746
Piano, Voix
7 634
Piano Facile
6 843
Instruments en Do
2 618
Orgue
1 276
Accompagnement Piano
604
1 Piano, 4 mains
562
Piano grosses notes
336
Piano Trio: piano, violon, violoncelle
267
Accordéon
226
Piano (partie séparée)
196
2 Pianos, 4 mains
147
Piano Quatuor: piano, violon, alto, violoncelle
91
Piano Quintette: piano, 2 violons, alto, violoncelle
68
Clavecin
46
Piano Quatuor: piano, 2 violons, violoncelle
43
Orgue, Piano (duo)
42
Orgue, Trompette (duo)
36
Ligne De Mélodie, Piano
19
Clavier
12
1 Piano, 6 mains
11
2 Pianos, 8 mains
7
Accordéon, Voix
4
Ensemble d'Accordéons
2
2 Accordéons
2
Orgue, Voix
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Fake Book
1
Accordéon et Orchestre
1
+ 25 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3 343
Ligne De Mélodie, (Paroles) et Accords
1 980
Guitare
1 868
Ukulele
934
Paroles et Accords
833
Basse electrique
550
Guitare (partie séparée)
386
Dulcimer
211
2 Guitares (duo)
157
Mandoline
91
4 Guitares (Quatuor)
87
Banjo
82
Piano, Guitare (duo)
66
Ensemble de guitares
52
Mandoline, Piano (duo)
47
3 Guitares (trio)
25
Basse électrique (partie séparée)
18
Ensemble de Ukulélés
16
2 Dulcimers (duo)
14
Ukulele Baryton
12
2 Ukuleles
5
Mandoline, Guitare (duo)
5
Guitare Pedal Steel
4
Guitare, Violon, Violoncelle (trio)
3
2 Mandolines (duo)
2
Partitions De Groupes
2
Cithare
1
Guitare, Orchestre
1
Dobro
1
+ 24 instrumentations
Retracter
Voix
Chorale SATB
7 553
Chorale 3 parties
2 727
Chorale 2 parties
1 606
Chorale TTBB
1 465
Chorale Unison
1 081
Chorale SSAA
878
Pack Instrumental pour Chorale
588
Voix Soprano, Piano
367
Voix Alto, Piano
318
Voix duo, Piano
282
Voix Tenor, Piano
279
Voix seule
218
Voix haute
205
Voix duo
193
Chorale
171
Voix Baryton, Piano
140
Voix moyenne, Piano
63
Voix basse, Piano
60
Voix Tenor
25
Chorale SSAATTBB
17
Chorale SSATB
15
Voix Soprano
13
Voix basse
12
Chorale SSATTB
10
Voix, Guitare
9
Voix Mezzo-Soprano, Piano
9
Chorale SSATBB
3
Chorale SSAB, Piano
3
Soli, choeur mixte et accompagnement
3
Chorale SSAB a cappella
2
Chorale SAATB A Cappella
1
Voix haute, Piano
1
Chorale SATBB
1
Voix Moyenne
1
Chorale SATTBB A Cappella
1
Chorale SSAATB
1
+ 31 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
2 097
Flûte traversière et Piano
2 053
Saxophone (partie séparée)
1 846
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 827
Clarinette et Piano
1 686
Flûte traversière
1 632
Flûte, Hautbois, Clarinette, Basson
1 448
Hautbois, Piano (duo)
1 372
Clarinette
1 347
2 Saxophones (duo)
1 302
Quatuor de Clarinettes: 4 clarinettes
1 220
Saxophone Alto
1 219
Saxophone Alto et Piano
1 195
2 Flûtes traversières (duo)
952
Saxophone Tenor
927
Quintette de Saxophone: 5 saxophones
812
Saxophone Tenor et Piano
791
2 Clarinettes (duo)
769
Quatuor de Flûtes : 4 flûtes
621
Saxophone Soprano et Piano
604
Hautbois (partie séparée)
566
Ensemble de Clarinettes
445
Saxophone
418
3 Saxophones (trio)
398
Clarinette (partie séparée)
347
Ensemble de saxophones
344
Saxophone Baryton, Piano
337
Flûte, Clarinette (duo)
316
Flute (partie séparée)
295
3 Clarinettes (trio)
284
Quintette de Clarinettes: 5 clarinettes
282
2 Hautbois (duo)
279
Trio de Flûtes: 3 flûtes
254
Ensemble de Flûtes
254
Cor anglais, Piano
236
Hautbois
228
2 Flûte à bec (duo)
227
Saxophone, Clarinette (duo)
204
Clarinette, Violon (duo)
184
Flûte à Bec
181
Saxophone Soprano
178
Hautbois, Basson (duo)
175
Flûte, Violon
142
Flûte et Guitare
142
Hautbois, Clarinette (duo)
134
Clarinette, Trompette (duo)
132
Clarinette Basse, Piano
132
Flûte à bec Soprano
130
Quintette de Flûte : 5 flûtes
119
