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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
María
Non classifié
14 634
Piano & claviers
Piano seul
8 134
Piano, Voix
3 258
Piano Facile
2 752
Piano, Voix et Guitare
1 544
Orgue
1 314
Instruments en Do
887
1 Piano, 4 mains
219
Accompagnement Piano
183
Piano grosses notes
169
Accordéon
126
Piano Trio: piano, violon, violoncelle
123
Piano (partie séparée)
113
2 Pianos, 4 mains
78
Orgue, Piano (duo)
44
Piano Quatuor: piano, violon, alto, violoncelle
41
Piano Quatuor: piano, 2 violons, violoncelle
34
Clavecin
26
Piano Quintette: piano, 2 violons, alto, violoncelle
20
Orgue, Trompette (duo)
18
1 Piano, 6 mains
8
2 Pianos, 8 mains
5
Clavier
4
Ligne De Mélodie, Piano
3
Orgue, Voix
2
2 Accordéons
2
Accordéon, Voix
1
Fake Book
1
Instrument seul et Orgue
1
+ 23 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 145
Guitare
716
Ligne De Mélodie, (Paroles) et Accords
418
2 Guitares (duo)
273
Basse electrique
203
Ukulele
202
Piano, Guitare (duo)
139
Guitare (partie séparée)
106
Paroles et Accords
106
Dulcimer
81
4 Guitares (Quatuor)
39
Mandoline
38
Banjo
35
Basse électrique (partie séparée)
23
3 Guitares (trio)
17
Ensemble de guitares
10
2 Dulcimers (duo)
7
Ensemble de Ukulélés
5
Mandoline, Piano (duo)
5
Ukulele Baryton
4
Mandoline, Guitare (duo)
4
2 Ukuleles
3
Dobro
2
Guitare, Violon, Violoncelle (trio)
2
Guitare, Quatuor à cordes
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
5 508
Pack Instrumental pour Chorale
2 229
Chorale 3 parties
1 953
Chorale 2 parties
1 396
Chorale TTBB
967
Chorale SSAA
767
Chorale Unison
479
Voix duo, Piano
300
Chorale
189
Voix duo
188
Voix Soprano, Piano
101
Voix Tenor, Piano
74
Voix Alto, Piano
67
Voix seule
58
Voix Baryton, Piano
57
Voix haute
48
Voix moyenne, Piano
31
Voix basse, Piano
21
Chorale SSAATTBB
15
Voix Tenor
13
Voix Soprano
9
Chorale SSATB
8
Voix Mezzo-Soprano, Piano
7
Chorale SSATTB
7
Chorale SSAB a cappella
6
Soli, choeur mixte et accompagnement
4
Voix basse
3
Chorale SAATB A Cappella
3
Male Voice
3
Chorale SSAATB A Cappella
3
Chorale SATTB
2
Voix Soprano, Orchestre
2
Voix duo, Orgue
2
Chorale SATBB
2
Chorale SSAATB
2
Chorale SSATBB
2
Voix Baryton
1
Voix et basse continue
1
Voix, Guitare
1
Voix Moyenne
1
Chorale SSAB, Piano
1
+ 36 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 082
Clarinette et Piano
903
Quatuor de Saxophones: 4 saxophones
875
Saxophone (partie séparée)
747
Hautbois, Piano (duo)
705
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
691
2 Saxophones (duo)
688
Saxophone Alto et Piano
654
Quatuor de Clarinettes: 4 clarinettes
628
Flûte et Guitare
616
Flûte traversière
582
2 Flûtes traversières (duo)
538
Flûte, Hautbois, Clarinette, Basson
501
Clarinette
490
Saxophone Tenor et Piano
484
Saxophone Alto
470
2 Clarinettes (duo)
442
Saxophone Tenor
417
Saxophone Soprano et Piano
328
Quintette de Saxophone: 5 saxophones
295
Quatuor de Flûtes : 4 flûtes
273
Hautbois (partie séparée)
255
Clarinette (partie séparée)
183
Ensemble de Clarinettes
151
Flute (partie séparée)
151
Ensemble de saxophones
148
Ensemble de Flûtes
142
Saxophone Baryton, Piano
141
Flûte, Clarinette (duo)
140
3 Clarinettes (trio)
138
3 Saxophones (trio)
128
Quintette de Clarinettes: 5 clarinettes
106
Saxophone, Clarinette (duo)
98
Clarinette, Violon (duo)
90
Cor anglais, Piano
88
Saxophone
82
Trio de Flûtes: 3 flûtes
80
2 Flûte à bec (duo)
77
2 Hautbois (duo)
76
Quatuor de Flûtes à bec
70
Clarinette Basse, Piano
69
Flûte, Violon
63
Flûte à Bec
61
Hautbois, Clarinette (duo)
59
Quintette de Flûte : 5 flûtes
