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PIANO & CLAVIERS
Piano seul
6768
1 Piano, 4 mains
6392
Piano grosses notes
3348
Piano, Voix
2236
Orgue
1739
Piano Facile
1276
2 Pianos, 4 mains
877
Piano, Voix et Guitare
432
Instruments en Do
208
1 Piano, 6 mains
207
2 Pianos, 8 mains
89
Accordéon
70
Clavier
59
Piano Trio: piano, violon, violoncelle
56
Accompagnement Piano
23
Piano Quatuor: piano, violon, alto, violoncelle
17
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano (partie séparée)
9
Ligne De Mélodie, Piano
5
Accordéon, Piano
4
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Accordéons
2
Orgue, Piano (duo)
1
Clavecin
1
Ensemble d'Accordéons
1
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GUITARES
Guitare
716
Guitare notes et tablatures
639
Ligne De Mélodie, (Paroles) et Accords
128
2 Guitares (duo)
83
Ukulele
68
Basse electrique
45
Paroles et Accords
28
Piano, Guitare (duo)
25
4 Guitares (Quatuor)
17
Ensemble de guitares
13
Banjo
13
Guitare (partie séparée)
11
3 Guitares (trio)
11
Mandoline
8
Dulcimer
8
2 Ukuleles
2
Ukulele Baryton
2
Guitare Tab, Voix, Basse, Batterie
1
Basse électrique (partie séparée)
1
Ensemble de Ukulélés
1
Orchestre à Plectres
1
Guitare, Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
941
Chorale 3 parties
281
Chorale TTBB
149
Chorale Unison
116
Voix Soprano, Piano
107
Chorale SSAA
103
Chorale 2 parties
98
Voix Tenor, Piano
92
Voix Baryton, Piano
81
Voix basse, Piano
66
Voix haute, Piano
50
Voix moyenne, Piano
41
Voix Mezzo-Soprano, Piano
36
Voix Alto, Piano
30
Voix duo, Piano
30
Pack Instrumental pour Chorale
28
Voix seule
23
Voix haute
19
Voix duo
14
Chorale
11
Chorale SSAATTBB
5
Voix basse
3
Voix, Guitare
3
Voix duo, Orgue
2
Chorale SSATB
2
Chorale SSATTB
2
Male Voice
1
Chorale SATBB
1
Soli, choeur mixte et accompagnement
1
Chorale SATTBB A Cappella
1
Voix Tenor
1
Voix Baryton
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
564
Clarinette et Piano
480
Clarinette
479
Flûte traversière
417
2 Saxophones (duo)
344
Quatuor de Saxophones: 4 saxophones
339
Hautbois, Piano (duo)
283
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
281
Saxophone Alto et Piano
236
Quatuor de Clarinettes: 4 clarinettes
208
Saxophone (partie séparée)
208
Saxophone Alto
199
2 Flûtes traversières (duo)
193
Flûte, Hautbois, Clarinette, Basson
190
2 Clarinettes (duo)
178
Quintette de Saxophone: 5 saxophones
172
Saxophone
157
Saxophone Tenor et Piano
152
Hautbois (partie séparée)
138
Saxophone Tenor
134
Saxophone Soprano et Piano
132
3 Saxophones (trio)
100
Quatuor de Flûtes : 4 flûtes
97
Saxophone Baryton, Piano
97
Hautbois
81
Ensemble de Clarinettes
80
Clarinette (partie séparée)
79
Ensemble de saxophones
73
2 Hautbois (duo)
72
2 Flûte à bec (duo)
68
Flûte, Clarinette (duo)
64
Saxophone, Clarinette (duo)
59
Flûte à Bec
59
Cor anglais, Piano
56
Quintette de Clarinettes: 5 clarinettes
55
Quatuor de Flûtes à bec
49
3 Clarinettes (trio)
49
Ensemble de Flûtes
47
Flûte et Guitare
45
Flute (partie séparée)
44
Saxophone Soprano
44
Hautbois, Basson (duo)
44
Flûte à bec Soprano
42
Clarinette Basse, Piano
41
Clarinette, Violon (duo)
37
Clarinette, Trompette (duo)
35
Flûte à bec Soprano, Piano
35
Hautbois, Clarinette (duo)
35
Flûte à bec Alto
35
Trio de Flûtes: 3 flûtes
31
Quintette de Flûte : 5 flûtes
27
