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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
MEA
Non classifié
3 176
Piano & claviers
Piano seul
2 702
Piano Facile
642
Piano, Voix et Guitare
621
Piano, Voix
619
Instruments en Do
299
Accompagnement Piano
138
Orgue
122
1 Piano, 4 mains
90
Accordéon
33
Piano Trio: piano, violon, violoncelle
26
2 Pianos, 4 mains
25
Piano grosses notes
24
1 Piano, 6 mains
20
Piano Quatuor: piano, violon, alto, violoncelle
15
Piano (partie séparée)
14
Clavecin
8
2 Pianos, 8 mains
8
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Piano (duo)
5
Clavier
4
Ligne De Mélodie, Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Trompette (duo)
4
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
274
Guitare
188
Ligne De Mélodie, (Paroles) et Accords
139
Paroles et Accords
86
Ukulele
49
Guitare (partie séparée)
37
Basse electrique
28
2 Guitares (duo)
25
Dulcimer
18
Banjo
11
Mandoline
8
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
6
3 Guitares (trio)
3
Ensemble de guitares
2
Guitare, Violon, Violoncelle (trio)
1
Partitions De Groupes
1
Basse électrique (partie séparée)
1
2 Mandolines (duo)
1
Mandoline, Guitare (duo)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
1 114
Chorale 3 parties
311
Chorale TTBB
240
Chorale 2 parties
157
Chorale SSAA
119
Chorale Unison
107
Pack Instrumental pour Chorale
63
Chorale
46
Voix Soprano, Piano
32
Voix duo
28
Voix duo, Piano
27
Voix seule
20
Voix haute
11
Voix Alto, Piano
11
Voix Tenor, Piano
8
Chorale SSAATTBB
7
Chorale SAATB A Cappella
4
Voix basse, Piano
3
Voix Tenor
3
Chorale SSATTB
3
Voix moyenne, Piano
3
Voix Baryton, Piano
3
Voix Mezzo-Soprano, Piano
2
Chorale SSAB a cappella
2
Chorale SSATB
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
Voix d'Enfants
1
Voix Soprano, Orchestre
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
213
Quatuor de Saxophones: 4 saxophones
193
Saxophone (partie séparée)
164
Clarinette et Piano
154
Clarinette
138
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
129
Flûte, Hautbois, Clarinette, Basson
121
Saxophone Alto et Piano
117
Hautbois, Piano (duo)
111
2 Flûtes traversières (duo)
104
Quatuor de Clarinettes: 4 clarinettes
100
Flûte traversière
99
2 Saxophones (duo)
88
Saxophone Tenor et Piano
84
Saxophone Alto
80
2 Clarinettes (duo)
71
Saxophone Soprano et Piano
69
Saxophone Tenor
61
Quintette de Saxophone: 5 saxophones
54
Clarinette (partie séparée)
53
Saxophone Baryton, Piano
53
Ensemble de Clarinettes
47
Quatuor de Flûtes : 4 flûtes
44
Saxophone et Harpe
42
Clarinette, Harpe (duo)
42
Cor anglais, Piano
39
3 Saxophones (trio)
38
Hautbois, Harpe
37
Ensemble de saxophones
35
Flûte et Guitare
31
3 Clarinettes (trio)
29
Clarinette Basse, Piano
29
Ensemble de Flûtes
28
Saxophone
25
Flute (partie séparée)
25
Hautbois (partie séparée)
25
Flûte, Clarinette (duo)
25
Trio de Flûtes: 3 flûtes
22
Saxophone, Clarinette (duo)
22
2 Hautbois (duo)
21
Clarinette, Violon (duo)
19
Quintette de Clarinettes: 5 clarinettes
17
2 Clarinettes, Piano
16
Hautbois, Basson (duo)
14
Hautbois
14
Clarinette, Trompette (duo)
13
Flûte, Violon
13
Saxophone Soprano
12
Hautbois, Clarinette (duo)
11
Flûte, Violon, Piano
11
Flûte, Hautbois, Clarinette (trio)
11
Saxophone Baryton
10
Flûte, Clarinette et Basson
10
Flûte, Saxophone (duo)
10
Clarinette et Alto
9
Flûte à Bec
9
Flûte, Violoncelle
8
Clarinette, Guitare (duo)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Instruments en Mib
7
Flûte, Trompette (duo)
7
Hautbois, Flûte
7
Flûte, Hautbois, Basson
7
Flûte, Alto (duo)
7
Quintette de Flûte : 5 flûtes
6
Quatuor de Flûtes à bec
6
Clarinette, Violoncelle (duo)
6
Flûte, Violon et Violoncelle
5
Clarinette, Basson (duo)
5
Cor Anglais
5
Flûte à bec Soprano
5
