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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
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PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
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Musicnotes
Note4Piano
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Profs-edition
Quickpartitions
SheetMusicPlus
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Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
10614
PIANO & CLAVIERS
Piano seul
9018
Piano grosses notes
3157
Piano Facile
2991
Piano, Voix
2367
Orgue
1812
Instruments en Do
1203
Piano, Voix et Guitare
933
Accompagnement Piano
356
1 Piano, 4 mains
263
Piano Trio: piano, violon, violoncelle
118
Piano (partie séparée)
104
Accordéon
86
Clavier
61
2 Pianos, 4 mains
59
Piano Quatuor: piano, violon, alto, violoncelle
37
Piano Quintette: piano, 2 violons, alto, violoncelle
17
Piano Quatuor: piano, 2 violons, violoncelle
15
1 Piano, 6 mains
14
Clavecin
9
Orgue, Trompette (duo)
8
Orgue, Piano (duo)
8
2 Pianos, 8 mains
4
Accordéon, Voix
2
Instrument seul et Orgue
2
Ensemble d'Accordéons
2
Tous Les Instruments
2
Ligne De Mélodie, Piano
1
2 Accordéons
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
37744
Guitare
1281
Guitare notes et tablatures
1062
Ukulele
315
Guitare (partie séparée)
201
Piano, Guitare (duo)
150
Dulcimer
150
Basse electrique
109
2 Guitares (duo)
77
Mandoline
62
Banjo
41
Paroles et Accords
40
4 Guitares (Quatuor)
22
Guitare Pedal Steel
13
Ensemble de guitares
13
2 Dulcimers (duo)
12
2 Ukuleles
11
3 Guitares (trio)
9
Mandoline, Guitare (duo)
4
Basse électrique (partie séparée)
3
Guitare, Violon, Violoncelle (trio)
2
Guitare, Quatuor à cordes
1
Luth
1
2 Mandolines (duo)
1
3 Dulcimers (trio)
1
Dobro
1
Instrumentations suivantes
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VOIX
Chorale SATB
2328
Chorale 3 parties
953
Chorale 2 parties
858
Voix seule
452
Chorale Unison
374
Chorale TTBB
253
Chorale SSAA
246
Voix duo, Piano
231
Voix Tenor, Piano
129
Voix Soprano, Piano
128
Voix Alto, Piano
125
Voix Baryton, Piano
90
Voix duo
85
Voix haute
39
Voix Tenor
35
Voix Soprano
28
Chorale
16
Voix moyenne, Piano
13
Chorale SSAATTBB
11
Chorale SSATB
9
Voix basse, Piano
6
Voix basse
5
Voix Moyenne
3
Soli, choeur mixte et accompagnement
3
Chorale SSATTB
3
Chorale SSAB, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano, Orchestre
1
Chorale SSAB a cappella
1
Chorale SATTBB A Cappella
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
1126
Clarinette et Piano
1046
Hautbois, Piano (duo)
960
Clarinette
845
2 Saxophones (duo)
842
Saxophone (partie séparée)
810
Flûte traversière
793
Quatuor de Saxophones: 4 saxophones
743
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
712
Saxophone Alto et Piano
680
Flûte, Hautbois, Clarinette, Basson
662
2 Flûtes traversières (duo)
541
Saxophone Tenor et Piano
522
Quintette de Saxophone: 5 saxophones
508
Saxophone Alto
503
2 Clarinettes (duo)
409
Quatuor de Clarinettes: 4 clarinettes
370
Saxophone Tenor
367
Hautbois (partie séparée)
312
Saxophone Soprano et Piano
255
Instruments en Mib
233
Hautbois
220
2 Hautbois (duo)
211
Flûte, Clarinette (duo)
206
Saxophone Baryton, Piano
195
2 Flûte à bec (duo)
194
3 Saxophones (trio)
186
Saxophone
168
Hautbois, Basson (duo)
150