Saxophone Baryton
27
Ensemble De Flûte à bec
27
Flûte, Violon
22
Hautbois, Flûte
22
Flûte, Alto (duo)
20
Flûte, Saxophone (duo)
19
Flûte à bec Alto, Basse continue
18
Flûte à bec Tenor
17
Flûte à bec Alto, Piano
17
Clarinette et Alto
17
Flûte, Trompette (duo)
16
Hautbois, Clarinette, Basson (trio d'anches)
16
Clarinette, Guitare (duo)
16
Cor Anglais
16
Flûte, Hautbois, Clarinette (trio)
16
Clarinette, Basson (duo)
16
Hautbois, Guitare (duo)
15
5 Flûtes à bec
15
Flûte, Violon, Piano
15
Flûte, Hautbois (duo)
14
Hautbois, Violoncelle
14
Clarinette, Violoncelle (duo)
13
Flûte, Hautbois, Basson
12
Flûte, Violoncelle
10
Piccolo
10
Ocarina
9
Flûte, Clarinette et Basson
8
Flûte, Hautbois, Piano (trio)
7
Instruments en Mib
7
3 Flûtes à bec (trio)
6
Harmonica
6
Saxophone et Guitare
6
Flûte traversière, Orgue (duo)
5
Piccolo, Piano
5
2 Clarinettes, Piano
4
Saxophone et Harpe
4
Saxophone et Orgue
4
Flûte, Violon et Violoncelle
4
Flûte, Trombone (duo)
3
Flûte à Bec, Piano
3
Clarinette, Trombone (duo)
3
Hautbois, violon (duo)
3
Flûte, Clarinette, Piano (trio)
2
Clarinette, Harpe (duo)
2
Clarinette Basse
2
Hautbois, Clarinette, Basson et Piano
2
Flûte, Tuba (duo)
2
2 Saxophones, Piano
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte, Basson et Piano
2
Hautbois, trombone (duo)
2
Clarinette, Basson, Piano (trio)
2
Hautbois, Basson et Piano
2
Hautbois et alto (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte traversière, Basse continue
2
Clarinette, Violoncelle, Piano (trio)
2
2 Clarinettes, Basson
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes traversières, Piano
1
Clarinette, Contrebasse (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Hautbois, Violoncelle et Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec, Guitare (duo)
1
3 Hautbois
1
Flûte, Alto et Piano
1
4 Hautbois
1
Hautbois, Harpe
1
Clarinette, Tuba
1
Cor anglais et Harpe (duo)
1
Flûte et Trio à cordes
1
Clarinette, Orgue
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Trompette (duo)
1
Flute, harpe et violon
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
449
Trompette, Piano
300
Trompette
294
Trombone et Piano
248
Cor et Piano
245
Trombone
222
Cor
199
Tuba
178
Quatuor de Cuivres : 2 trompettes, trombone, tuba
158
Tuba et Piano
134
2 Trombones (duo)
99
Trompette (partie séparée)
97
2 Trompettes (duo)
90
Trombone (partie séparée)
68
Trompette, Trombone (duo)
67
2 Cors (duo)
62
Cor anglais, Piano
56
Quatuor de Cuivres
53
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Cor (partie séparée)
44
Euphonium, Piano (duo)
42
Trompette, Saxophone (duo)
38
Quatuor de cuivres: 4 cors
35
Euphonium
35
Quatuor de cuivres: 4 trombones
29
Ensemble de Trompettes
28
Tuba (partie séparée)
27
Ensemble de Trombones
27
Ensemble de Cors
27
Quatuor de cuivres: 4 trompettes
25
2 Tubas (duo)
23
Trompette, Cor (duo)
21
Cor Anglais
16
3 Trombones (trio)
15
Tuba et Orgue
15
Trombone, Cor (duo)
15
4 Tubas
14
3 Tubas (trio)
10
Trio de Cuivres
9
Trombone basse et Piano
9
2 Euphoniums (duo)
8
Trombone basse
8
Instruments en Sib
8
2 Euphoniums et 2 Tubas
7
Euphonium, Tuba (duo)
7
3 Trompettes (trio)
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Cor, Violoncelle (duo)
6
Bass Clef Instruments
5
3 Cors (trio)
4
Trompette, violon (duo)
3
Instruments en Fa
3
Cor, Tuba (duo)
3
Trompette et Guitare