Harmonica
5
Flûte à bec Alto
4
Hautbois, Guitare (duo)
4
Flûte, Violoncelle, Piano (trio)
3
Flûte, Basson et Piano
3
Ocarina
3
3 Hautbois
3
5 Flûtes à bec
3
Cor anglais, Guitare (duo)
3
Hautbois, Violoncelle
3
Flûte à bec Soprano, Piano
2
Saxophone et Guitare
2
Clarinette, Orgue
2
Flûte et Trio à cordes
2
Piccolo
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte à bec Tenor
2
Flute, harpe et violon
2
Piccolo, Piano
2
Flûte à bec Alto, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Trombone (duo)
1
Saxophone, Basson (duo)
1
Flûte, Alto et Piano
1
Clarinette, Basson, Piano (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois (duo)
1
Saxophone et violoncelle
1
Flûte, Alto et Violoncelle
1
2 Cors Anglais Et Pianoforte
1
2 Clarinettes, Basson
1
Flûte, Trombone (duo)
1
2 Flûte à bec (duo)
1
Clarinette Basse
1
2 Flûtes traversières, Piano
1
Saxophone et Orgue
1
Flûte à Bec, Piano
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Tuba
1
+ 106 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
266
Trompette
164
Trombone (partie séparée)
133
Trompette (partie séparée)
111
Trompette, Piano
93
Quatuor de Cuivres : 2 trompettes, trombone, tuba
91
Trombone et Piano
74
Cor et Piano
74
Trombone
67
Cor
58
Cor et Harpe
50
Euphonium, Piano (duo)
47
Quatuor de Cuivres: 2 trompettes, Cor, trombone
44
Cor anglais, Piano
39
2 Trompettes (duo)
39
Trompette, Harpe
36
Quatuor de Cuivres
35
Tuba et Piano
33
Tuba (partie séparée)
30
2 Trombones (duo)
24
Cor (partie séparée)
23
Tuba
21
2 Cors (duo)
20
Quatuor de cuivres: 4 trombones
17
Ensemble de Trombones
17
Trompette, Saxophone (duo)
15
Trompette, Trombone (duo)
15
Quatuor de cuivres: 4 cors
11
Bass Clef Instruments
8
2 Tubas (duo)
7
Instruments en Sib
7
Cornet A Pistons
7
3 Trombones (trio)
6
Ensemble de Cors
6
Cor Anglais
5
2 Euphoniums et 2 Tubas
4
Trombone basse
4
Euphonium
4
Ensemble de Trompettes
4
Trio de Cuivres
4
2 Euphoniums (duo)
3
Cor anglais, Guitare (duo)
3
Euphonium, Tuba (duo)
3
3 Trompettes (trio)
2
Trompette, Tuba (duo)
2
Tuba et Orgue
2
4 Tubas
2
Tuba ou Euphonium ou Saxhorn
2
Cor, Violoncelle (duo)
1
Trompette, Cor (duo)
1
Clarinette, Cor (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone et orchestre
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
Quatuor de cuivres: 4 trompettes
1
Instruments en Fa
1
Trompette, Trombone, Piano
1
3 Euphoniums
1
+ 55 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
481
2 Harpes (duo)
332
Violon et Piano
236
Harpe
233
Violon
203
Violoncelle, Piano
152
Violoncelle
123
Alto, Piano
118
Trio à Cordes: violon, alto, violoncelle
94
Harpe, Violon (duo)
72
Violon, Violoncelle (duo)
71
Alto seul
65
Harpe, Violoncelle (duo)
60
2 Violons (duo)
57
Harpe, Flûte (duo)
55
2 Violoncelles (duo)
47
Contrebasse (partie séparée)
44
Violon (partie séparée)
40
Violon, Alto (duo)
39
Alto et Harpe
38
Trio à Cordes: 2 violons, violoncelle
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Altos (duo)
23
Alto (partie séparée)
19
Contre Basse
17
Contrebasse, Piano (duo)
15
4 Violoncelles
12
Alto, Violoncelle (duo)
12
Harpe, Trombone (duo)
11
Violoncelle (partie séparée)
10
Trio à Cordes: 3 violoncelles
9
Violoncelle , Guitare (duo)
9
Trio à cordes: 3 violins
7
Violon, Guitare (duo)
5
Alto, Guitare (duo)
4
Harpe et Piano
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Voix
3
2 Contrebasses (duo)
3
Ensemble de Violons
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble d'Altos
3
Violon, Basson (duo)
2
Harpe et mandoline
2
Trio à cordes: 3 altos
2
Ensemble de Violoncelles
2
Alto et Basson
1
Trio à cordes
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 087
Cloches
585
Orchestre
258
Orchestre à Cordes
250
Ensemble Jazz
227
Ensemble de cuivres
185
Fanfare
88