Saxophone Baryton
115
Clarinette, Basson (duo)
102
Quatuor de Flûtes à bec
97
Clarinette et Alto
96
Flûte, Violon, Piano
95
Flûte, Clarinette et Basson
94
Flûte, Alto (duo)
86
Flûte, Violoncelle
85
Flûte, Hautbois, Clarinette (trio)
81
Flûte irlandaise
81
Hautbois, Flûte
79
Flûte, Trompette (duo)
73
Hautbois, Clarinette, Basson (trio d'anches)
72
Flûte, Hautbois, Basson
72
Flûte, Saxophone (duo)
72
Cor Anglais
68
Flûte, Hautbois (duo)
64
Clarinette, Guitare (duo)
60
Clarinette, Violoncelle (duo)
60
Flûte à bec Alto
58
2 Flûtes traversières, Piano
53
Ensemble De Flûte à bec
46
Flûte, Clarinette, Piano (trio)
42
Harmonica
40
Hautbois, Violoncelle
40
Flûte, Violon et Violoncelle
39
Ocarina
39
Flûte, Violoncelle, Piano (trio)
37
5 Flûtes à bec
37
3 Hautbois
36
Flûte, Trombone (duo)
36
4 Hautbois
35
Instruments en Mib
32
2 Saxophones, Piano
32
Hautbois, violon (duo)
31
Flûte à bec Tenor
29
Flûte, Basson et Piano
29
Flûte à bec Soprano, Piano
28
3 Flûtes à bec (trio)
26
Flûte à bec Alto, Piano
24
Piccolo, Piano
24
Clarinette, Trombone (duo)
23
Clarinette, Harpe (duo)
23
Flûte, Hautbois, Piano (trio)
22
Piccolo
21
2 Clarinettes, Piano
20
Clarinette, Violoncelle, Piano (trio)
18
Flûte, Clarinette, Cor, Basson (Quartet)
18
Clarinette Basse
18
Flûte, Alto et Piano
16
Saxophone et Harpe
15
Hautbois et alto (duo)
14
Hautbois, Guitare (duo)
14
Flûte, Harpe et Violoncelle
12
2 Clarinettes, Basson
11
Flûte à Bec, Piano
11
Saxophone et Guitare
11
Flûte, Violon, Violoncelle et Piano
11
Cor anglais, Guitare (duo)
10
Hautbois, Harpe
9
Hautbois, Trompette (duo)
9
Flûte et Trio à cordes
9
Saxophone, Violon (duo)
8
Clarinette, Basson, Piano (trio)
8
Cornemuse
8
Flute, harpe et violon
8
Ensemble à vent
6
Ensemble de Hautbois
6
Flûte, Hautbois, Violon
6
Flûte, Clarinette, Violon (trio)
5
Saxophone et Piano
5
Clarinette, Contrebasse (duo)
5
Saxophone et Orgue
4
Flute, Cor (duo)
4
Flûte traversière, Orgue (duo)
4
Hautbois, Clarinette et Piano (Trio)
3
Flûte à bec, Guitare (duo)
3
Flûte, trombone et piano
3
Saxophone et violoncelle
3
Hautbois, trombone (duo)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Violon, Piano
2
Flûte à bec Alto, Basse continue
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Clarinette, Tuba
2
Flûte, Tuba (duo)
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette, Orgue
2
Flûte, alto et harpe
2
Flûte, Violoncelle, Guitare
2
Hautbois, Basson et Piano
2
2 Hautbois et Basson
1
Flûte traversière, Basse continue
1
Flûte de Pan
1
Hautbois et Orchestre
1
2 Flûtes à bec, Guitare
1
Melodica
1
Flute, alto, violoncelle et guitare
1
Flûte à bec, Harpe
1
2 Flûtes à bec, Piano
1
Hautbois, Violoncelle et Piano
1
2 Hautbois, Piano
1
Saxophone, Basson (duo)
1
Clarinette, trompette et piano
1
Cor anglais et Harpe (duo)
1
Saxophone, Tuba (duo)
1
+ 152 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2 010
Trompette
1 523
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1 288
Trombone (partie séparée)
1 180
Trompette, Piano
1 159
Trompette (partie séparée)
1 099
Trombone et Piano
1 099
Trombone
1 093
Cor et Piano
822
Cor
738
Quatuor de Cuivres: 2 trompettes, Cor, trombone
473
Tuba et Piano
469
Tuba
468
2 Trompettes (duo)
415
Quatuor de Cuivres
384
2 Trombones (duo)
369
Cor (partie séparée)
260
Trompette, Trombone (duo)
242
Cor anglais, Piano
236
Euphonium, Piano (duo)
231
Tuba (partie séparée)
226
2 Cors (duo)
209
Quatuor de cuivres: 4 trombones
205
Trompette, Saxophone (duo)
155
Ensemble de Trombones
131
Quatuor de cuivres: 4 cors
126
Ensemble de Trompettes
91
Euphonium
80
2 Euphoniums et 2 Tubas