3
Trompette, Orchestre
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor et Harpe
2
Trompette, Basson (duo)
2
Trompette, Harpe
2
Trompette, Violoncelle (duo)
2
Trombone, Violon (duo)
1
Cor et Basson (duo)
1
Trombone, Orgue
1
Trompette, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1065
Violon et Piano
747
Violon
528
Violoncelle, Piano
527
Alto, Piano
356
Violoncelle
331
Violon, Violoncelle (duo)
277
Alto seul
216
2 Violons (duo)
203
Trio à Cordes: violon, alto, violoncelle
159
Contrebasse, Piano (duo)
140
Contre Basse
136
2 Violoncelles (duo)
135
Harpe
123
Trio à Cordes: 2 violons, violoncelle
116
Quintette à cordes: 2 violons, alto, violoncelle, basse
113
Violon, Alto (duo)
98
2 Altos (duo)
97
Violon (partie séparée)
88
Alto (partie séparée)
60
Alto, Violoncelle (duo)
52
Contrebasse (partie séparée)
34
4 Violoncelles
31
Violon, Guitare (duo)
30
Trio à cordes: 3 violins
29
Quatuor à cordes : 4 altos
23
Violoncelle (partie séparée)
22
Quatuor à cordes: 4 violons
22
Violon, Basse continue
21
Trio à Cordes: 3 violoncelles
20
Trio à cordes: 3 altos
18
Violoncelle , Guitare (duo)
16
2 Harpes (duo)
16
2 Contrebasses (duo)
13
Alto, Guitare (duo)
13
Violon, Basson (duo)
8
Harpe, Flûte (duo)
8
Alto et Basson
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Piano Trio: Violon, Alto, Piano
7
Harpe, Violon (duo)
6
Ensemble de Violons
6
Trio à Cordes: 2 violons, alto
6
Ensemble d'Altos
5
Harpe et Piano
3
Flûte, Contrebasse (duo)
2
Harpe et mandoline
2
Ensemble de Violoncelles
2
Alto et Harpe
2
Trio à cordes
2
4 Contrebasses
1
Violon, Tuba (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Violons, Piano
1
Harpe, Violoncelle (duo)
1
Harpe, Violon, Violoncelle
1
Violoncelle, Basse continue
1
2 Violons et Basse continue
1
Violoncelle, Orchestre
1
Harpe, Quatuor à cordes
1
Alto, Orgue
1
Autoharp
1
Harpe, Trombone (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1814
Orchestre à Cordes
471
Orchestre
444
Fanfare
220
Ensemble Jazz
174
Ensemble de cuivres
167
Orchestre de chambre
83
Percussion (partie séparée)
69
Cloches
63
Jazz combo
35
Batterie
29
Ensemble de Percussions
23
Xylophone, Piano
22
Timbales (partie séparée)
14
Vibraphone
12
Xylophone
11
Percussion
10
Marimba
9
Batterie (partie séparée)
8
2 Xylophones
4
Vibraphone et Marimba
2
Quintette à Vent
2
2 Marimbas
1
3 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Bongos
1
Piano et Orchestre
1
Orchestre Symphonique
1
Vibraphone (partie séparée)
1
Caisse Claire
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
3
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Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30 €
#
2 Pianos, 4 mains
#
achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois Études for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Germaine Tailleferre : "Il était un Petit Navire" Suite for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155034 By Gold an…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155034 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Opera. Score. 36 pages. Musik Fabrik Music Publishing #755315. Published by Musik Fabrik Music Publishing (A0.1155034). Written for Gold and Fizdale during their 1948 visit to Tailleferre home in Grasse, France. This work is four selections from Tailleferre's comic opera.