58
Hautbois
53
Flûte, Hautbois, Clarinette (trio)
51
Clarinette, Trompette (duo)
50
Hautbois, Basson (duo)
49
Flûte à bec Soprano
45
Saxophone Soprano
45
Cornemuse
38
Flûte à bec Alto
37
Ensemble De Flûte à bec
36
Clarinette et Alto
35
Flûte, Violon, Piano
33
Flûte, Saxophone (duo)
32
Hautbois, Clarinette, Basson (trio d'anches)
32
Flûte, Trompette (duo)
31
Clarinette, Basson (duo)
30
Harmonica
30
Hautbois, Flûte
29
Cor Anglais
28
Clarinette, Guitare (duo)
28
Flûte, Clarinette et Basson
26
Flûte, Hautbois (duo)
26
Saxophone Baryton
25
Clarinette, Harpe (duo)
24
Flûte, Alto (duo)
23
5 Flûtes à bec
23
Flûte, Violoncelle
22
Flûte, Clarinette, Piano (trio)
19
Flûte à bec Soprano, Piano
19
Flûte à bec Tenor
19
2 Flûtes traversières, Piano
18
3 Flûtes à bec (trio)
17
Piccolo, Piano
16
Flûte à bec Alto, Piano
16
Hautbois, violon (duo)
15
Flûte, Violon et Violoncelle
14
Ocarina
14
Hautbois, Trompette (duo)
14
Clarinette, Violoncelle (duo)
14
Flûte, Hautbois, Basson
13
Flûte, Trombone (duo)
13
Flûte, Violoncelle, Piano (trio)
12
Hautbois, Violoncelle
11
2 Clarinettes, Piano
11
Saxophone, Violon (duo)
10
Clarinette, Trombone (duo)
9
Clarinette, Violoncelle, Piano (trio)
9
Saxophone et Guitare
9
Flûte à Bec, Piano
8
Piccolo
8
Flûte, Clarinette, Violon (trio)
8
Flûte, Hautbois, Violon
7
Hautbois, Harpe
7
Instruments en Mib
7
Flûte, Hautbois, Piano (trio)
7
2 Saxophones, Piano
7
Flûte, Basson et Piano
6
Flûte, Harpe et Violoncelle
6
Flute, harpe et violon
5
Flûte, trombone et piano
5
Clarinette, trompette et piano
5
Saxophone et Orgue
4
Flûte à bec, Harpe
4
Clarinette Basse
4
Clarinette, Orgue
4
Flûte, Violoncelle, Guitare
4
Saxophone et Harpe
4
Flûte traversière, Orgue (duo)
4
2 Clarinettes, Basson
4
Cor anglais, Guitare (duo)
3
Flûte à bec, Guitare (duo)
3
4 Hautbois
3
Flûte irlandaise
3
Saxophone et Piano
3
Hautbois, Guitare (duo)
3
Flûte et Trio à cordes
3
Flûte, Tuba (duo)
3
Flûte, Violon, Violoncelle et Piano
3
Hautbois, Basson et Piano
2
Hautbois, trombone (duo)
2
3 Hautbois
2
Flûte traversière, Basse continue
2
Saxophone, Tuba (duo)
2
Hautbois et alto (duo)
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Orchestre
2
Flûte, Alto et Piano
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Clarinette et Piano (Trio)
2
Ensemble à vent
2
Cor anglais et Harpe (duo)
2
Ensemble de Hautbois
1
Flûte à bec Alto, Basse continue
1
Hautbois, Orgue
1
Clarinette, Tuba
1
2 Flûtes, Basse continue
1
Flûte, alto et harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Contrebasse (duo)
1
Flûte et Quatuor à Cordes
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violon, Guitare
1
Hautbois, Violon, Piano
1
Flûte de Pan
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 144 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 023
Trompette
634
Quatuor de Cuivres : 2 trompettes, trombone, tuba
612
Trompette (partie séparée)
604
Trombone et Piano
600
Trompette, Piano
561
Trombone (partie séparée)
389
Trombone
388
Cor et Piano
332
2 Trompettes (duo)
330
Cor
272
Tuba et Piano
157
Tuba
154
2 Trombones (duo)
153
Quatuor de Cuivres: 2 trompettes, Cor, trombone
148
Euphonium, Piano (duo)
119
Quatuor de Cuivres
115
Cor (partie séparée)
109
Quatuor de cuivres: 4 trombones
105
Trompette, Trombone (duo)
100
Trompette, Saxophone (duo)
90
Cor anglais, Piano
88
Ensemble de Trompettes
86
Quatuor de cuivres: 4 cors
76
Ensemble de Trombones
66
2 Cors (duo)
63
Tuba (partie séparée)
59
Euphonium
55
4 Tubas
47
2 Euphoniums et 2 Tubas
45
Trompette, Cor (duo)
38
Ensemble de Cors
33
Quatuor de cuivres: 4 trompettes
