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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Low
Non classifié
17 715
Piano & claviers
Piano seul
13 837
Piano, Voix
4 350
Piano Facile
4 050
Piano, Voix et Guitare
3 978
Instruments en Do
921
Orgue
651
Accompagnement Piano
523
1 Piano, 4 mains
428
Piano Trio: piano, violon, violoncelle
202
Piano grosses notes
197
Accordéon
141
2 Pianos, 4 mains
110
Piano (partie séparée)
71
Piano Quatuor: piano, violon, alto, violoncelle
52
Piano Quatuor: piano, 2 violons, violoncelle
26
Piano Quintette: piano, 2 violons, alto, violoncelle
24
1 Piano, 6 mains
19
Clavecin
12
Ligne De Mélodie, Piano
11
Orgue, Piano (duo)
10
Orgue, Trompette (duo)
9
Accordéon, Voix
6
Clavier
4
2 Pianos, 8 mains
3
Instrument seul et Orgue
3
Orgue et Orchestre
1
Ensemble d'Accordéons
1
Fake Book
1
+ 23 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
2 679
Guitare notes et tablatures
1 987
Guitare
1 480
Ukulele
1 219
Paroles et Accords
433
Mandoline
349
Banjo
217
Basse electrique
208
Guitare (partie séparée)
134
2 Guitares (duo)
118
Dulcimer
62
Dobro
52
Piano, Guitare (duo)
49
Guitare Pedal Steel
42
4 Guitares (Quatuor)
39
Ensemble de guitares
33
3 Guitares (trio)
21
Ukulele Baryton
14
Ensemble de Ukulélés
9
2 Ukuleles
6
Mandoline, Guitare (duo)
4
2 Dulcimers (duo)
4
Basse électrique (partie séparée)
4
Partitions De Groupes
3
Guitare, Violon, Violoncelle (trio)
1
Guitare, Flûte, Clarinette
1
3 Dulcimers (trio)
1
Mandoline, Piano (duo)
1
+ 23 instrumentations
Retracter
Voix
Chorale SATB
4 588
Chorale 2 parties
2 047
Chorale 3 parties
1 618
Chorale TTBB
875
Voix basse, Piano
768
Chorale SSAA
552
Chorale Unison
516
Pack Instrumental pour Chorale
335
Voix duo, Piano
244
Voix seule
214
Voix Alto, Piano
192
Chorale
145
Voix moyenne, Piano
136
Voix Soprano, Piano
136
Voix duo
118
Voix haute
100
Voix Baryton, Piano
97
Voix Tenor, Piano
90
Voix basse
49
Voix Tenor
38
Voix Soprano
26
Chorale SSATB
16
Chorale SSAB a cappella
11
Chorale SSAATTBB
11
Voix, Guitare
9
Chorale SSATTB
8
Soli, choeur mixte et accompagnement
4
Chorale SSAB, Piano
4
Voix Moyenne
3
Chorale SAATB A Cappella
2
Male Voice
2
Voix haute, Piano
1
Chorale, Orgue
1
Voix Baryton
1
Chorale SSAATB
1
Voix Mezzo-Soprano, Piano
1
+ 31 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 261
Quatuor de Saxophones: 4 saxophones
1 165
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 042
2 Saxophones (duo)
1 014
Clarinette et Piano
989
Flûte traversière
959
Clarinette
955
Flûte, Hautbois, Clarinette, Basson
852
Hautbois, Piano (duo)
810
Quatuor de Clarinettes: 4 clarinettes
806
Saxophone (partie séparée)
789
Saxophone Alto et Piano
669
Saxophone Alto
662
2 Flûtes traversières (duo)
661
Quintette de Saxophone: 5 saxophones
585
Saxophone Tenor
559
2 Clarinettes (duo)
552
Saxophone Tenor et Piano
445
Quatuor de Flûtes : 4 flûtes
396
Flûte à bec Soprano
344
Hautbois (partie séparée)
343
Saxophone Soprano et Piano
321
Ocarina
277
3 Saxophones (trio)
252
2 Hautbois (duo)
249
Flûte à bec Alto
239
Harmonica
230
Flûte, Clarinette (duo)
226
3 Clarinettes (trio)
214
Saxophone Baryton, Piano
214
Ensemble de Flûtes
202
Saxophone, Clarinette (duo)
195
Clarinette (partie séparée)
185
Ensemble de Clarinettes
182
Clarinette, Violon (duo)
178
Ensemble de saxophones
177
Hautbois