80
2 Tubas (duo)
78
Trompette, Cor (duo)
75
Cor Anglais
68
Quatuor de cuivres: 4 trompettes
67
Trio de Cuivres
50
4 Tubas
48
3 Trombones (trio)
43
Bass Clef Instruments
41
Ensemble de Cors
39
Tuba et Orgue
34
3 Trompettes (trio)
33
Instruments en Sib
30
Trombone, Cor (duo)
25
Cor, Violoncelle (duo)
23
Trombone basse
20
Trombone, Tuba (duo)
18
Trombone basse et Piano
17
Trompette, Tuba (duo)
16
2 Euphoniums (duo)
15
Cor et Harpe
15
Trompette, Basson (duo)
14
Euphonium, Tuba (duo)
14
Cor, Tuba (duo)
14
Trompette, violon (duo)
13
3 Tubas (trio)
13
Quatuor de cuivres: 2 trompettes, 2 trombones
13
Trompette, Violoncelle (duo)
12
Cor et Basson (duo)
11
Trombone, Orgue
11
3 Cors (trio)
11
Trombone, violoncelle (duo)
10
Cor anglais, Guitare (duo)
10
Tuba ou Euphonium ou Saxhorn
9
Trompette, Harpe
9
Trombone, Violon (duo)
6
Instruments en Fa
6
Trompette, Trombone, Piano
6
Trompette, Violoncelle et Piano
4
Cor et Orgue
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Clarinette, Cor (duo)
3
Trombone, Alto (duo)
3
2 Cors, Piano
2
Trombone et orchestre
2
2 Cors Anglais Et Pianoforte
2
2 Trombones, Piano
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Orchestre
1
3 Euphoniums
1
Cornet et orchestre
1
Trompette, Euphonium (duo)
1
4 Euphoniums
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Trompette et Guitare
1
+ 80 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5 096
Violon et Piano
2 466
Violon
2 092
Harpe
1 795
Violoncelle, Piano
1 758
Alto, Piano
1 590
Violoncelle
1 560
Violon, Violoncelle (duo)
1 085
Alto seul
940
2 Violons (duo)
853
Trio à Cordes: violon, alto, violoncelle
800
2 Violoncelles (duo)
528
Quintette à cordes: 2 violons, alto, violoncelle, basse
483
Violon, Alto (duo)
429
Contrebasse, Piano (duo)
414
Contre Basse
406
2 Altos (duo)
400
Trio à Cordes: 2 violons, violoncelle
398
Contrebasse (partie séparée)
341
Violon (partie séparée)
267
Alto (partie séparée)
265
2 Harpes (duo)
227
Harpe, Flûte (duo)
179
Alto, Violoncelle (duo)
179
Trio à cordes: 3 violins
126
4 Violoncelles
125
Trio à Cordes: 3 violoncelles
108
Piano Trio: Violon, Alto, Piano
87
Violon, Guitare (duo)
84
Quatuor à cordes: 4 violons
65
Violoncelle (partie séparée)
64
2 Contrebasses (duo)
60
Trio à cordes: 3 altos
58
Harpe, Violon (duo)
56
Violoncelle, Contrebasse (duo)
54
Quatuor à cordes : 4 altos
53
Violon, Basson (duo)
42
Trio à Cordes: 2 violons, alto
39
Violoncelle , Guitare (duo)
38
Ensemble de Violons
30
Alto et Basson
29
Ensemble d'Altos
28
Quintette à cordes: 2 violons, 2 altos, violoncelle
26
Harpe, Violoncelle (duo)
24
Alto, Guitare (duo)
18
Trio à cordes
17
Alto et Harpe
16
4 Contrebasses
14
Harpe et mandoline
12
2 Violons, Piano
11
Harpe, Voix
10
Violoncelle, Orgue
9
Violon, Clarinette, Piano (trio)
9
Ensemble de Violoncelles
9
Flûte, Contrebasse (duo)
9
Violon, Orgue
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Harpe, Violon, Violoncelle
8
Harpe, Trombone (duo)
7
Harpe et Piano
7
3 Harpes
6
Autoharp
4
Violon, Tuba (duo)
4
Violoncelle, Basse continue
4
Harpe, Quatuor à cordes
3
4 Harpes
3
Violoncelle, Orchestre
3
2 Violoncelles, Piano
3
2 Altos, Piano
2
5 Harpes
2
Harpe (partie séparée)
2
Alto, Orgue
2
Violon, Contrebasse (duo)
1
Violon, Violoncelle, Clarinette
1
Harpe et Orgue
1
+ 70 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6 703
Ensemble Jazz
2 064
Orchestre à Cordes
1 990
Orchestre
1 854
Cloches
1 315
Ensemble de cuivres
1 258
Fanfare
1 214
Jazz combo
701
Orchestre de chambre
617
Batterie
565
Ensemble de Percussions
252
Batterie (partie séparée)
241
Percussion (partie séparée)