Clarinette, Violon (duo)
149
Hautbois, Clarinette (duo)
141
Saxophone, Clarinette (duo)
141
Flute (partie séparée)
133
Quatuor de Flûtes : 4 flûtes
122
Clarinette (partie séparée)
120
3 Clarinettes (trio)
116
Quintette de Clarinettes: 5 clarinettes
100
Flûte, Violon
96
Clarinette, Trompette (duo)
95
Flûte à bec Soprano
92
Cor anglais, Piano
86
Clarinette, Basson (duo)
84
Trio de Flûtes: 3 flûtes
83
Flûte, Violoncelle
82
Saxophone Soprano
79
Clarinette, Violoncelle (duo)
78
Ensemble de saxophones
77
Flûte, Alto (duo)
77
Flûte à Bec
76
Hautbois, Violoncelle
76
Ensemble de Clarinettes
76
Clarinette, Harpe (duo)
74
Clarinette et Alto
73
Saxophone Baryton
64
Flûte, Hautbois, Clarinette (trio)
63
Hautbois, Flûte
61
Quintette de Flûte : 5 flûtes
61
Flûte à bec Alto
60
Flûte, Saxophone (duo)
57
Clarinette Basse, Piano
56
Ensemble de Flûtes
56
Flûte, Hautbois (duo)
56
Ensemble De Flûte à bec
54
Flûte, Clarinette et Basson
48
Hautbois, Clarinette, Basson (trio d'anches)
46
Flûte, Trompette (duo)
45
Quatuor de Flûtes à bec
45
2 Flûtes traversières, Piano
44
Flûte et Guitare
40
Hautbois, violon (duo)
39
Flûte, Hautbois, Basson
37
3 Flûtes à bec (trio)
32
Flûte, Violon, Piano
31
Cor Anglais
31
Hautbois et alto (duo)
28
Flûte, Basson et Piano
28
Flûte, Trombone (duo)
28
Harmonica
28
Flûte à bec Tenor
27
Ocarina
24
5 Flûtes à bec
22
Flûte, Clarinette, Piano (trio)
20
Flûte, Violoncelle, Piano (trio)
19
Saxophone et Harpe
18
Clarinette, Violoncelle, Piano (trio)
17
Hautbois, Harpe
16
2 Clarinettes, Piano
15
Clarinette Basse
14
Clarinette, Guitare (duo)
13
Flûte, Clarinette, Cor, Basson (Quartet)
12
Clarinette, Basson, Piano (trio)
12
Flûte, Alto et Piano
11
Clarinette, Trombone (duo)
11
Flute, harpe et violon
11
Flûte, Violon et Violoncelle
10
Hautbois, Violoncelle et Piano
10
Flûte, Hautbois, Piano (trio)
10
Clarinette, Contrebasse (duo)
9
Flûte à bec Soprano, Piano
8
Flûte à bec Alto, Piano
8
Hautbois, Basson et Piano
8
Hautbois, Clarinette et Piano (Trio)
8
Saxophone et Piano
7
2 Saxophones, Piano
7
Hautbois, Violon, Piano
7
Piccolo
7
Clarinette, Alto et Piano (trio)
7
Flûte, trombone et piano
6
Flûte et Trio à cordes
6
Clarinette, Tuba
6
Hautbois, trombone (duo)
5
Flûte traversière, Orgue (duo)
5
Piccolo, Piano
5
Saxophone et Guitare
4
2 Hautbois, Piano
4
Flûte, Tuba (duo)
4
Clarinette, trompette et piano
4
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Flûte, Guitare, Piano
3
Hautbois, Trompette (duo)
3
Cornemuse
3
Flûte irlandaise
3
3 Hautbois
3
Flûte, Violon, Violoncelle et Piano
3
Flûte traversière, Basse continue
3
Clarinette, Orgue
2
2 Cors Anglais Et Pianoforte
2
Melodica
2
4 Hautbois
2
Flûte, Harpe et Violoncelle
2
Hautbois, Guitare (duo)
2
Flûte, alto et harpe
2
Saxophone et Orgue
2
Flûte à Bec, Piano
2
2 Flûtes à bec, Piano
2
Cor anglais, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec, Harpe
1
Flûte à bec Alto, Basse continue
1
2 Flûtes traversières, Harpe
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte à bec, Guitare (duo)
1
Flûte de Pan
1
Flûte, Hautbois, Violon
1
Ensemble de Hautbois
1
2 Clarinettes, Basson
1
Flûte et Quatuor à Cordes
1
Flûte, Clarinette, Violon (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble à vent
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
810
Trombone et Piano
748
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
