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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Minute By Minute
Non classifié
7 288
Piano & claviers
Piano seul
2 363
Piano, Voix
476
Orgue
448
Piano Facile
232
Piano, Voix et Guitare
188
1 Piano, 4 mains
132
Instruments en Do
123
Piano Trio: piano, violon, violoncelle
89
2 Pianos, 4 mains
61
Orgue, Trompette (duo)
38
Clavecin
30
Accompagnement Piano
15
Orgue, Piano (duo)
15
Accordéon
15
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
10
2 Accordéons
7
Piano Quatuor: piano, 2 violons, violoncelle
7
2 Pianos, 8 mains
5
Orgue, Voix
4
Piano (partie séparée)
4
1 Piano, 6 mains
4
Fake Book
2
Ensemble d'Accordéons
2
Piano grosses notes
1
Clavier
1
+ 21 instrumentations
Retracter
Guitares
Guitare
201
Guitare notes et tablatures
117
Ligne De Mélodie, (Paroles) et Accords
49
2 Guitares (duo)
39
Basse electrique
25
Mandoline
10
Ukulele
10
Paroles et Accords
7
Dulcimer
6
4 Guitares (Quatuor)
6
3 Guitares (trio)
5
Banjo
4
Guitare, Quatuor à cordes
4
Ensemble de guitares
3
Guitare (partie séparée)
3
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
2
Guitare, Orchestre
2
Guitare, Violon, Violoncelle (trio)
1
Basse électrique (partie séparée)
1
Dobro
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
1 715
Chorale TTBB
437
Chorale 3 parties
336
Chorale 2 parties
110
Voix Soprano, Piano
109
Chorale SSAA
102
Chorale Unison
81
Chorale SSAATTBB
65
Voix Baryton, Piano
42
Chorale
40
Voix haute
37
Voix Tenor, Piano
35
Voix moyenne, Piano
34
Chorale SSATTB
32
Voix basse, Piano
29
Voix duo, Piano
21
Voix Mezzo-Soprano, Piano
19
Chorale SSATB
16
Soli, choeur mixte et accompagnement
15
Voix Alto, Piano
15
Voix haute, Piano
8
Voix duo
6
Voix seule
5
Voix Soprano, Orchestre
5
Voix Tenor
3
Voix Soprano
3
Chorale SSAATB
3
Voix basse
3
Chorale SATBB
1
Voix duo, Orgue
1
Chorale SATTBB A Cappella
1
Voix, Guitare
1
+ 27 instrumentations
Retracter
Vents
2 Saxophones (duo)
877
2 Clarinettes (duo)
429
Saxophone, Clarinette (duo)
414
Flûte traversière et Piano
375
2 Flûtes traversières (duo)
354
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
307
Clarinette et Piano
304
Saxophone Alto et Piano
303
Clarinette, Violon (duo)
277
Hautbois, Piano (duo)
272
Quatuor de Clarinettes: 4 clarinettes
252
Quatuor de Saxophones: 4 saxophones
251
Clarinette, Trompette (duo)
239
Clarinette
200
2 Hautbois (duo)
193
Flûte, Clarinette (duo)
192
Flûte traversière
170
Flûte, Hautbois, Clarinette, Basson
157
Saxophone Tenor et Piano
149
Hautbois, Clarinette (duo)
144
Hautbois, Basson (duo)
143
Flûte, Violon
142
Hautbois, Flûte
141
Clarinette et Alto
140
Flûte, Saxophone (duo)
135
Flûte, Trompette (duo)
111
Flûte, Alto (duo)
109
Quatuor de Flûtes : 4 flûtes
104
Saxophone Soprano et Piano
94
Ensemble de Flûtes
92
Saxophone (partie séparée)
89
Hautbois (partie séparée)
86
Saxophone Alto
80
Ensemble de Clarinettes
76
2 Flûte à bec (duo)
70
Trio de Flûtes: 3 flûtes
68
3 Clarinettes (trio)
68
Saxophone Tenor
67
Quintette de Saxophone: 5 saxophones
62
Quintette de Clarinettes: 5 clarinettes
53
3 Saxophones (trio)
48
Clarinette Basse, Piano
46
Saxophone Baryton, Piano
45
Flûte à bec Soprano
36
Ensemble de saxophones
34
Clarinette (partie séparée)
24
Cor Anglais
23
Cor anglais, Piano
22
Hautbois, Clarinette, Basson (trio d'anches)
21
Flute (partie séparée)
20
Flûte et Guitare
20
3 Flûtes à bec (trio)
19
Quatuor de Flûtes à bec
18
2 Clarinettes, Piano
17
Flûte, Clarinette et Basson
14
Flûte, Clarinette, Piano (trio)
14
Quintette de Flûte : 5 flûtes
14
Flûte traversière, Orgue (duo)
13
Flûte, Violoncelle, Piano (trio)
13
Clarinette, Trombone (duo)
12
Flûte à bec Alto
12
Flûte, Violon, Piano
12
Flûte à bec Alto, Piano
11
2 Flûtes traversières, Piano
11
Ensemble à vent
10
Hautbois
10
Clarinette, Orchestre
9
Flûte, Hautbois (duo)
9
Clarinette, Violoncelle (duo)
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
Flûte, Violoncelle
8
Flûte à bec Soprano, Piano
8
Ensemble De Flûte à bec
8
Flûte traversière, Orchestre
7
Flûte, Violon et Violoncelle
7
3 Hautbois
6
2 Cors Anglais Et Pianoforte
6
Clarinette Basse
6
Flûte à bec Tenor
6
Piccolo
6
Clarinette, Basson, Piano (trio)
5
Flûte, Hautbois, Clarinette (trio)
5
5 Flûtes à bec
5
Clarinette, Basson (duo)
5
Flûte, Hautbois, Basson
4
Flûte à Bec