$32.95
30 €
#
2 Pianos, 4 mains
#
Gold and Fizdale
#
Germaine Tailleferre : "Il était un Petit Navire" Suite for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Germaine Tailleferre : La Nouvelle Cythère
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155003 Composed b…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155003 Composed by Germaine Tailleferre. 20th Century,Chamber. Score. 88 pages. Musik Fabrik Music Publishing #755283. Published by Musik Fabrik Music Publishing (A0.1155003). Tailleferre's complete 2-piano version for her 1929 commission for the Ballets Russes, never produced due to Diaghilev's untimely death.
$59.95
54.59 €
#
2 Pianos, 4 mains
#
Germaine Tailleferre
#
Germaine Tailleferre : La Nouvelle Cythère
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Germaine Tailleferre : Choral et Variations for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155043 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155043 Composed by Germaine Tailleferre. 20th Century,Chamber. Score. 45 pages. Musik Fabrik Music Publishing #755324. Published by Musik Fabrik Music Publishing (A0.1155043). Tailleferre's only work in the form of variations, written near the end of her life as part of a French State commission. The work is in the form of a suite which uses themes from all periods of Tailleferre's life. There is also a version for orchestra, whose score is available for sale on this site.
$51.95
47.3 €
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2 Pianos, 4 mains
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Germaine Tailleferre
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Germaine Tailleferre : Choral et Variations for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Germaine Tailleferre : Paris-Magie for two pianos
2 Pianos, 4 mains
By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber. Score. 71 pages.…
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By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber. Score. 71 pages. Musik Fabrik Music Publishing #755304. Published by Musik Fabrik Music Publishing
$59.95
54.59 €
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2 Pianos, 4 mains
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Gold and Fizdale
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Germaine Tailleferre : Paris-Magie for two pianos
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SheetMusicPlus
North By Northwest (Main Title)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1429414 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1429414 Composed by Bernard Herrmann. Arranged by Christopher Norby. 20th Century,Film/TV,Thriller. Score. 14 pages. Christopher Norby #1010116. Published by Christopher Norby (A0.1429414). Exciting Two Piano Arrangement of Bernard Herrmann's Main Title from Alfred Hitchcock's North by North West.
$4.99
4.54 €
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2 Pianos, 4 mains
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Bernard Herrmann
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Christopher Norby
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North By Northwest
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Christopher Norby
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SheetMusicPlus
Germaine Tailleferre: Toccata for two pianos
2 Pianos, 4 mains
Composed by Germaine Tailleferre (1892-1983). 20th Century, Modern, Repertoire, Recital. S…
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Composed by Germaine Tailleferre (1892-1983). 20th Century, Modern, Repertoire, Recital. Score. 13 pages. Published by Musik Fabrik (S0.184803). - Score - 20th Century,Modern,Repertoire,Recital - Musik Fabrik
$23.95
21.81 €
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2 Pianos, 4 mains
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Germaine Tailleferre
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Germaine Tailleferre: Toccata for two pianos
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Musik Fabrik
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SheetMusicPlus
Germaine Tailleferre Sonata for two pianos
2 Pianos, 4 mains
Composed by Germaine Tailleferre (1892-1983). For Piano Duet. 20th Century, Repertoire. Ad…
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Composed by Germaine Tailleferre (1892-1983). For Piano Duet. 20th Century, Repertoire. Advanced Intermediate. Score. Musik Fabrik #mfgt009. Published by Musik Fabrik
$24.95
22.72 €
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2 Pianos, 4 mains
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Germaine Tailleferre
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Germaine Tailleferre Sonata for two pianos
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Musik Fabrik
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SheetMusicPlus
Cumbia Op.22
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander…
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander Klein. Contemporary,Jazz,Latin,World. Score. 19 pages. Alexander Klein #2076019. Published by Alexander Klein (A0.987687). Cumbia is yet another of my musical homages to the rhythms and sounds of Colombia. This lively, syncopated musical expression was partly imported to Colombia from Africa during the slave trade back in the 16th, 17th and 18th centuries. Since the Atlantic coast of Colombia was the main port of this trade, the area also became the cradle of Cumbia and many other African-influenced genres. My work explores the main rhythmical patterns of the Cumbia, as well as its modal-type melodies. However, I have also mixed it with jazz-influenced harmonies and salsa-flavored rhythms to reflect my own bi-cultural upbringing. All in all, I like to consider my Cumbia as a homage to the rich, lively and irresistible music of African-American cultures. - Alexander Klein.