721
Trompette, Piano
714
Trombone
578
Cor et Piano
545
Trombone (partie séparée)
488
Cor
448
Trompette (partie séparée)
423
Quatuor de Cuivres : 2 trompettes, trombone, tuba
414
Tuba
376
Tuba et Piano
322
2 Trombones (duo)
263
2 Trompettes (duo)
248
Bass Clef Instruments
205
Quatuor de Cuivres
186
Trompette, Trombone (duo)
179
2 Cors (duo)
167
Instruments en Sib
165
Quatuor de Cuivres: 2 trompettes, Cor, trombone
161
Cor (partie séparée)
122
Tuba (partie séparée)
107
Trompette, Saxophone (duo)
99
Euphonium, Piano (duo)
96
Cor anglais, Piano
86
Trompette, Cor (duo)
81
2 Tubas (duo)
78
Quatuor de cuivres: 4 trombones
54
Quatuor de cuivres: 4 cors
43
Ensemble de Trombones
36
Cor Anglais
31
Ensemble de Trompettes
30
Tuba et Orgue
29
Cor, Violoncelle (duo)
29
Quatuor de cuivres: 4 trompettes
27
Ensemble de Cors
24
Cor et Harpe
24
3 Trombones (trio)
22
Trompette, Harpe
21
Euphonium
21
Trompette, Violoncelle (duo)
20
2 Euphoniums et 2 Tubas
19
Trio de Cuivres
19
Trompette, Basson (duo)
18
Trombone, Cor (duo)
17
4 Tubas
16
2 Euphoniums (duo)
13
Trombone basse
12
Trompette, Tuba (duo)
11
3 Trompettes (trio)
11
Cor et Basson (duo)
11
3 Tubas (trio)
10
3 Cors (trio)
9
Trompette et Guitare
8
Trombone basse et Piano
6
Cor, Tuba (duo)
6
Trompette, Violoncelle et Piano
6
Euphonium, Tuba (duo)
6
Trompette, Trombone, Piano
6
2 Trompettes, Clavier (piano ou orgue)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Trombone, Tuba (duo)
5
Trombone, Violon (duo)
4
Trompette, violon (duo)
4
2 Cors, Piano
4
Trombone, Orgue
4
2 Cors Anglais Et Pianoforte
2
Cor et Orgue
2
Instruments en Fa
2
4 Euphoniums
1
Cor anglais, Guitare (duo)
1
Trombone et orchestre
1
3 Euphoniums
1
Cor, Violoncelle et Piano
1
Trombone, Alto (duo)
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1762
Violon et Piano
1415
Violoncelle, Piano
983
Violon
927
Alto, Piano
912
Violoncelle
775
Harpe
580
Violon, Violoncelle (duo)
533
Alto seul
528
2 Violons (duo)
421
Quintette à cordes: 2 violons, alto, violoncelle, basse
367
Trio à Cordes: violon, alto, violoncelle
351
Contre Basse
343
Contrebasse, Piano (duo)
317
2 Violoncelles (duo)
294
Violon, Alto (duo)
280
2 Altos (duo)
249
Violon (partie séparée)
233
2 Harpes (duo)
215
Trio à Cordes: 2 violons, violoncelle
177
Alto (partie séparée)
173
Contrebasse (partie séparée)
171
Alto, Violoncelle (duo)
117
Harpe, Flûte (duo)
94
Violon, Basson (duo)
79
Violoncelle (partie séparée)
68
2 Contrebasses (duo)
66
4 Violoncelles
57
Piano Trio: Violon, Alto, Piano
55
Trio à cordes: 3 violins
46
Violon, Guitare (duo)
45
Harpe, Violon (duo)
43
Alto et Basson
36
Trio à Cordes: 3 violoncelles
35
Quatuor à cordes: 4 violons
27
Quintette à cordes : 2 violons, alto et 2 violoncelles
24
Violoncelle, Contrebasse (duo)
24
Harpe, Violoncelle (duo)
22
Quatuor à cordes : 4 altos
19
Alto et Harpe
18
Trio à cordes: 3 altos
17
Violon, Clarinette, Piano (trio)
15
Ensemble de Violons
13
Violoncelle , Guitare (duo)
13
Harpe, Voix
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
Ensemble d'Altos
12
Flûte, Contrebasse (duo)
9
Trio à Cordes: 2 violons, alto
9
Violoncelle, Orgue
8
Autoharp
8
Alto, Guitare (duo)
5
Violon, Tuba (duo)
5
Violon, Trompette et Piano
5
Harpe, Violon, Violoncelle
5
4 Contrebasses
4
2 Altos, Piano
4
2 Violons, Piano
4
Harpe, Trombone (duo)
4