206
Xylophone
82
Vibraphone
70
Marimba
64
Percussion
49
Xylophone, Piano
41
Timbales (partie séparée)
29
2 Xylophones
13
Quintette à Vent
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
9
Piano et Orchestre
7
Orchestre, Violon
7
Vibraphone (partie séparée)
6
Ensemble d'École
6
Timbales
6
Quintette de Cuivres: autres combinaisons
5
Instrumentation Flexible
4
Xylophone ou Marimba ou Vibraphone
4
Big band
3
3 Marimbas
3
Caisse Claire
3
Quatuor à Vent : 4 instruments à vents
2
Marimba, Piano (duo)
2
Bodhran
1
Xylophone (partie séparée)
1
Vibraphone et Marimba
1
Marimba ou Xylophone et Piano
1
3 Percussions
1
Bongos
1
Conga
1
+ 37 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
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2 Pianos, 4 mains
Partitions à imprimer
147 partitions trouvées
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C it, Play it!
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2 Pianos, 4 mains
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DÉBUTANT
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Alison Mathews
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C it, Play it!
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Alison Mathews
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages. Alison Mathews ...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages. Alison Mathews #858248. Published by Alison Mathews (A0.1265430). This is short lively piece for 4 hands that reinforces the landmark Cs, both on the stave and on the keyboard. Level one uses C3, C4, C5 and level two uses C2 to C6 with a final flourish using all 8 Cs! Originally written to be played at 2 pianos I’ve included a duet version which involves some extra moving around the keyboard for both players to ensure your pupil always plays at the correct octave. It’s easy to fit into lesson time alongside flashcard games or to supplement your method book. You can even extend it further by getting your student to create their own part, deciding on the order of Cs and rhythm!
$4.99
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharo...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
And Can It Be? (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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And Can It Be?
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Religious,Sacred. Score. 15 pages. Sharon Wilson #1034900. Published by Sharon Wilson (A0.1455801). This arrangement of the familiar hymn tune SAGINA by Thomas Campbell is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and cheerful throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat musical interlude is desired. The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Go, Tell It on the Mountain
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Jazz
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Traditional Spiritual
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Brenda Dillon
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Go, Tell It on the Mountain
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Dillon's Music Group
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1461060 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. Score. 7 pages. Dillon'...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1461060 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. Score. 7 pages. Dillon's Music Group #1039969. Published by Dillon's Music Group (A0.1461060). Arranged for two pianos with Piano I more elementary and Piano II more intermediate.