4
Flûte, Hautbois, Piano (trio)
4
2 Flûtes à bec, Piano
4
Hautbois, violon (duo)
4
Hautbois, Quatuor à cordes
4
Flûte à Bec, Piano
4
Clarinette, Harpe (duo)
3
4 Hautbois
3
Flûte, Basson et Piano
3
Clarinette, Alto et Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Contrebasse (duo)
3
Flûte et Quatuor à Cordes
3
Clarinette, Orgue
2
Flûte traversière, Basse continue
2
Flute, Cor (duo)
2
Flûte, Violon, Guitare
2
Hautbois, Guitare (duo)
2
Flûte, Trombone (duo)
2
Saxophone et Orgue
2
Hautbois et Orchestre
2
Hautbois, Orgue
2
Saxophone
2
Hautbois, Basson et Piano
2
Saxophone Soprano
2
Piccolo, Piano
2
Flûte, alto et harpe
2
Flute, harpe et violon
1
Flûte à bec, Harpe
1
2 Saxophones, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Tuba
1
Clarinette, Guitare (duo)
1
Flûte et Trio à cordes
1
2 clarinettes, 2 bassons
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cornemuse
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 Clarinettes, Basson
1
Harmonica
1
Flûte irlandaise
1
Hautbois, Violon, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 124 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
474
Trompette, Saxophone (duo)
288
Trombone et Piano
243
2 Trompettes (duo)
176
Cor et Piano
174
2 Trombones (duo)
174
Trompette
166
Trompette, Piano
155
Trompette, Trombone (duo)
151
Quatuor de Cuivres : 2 trompettes, trombone, tuba
119
Tuba et Piano
113
Ensemble de Trombones
106
Euphonium, Piano (duo)
105
Quatuor de cuivres: 4 trombones
98
Trombone
83
Trompette (partie séparée)
68
Trombone (partie séparée)
67
Cor
58
Quatuor de cuivres: 4 cors
46
2 Cors (duo)
38
Quatuor de Cuivres
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Cor Anglais
23
Cor anglais, Piano
22
Tuba
22
3 Trombones (trio)
18
4 Tubas
17
Trio de Cuivres
16
Euphonium
14
Trombone basse
14
2 Euphoniums (duo)
12
Cornet et Piano
12
Trombone basse et Piano
12
3 Trompettes (trio)
11
Euphonium, Tuba (duo)
10
Cor (partie séparée)
9
2 Euphoniums et 2 Tubas
8
Ensemble de Trompettes
8
Ensemble de Cors
8
Quatuor de cuivres: 4 trompettes
8
Trombone, Orgue
8
2 Cors Anglais Et Pianoforte
6
3 Tubas (trio)
6
Trombone et orchestre
5
Tuba (partie séparée)
5
Trompette, Cor (duo)
4
Cor et Orgue
4
Trombone, Tuba (duo)
3
Trompette, violon (duo)
3
2 Tubas (duo)
3
3 Cors (trio)
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
3
Trompette, Orchestre
2
Ensemble de Tubas
2
3 Euphoniums
2
Cor, Tuba (duo)
2
Cor et Harpe
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor, Orchestre
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
Cornet et orchestre
1
4 Euphoniums
1
Tuba ou Euphonium ou Saxhorn
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
894
Violon et Piano
537
Violoncelle, Piano
369
Violon, Violoncelle (duo)
326
Violon
321
Alto, Piano
259
Violon (partie séparée)
259
2 Violons (duo)
240
2 Violoncelles (duo)
231
Violon, Alto (duo)
220
Violoncelle
214
2 Altos (duo)
180
Trio à Cordes: violon, alto, violoncelle
134
Alto seul
124
Alto (partie séparée)
123
Alto, Violoncelle (duo)
99
Harpe
96
Trio à Cordes: 2 violons, violoncelle
40
Violoncelle (partie séparée)
39
Trio à cordes: 3 violins
25
4 Violoncelles
22
Contre Basse
22
Harpe, Flûte (duo)
22
Trio à cordes
19
Violon, Orgue
19
Violoncelle, Orchestre
19
Contrebasse, Piano (duo)
18
Contrebasse (partie séparée)
17
Alto et Harpe
17
Trio à Cordes: 3 violoncelles
17
Harpe, Violoncelle (duo)
16
Harpe, Violon (duo)
15
Violoncelle, Orgue
14
Violon, Guitare (duo)
13
Alto et orchestre
10
Trio à cordes: 3 altos
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Piano Trio: Violon, Alto, Piano
10
Quatuor à cordes : 4 altos
7
Ensemble de Violoncelles
7
Violoncelle, Contrebasse (duo)
6
Alto, Orgue
5
Quatuor à cordes: 4 violons
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Voix
3
Violoncelle , Guitare (duo)
3
2 Altos, Piano
2
2 Violons et Basse continue
2
Harpe et Piano
2
2 Violons, Piano
2
Flûte, Contrebasse (duo)
2
2 Harpes (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto et Basson
1
Harpe (partie séparée)
1
4 Contrebasses
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre
754
Orchestre d'harmonie
538
Orchestre à Cordes
456
Ensemble de cuivres
368
Orchestre de chambre
253
Cloches
153
Ensemble Jazz
83
Fanfare
68
Batterie
42
Ensemble de Percussions
36
Jazz combo
23
Piano et Orchestre