171
Trio de Flûtes: 3 flûtes
160
Quintette de Clarinettes: 5 clarinettes
156
2 Flûte à bec (duo)
153
Flûte et Guitare
144
Saxophone
132
Cor anglais, Piano
128
Hautbois, Clarinette (duo)
120
Hautbois, Basson (duo)
117
Flute (partie séparée)
114
Flûte, Violon
105
Clarinette, Trompette (duo)
100
Quintette de Flûte : 5 flûtes
92
Saxophone Soprano
89
Clarinette Basse, Piano
83
Flûte à Bec
81
Clarinette et Alto
77
Flûte irlandaise
74
Quatuor de Flûtes à bec
73
Hautbois, Clarinette, Basson (trio d'anches)
71
Hautbois, Flûte
69
Flûte, Hautbois, Clarinette (trio)
66
Flûte, Alto (duo)
65
Flûte, Saxophone (duo)
61
Flûte, Violon, Piano
61
Flûte, Trompette (duo)
55
Saxophone Baryton
55
Ensemble De Flûte à bec
53
Clarinette, Basson (duo)
52
2 Flûtes traversières, Piano
51
Flûte, Clarinette et Basson
50
Hautbois, Violoncelle
48
Clarinette, Guitare (duo)
47
Flûte, Violoncelle
47
Flûte, Clarinette, Piano (trio)
45
Flûte, Hautbois (duo)
44
Flûte à bec Soprano, Piano
44
Flûte à bec Alto, Piano
42
Flûte, Hautbois, Basson
36
Instruments en Mib
35
Cor Anglais
35
Clarinette, Violoncelle (duo)
35
Flûte à bec Tenor
34
3 Flûtes à bec (trio)
25
2 Clarinettes, Piano
24
Flûte, Hautbois, Piano (trio)
24
Clarinette Basse
22
Clarinette, Violoncelle, Piano (trio)
22
Flûte, Violon et Violoncelle
21
Flûte, Basson et Piano
21
Flûte, Violoncelle, Piano (trio)
19
Hautbois, violon (duo)
19
2 Saxophones, Piano
18
5 Flûtes à bec
16
Hautbois et alto (duo)
14
Flûte, Clarinette, Cor, Basson (Quartet)
14
Saxophone et Guitare
13
Cor anglais, Guitare (duo)
13
Flûte, Trombone (duo)
12
Flûte, trombone et piano
11
Clarinette, Trombone (duo)
10
3 Hautbois
10
Clarinette, Harpe (duo)
10
Flûte, Violon, Violoncelle et Piano
10
Flûte, Alto et Piano
10
Hautbois, Guitare (duo)
9
4 Hautbois
9
Piccolo, Piano
8
Hautbois, Trompette (duo)
8
Flute, harpe et violon
8
Saxophone, Violon (duo)
7
Clarinette, trompette et piano
7
Clarinette, Basson, Piano (trio)
7
Hautbois, Clarinette et Piano (Trio)
6
Piccolo
5
Ensemble à vent
5
Hautbois, Violon, Piano
5
Hautbois, Violoncelle et Piano
5
Flûte et Trio à cordes
4
2 Clarinettes, Basson
4
Saxophone et Harpe
4
Flûte, Harpe et Violoncelle
4
Flûte à bec, Guitare (duo)
4
Flûte, Hautbois, Violon
4
Flûte, Clarinette, Violon (trio)
4
Flûte à Bec, Piano
4
Clarinette, Tuba
4
Saxophone et Piano
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Hautbois, Harpe
3
Flûte à bec Alto, Basse continue
3
Hautbois, trombone (duo)
3
2 Flûtes à bec, Piano
3
Clarinette, Alto et Piano (trio)
3
Clarinette, Contrebasse (duo)
3
2 Cors Anglais Et Pianoforte
3
Flûte traversière, Orgue (duo)
3
2 Flûtes, 2 Clarinettes (Quatuor)
2
Ensemble de Hautbois
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte, Violoncelle, Guitare
2
Flûte, Tuba (duo)
2
Hautbois, Basson et Piano
2
Flûte, Violon, Guitare
2
Flûte traversière, Orchestre
2
Cornemuse
2
Flûte et Quatuor à Cordes
2
Flute, Cor (duo)
1
Flûte de Pan
1
Harmonica, Piano
1
Flûte traversière, Basse continue
1
2 Flûtes traversières, Guitare
1
Saxophone, Tuba (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Soprano, Basse continue
1
2 Flûtes traversières, Harpe
1
Flûte, Alto et Violoncelle
1
Saxophone et Orgue
1
Flûte, alto et harpe
1
Saxophone et violoncelle
1
+ 151 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 080
Trompette