2 Violoncelles, Piano
4
3 Harpes
3
4 Harpes
3
Alto, Orgue
3
Harpe et mandoline
2
Violon, Orgue
2
Violoncelle, Basse continue
2
Violon, Violoncelle, Clarinette
1
3 Contrebasses
1
Ensemble de Violoncelles
1
Harpe et Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
5674
Orchestre à Cordes
1035
Orchestre
394
Cloches
380
Ensemble Jazz
316
Ensemble de cuivres
201
Batterie (partie séparée)
117
Orchestre de chambre
104
Fanfare
57
Jazz combo
55
Percussion (partie séparée)
51
Marimba
44
Batterie
44
Xylophone
40
Ensemble de Percussions
37
Xylophone, Piano
24
2 Xylophones
19
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
17
Vibraphone
16
Ensemble d'École
5
Percussion
4
Instrumentation Flexible
3
Piano et Orchestre
2
Quintette à Vent
2
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
2
2 Marimbas
1
Orchestre, Violon
1
Vibraphone et Marimba
1
Xylophone ou Marimba ou Vibraphone
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
3
Théorie de la musique
1
Vous avez sélectionné:
Melo Music
2 Pianos, 4 mains
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Gathering Starflowers: A Music Drama for 2 Pianos
2 Pianos, 4 mains
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gor…
(+)
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.<br> <br> Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos.<br> <br> Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.<br> <br> Baffled by music bindings? Read this:<br> <br> https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00
13.59 €
#
2 Pianos, 4 mains
#
Chris Gordon
#
Gathering Starflowers: A Music Drama for 2 Pianos
#
Cool Wind Music Digital
#
SheetMusicPlus
Simple Melody - Piano Duo (2 Pianos, 4 Hands)
2 Pianos, 4 mains
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000796 Composed by Irvin…
(+)
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000796 Composed by Irving Berlin. Arranged by Mary Elizabeth Clark. Standards. 4 pages. Alfred Music - Digital Sheet Music #00-PB-0000796. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000796). UPC: 038081252612.
$5.95
5.39 €
#
2 Pianos, 4 mains
#
Irving Berlin
#
Mary Elizabeth Clark
#
Simple Melody - Piano Duo
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
2 Pianos, 4 mains
Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christma…
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Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Published by Simon Peberdy
Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.
$24.99
22.64 €
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2 Pianos, 4 mains
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Various, traditional carol melodies
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Simon Peberdy
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Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
European Folk Melodies For 4 Hands - 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.766757 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.766757 Composed by Traditional music from European contries. Arranged by Christian Bennedsen. Instructional,Multicultural,Standards,World. Score. 11 pages. Christian Bennedsen #4821985. Published by Christian Bennedsen (A0.766757). Easy Piano - Beginner - First Year. 4 Hands - 2. Pianos. Repertoire for piano group teaching.