Orchestre de chambre
62
Jazz combo
48
Batterie
45
Ensemble de Percussions
33
Batterie (partie séparée)
24
Percussion (partie séparée)
23
Marimba
17
Vibraphone
11
Percussion
11
Timbales (partie séparée)
5
2 Xylophones
4
Xylophone
3
Quintette de Cuivres: autres combinaisons
3
Xylophone, Piano
3
Instrumentation Flexible
2
2 Marimbas
1
Timbales
1
Quintette à Vent
1
Bodhran
1
Piano et Orchestre
1
+ 22 instrumentations
Retracter
Autres
Formation musicale - Solfège
72
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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THANKSGIVING
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Vous avez sélectionné:
MEA
2 Pianos, 4 mains
Partitions à imprimer
25 partitions trouvées
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1
Minuet (J P Rameau) - 2 pianos, 4 hands by Simon Peberdy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757074 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757074 Composed by Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 5 pages. Simon Peberdy #4321405. Published by Simon Peberdy (A0.757074). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.83 €
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2 Pianos, 4 mains
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Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet
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Simon Peberdy
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SheetMusicPlus
In the Hall of the Mountain King Piano Duet
2 Pianos, 4 mains
Composed by Edvard Grieg (1843-1907). Arranged by Michelle Ayler. Romantic Period, Reperto…
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Composed by Edvard Grieg (1843-1907). Arranged by Michelle Ayler. Romantic Period, Repertoire, Recital. Score, Set of Parts, Sheet Music Single. 9 pages. Published by MEA Music (S0.323741). - Score,Set of Parts,Sheet Music Single - Romantic Period,Repertoire,Recital - MEA Music
$4.85
4.47 €
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2 Pianos, 4 mains
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Edvard Grieg
#
Michelle Ayler
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In the Hall of the Mountain King Piano Duet
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MEA Music
#
SheetMusicPlus
Mean
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.796619 By Taylor S…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.796619 By Taylor Swift. By Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 23 pages. DR GARY D BELSHAW #3062971. Published by DR GARY D BELSHAW (A0.796619). A Pop! Seriously! arrangement from Gary D. Belshaw Music. Price includes 2 copies of the score! Duration: about four and one-half minutes. As simple as may seem, this hit from Taylor Swift's 2010 album, Speak Now, makes for some awesome art music interaction among the four hands! Infused with energy, this is arranged with serious piano artistry in mind. The collaboration required for performing this is great preparation for students whose goals include the concerto repertoire. This will rapidly become a favorite for advanced intermediate students. Make the most of the contrasting dynamics, articulations, and phrasing. Write a review of this music here in Sheet Music Plus online. Follow us on Facebook and Twitter. Your reviews, views, opinions, experiences, and comments are always welcome and appreciated. Go ahead; you can tell me anything!
$7.99
7.37 €
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2 Pianos, 4 mains
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Taylor Swift
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Gary D
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you can tell me anything!