$1.99
It Is Well with My Soul (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Philip P
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Sharon Wilson Music
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It Is Well with My Soul
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. Christian,Easter,Praise & Worship,Romantic Period,Sacred. Score. 18 pages. Sharon Wilson #4793639. Published by Sharon Wilson (A0.565569). The beloved hymn When Peace Like a River by Phil P. Bliss is presented here as a flowing, peaceful intermediate 2 pianos, 4-hands duet (hymn tune VILLE DU HAVRE). Both PIANO 1 and PIANO 2 get to lead with the melody at times making this a fun and equally challenging piece for both players while adding variety for the listeners.PIANO1 plays the melody for the first verse and chorus. After a short interlude PIANO 2 then leads with the melody for the second verse and chorus. This beautiful, uplifting piano duo arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:15.The purchase price includes a 9-page score with both piano parts on each page plus an alternate format with the two piano parts on separate pages (4 pages each).
$5.99
Floor It!
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Vadim D
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Floor It!
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T.U.X. People's Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1075313 Composed by Vadim D. Genin. Contemporary,Contest,Festival,Instructional. Score. 17 pages. T.U.X....
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1075313 Composed by Vadim D. Genin. Contemporary,Contest,Festival,Instructional. Score. 17 pages. T.U.X. People's Music #679515. Published by T.U.X. People's Music (A0.1075313). Hold on tight! Vadin D. Genin's latest work for two pianos is quick, dense, and packed with excitement for performers and audiences alike.
$22.00
It's Hard
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2 Pianos, 4 mains
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Contemporain
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Ezra Furman
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Pedro João DSV
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It's Hard
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João Pedro D.S
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.1027988 Composed by Ezra Furman. Arranged by Pedro João DSV. Contemporary. Score. 1 pages. João Pedro D.S #5...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.1027988 Composed by Ezra Furman. Arranged by Pedro João DSV. Contemporary. Score. 1 pages. João Pedro D.S #5297895. Published by João Pedro D.S (A0.1027988). Música que toca a alma;Estudantes; Iniciantes;IntermediárioAvançado
$4.99
Let It Go
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2 Pianos, 4 mains
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FACILE
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Film Walt Disney
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Idina Menzel
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André Alberto Santos
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Alberto Santos
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Let It Go
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Violao Vadio Musical Creations
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SheetMusicPlus
By Idina Menzel. By Robert Lopez and Kristen Anderson- Lopez. Arranged by Andre Alberto Santos. Broadway, Children, Film/TV, Instructional, Musical/Sho...
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By Idina Menzel. By Robert Lopez and Kristen Anderson- Lopez. Arranged by Andre Alberto Santos. Broadway, Children, Film/TV, Instructional, Musical/Show, Pop. Score. 20 pages. Violao Vadio Musical Creations #833984. Published by Violao Vadio Musical Creations
$4.99
As It Was
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Pop musique
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Harry Styles
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HarvardTHUD
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As It Was
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HarvardTHUD
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SheetMusicPlus
By Harry Styles. By Thomas Hull, Tyler Johnson, and Harry Styles. Arranged by HarvardTHUD. Pop. Score. 9 pages. HarvardTHUD #689222. Published by Harv...
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By Harry Styles. By Thomas Hull, Tyler Johnson, and Harry Styles. Arranged by HarvardTHUD. Pop. Score. 9 pages. HarvardTHUD #689222. Published by HarvardTHUD
$4.99
Concerto for piano and orchestra No. 2
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2 Pianos, 4 mains
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Erik Chisholm
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Concerto for piano and orchest
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Schott Music - Digital
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SheetMusicPlus
2 pianos - SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano r...
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2 pianos - SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 30 minutes. Schott Music - Digital #Q5862. Published by Schott Music - Digital (S9.Q5862). The Piano Concerto No.2 was first performed in Cape Town in 1949 and in the following year was broadcast on the BBC Radio Third Programme. It was enthusiastically received by the critics, Ernest Newman writing of it ’I was particularly intrigued by the skill with which the composer has managed to fuse Hindustani modes of expression and European ways of thought and factors of design into a single organic whole. I was greatly intrigued by it’. It had many performances and broadcasts in the composer’s life time but after his death, was not heard again until 2007 when it was specially recorded for broadcast one evening in ‘Scotland’s Musicâ€, a BBC Radio Scotland’s series of weekly programmes. John Purser, writer and presenter of the series which ran for a year, comments ‘The Concerto emerges as a major achievement in terms of over-all conception, technical innovation and brilliance and superb handling of the orchestra’. The soloist, Dutch pianist Ronald Brautigam, said of his experience “It is a great privilege to be working on such a wonderful Concerto! I have completely fallen in love with the piece. The work is definitely challenging, but the wealth of musical ideas, the refinement of the slow movement, the humour and boisterousness of the finale make one forget that at times fingers need to be scraped off the keyboard’.
