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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Live and Let Die
Non classifié
462
Piano & claviers
Instruments en Do
176
Piano seul
74
Piano, Voix et Guitare
48
Piano Facile
39
Piano, Voix
14
Piano Trio: piano, violon, violoncelle
7
Orgue
6
2 Pianos, 4 mains
3
Accordéon
3
1 Piano, 4 mains
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ligne De Mélodie, Piano
1
Accordéon, Voix
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
37
Guitare notes et tablatures
22
Basse electrique
11
Guitare
10
Paroles et Accords
5
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Mandoline
1
Ukulele
1
Banjo
1
Piano, Guitare (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
42
Chorale 3 parties
7
Chorale 2 parties
6
Chorale TTBB
6
Voix haute
5
Chorale SSAA
3
Voix Baryton, Piano
3
Voix Tenor, Piano
3
Chorale
1
Voix basse, Piano
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
64
Quintette de Saxophone: 5 saxophones
57
2 Saxophones (duo)
38
2 Flûtes traversières (duo)
29
2 Flûtes traversières, Piano
27
Clarinette et Piano
27
Hautbois, Piano (duo)
22
Clarinette
22
Quatuor de Saxophones: 4 saxophones
20
Quatuor de Flûtes : 4 flûtes
18
Flûte traversière et Piano
16
2 Clarinettes (duo)
15
Flûte traversière
14
Clarinette (partie séparée)
14
Saxophone Alto et Piano
14
Saxophone (partie séparée)
13
Hautbois (partie séparée)
13
Ensemble de Clarinettes
12
Flûte, Trombone (duo)
11
2 Hautbois (duo)
10
Saxophone Alto
10
Saxophone Soprano et Piano
8
Saxophone Tenor
7
Saxophone Tenor et Piano
5
Flûte et Guitare
5
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Basson (duo)
4
Flute (partie séparée)
4
Clarinette, Basson (duo)
4
Hautbois, Clarinette (duo)
3
Saxophone Baryton, Piano
3
Ensemble de Flûtes
3
Hautbois
3
Flûte, Clarinette (duo)
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Violoncelle (duo)
2
Ensemble de saxophones
2
Flute, harpe et violon
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Flûte
2
Flûte, Basson et Piano
2
Hautbois, Violoncelle
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Violon, Piano
2
Flûte, Harpe et Violoncelle
2
2 Saxophones, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violon, Piano
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Alto (duo)
1
Clarinette, Alto et Piano (trio)
1
Clarinette et Alto
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Violon
1
Piccolo, Piano
1
Clarinette, Violon (duo)
1
Hautbois et alto (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle
1
Flûte, Alto et Piano
1
3 Clarinettes (trio)
1
Clarinette, Contrebasse (duo)
1
Hautbois, trombone (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, violon (duo)
1
Flûte à bec Soprano
1
+ 62 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Cor et Piano
23
Trompette (partie séparée)
16
Trombone (partie séparée)
15
Trompette
14
Trompette, Piano
13
2 Trompettes (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
2 Cors (duo)
10
2 Trombones (duo)
10
Trombone et Piano
10
Trombone
10
Cor (partie séparée)
9
Tuba et Piano
9
Cor
8
Ensemble de Trombones
8
Tuba
5
2 Tubas (duo)
4
Euphonium, Piano (duo)
3
Trompette, Trombone (duo)
3
Ensemble de Trompettes
3
Trompette, Basson (duo)
2
Tuba (partie séparée)
2
Trompette, Cor (duo)
1
+ 20 instrumentations
Retracter
Cordes
Violon et Piano
101
Violoncelle, Piano
35
Quatuor à cordes: 2 violons, alto, violoncelle
29
Alto, Piano
20
Alto seul
20
2 Violons (duo)
18
Violon
18
2 Violoncelles (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Violoncelle
13
2 Altos (duo)
10
Harpe
8
Violon, Violoncelle (duo)
7
Ensemble d'Altos
5
Ensemble de Violons
5
Alto, Violoncelle (duo)
4
Alto (partie séparée)
4
2 Contrebasses (duo)
4
Violon (partie séparée)
4
Contrebasse, Piano (duo)
4
Violon, Alto (duo)
4
Contre Basse
3
Harpe, Violon, Violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse (partie séparée)
2
Violon, Guitare (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe, Voix
2
Flûte, Contrebasse (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
89
Fanfare
65
Orchestre
35
Orchestre à Cordes
11
Batterie
9
Percussion (partie séparée)
7
Ensemble Jazz
7
Cloches
7
Ensemble de cuivres
6
Orchestre de chambre
4
Ensemble de Percussions
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Marimba
1
Jazz combo
1
+ 10 instrumentations
Retracter
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Instruments
ACCORDEON
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XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Live and Let Die
2 Pianos, 4 mains
Partitions à imprimer
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1
Live And Let Die
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2 Pianos, 4 mains
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AVANCÉ
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Wings
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Pamela Tucker
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Live And Let Die
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Pamela Tucker
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1376305 By Wings. By Linda McCartney and Paul McCartney. Arranged by Pamela Tucker. Contemporary,Film/TV...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1376305 By Wings. By Linda McCartney and Paul McCartney. Arranged by Pamela Tucker. Contemporary,Film/TV,Pop. Score. 12 pages. Pamela Tucker #960838. Published by Pamela Tucker (A0.1376305). Two Piano Four Hands arrangement of Live and Let DieArranged by Pamela TuckerLevel: Moderately Difficult.
$7.99
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. J...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
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Live and Let Die