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Mean
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DR GARY D BELSHAW
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SheetMusicPlus
Just Like A Rainbow (Duo)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.768341 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.768341 Composed by & Frank Magine, Arthur Sizemore, and Mary Earl. Arranged by Michelle Ayler. Broadway,Jazz,Musical/Show,Pop,Traditional. Score. 7 pages. MEA Music #3458455. Published by MEA Music (A0.768341). Early Advanced Piano Duo. Score and all Parts Included.2018 Keyboard Contest Entry
$6.65
6.13 €
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2 Pianos, 4 mains
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& Frank Magine, Arthur Sizemore, and Mary Earl
#
Michelle Ayler
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Just Like A Rainbow
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MEA Music
#
SheetMusicPlus
Rockin' Rainbow Piano Duo (Over The Rainbow from The Wizard Of Oz)
2 Pianos, 4 mains
2 Pianos 4 Hands - Advanced Intermediate - Digital Download By Judy Garland. Arranged…
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2 Pianos 4 Hands - Advanced Intermediate - Digital Download By Judy Garland. Arranged by Michelle Ayler. Score, Set of Parts, Sheet Music Single. 28 pages. Published by MEA Musi
$6.99
6.44 €
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2 Pianos, 4 mains
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Judy Garland
#
Michelle Ayler
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Rockin' Rainbow Piano Duo
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MEA Musi
#
SheetMusicPlus
Between the Lakes - Piano duo (2 pianos, 4 hands)
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.905084
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebekah Barker #4293569. Published by Rebekah Barker (A0.905084). Between the Lakes is a piano duo perfect for advanced intermediate pianists. The song starts out in G flat major and transitions to G major. The tempo is 80 mm, but the performers should play with rubato as they feel necessary. SIDE NOTE: The title of the song does not mean what you might think. Rather the song was titled after living in Interlagos, São Paulo, Brazil, where I was originally inspired with the creation of the piece. (Interlagos in Portuguese means between the lakes.).
$8.99
8.29 €
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2 Pianos, 4 mains
#
Rebekah Barker
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Between the Lakes - Piano duo
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Rebekah Barker
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
La Guachinanga - Rumba (MexicanDance) - two-piano duo
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.968725 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.968725 Composed by Chester Wittell. Arranged by Cedric Elmer, ASCAP. 20th Century,Jazz,Standards. Score. 9 pages. Cedric N Elmer #4849181. Published by Cedric N Elmer (A0.968725). A two-piano duo for advanced pianists performed in a Tempo do Rumba style. Note the DC al coda at measure 86 that repeats from the beginning to measure 35 and to Coda. Note the fermata that gives the performers time to prepare for fast and fortissimo ending.
$7.99
7.37 €
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2 Pianos, 4 mains
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Chester Wittell
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Cedric Elmer, ASCAP
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La Guachinanga - Rumba
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Cedric N Elmer
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SheetMusicPlus
French Ballet Class
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1120657 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1120657 Composed by George Gershwin. Arranged by Daryl McKenzie. 20th Century,Film/TV. Score. 14 pages. Daryl McKenzie #721905. Published by Daryl McKenzie (A0.1120657). Arranged as a Piano Duet. Duration 1:06 French Ballet Class is a six-minute piece written by George Gershwin in 1937 for two pianos for the movie Shall We Dance. This sequence was meant to accompany a scene of dozens of ballet dancers practicing their positions. It is written in the style of the galop. Only two minutes of this music was used in the final film. This arrangement is just over 1 minute long. Same arrangement for single Piano and String Orchestra available.: https://bit.ly/3MKmYbo More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$19.99
18.43 €
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2 Pianos, 4 mains
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George Gershwin
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Daryl McKenzie
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French Ballet Class
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Daryl McKenzie
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SheetMusicPlus
Carol of the Bells Easy Piano Duet
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.781261 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.781261 Composed by Mykola Leontovych. Arranged by Harry Haden-Brown. Christian,Christmas,Classical,Film/TV,Pop. Score. 3 pages. Harry Haden-Brown #3916679. Published by Harry Haden-Brown (A0.781261). A simple piano duet of the popular Christmas Carol - Carol of the Bells as featured in many movies including Home Alone.The Primo part is meant for Beginning or intermediate student to learn in minimal time. The secondo part, whilst still simple, is a bit more difficult and could be played by a teacher. An intermediate student could also play the Secondo part. .
$4.99
4.6 €
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2 Pianos, 4 mains
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Mykola Leontovych
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Harry Haden-Brown
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Carol of the Bells Easy Piano Duet
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Harry Haden-Brown
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.38 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.22 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
9.17 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
F. CHOPIN CANON F minor completed and - two pianos by Helios D'Andrea
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.981553
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.981553 Composed by Frederic Chopin. Arranged by Helios D'Andrea. Romantic Period. Score and parts. 10 pages. D'Andrea Helios #6603303. Published by D'Andrea Helios (A0.981553). This original Canon unifinished has been completed and transcribed for two pianos taking care to keep the original Chopin's writing of 14 measures.