31
Cor Anglais
28
3 Trombones (trio)
27
Trio de Cuivres
22
2 Tubas (duo)
17
3 Trompettes (trio)
16
Trompette, violon (duo)
14
Cor et Harpe
13
Tuba ou Euphonium ou Saxhorn
12
Trompette, Harpe
11
Euphonium, Tuba (duo)
10
Trombone, violoncelle (duo)
10
Quatuor de cuivres: 2 trompettes, 2 trombones
10
Trombone, Tuba (duo)
9
Trombone basse et Piano
8
Trombone, Cor (duo)
8
Tuba et Orgue
7
Trompette, Basson (duo)
7
Trombone, Orgue
7
Instruments en Sib
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Ensemble de Tubas
6
3 Tubas (trio)
6
3 Cors (trio)
5
Bass Clef Instruments
5
Trompette, Tuba (duo)
5
Cor, Violoncelle (duo)
5
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
4
Cornet A Pistons
3
Trompette, Trombone, Piano
3
Trombone basse
3
Cor anglais, Guitare (duo)
3
Trompette et Guitare
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor, Tuba (duo)
3
Trompette, Violoncelle et Piano
2
Trompette, Euphonium (duo)
2
2 Euphoniums (duo)
2
Trombone, Violon (duo)
2
2 Cors Anglais Et Pianoforte
2
Cor et Basson (duo)
2
Instruments en Fa
2
Trompette, Violoncelle (duo)
2
Cor anglais et Harpe (duo)
2
Trombone et orchestre
1
Clarinette, Cor (duo)
1
2 Trombones, Piano
1
3 Euphoniums
1
Cor, Violoncelle et Piano
1
Cornet et Piano
1
Trombone, Alto (duo)
1
+ 78 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 128
Violon et Piano
1 178
Violoncelle, Piano
861
Violon
780
Alto, Piano
746
Harpe
558
Violoncelle
548
2 Violons (duo)
460
Trio à Cordes: violon, alto, violoncelle
379
Violon, Violoncelle (duo)
355
Alto seul
328
Contrebasse (partie séparée)
223
2 Violoncelles (duo)
193
2 Harpes (duo)
190
Violon, Alto (duo)
159
Contrebasse, Piano (duo)
153
Violon (partie séparée)
142
Quintette à cordes: 2 violons, alto, violoncelle, basse
139
Trio à Cordes: 2 violons, violoncelle
135
Contre Basse
134
Alto (partie séparée)
123
2 Altos (duo)
119
Violon, Guitare (duo)
85
4 Violoncelles
56
Harpe, Flûte (duo)
55
Violoncelle (partie séparée)
50
Alto, Violoncelle (duo)
49
Trio à cordes: 3 violins
45
Harpe, Violon (duo)
43
Piano Trio: Violon, Alto, Piano
43
Trio à Cordes: 3 violoncelles
27
Quatuor à cordes : 4 altos
26
Violoncelle , Guitare (duo)
25
Alto et Harpe
24
Harpe, Violoncelle (duo)
23
Trio à Cordes: 2 violons, alto
22
Alto, Guitare (duo)
19
Quatuor à cordes: 4 violons
17
Trio à cordes: 3 altos
15
2 Contrebasses (duo)
14
Harpe, Voix
14
Ensemble de Violons
13
Ensemble d'Altos
12
Violoncelle, Contrebasse (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Violon, Basson (duo)
9
Trio à cordes
8
2 Violons, Piano
7
Violon, Clarinette, Piano (trio)
6
Alto et Basson
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
4 Contrebasses
6
Violoncelle, Orgue
6
Harpe, Violon, Violoncelle
5
Ensemble de Violoncelles
4
Harpe, Trombone (duo)
4
Violon, Basse continue
3
Violoncelle, Basse continue
3
3 Harpes
3
Harpe et Piano
2
5 Harpes
2
Harpe (partie séparée)
2
4 Harpes
2
Violon, Tuba (duo)
2
2 Violoncelles, Piano
2
Violon, Orgue
2
Violoncelle, Orchestre
2
Harpe et mandoline
2
Alto, Orgue
1
Harpe et Orgue
1
Violon, Violoncelle, Clarinette
1
Alto et orchestre
1
Flûte, Contrebasse (duo)
1
Autoharp
1
3 Contrebasses
1
Harpe, Quatuor à cordes
1
+ 71 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
4 535
Fanfare
2 961
Orchestre à Cordes
942
Orchestre
913
Ensemble Jazz
684
Ensemble de cuivres
569
Cloches
445
Orchestre de chambre
336
Batterie
278
Ensemble de Percussions
225
Marimba
219
Jazz combo
182
Batterie (partie séparée)
121
Percussion (partie séparée)
106
Percussion
72
Timbales (partie séparée)
30
