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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
6 032
Piano & claviers
Piano seul
3 736
Piano, Voix
2 933
Piano, Voix et Guitare
2 090
Piano Facile
1 388
1 Piano, 4 mains
548
Orgue
314
Instruments en Do
313
Piano grosses notes
230
2 Pianos, 4 mains
134
Accompagnement Piano
88
Piano Trio: piano, violon, violoncelle
75
Piano Quatuor: piano, violon, alto, violoncelle
36
Piano Quintette: piano, 2 violons, alto, violoncelle
27
Accordéon
25
Piano (partie séparée)
20
1 Piano, 6 mains
10
Piano Quatuor: piano, 2 violons, violoncelle
9
Orgue, Trompette (duo)
7
2 Pianos, 8 mains
7
Orgue, Piano (duo)
5
Clavier
3
Ligne De Mélodie, Piano
3
Ensemble d'Accordéons
2
Accordéon, Voix
2
Clavecin
1
2 Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
699
Ligne De Mélodie, (Paroles) et Accords
457
Guitare
398
Dulcimer
165
Ukulele
140
Basse electrique
87
Paroles et Accords
66
2 Guitares (duo)
51
Guitare (partie séparée)
46
Mandoline
26
4 Guitares (Quatuor)
25
Banjo
20
Piano, Guitare (duo)
14
Ensemble de guitares
13
2 Dulcimers (duo)
12
3 Guitares (trio)
7
Basse électrique (partie séparée)
3
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Ukulele Baryton
1
Dobro
1
Guitare, Orchestre
1
Mandoline, Piano (duo)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 559
Chorale 3 parties
609
Chorale 2 parties
326
Chorale TTBB
247
Chorale Unison
190
Chorale SSAA
178
Voix duo, Piano
65
Voix Soprano, Piano
62
Voix Alto, Piano
52
Pack Instrumental pour Chorale
48
Voix seule
43
Voix duo
42
Voix Tenor, Piano
41
Voix haute
39
Voix Baryton, Piano
32
Chorale
25
Voix basse, Piano
15
Voix moyenne, Piano
14
Chorale SSAATTBB
7
Voix basse
5
Chorale SSATB
4
Voix Mezzo-Soprano, Piano
4
Voix Tenor
3
Voix, Guitare
2
Chorale SSATTB
2
Voix Soprano
2
Soli, choeur mixte et accompagnement
1
Chorale SSATBB
1
Voix haute, Piano
1
Voix Moyenne
1
Chorale SSAB, Piano
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
660
Clarinette et Piano
630
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
548
Quatuor de Saxophones: 4 saxophones
449
Flûte traversière
411
Hautbois, Piano (duo)
363
Clarinette
360
Flûte, Hautbois, Clarinette, Basson
344
Quintette de Saxophone: 5 saxophones
335
2 Saxophones (duo)
331
Saxophone Alto et Piano
329
Saxophone Alto
315
Saxophone (partie séparée)
297
Quatuor de Clarinettes: 4 clarinettes
265
2 Flûtes traversières (duo)
233
Saxophone Tenor
224
Saxophone Tenor et Piano
219
Saxophone Soprano et Piano
187
2 Clarinettes (duo)
171
Hautbois (partie séparée)
151
Ensemble de saxophones
150
Quatuor de Flûtes : 4 flûtes
142
Ensemble de Clarinettes
138
Saxophone Baryton, Piano
114
3 Saxophones (trio)
86
Ensemble de Flûtes
84
Cor anglais, Piano
81
Saxophone
76
Flûte, Clarinette (duo)
72
2 Hautbois (duo)
68
Trio de Flûtes: 3 flûtes
59
Flûte et Guitare
59
Quintette de Clarinettes: 5 clarinettes
56
Quintette de Flûte : 5 flûtes
54
Hautbois
53
3 Clarinettes (trio)
51
2 Flûte à bec (duo)
49
Clarinette Basse, Piano
47
Saxophone Soprano
46
Flute (partie séparée)
38
Saxophone, Clarinette (duo)
37
Hautbois, Basson (duo)
36
Clarinette (partie séparée)
34
Clarinette, Basson (duo)
33
Flûte à bec Soprano
31
Clarinette, Violon (duo)
30
Saxophone Baryton
30
Flûte à Bec
28
Clarinette, Trompette (duo)
25
Clarinette, Guitare (duo)
25
Hautbois, Clarinette, Basson (trio d'anches)
23
Flûte, Violon
23
Quatuor de Flûtes à bec
21
Hautbois, Clarinette (duo)
20
Clarinette, Violoncelle (duo)
19
Flûte à bec Alto
18
Flûte, Hautbois, Clarinette (trio)
17
Flûte, Violoncelle
16
Flûte, Violon, Piano