$3.99
3.61 €
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2 Pianos, 4 mains
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Traditional music from European contries
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Christian Bennedsen
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European Folk Melodies For 4 Hands - 2 Pianos
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Christian Bennedsen
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SheetMusicPlus
Willow Creek (An American Idyll) for 2 Pianos
2 Pianos, 4 mains
Composed by Chris Gordon. 20th Century, Romantic Period, Repertoire. Piano Reduction…
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Composed by Chris Gordon. 20th Century, Romantic Period, Repertoire. Piano Reduction. 16 pages. Published by Cool Wind Music Digital
Evocative and lyrical tone poem inspired by the beautiful mountains, rivers and forests of Northern California. Extremely satisfying to play, well-written with innovative and evocative melodies which linger in the mind for a long time. Well worth its low, low price.<br> Cool Wind Music will allow one photocopy of the score for performance purposes so that only ONE copy of Willow Creek need be bought.
$18.50
16.76 €
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2 Pianos, 4 mains
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Chris Gordon
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Willow Creek
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Cool Wind Music Digital
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SheetMusicPlus
Alla Turca Jazz
2 Pianos, 4 mains
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Moza…
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Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart. Composed by Fazil Say. Arranged by Selin Şekeranber and Yudum Çetiner. Eingangsmelodie - Handy- Klingelton - Mozart - Türkischer Marsch. Downloadable, Separate edition. Op. 5b. Duration 1\' 30. Schott Music - Digital #Q555589. Published by Schott Music - Digital
$7.99
7.24 €
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2 Pianos, 4 mains
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Fazil Say
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30
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
Concertino in Dance Styles: Solo with Piano Accompaniment - Piano Duo (2 Pianos, 4 Hands)
2 Pianos, 4 mains
Composed by Melody Bober. Instructional. 12 pages. Alfred Music - Digital Sheet Musi…
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Composed by Melody Bober. Instructional. 12 pages. Alfred Music - Digital Sheet Music #00-PB-0000897. Published by Alfred Music - Digital Sheet Music
$5.99
5.43 €
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2 Pianos, 4 mains
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Melody Bober
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Concertino in Dance Styles: Solo with Piano Accompaniment - Piano Duo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Hours of Rest
2 Pianos, 4 mains
26 pieces in all major and minor keys (pentatonic melody). Composed by Cornelius Gur…
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26 pieces in all major and minor keys (pentatonic melody). Composed by Cornelius Gurlitt (1820-1901). This edition: Sheet music. Klavier - Piano - Sammlung. Schott Piano Classics. Eine wertvolle Bereicherung des vierhandigen Repertoires. Downloadable. Op. 102. Schott Music - Digital #Q18591. Published by Schott Music - Digital
$11.99
10.86 €
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2 Pianos, 4 mains
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Cornelius Gurlitt
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Hours of Rest
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Schott Music - Digital
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SheetMusicPlus
Quem Pastores Carol variations for 2 pianos 4 hands by Simon Peberdy
2 Pianos, 4 mains
Composed by Traditional 16th Century carol melody. Arranged by Simon Peberdy. Christma…
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Composed by Traditional 16th Century carol melody. Arranged by Simon Peberdy. Christmas, Contemporary, Standards. Score. 11 pages. Simon Peberdy #3864849. Published by Simon Peberdy
$3.99
3.61 €
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2 Pianos, 4 mains
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Traditional 16th Century carol melody
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Quem Pastores Carol variations for 2 pianos 4 hands by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Wassail Hiccup and Trip up, fun Christmas Carol Variations for 2 pianos, 4 hands Arr. Simon Peberdy
2 Pianos, 4 mains
Composed by Traditional English Melody. Arranged by Simon Peberdy. Christmas, Contem…
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Composed by Traditional English Melody. Arranged by Simon Peberdy. Christmas, Contemporary, Standards. Score. 7 pages. Simon Peberdy #3681647. Published by Simon Peberdy
$3.99
3.61 €
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2 Pianos, 4 mains
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Traditional English Melody
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Simon Peberdy
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Wassail Hiccup and Trip up, fun Christmas Carol Variations for 2 pianos, 4 hands Arr. Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
While Shepherds Boogie Woogie, Christmas Carol Variations for 2 pianos, 4 hands Arr. Simon Peberdy
2 Pianos, 4 mains
Composed by Based on traditional melody from Esté's Psalter, 1592. Arrange…