Vibraphone
30
Xylophone
28
Xylophone, Piano
17
Caisse Claire
14
Timbales
12
Instrumentation Flexible
11
Quintette à Vent
9
Vibraphone et Marimba
9
2 Xylophones
7
Xylophone (partie séparée)
6
3 Marimbas
5
Xylophone ou Marimba ou Vibraphone
4
Quintette de Cuivres: autres combinaisons
4
Marimba, Piano (duo)
4
Vibraphone (partie séparée)
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Marimba et Orgue
4
Piano et Orchestre
3
2 Marimbas
2
Orchestre, Violon
1
2 Caisses Claires (duo)
1
3 Percussions
1
Voix et Orchestre
1
Marimba ou Xylophone et Piano
1
+ 35 instrumentations
Retracter
Autres
Théorie de la musique
3
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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María
2 Pianos, 4 mains
Partitions à imprimer
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76
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
THREAD, Between the Octaves A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
He's A Pirate
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Film/TV
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Geoffrey Zanelli, Hans Zimmer,
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Marcos Fernandez-Barrero
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He's A Pirate
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Marcos Fernandez-Barrero
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1083190 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Marcos Fernandez-Barrer...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1083190 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Marcos Fernandez-Barrero. 20th Century,Classical,Contemporary,Film/TV,Pop. Score. 5 pages. Marcos Fernandez-Barrero #687422. Published by Marcos Fernandez-Barrero (A0.1083190). An arrangement for a piano duet (four hands piano or 2 pianos) of He's A Pirate (from Pirates Of The Caribbean). This version passes the melody in between the two different pianists so it is an ideal piece for chamber exams, such as the performance exams of the GCSE or A-Levels of the UK. It is also ideal for academic enviroments or coursework of duetos or chamber groups at conservatoire level.
$4.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Reflections on a Winter's Morning
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2 Pianos, 4 mains
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AVANCÉ
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Matthew Nunes
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Reflections on a Winter's Morn
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Matthew Nunes Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #85...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #856450. Published by Matthew Nunes Music (A0.1263486). Listen to this piece hereCommissioned by James EhmerReflections on a Winter’s Morning is a piece especially composed for James Ehmer, a composer, euphonium player, and soon to be medical student, as a personal thank you for his generous donation to my “Get Matt to Maryland†Rally via rally.org. James came to me with two wonderful poems describing idyllic winter scenes and the awe of a morning’s sun. These instantly reminded me of the first mornings I would ever wake to snow fall. The two pianos share multiple roles in recalling these moments: the persistence of an alarm clock in a drowsy morning, the first few fluttering snowflakes, a child teeming with excitement, and finally the grandeur of the sun reigning over the flurry.Orlando, May 2014- Matthew Nunes.