16
Flûte, Alto (duo)
16
Clarinette et Alto
15
5 Flûtes à bec
15
Flûte, Hautbois (duo)
14
Hautbois, Violoncelle
13
Flûte, Clarinette et Basson
13
Ocarina
12
Piccolo, Piano
12
Hautbois, Flûte
12
Flûte, Trombone (duo)
11
3 Flûtes à bec (trio)
11
Instruments en Mib
11
Flûte, Hautbois, Basson
11
Flûte, Saxophone (duo)
11
Cor Anglais
11
Ensemble De Flûte à bec
10
Flûte, Violoncelle, Piano (trio)
10
Flûte à bec Tenor
10
Flûte, Clarinette, Piano (trio)
10
Flûte à bec Soprano, Piano
9
Flûte, Trompette (duo)
9
Flûte à bec Alto, Piano
9
Clarinette, Harpe (duo)
9
Hautbois, Guitare (duo)
9
Harmonica
9
Saxophone et Harpe
7
2 Clarinettes, Piano
6
Cor anglais, Guitare (duo)
6
2 Flûtes traversières, Piano
5
Saxophone et Orgue
4
Hautbois, Harpe
4
Flûte et Trio à cordes
3
Flûte à Bec, Piano
3
Ensemble à vent
3
Flûte, Hautbois, Piano (trio)
3
2 Saxophones, Piano
3
Clarinette Basse
3
4 Hautbois
3
Clarinette, Trombone (duo)
3
Hautbois, violon (duo)
2
Flûte irlandaise
2
Flûte, Violoncelle, Guitare
2
Flute, harpe et violon
2
Piccolo
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Ensemble de Hautbois
2
Hautbois et alto (duo)
2
Flûte à bec Alto, Basse continue
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Basson
1
3 Hautbois
1
Flûte, Basson et Piano
1
Saxophone et Guitare
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte de Pan
1
Saxophone, Tuba (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Basse continue
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, alto et harpe
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Orgue
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Harpe et Violoncelle
1
Hautbois, Violon, Piano
1
Flûte, trombone et piano
1
Flûte, Violon et Violoncelle
1
+ 123 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
577
Trompette
384
Quatuor de Cuivres : 2 trompettes, trombone, tuba
373
Trompette, Piano
321
Trombone et Piano
319
Trombone
282
Cor et Piano
249
Cor
182
Tuba
155
Trombone (partie séparée)
148
Tuba et Piano
144
Trompette (partie séparée)
135
Quatuor de Cuivres: 2 trompettes, Cor, trombone
132
Quatuor de Cuivres
101
2 Trompettes (duo)
95
2 Trombones (duo)
90
Cor anglais, Piano
81
Euphonium, Piano (duo)
81
2 Cors (duo)
66
Ensemble de Trombones
65
Quatuor de cuivres: 4 trombones
63
Ensemble de Trompettes
61
Trompette, Trombone (duo)
59
Cor (partie séparée)
38
Quatuor de cuivres: 4 cors
37
Tuba (partie séparée)
29
2 Tubas (duo)
27
Trompette, Cor (duo)
25
Quatuor de cuivres: 4 trompettes
23
Trompette, Saxophone (duo)
21
Ensemble de Cors
21
2 Euphoniums et 2 Tubas
21
Euphonium
18
Bass Clef Instruments
16
3 Trombones (trio)
15
4 Tubas
14
Trombone, Cor (duo)
12
Tuba et Orgue
11
Cor Anglais
11
Trio de Cuivres
10
Trombone, Tuba (duo)
10
Instruments en Sib
10
Trompette, Tuba (duo)
9
Euphonium, Tuba (duo)
9
3 Tubas (trio)
8
Cor, Violoncelle (duo)
7
Cor, Tuba (duo)
7
Cor anglais, Guitare (duo)
6
3 Cors (trio)
5
Cor et Harpe
5
2 Euphoniums (duo)
4
Trombone basse
4
Trompette, Harpe
4
Trompette, Violoncelle (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
Trombone, violoncelle (duo)
2
Trombone et orchestre
2
Cor et Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Instruments en Fa
2
Trombone basse et Piano
2
Ensemble de Tubas
1
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
Trompette, Basson (duo)
1
3 Euphoniums
1
Trombone, Orgue
1
Trompette, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor et Basson (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba ou Euphonium ou Saxhorn
1
+ 70 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 166