840
Trombone
684
Trompette, Piano
678
Quatuor de Cuivres : 2 trompettes, trombone, tuba
653
Trombone et Piano
604
Cor et Piano
512
Trombone (partie séparée)
510
Trompette (partie séparée)
491
Cor
481
Tuba
343
Tuba et Piano
310
2 Trombones (duo)
290
2 Trompettes (duo)
270
Quatuor de Cuivres
233
Quatuor de Cuivres: 2 trompettes, Cor, trombone
216
2 Cors (duo)
183
Trompette, Trombone (duo)
176
Quatuor de cuivres: 4 trombones
160
Trompette, Saxophone (duo)
138
Cor anglais, Piano
128
Euphonium, Piano (duo)
122
Cor (partie séparée)
111
Ensemble de Trombones
78
2 Tubas (duo)
73
Tuba (partie séparée)
68
Quatuor de cuivres: 4 cors
67
2 Euphoniums et 2 Tubas
58
Trompette, Cor (duo)
51
Bass Clef Instruments
47
Euphonium
45
Trio de Cuivres
39
Instruments en Sib
39
Cor Anglais
35
3 Trombones (trio)
32
Quatuor de cuivres: 4 trompettes
28
4 Tubas
27
Ensemble de Trompettes
27
Ensemble de Cors
22
Euphonium, Tuba (duo)
22
Tuba et Orgue
22
Trombone basse
16
Trombone, Tuba (duo)
16
Trompette, Violoncelle (duo)
15
Trombone, Cor (duo)
14
Quatuor de cuivres: 2 trompettes, 2 trombones
13
Cor anglais, Guitare (duo)
13
3 Trompettes (trio)
13
Trompette, Tuba (duo)
12
Trombone basse et Piano
12
Trompette, Basson (duo)
11
Instruments en Fa
11
3 Cors (trio)
11
Cor, Violoncelle (duo)
11
Trompette, violon (duo)
8
3 Tubas (trio)
8
Cor et Basson (duo)
7
Trompette, Trombone, Piano
7
Trompette, Violoncelle et Piano
7
2 Euphoniums (duo)
7
Trombone, violoncelle (duo)
6
Cor, Tuba (duo)
6
2 Trompettes, Clavier (piano ou orgue)
5
Trombone, Violon (duo)
4
Cornet A Pistons
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Euphonium (partie séparée)
4
Trompette, Harpe
4
Trompette et Guitare
3
Cor et Harpe
3
2 Cors, Piano
3
2 Cors Anglais Et Pianoforte
3
Tuba ou Euphonium ou Saxhorn
3
Bugle
2
Trombone, Alto (duo)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Euphonium Ou Saxhorn Et Piano
2
Clarinette, Cor (duo)
2
Ensemble de Tubas
2
Cor, Trompette, Trombone (trio)
1
Trombone et orchestre
1
Trombone, Orgue
1
Trompette, Euphonium (duo)
1
Cor, Violoncelle et Piano
1
3 Euphoniums
1
Trompette, Orchestre
1
Cor et Orgue
1
+ 82 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 718
Violon et Piano
1 584
Violon
1 241
Harpe
1 172
Violoncelle, Piano
1 022
Alto, Piano
872
Violoncelle
851
Violon, Violoncelle (duo)
682
Alto seul
574
2 Violons (duo)
506
Trio à Cordes: violon, alto, violoncelle
504
2 Violoncelles (duo)
425
Quintette à cordes: 2 violons, alto, violoncelle, basse
334
Violon, Alto (duo)
299
Violon (partie séparée)
292
Contre Basse
290
Contrebasse, Piano (duo)
281
2 Altos (duo)
255
2 Harpes (duo)
181
Alto (partie séparée)
173
Contrebasse (partie séparée)
163
Trio à Cordes: 2 violons, violoncelle
151
4 Violoncelles
142
Alto, Violoncelle (duo)
101
Trio à cordes: 3 violins
85
Violoncelle (partie séparée)
83
Trio à Cordes: 3 violoncelles
72
Violon, Basson (duo)
48
2 Contrebasses (duo)
47
Piano Trio: Violon, Alto, Piano
46
Violon, Guitare (duo)
46
Quatuor à cordes: 4 violons
43
Harpe, Flûte (duo)
35
Violoncelle , Guitare (duo)
33
Trio à cordes
32
Trio à cordes: 3 altos
25
Trio à Cordes: 2 violons, alto
24
Alto et Basson
23
Quintette à cordes: 2 violons, 2 altos, violoncelle
23
Violoncelle, Contrebasse (duo)
23
Alto, Guitare (duo)
22
Quatuor à cordes : 4 altos
22
Harpe, Voix
20