$25.99
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Dumba
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Lahkang Myu Awng
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Dumba
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Myu A Shingni
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1137117 Composed by Lahkang Myu Awng. Classical,Contemporary,Folk. Score. 16 pages. Myu A Shingni #73722...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1137117 Composed by Lahkang Myu Awng. Classical,Contemporary,Folk. Score. 16 pages. Myu A Shingni #737224. Published by Myu A Shingni (A0.1137117). “Dumba†is a piano four-hand composition of Lahkang Myu Awng (Myo Aung), and it is required two pianos. The composer employs Kachin's traditional folk tune and which is part of completely pentatonic. Dumba is the name of the wind instrument of the Kachin people, and it always uses in traditional Manau dance. It is one of the necessary instruments. It makes with a Buffalo horn, and it has a few holes. Those holes generate some unique pitches when the fingering alternately moves. The timbre of Dumba is mellow, and the melodic materials are a unique cadence. In this piece, the composer deliberately inserts a short melodic material from Dumba, especially in the cadence of each passage. Instrumentation: Pianos Four-hand Duration: 3:43.
$4.99
Once In Royal David's City variations for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Henry John Gauntlett
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James Mayhew
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Once In Royal David's City var
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James Mayhew
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Perio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Period. Score. 10 pages. James Mayhew #4969389. Published by James Mayhew (A0.996518). This is a piece for two pianos (4 hands), which starts out with the Once In Royal David's City theme, and then there are 5 variations on it. The 1st, 2nd and 3rd variations are in G major, while the 4th and the start of the 5th ones are in G minor. The 5th variation is an extended variation with a fugato start in G minor which transitions back to G major again for a triumphant final play of the theme, and a small coda. It is quite challenging - probably early advanced level, particularly the 5th variation, although the other variations are more like late intermediate level. Listen to the computer played recording to get an idea of what it's like!You may print it twice or copy the first print to have two copies. .
$4.99
Gian Paolo Chiti: Play On B.A.C.H. for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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Gian Paolo Chiti
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Gian Paolo Chiti: Play On B.A.
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts....
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3417517. Published by Musik Fabrik Music Publishing (A0.534395). Gian Paolo Chiti wrote “Play on B.A.C.H.†for the Moreno Gistain Duo, who premièred the work on the 28th February, 2015, for the concert season of the Fundación Juan March in Madrid. It was also recorded for Spanish National Radio. Juan Fernando Moreno Gistain wrote of the work: “It´s an honour for us that Maestro Chiti composed “Play on B.A.C.H.†for our concert programme dedicated to works based on the motif formed by the notes B.A.C.H. “Play on BACH†is a wonderful piece for piano duo and we are sure many duos will perform this in the future. The work has an amazing feeling of nostalgia, humour and charm; the audience loved it at every performance. It´s a masterwork and fits incredibly well in our concert programme.â€
$19.95
Tango for the Road - for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Ofer Ben-Amots
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Tango for the Road - for two p
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The Composer's Own Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer'...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Hymns of Reflection for Two Pi
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spaf...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Re...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Moscow Nights
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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Moscow Nights
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1416730 By Richard Simm. By Soloviev-Sedoi. Arranged by Richard Simm. 20th Century,Folk,Multicultural,Wo...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1416730 By Richard Simm. By Soloviev-Sedoi. Arranged by Richard Simm. 20th Century,Folk,Multicultural,World. Score. 5 pages. Richard Simm #998394. Published by Richard Simm (A0.1416730). This lovely song has become a folk tune in its own lifetime. Â Composed in 1955 during the Soviet Russian Era, it achieved supreme worldwide popularity during the early 1960s, although the film for which it was originally composed has been forgotten. Â Exotic, atmospheric harmonies, along with a truly memorable melodic line, transcend national boundaries and attest to the genuine musical gifts of composer Vasily Solovyev-Sedoi. Here it is in Richard Simm's arrangement for 2 pianos.
$5.95
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
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