Violon et Piano
758
Violoncelle, Piano
609
Alto, Piano
588
Violon
530
Violoncelle
430
Harpe
384
Alto seul
279
Violon, Violoncelle (duo)
268
2 Violons (duo)
199
Trio à Cordes: violon, alto, violoncelle
172
2 Violoncelles (duo)
138
Contrebasse, Piano (duo)
136
Quintette à cordes: 2 violons, alto, violoncelle, basse
127
Contre Basse
116
Trio à Cordes: 2 violons, violoncelle
115
Violon, Alto (duo)
108
2 Altos (duo)
100
Alto (partie séparée)
71
2 Harpes (duo)
53
Alto, Violoncelle (duo)
50
Contrebasse (partie séparée)
47
Violon (partie séparée)
45
4 Violoncelles
42
Ensemble de Violons
29
Ensemble d'Altos
28
2 Contrebasses (duo)
25
Quatuor à cordes: 4 violons
25
Harpe, Flûte (duo)
25
Trio à Cordes: 3 violoncelles
24
Trio à cordes: 3 violins
21
Trio à cordes: 3 altos
21
Violon, Guitare (duo)
19
Quatuor à cordes : 4 altos
19
Violoncelle, Contrebasse (duo)
18
Piano Trio: Violon, Alto, Piano
18
Violoncelle , Guitare (duo)
17
Violoncelle (partie séparée)
11
Violon, Basson (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Harpe, Violon (duo)
8
Alto et Basson
8
Trio à Cordes: 2 violons, alto
6
Harpe, Violoncelle (duo)
6
Alto, Guitare (duo)
6
Harpe, Voix
5
Harpe, Trombone (duo)
4
Trio à cordes
4
2 Violons, Piano
3
Alto et Harpe
3
Violoncelle, Orgue
3
Harpe, Violon, Violoncelle
2
Harpe et Piano
2
4 Contrebasses
2
Ensemble de Violoncelles
2
Alto, Orgue
1
5 Harpes
1
Autoharp
1
Violoncelle, Basse continue
1
Harpe et mandoline
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 756
Orchestre à Cordes
554
Orchestre
527
Ensemble de cuivres
299
Ensemble Jazz
297
Cloches
286
Fanfare
260
Orchestre de chambre
174
Batterie
116
Jazz combo
99
Ensemble de Percussions
45
Percussion (partie séparée)
29
Batterie (partie séparée)
26
Xylophone, Piano
19
Marimba
13
Vibraphone
12
Percussion
7
2 Xylophones
6
Xylophone
6
Ensemble d'École
5
Orchestre, Violon
3
Quintette à Vent
2
Instrumentation Flexible
2
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
2
Piano et Orchestre
2
Vibraphone et Marimba
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Caisse Claire
1
Conga
1
Big band
1
Timbales
1
Bodhran
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
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Instruments
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AUTRES INST…
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BASSE
BASSON
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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2 Pianos, 4 mains
Partitions à imprimer
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Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.32 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
There Is a Fountain (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458068 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilson. Christian,Easter,Folk,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037039. Published by Sharon Wilson (A0.1458068). The beautiful American folk tune CLEANSING FOUNTAIN has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. Flowing reverently throughout, this piano duet is ideal for a prelude or offertory, or whenever a meditative musical interlude is desired. The purchase price includes a 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.51 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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There Is a Fountain
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Sharon Wilson
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SheetMusicPlus
C it, Play it!