$6.00
5.46 €
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2 Pianos, 4 mains
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Alexander Klein
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Cumbia Op.22
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Alexander Klein
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SheetMusicPlus
Vltava (Moldau)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1464123 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1464123 By Richard Simm. By Bedrich Smetana. Arranged by Richard Simm. 19th Century,Classical,Folk,Multicultural,Romantic Period,World. Score. 9 pages. Richard Simm #1042836. Published by Richard Simm (A0.1464123). Smetana struggled hard for recognition in his life as a composer, but in his later years his major contribution to a Czech national style in music was acknowledged. Vltava is a marvellous orchestral depiction of the river that flows through Prague, reflecting the aspect of realism which was part of his romantic inspiration.This 2-piano arrangement by Richard Simm is pianistically advanced in order to retain as much as possible of the original's rich orchestral texture, but the focus is on the beautiful main theme of the work, concluding with Smetana's rather Wagnerian coda. Polished pianists will enjoy taking part in the powerful, surging flow of this descriptive work.
$8.95
8.15 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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Vltava
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Richard Simm
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SheetMusicPlus
Ode to Joy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1121501 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1121501 Composed by Ludwig van Beethoven. Arranged by Art.o Artaud. 19th Century,Children,Classical,Film/TV,Instructional. Score. 2 pages. Art.o Artaud #722678. Published by Art.o Artaud (A0.1121501). Arrangement for two EASY level pianos of the main theme of Ludwig van Beethoven’s 9th Symphony 4th movement, student/teacher duet, transposed for white keys only.
$1.99
1.81 €
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2 Pianos, 4 mains
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Ludwig van Beethoven
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Art
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Ode to Joy
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Art.o Artaud
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SheetMusicPlus
Twinkle Twinkle Little Star
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1121506 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1121506 Composed by Anonymous. Arranged by Art.o Artaud. Children,Classical,Early Music,Instructional,Traditional. Score. 1 pages. Art.o Artaud #722683. Published by Art.o Artaud (A0.1121506). Arrangement for two EASY level pianos of the main theme of the English lullaby Twinkle, twinkle, little star, student/teacher duet.
$1.99
1.81 €
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2 Pianos, 4 mains
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Anonymous
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Art
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Twinkle Twinkle Little Star
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Art.o Artaud
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SheetMusicPlus
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
9.06 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
The Rakes of Mallow
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
7.24 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
Ode to Joy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1121500 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1121500 Composed by Ludwig van Beethoven. Arranged by Art.o Artaud. 19th Century,Children,Classical,Film/TV,Instructional. Score. 2 pages. Art.o Artaud #722677. Published by Art.o Artaud (A0.1121500). Arrangement for two EASY level pianos of the main theme of Ludwig van Beethoven’s 9th Symphony 4th movement, student/teacher duet, original key.
$1.99
1.81 €
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2 Pianos, 4 mains
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Ludwig van Beethoven
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Art
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Ode to Joy
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Art.o Artaud
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SheetMusicPlus
Nocturne for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1497521 By Gold an…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1497521 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Classical,Contemporary. Score. 5 pages. Musik Fabrik Music Publishing #1073934. Published by Musik Fabrik Music Publishing (A0.1497521). The manuscript for this Nocturne was found in Tailleferre's personal archives, which are now part of Robert Shapiro's private collection. The work was titled Partita for Two Pianos, but only the manuscript for the Nocturne was found. It appears that Tailleferre intended to adapt her Partita for Solo Piano for a piano duo for her friends Gold and Fizdale. It is likely that Gold and Fizdale arranged for the publication of two works (the Partita for Solo Piano and the serial Solo Clarinet Sonata) during the 1960s with the firm Rongwen Music, which was later acquired by Broude Brothers Limited. Thanks are due to Ronald Broude for authorizing the publication of this work.