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Composed by Based on traditional melody from Esté's Psalter, 1592. Arranged by Simon Peberdy. Christmas, Contemporary, Standards. Score. 7 pages. Simon Peberdy #3863623. Published by Simon Peberdy
$3.99
3.61 €
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2 Pianos, 4 mains
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Based on traditional melody from Esté's Psalter, 1592
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Simon Peberdy
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While Shepherds Boogie Woogie, Christmas Carol Variations for 2 pianos, 4 hands Arr. Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Bing Crosby: Play A Simple Melody - two pianos
2 Pianos, 4 mains
Instantly printable sheet music by Bing Crosby for two pianos of MEDIUM skill level. / mus…
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Instantly printable sheet music by Bing Crosby for two pianos of MEDIUM skill level. / musical/show,pop,standards
$7.97
7.22 €
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2 Pianos, 4 mains
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Bing Crosby
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Virtualsheetmusic
Ø (Symbol)
2 Pianos, 4 mains
2 pianos - Digital Download SKU: S9.Q24703 For two pianos. Composed by Geral…
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2 pianos - Digital Download SKU: S9.Q24703 For two pianos. Composed by Gerald Barry. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q24703. Published by Schott Music - Digital (S9.Q24703). Written in 1979 after seeing an exhibition of Rothko’s paintings in Cologne, Ø is one of Barry’s earliest published works. Both piano parts are the same and the composer describes the work as an exploration of ornamentation (the bending of an existing melody) and an etude in co-ordination (the challenge of playing exactly together).
$12.99
11.77 €
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2 Pianos, 4 mains
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Gerald Barry
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Ø
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Schott Music - Digital
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SheetMusicPlus
Melody in F
2 Pianos, 4 mains
Composed by Anton Rubinstein (1829-1894). Arranged by Albert E. Wier. Romantic Period. She…
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Composed by Anton Rubinstein (1829-1894). Arranged by Albert E. Wier. Romantic Period. Sheet Music Single. 8 pages. Published by A. J. Cornell Publications (S0.240609). - Sheet Music Single - Romantic Period - A. J. Cornell Publications
$4.99
4.52 €
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2 Pianos, 4 mains
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Anton Rubinstein
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Albert E
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Melody in F
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A. J. Cornell Publications
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SheetMusicPlus
Joy to the World
2 Pianos, 4 mains
By George Frideric Handel (1685-1759). Arranged by Jenifer Lynn Cook. For Piano Duet, Two …
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By George Frideric Handel (1685-1759). Arranged by Jenifer Lynn Cook. For Piano Duet, Two Pianos. Sacred, Christian, Christmas. Advanced Intermediate. Sheet Music Single. Published by Jenifer Lynn Cook
This exciting two piano Christmas arrangement begins with an exciting bell-like introduction...followed by dueling ascending thirds between the pianos...soaring into the joyful melody of this well-known Christmas carol! (4 pgs.).
$4.50
4.08 €
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2 Pianos, 4 mains
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George Frideric Handel
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Jenifer Lynn Cook
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Joy to the World
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Jenifer Lynn Cook
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SheetMusicPlus
"A Youthful Vow" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
4.48 €
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2 Pianos, 4 mains
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
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2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
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2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
The Carousel Waltz
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Score. 22 pages. Richard Simm #647110. Published by Richard Simm (A0.1042682). The amazing harmonic and melodic gifts of Richard Rodgers, which fit so perfectly with the lyric talents of Oscar Hammerstein II, have inspired some equally amazing musical achievements in Hollywood, where some of the most remarkable musicians of our time worked upon Rodgers's original scores and enhanced them with truly wonderful orchestral arrangements of the accompaniments to the songs. Richard Simm was in turn inspired by their unsurpassed work to give this item from Carousel a new treatment as two-piano music. It was arranged with the generous permission of the Rodgers & Hammerstein company.
$12.95
11.73 €
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2 Pianos, 4 mains
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Richard Rodgers
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Richard Simm
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The Carousel Waltz
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Richard Simm
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SheetMusicPlus
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