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1265430 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages. Alison Mathews #858248. Published by Alison Mathews (A0.1265430). This is short lively piece for 4 hands that reinforces the landmark Cs, both on the stave and on the keyboard. Level one uses C3, C4, C5 and level two uses C2 to C6 with a final flourish using all 8 Cs! Originally written to be played at 2 pianos I’ve included a duet version which involves some extra moving around the keyboard for both players to ensure your pupil always plays at the correct octave. It’s easy to fit into lesson time alongside flashcard games or to supplement your method book. You can even extend it further by getting your student to create their own part, deciding on the order of Cs and rhythm!
$4.99
4.59 €
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2 Pianos, 4 mains
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Alison Mathews
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C it, Play it!
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Alison Mathews
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SheetMusicPlus
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.51 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
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Sharon Wilson
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SheetMusicPlus
And Can It Be? (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455801 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Religious,Sacred. Score. 15 pages. Sharon Wilson #1034900. Published by Sharon Wilson (A0.1455801). This arrangement of the familiar hymn tune SAGINA by Thomas Campbell is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and cheerful throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat musical interlude is desired. The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.51 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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And Can It Be?
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Sharon Wilson
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SheetMusicPlus
Go, Tell It on the Mountain
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1461060 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1461060 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. Score. 7 pages. Dillon's Music Group #1039969. Published by Dillon's Music Group (A0.1461060). Arranged for two pianos with Piano I more elementary and Piano II more intermediate.
$1.99
1.83 €
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2 Pianos, 4 mains
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Traditional Spiritual
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Brenda Dillon
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Go, Tell It on the Mountain
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Dillon's Music Group
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SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Solar
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.963302 By Miles Da…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.963302 By Miles Davis. By Miles Davis. Arranged by Cristiano Vecchi. Jazz. Score. 12 pages. Cristiano Vecchi #4580723. Published by Cristiano Vecchi (A0.963302). This arrangement (in all keys) has a didactic purpose: the melody is doubled to the octave, while the accompaniment uses a simple stride piano pattern with four-part voicing; it is useful for practicing to sight read and to memorize chords and scales in all keys. This famous standard is particularly useful because it contains numerous ii-V-I cadences.
$4.99
4.59 €
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2 Pianos, 4 mains
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Miles Davis
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Cristiano Vecchi
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Solar
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Cristiano Vecchi
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SheetMusicPlus
The Flowers of the Forest
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1108425 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1108425 Composed by Scottish Folk Song. Arranged by Richard Simm. Folk,Traditional. Score. 3 pages. Richard Simm #711067. Published by Richard Simm (A0.1108425). This beautiful ancient melody is treated with great respect by Scottish bagpipers, who play it only on serious ceremonial occasions, and not for mere entertainment. It marks a terrible defeat at the Battle of Flodden, and the text describes the grief of those left at home to mourn. The Flowers in the title are the slain men, and the accompaniment in this 2-piano arrangement by Richard Simm retains the haunting character of distant bagpipe music. The Piano I part is easy, intended for relative beginners, while the second part is for teachers and more advanced pianists.