$12.95
11.79 €
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2 Pianos, 4 mains
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Gold and Fizdale
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Nocturne for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Gwyn, Lord of Cinder
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1461609 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1461609 Composed by Yuka Kitamura. Arranged by Jefferson Sequeira. 21st Century,Film/TV,Medieval,Video Game. Score. 9 pages. Jeff Sequeira #1040353. Published by Jeff Sequeira (A0.1461609). Immerse yourself in the majesty and intensity of this iconic musical piece from the original Dark Souls game. This two-piano arrangement captures all the grandeur and drama of battling the Lords of Cinder, transporting you directly to the dark and immersive landscapes of Lordran.Meticulously designed for pianists and game enthusiasts alike, this arrangement showcases both the technical skill and emotional depth required to master its performance. From its powerful opening chords to its evocative and moving melodies, each note is carefully chosen to capture the essence of combat against formidable foes.Perfect for live performances, studio recordings, or simply enjoying at home, this two-piano arrangement of Lord of Cinder is a musical masterpiece that transcends the boundaries of classical interpretation and the gaming universe. Prepare to explore and rediscover the emotional intensity and narrative of Dark Souls through this exceptionally powerful and moving interpretation.Discover why Lord of Cinder from the original Dark Souls remains a benchmark in video game music and delve into this unique musical experience that blends the best of classical artistry with gaming culture.
$10.00
9.11 €
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2 Pianos, 4 mains
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Yuka Kitamura
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Jefferson Sequeira
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Gwyn, Lord of Cinder
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Jeff Sequeira
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SheetMusicPlus
Streight Lines
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. Score. 2 pages. Robert A. Howard #6224931. Published by Robert A. Howard (A0.998855). This graphic score composition 'Streight Lines' is deliberately entitled as such (and spelled that way) as a pun on Steve Reich's minimalist classic 'Eight Lines'. The work focuses on various straight lines, superimposed over traditional music staves. These give an implication of pitch, duration, and texture, and perhaps other elements, without being too specific. The score indicates the basic outline of musical contours on staves (thus always implying certain pitches). However, many elements, such as dynamics, and exact pitches and durations, are left for the performer to determine. The work remains accessible for the listener and is appropriate for most standards of pianist, including students and professionals.Variable durationRegistered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
2.27 €
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2 Pianos, 4 mains
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Robert A
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Streight Lines
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Robert A. Howard
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SheetMusicPlus
Sonata
2 Pianos, 4 mains
Composed by Paul Hindemith (1895-1963). This edition: score. Copyright 1942 Schott M…
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Composed by Paul Hindemith (1895-1963). This edition: score. Copyright 1942 Schott Music GmbH & Co. KG, Mainz, Copyright renewed 1970. Downloadable, score. Duration 16 minutes. Schott Music - Digital #Q2099. Published by Schott Music - Digital
$16.99
15.47 €
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2 Pianos, 4 mains
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Paul Hindemith (1895-1963)
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Co
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Sonata
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Schott Music - Digital
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SheetMusicPlus
Germaine Tailleferre: Intermezzo for two pianos
2 Pianos, 4 mains
Composed by Germaine Tailleferre (1892-1983). 20th Century, Modern, Repertoire, Recital. S…
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Composed by Germaine Tailleferre (1892-1983). 20th Century, Modern, Repertoire, Recital. Score. 15 pages. Published by Musik Fabrik (S0.184807). - Score - 20th Century,Modern,Repertoire,Recital - Musik Fabrik
$23.95
21.81 €
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2 Pianos, 4 mains
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Germaine Tailleferre
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Germaine Tailleferre: Intermezzo for two pianos
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Musik Fabrik
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SheetMusicPlus
Germaine Tailleferre: Fandango for two pianos
2 Pianos, 4 mains
Composed by Germaine Tailleferre (1892-1983). 20th Century, Contemporary Classical, Repert…
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Composed by Germaine Tailleferre (1892-1983). 20th Century, Contemporary Classical, Repertoire, Recital. Score. 8 pages. Published by Musik Fabrik (S0.184817). - Score - 20th Century,Contemporary Classical,Repertoire,Recital - Musik Fabrik
$19.95
18.17 €
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2 Pianos, 4 mains
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Germaine Tailleferre
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Germaine Tailleferre: Fandango for two pianos
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Musik Fabrik
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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