2 Violons, Piano
16
Harpe, Violon (duo)
16
Violon, Clarinette, Piano (trio)
15
Ensemble de Violons
14
Ensemble d'Altos
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Ensemble de Violoncelles
9
Alto et Harpe
8
Harpe, Violoncelle (duo)
8
2 Violoncelles, Piano
7
Violon, Basse continue
6
Harpe, Violon, Violoncelle
5
3 Harpes
5
4 Contrebasses
4
Flûte, Contrebasse (duo)
4
5 Harpes
3
3 Contrebasses
3
2 Altos, Piano
3
Harpe et Piano
3
Violoncelle, Orgue
3
Violon, Trompette et Piano
2
Violon, Contrebasse (duo)
2
Autoharp
2
Violoncelle, Orchestre
2
Harpe, Trombone (duo)
2
Harpe et mandoline
2
Violon, Orgue
2
Violon, Tuba (duo)
2
Violoncelle, Basse continue
1
Violon, Violoncelle, Clarinette
1
Alto et orchestre
1
Harpe, Quatuor à cordes
1
4 Harpes
1
+ 71 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
5 059
Orchestre
1 322
Orchestre à Cordes
1 292
Fanfare
1 209
Ensemble Jazz
1 091
Cloches
649
Ensemble de cuivres
647
Batterie
455
Orchestre de chambre
318
Jazz combo
261
Ensemble de Percussions
123
Percussion (partie séparée)
108
Batterie (partie séparée)
94
Marimba
53
Percussion
39
Xylophone, Piano
33
Vibraphone
29
Xylophone
21
Timbales (partie séparée)
20
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
11
2 Xylophones
10
Quintette de Cuivres: autres combinaisons
8
Ensemble d'École
8
Instrumentation Flexible
8
Piano et Orchestre
6
Quintette à Vent
6
Timbales
6
Orchestre, Violon
5
Vibraphone, Piano
3
Quatuor à Vent : 4 instruments à vents
2
Big band
2
3 Percussions
1
Bodhran
1
2 Marimbas
1
Caisse Claire
1
Voix Mezzo-Soprano, Orchestre
1
Marimba ou Xylophone et Piano
1
Vibraphone (partie séparée)
1
Voix et Orchestre
1
+ 34 instrumentations
Retracter
Autres
Formation musicale - Solfège
29
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Low
2 Pianos, 4 mains
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101
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
#
2 Pianos, 4 mains
#
FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spir...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
The Rakes of Mallow
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
Willow Creek (An American Idyll) for 2 Pianos
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2 Pianos, 4 mains
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Contemporain
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Chris Gordon
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Willow Creek
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Cool Wind Music Digital
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SheetMusicPlus
Composed by Chris Gordon. 20th Century, Romantic Period, Repertoire. Piano Reduction. 16 pages. Published by Cool Wind Music Digital ...
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Composed by Chris Gordon. 20th Century, Romantic Period, Repertoire. Piano Reduction. 16 pages. Published by Cool Wind Music Digital
Evocative and lyrical tone poem inspired by the beautiful mountains, rivers and forests of Northern California. Extremely satisfying to play, well-written with innovative and evocative melodies which linger in the mind for a long time. Well worth its low, low price.
Cool Wind Music will allow one photocopy of the score for performance purposes so that only ONE copy of Willow Creek need be bought.