$7.95
7.32 €
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2 Pianos, 4 mains
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Scottish Folk Song
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Richard Simm
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The Flowers of the Forest
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Richard Simm
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
It Is Well with My Soul (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.565569 By Philip P…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. Christian,Easter,Praise & Worship,Romantic Period,Sacred. Score. 18 pages. Sharon Wilson #4793639. Published by Sharon Wilson (A0.565569). The beloved hymn When Peace Like a River by Phil P. Bliss is presented here as a flowing, peaceful intermediate 2 pianos, 4-hands duet (hymn tune VILLE DU HAVRE). Both PIANO 1 and PIANO 2 get to lead with the melody at times making this a fun and equally challenging piece for both players while adding variety for the listeners.PIANO1 plays the melody for the first verse and chorus. After a short interlude PIANO 2 then leads with the melody for the second verse and chorus. This beautiful, uplifting piano duo arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:15.The purchase price includes a 9-page score with both piano parts on each page plus an alternate format with the two piano parts on separate pages (4 pages each).
$5.99
5.51 €
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2 Pianos, 4 mains
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Philip P
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Sharon Wilson Music
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It Is Well with My Soul
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Sharon Wilson
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SheetMusicPlus
Floor It!
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1075313 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1075313 Composed by Vadim D. Genin. Contemporary,Contest,Festival,Instructional. Score. 17 pages. T.U.X. People's Music #679515. Published by T.U.X. People's Music (A0.1075313). Hold on tight! Vadin D. Genin's latest work for two pianos is quick, dense, and packed with excitement for performers and audiences alike.
$22.00
20.25 €
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2 Pianos, 4 mains
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Vadim D
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Floor It!
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T.U.X. People's Music
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SheetMusicPlus
It's Hard
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.1027988 Composed by Ezra Fur…
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.1027988 Composed by Ezra Furman. Arranged by Pedro João DSV. Contemporary. Score. 1 pages. João Pedro D.S #5297895. Published by João Pedro D.S (A0.1027988). Música que toca a alma;Estudantes; Iniciantes;IntermediárioAvançado
$4.99
4.59 €
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2 Pianos, 4 mains
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Ezra Furman
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Pedro João DSV
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It's Hard
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João Pedro D.S
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SheetMusicPlus
Let It Go
2 Pianos, 4 mains
By Idina Menzel. By Robert Lopez and Kristen Anderson- Lopez. Arranged by André …
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By Idina Menzel. By Robert Lopez and Kristen Anderson- Lopez. Arranged by André Alberto Santos. Broadway, Children, Film/TV, Instructional, Musical/Show, Pop. Score. 20 pages. Violao Vadio Musical Creations #833984. Published by Violao Vadio Musical Creations
$4.99
4.59 €
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2 Pianos, 4 mains
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Idina Menzel
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André Alberto Santos
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Alberto Santos
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Let It Go
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Violao Vadio Musical Creations
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SheetMusicPlus
As It Was
2 Pianos, 4 mains
By Harry Styles. By Thomas Hull, Tyler Johnson, and Harry Styles. Arranged by Harvar…
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By Harry Styles. By Thomas Hull, Tyler Johnson, and Harry Styles. Arranged by HarvardTHUD. Pop. Score. 9 pages. HarvardTHUD #689222. Published by HarvardTHUD
$4.99
4.59 €
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2 Pianos, 4 mains
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Harry Styles
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HarvardTHUD
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As It Was
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HarvardTHUD
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
9.16 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.8 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Hymns of Reflection for Two Pianos
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Sharon Wilson
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SheetMusicPlus
Visconti Sforza Tarot Cards, opus 66 ... Il Matto (1996) for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869254
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #32677. Published by Thomas Oboe Lee (A0.869254). When the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
9.19 €
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, opus 66 ... Il Matto
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Thomas Oboe Lee
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SheetMusicPlus
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 16 Il Diavolo
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869342 Compose…
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #32739. Published by Thomas Oboe Lee (A0.869342). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
9.19 €
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos
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Thomas Oboe Lee
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SheetMusicPlus
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