$9.99
Piano Quintet in A minor
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2 Pianos, 4 mains
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AVANCÉ
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Cla...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
MARIE CURIE
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Hilary Brooks
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PianoPiano
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MARIE CURIE
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PianoPiano
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.999672 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 14 pages. PianoPiano #601...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.999672 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 14 pages. PianoPiano #6016637. Published by PianoPiano (A0.999672). The story of Marie Curie, told through music and text. Part of a series of ten compositions celebrating iconic women.
$3.99
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Ave Maria for Violin and Piano
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Bach - Gounod
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Anna Katzer
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Ave Maria for Violin and Piano
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Anaelih
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1017234 Composed by Bach - Gounod. Arranged by Anna Katzer. Baroque,Concert,Wedding. Score. 5 pages. Ana...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1017234 Composed by Bach - Gounod. Arranged by Anna Katzer. Baroque,Concert,Wedding. Score. 5 pages. Anaelih #6097523. Published by Anaelih (A0.1017234). The famous Ave Maria in a slightly romantic style.
$3.99
Norwegian March, from Lyric Suite, op. 54
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Richard Simm
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Norwegian March, from Lyric Su
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1117571 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 5 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1117571 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 5 pages. Richard Simm #719109. Published by Richard Simm (A0.1117571). The second piece in Grieg's orchestral suite is a rustic march, here arranged for two pianos by Richard Simm.
$5.95
Gian Paolo Chiti: Play On B.A.C.H. for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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Gian Paolo Chiti
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Gian Paolo Chiti: Play On B.A.
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts....
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3417517. Published by Musik Fabrik Music Publishing (A0.534395). Gian Paolo Chiti wrote “Play on B.A.C.H.†for the Moreno Gistain Duo, who premièred the work on the 28th February, 2015, for the concert season of the Fundación Juan March in Madrid. It was also recorded for Spanish National Radio. Juan Fernando Moreno Gistain wrote of the work: “It´s an honour for us that Maestro Chiti composed “Play on B.A.C.H.†for our concert programme dedicated to works based on the motif formed by the notes B.A.C.H. “Play on BACH†is a wonderful piece for piano duo and we are sure many duos will perform this in the future. The work has an amazing feeling of nostalgia, humour and charm; the audience loved it at every performance. It´s a masterwork and fits incredibly well in our concert programme.â€
$19.95
Just Like A Rainbow (Duo)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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& Frank Magine, Arthur Sizemor
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Michelle Ayler
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Just Like A Rainbow
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MEA Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.768341 Composed by & Frank Magine, Arthur Sizemore, and Mary Earl. Arranged by Michelle Ayler. Broadway,...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.768341 Composed by & Frank Magine, Arthur Sizemore, and Mary Earl. Arranged by Michelle Ayler. Broadway,Jazz,Musical/Show,Pop,Traditional. Score. 7 pages. MEA Music #3458455. Published by MEA Music (A0.768341). Early Advanced Piano Duo. Score and all Parts Included.2018 Keyboard Contest Entry
$6.65
March of the Dwarfs, from "Lyric Suite"
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Richard Simm
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March of the Dwarfs, from &quo
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. Richard Simm #723067. Published by Richard Simm (A0.1121874). The final piece in Grieg's orchestral suite is a volatile and powerful depiction of these mysterious characters from Norwegian folklore. Here it has been arranged for two pianos by Richard Simm.
$5.95
What A Wonderful World
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2 Pianos, 4 mains
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Louis Armstrong
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Mark Phillips
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What A Wonderful World
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A. J. Cornell Publications
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SheetMusicPlus
By Louis Armstrong. Arranged by Mark Phillips. Sheet Music Single. 4 pages. Published by A. J. Cornell Publications (H0.250505-915947). - Sheet Music Single - ...
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By Louis Armstrong. Arranged by Mark Phillips. Sheet Music Single. 4 pages. Published by A. J. Cornell Publications (H0.250505-915947). - Sheet Music Single - - A. J. Cornell Publications
$4.99
Five Joyful Tunes for Two Pianos (A Collection of 5 Mixed Level Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Sharon Wilson
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Sharon Wilson
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Worship, Sacred, Spiritual
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Five Joyful Tunes for Two Pian
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Sharon Wilson
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SheetMusicPlus
By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk, Jazz, Praise & Worship, Sacred, Spiritual. Score. 51 pages. Sharon Wi...