$18.50
The Flowers of the Forest
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2 Pianos, 4 mains
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FACILE
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Folklorique/Traditionel
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Scottish Folk Song
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Richard Simm
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The Flowers of the Forest
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1108425 Composed by Scottish Folk Song. Arranged by Richard Simm. Folk,Traditional. Score. 3 pages. Rich...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1108425 Composed by Scottish Folk Song. Arranged by Richard Simm. Folk,Traditional. Score. 3 pages. Richard Simm #711067. Published by Richard Simm (A0.1108425). This beautiful ancient melody is treated with great respect by Scottish bagpipers, who play it only on serious ceremonial occasions, and not for mere entertainment. It marks a terrible defeat at the Battle of Flodden, and the text describes the grief of those left at home to mourn. The Flowers in the title are the slain men, and the accompaniment in this 2-piano arrangement by Richard Simm retains the haunting character of distant bagpipe music. The Piano I part is easy, intended for relative beginners, while the second part is for teachers and more advanced pianists.
$7.95
Ghosts on the Loose - A Halloween Novelty - - two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Halloween
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Paul Hemmer
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Ghosts on the Loose - A Hallow
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PJMS MUSIC
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.798362 Composed by Paul Hemmer. Halloween. Score and parts. 15 pages. PJMS MUSIC #6499257....
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.798362 Composed by Paul Hemmer. Halloween. Score and parts. 15 pages. PJMS MUSIC #6499257. Published by PJMS MUSIC (A0.798362). Ghosts on the Loose for two pianos is a Halloween novelty that is fun to perform and will delight audiences. It is loaded with good musical humor and challenges the performers with abrupt dynamics.
$9.99
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Publ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Gathering Starflowers: A Music Drama for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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Chris Gordon
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Gathering Starflowers: A Music
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Cool Wind Music Digital
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SheetMusicPlus
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool ...
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2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass? 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.
Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass? novel. The music, especially composed by Chris Gordon, is for two pianos.
Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.
Baffled by music bindings? Read this:
https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself.  Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.Â
$20.00
24. L'Hirondelle (The Swallow) 25 Easy and Progressive Studies Opus 100 for 2 pianos Friedrich Burg
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Methodes Etudes
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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24. L'Hirondelle
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Philip Kim
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SheetMusicPlus
Composed by Johann Friedrich Burgmuller (1806-1874). Arranged by Philip Kim. Instructional, Romantic Period. Score and parts. 5 pages. Philip Kim #435...
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Composed by Johann Friedrich Burgmuller (1806-1874). Arranged by Philip Kim. Instructional, Romantic Period. Score and parts. 5 pages. Philip Kim #4355837. Published by Philip Kim
$5.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Waltz of the Flowers - Keyboard Ensemble
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2 Pianos, 4 mains
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Classique
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Peter Ilyich Tchaikovsky
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Christian Bennedsen
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Waltz of the Flowers - Keyboar
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - SKU: A0.766917 Composed by Peter Ilyich Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - SKU: A0.766917 Composed by Peter Ilyich Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 12 pages. Christian Bennedsen #6682447. Published by Christian Bennedsen (A0.766917). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.  Â
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.Â
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharo...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Vltava (Moldau)
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2 Pianos, 4 mains
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AVANCÉ
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Richard Simm
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Richard Simm
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Vltava
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1464123 By Richard Simm. By Bedrich Smetana. Arranged by Richard Simm. 19th Century,Classical,Folk,Multi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1464123 By Richard Simm. By Bedrich Smetana. Arranged by Richard Simm. 19th Century,Classical,Folk,Multicultural,Romantic Period,World. Score. 9 pages. Richard Simm #1042836. Published by Richard Simm (A0.1464123). Smetana struggled hard for recognition in his life as a composer, but in his later years his major contribution to a Czech national style in music was acknowledged. Vltava is a marvellous orchestral depiction of the river that flows through Prague, reflecting the aspect of realism which was part of his romantic inspiration.This 2-piano arrangement by Richard Simm is pianistically advanced in order to retain as much as possible of the original's rich orchestral texture, but the focus is on the beautiful main theme of the work, concluding with Smetana's rather Wagnerian coda. Polished pianists will enjoy taking part in the powerful, surging flow of this descriptive work.
$8.95
Visconti Sforza Tarot Cards, opus 66 ... Il Matto (1996) for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic P...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #32677. Published by Thomas Oboe Lee (A0.869254). When the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 16 Il Diavolo
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #32739. Published by Thomas Oboe Lee (A0.869342). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 20 Il Sole
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.869327 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.869327 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2032505. Published by Thomas Oboe Lee (A0.869327). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
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