$10.00
9.22 €
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2 Pianos, 4 mains
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Frederic Chopin
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Helios D'Andrea
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F. CHOPIN CANON F minor completed and - two pianos by Helios D'Andrea
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D'Andrea Helios
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SheetMusicPlus
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
2 Pianos, 4 mains
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Var…
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2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.<br> This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.<br> This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.<br> Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.<br> <br> Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY<br> Schumann - Stückchen<br> W A Mozart - Menuett<br> Tschaikowsky - Old French song<br> G F Handel - Sarabande<br> Haydn - German Dance<br> <br> Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w<br> Haydn - Shepherd's Song<br> Mozart - Air from a String Quartet<br> Handel - Sonatina in B flat<br> Rathgeber - Vivace in A<br> Hook - Pastorale<br> <br> Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y<br> W.A. Mozart - Minuet in F (K5)<br> Hook - Tempo di Minuetto<br> J.S. Bach - Gavotte en Rondeau<br> Gurlitt - Wild Mignonette<br> W.F. Bach - Menuett<br> <br> Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI<br> Hook - Air<br> Müller - Study in A minor<br> Purcell - Round O'<br> Couperin - Gavotte<br> Rameau - Minuet<br> <br> Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q<br> J.S. Bach - Minuet in G (I)<br> J.S. Bach - Minuet in G minor<br> J.S. Bach - Minuet in G (II)<br> J.S. Bach - Minuet in A minor<br> J.S. Bach - Minuet in D minor<br> Arranged for 2 pianos, 4 hands by Simon Peberdy.<br> <br> The pieces are also available individually from www.simonpeberdymusic.com<br> <br> If you print out everything, there are 70 pages.<br> <br> The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.comHave fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.<br> This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.<br> This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.<br> Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.<br> <br> Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY<br> Schumann - Stückchen<br> W A Mozart - Menuett<br> Tschaikowsky - Old French song<br> G F Handel - Sarabande<br> Haydn - German Dance<br> <br> Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w<br> Haydn - Shepherd's Song<br> Mozart - Air from a String Quartet<br> Handel - Sonatina in B flat<br> Rathgeber - Vivace in A<br> Hook - Pastorale<br> <br> Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y<br> W.A. Mozart - Minuet in F (K5)<br> Hook - Tempo di Minuetto<br> J.S. Bach - Gavotte en Rondeau<br> Gurlitt - Wild Mignonette<br> W.F. Bach - Menuett<br> <br> Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI<br> Hook - Air<br> Müller - Study in A minor<br> Purcell - Round O'<br> Couperin - Gavotte<br> Rameau - Minuet<br> <br> Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q<br> J.S. Bach - Minuet in G (I)<br> J.S. Bach - Minuet in G minor<br> J.S. Bach - Minuet in G (II)<br> J.S. Bach - Minuet in A minor<br> J.S. Bach - Minuet in D minor<br> Arranged for 2 pianos, 4 hands by Simon Peberdy.<br> <br> The pieces are also available individually from www.simonpeberdymusic.com<br> <br> If you print out everything, there are 70 pages.<br> <br> The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
18.43 €
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2 Pianos, 4 mains
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Piano II: Various, Piano I: Simon Peberdy
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Simon Peberdy
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5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
2 Pianos, 4 mains
Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christma…
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Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Published by Simon Peberdy
Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.
$24.99
23.04 €
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2 Pianos, 4 mains
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Various, traditional carol melodies
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Simon Peberdy
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Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
You're A Mean One, Mr. Grinch
2 Pianos, 4 mains
By Albert Hague. Arranged by Christopher Hodges. Score. 5 pages. Published by Christopher …
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By Albert Hague. Arranged by Christopher Hodges. Score. 5 pages. Published by Christopher Hodges (H0.171451-216843). - Score - - Christopher Hodges
$5.99
5.52 €
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2 Pianos, 4 mains
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Albert Hague
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Christopher Hodges
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You're A Mean One, Mr. Grinch
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Christopher Hodges
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SheetMusicPlus
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