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By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk, Jazz, Praise & Worship, Sacred, Spiritual. Score. 51 pages. Sharon Wilson #3519307. Published by Sharon Wilson
Here is a collection of 5 traditional spirituals arranged for two piano players with different "intermediate" skill levels. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level.
Two formats are provided for each song:
1. four-staff, grand stave with both parts (PIANO 1 and PIANO 2) on each page
2. two-staff score for each part; PIANO 1 and PIANO 2 on separate pages
These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for early-intermediate students and suitable for performances in a church setting. Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
Every Time I Feel the Spirit
I Shall Not Be Moved
I?m So Glad Jesus Lifted Me
Swing Low, Sweet Chariot
When the Saints Go marching In
$15.00
Rhythmic Blues - Two Pianos
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2 Pianos, 4 mains
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FACILE
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Blues
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Charles E
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Rhythmic Blues - Two Pianos
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Charles E. and Maria A. Davis
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SheetMusicPlus
Jazz Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.836654 Composed by Charles E. Davis. Blues,Hip-Hop,Jazz,R and B,Standards. Score. 8 pages....
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Jazz Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.836654 Composed by Charles E. Davis. Blues,Hip-Hop,Jazz,R and B,Standards. Score. 8 pages. Charles E. and Maria A. Davis #6463433. Published by Charles E. and Maria A. Davis (A0.836654). This lively, catchy boogie-woogie blues piece is written for two pianos, but may also be performed by a jazz combo/ensemble as well. Â The piano solo part (Piano 1) is written out in full. However, one may also improvise on this part as desired. This piece makes a great recital piece and will be an audience favorite. This piece may be played for other occasions as well. Package includes Piano parts 1 and 2.
$4.95
The Flowers of the Forest
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2 Pianos, 4 mains
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FACILE
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Folklorique/Traditionel
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Scottish Folk Song
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Richard Simm
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The Flowers of the Forest
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1108425 Composed by Scottish Folk Song. Arranged by Richard Simm. Folk,Traditional. Score. 3 pages. Rich...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1108425 Composed by Scottish Folk Song. Arranged by Richard Simm. Folk,Traditional. Score. 3 pages. Richard Simm #711067. Published by Richard Simm (A0.1108425). This beautiful ancient melody is treated with great respect by Scottish bagpipers, who play it only on serious ceremonial occasions, and not for mere entertainment. It marks a terrible defeat at the Battle of Flodden, and the text describes the grief of those left at home to mourn. The Flowers in the title are the slain men, and the accompaniment in this 2-piano arrangement by Richard Simm retains the haunting character of distant bagpipe music. The Piano I part is easy, intended for relative beginners, while the second part is for teachers and more advanced pianists.
$7.95
You'll Never Walk Alone
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2 Pianos, 4 mains
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Comédie Musicale
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Rodgers & Hammerstein
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Mark Phillips
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You'll Never Walk Alone
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A. J. Cornell Publications
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SheetMusicPlus
By Rodgers & Hammerstein. Arranged by Mark Phillips. Sheet Music Single. 4 pages. Published by A. J. Cornell Publications (H0.249561-966910). - Sheet Music Sing...
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By Rodgers & Hammerstein. Arranged by Mark Phillips. Sheet Music Single. 4 pages. Published by A. J. Cornell Publications (H0.249561-966910). - Sheet Music Single - - A. J. Cornell Publications
$4.99
The Way You Look Tonight
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2 Pianos, 4 mains
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Jerome Kern
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Mark Phillips
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The Way You Look Tonight
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A. J. Cornell Publications
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SheetMusicPlus
By Jerome Kern. Arranged by Mark Phillips. Sheet Music Single. 4 pages. Published by A. J. Cornell Publications (H0.181975-906490). - Sheet Music Single - - A....
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By Jerome Kern. Arranged by Mark Phillips. Sheet Music Single. 4 pages. Published by A. J. Cornell Publications (H0.181975-906490). - Sheet Music Single - - A. J. Cornell Publications
$4.99
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