21
Orchestre, Violon
18
Percussion (partie séparée)
16
Marimba
12
Percussion
8
Vibraphone
7
Quintette à Vent
5
Batterie (partie séparée)
5
Xylophone
3
Timbales (partie séparée)
2
Caisse Claire
2
Voix Mezzo-Soprano, Orchestre
2
Big band
1
Xylophone, Piano
1
Marimba, Piano (duo)
1
2 Xylophones
1
Orchestre Symphonique
1
Marimba et Orgue
1
3 Percussions
1
+ 25 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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2 Pianos, 4 mains
Partitions à imprimer
61 partitions trouvées
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Piano Concerto No 3 2 Pianos 4 Hands Arrangement by James Nathaniel Holland
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No 3 2 Pianos 4
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730283 Composed by James Nathaniel Holland. Contemporary,Romantic Period. Score. 64 pages. James Nathani...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730283 Composed by James Nathaniel Holland. Contemporary,Romantic Period. Score. 64 pages. James Nathaniel Holland #2112277. Published by James Nathaniel Holland (A0.730283). Piano Concerto No. 3 Arranged for 2 Pianos 4 Hands Music by James Nathaniel Holland Website: https://www.facebook.com/jamesnathanielholland/ Duration: 22 minutes The third piano concerto of 21st Century American composer James Nathaniel Holland, a very mystical and romantic piece that follows somewhat in the vein of Russian composer Rachmaninoff. YouTube Video Presentation of Piano with Orchestra: https://www.youtube.com/watch?v=juYohREyCBY
$10.95
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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2 Pianos, 4 mains
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AVANCÉ
#
James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab
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James Nathaniel Holland
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. J...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
Studies No. 6 & 7
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2 Pianos, 4 mains
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AVANCÉ
#
Methodes Etudes
#
Conlon Nancarrow
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Studies No. 6 & 7
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Schott Music - Digital
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SheetMusicPlus
Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Sch...
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Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q40444. Published by Schott Music - Digital
Nancarrow's music for player piano with .acrobatic complexity .that sounds .hardly performable has been known for more than four decades. The traditional notation is replaced by the accurate manual punching of individual holes in player piano roles, thus enabling multi-part sounds and rhythmic counterpoints in irrational relations which could never be played so accurately by human performers.
Fortunately, Nancarrow's less complex studies are again and again arranged for a wide variety of live instrumentation. The arrangement for two pianos by the renowned British composer and conductor Thomas Ad.s (*1971) presents the ideal opportunity for every experienced pianist to not only listen to the studies but to play them as well.
$48.99
French Ballet Class
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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George Gershwin
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Daryl McKenzie
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French Ballet Class
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Daryl McKenzie
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1120657 Composed by George Gershwin. Arranged by Daryl McKenzie. 20th Century,Film/TV. Score. 14 pages. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1120657 Composed by George Gershwin. Arranged by Daryl McKenzie. 20th Century,Film/TV. Score. 14 pages. Daryl McKenzie #721905. Published by Daryl McKenzie (A0.1120657). Arranged as a Piano Duet. Duration 1:06 French Ballet Class is a six-minute piece written by George Gershwin in 1937 for two pianos for the movie Shall We Dance. This sequence was meant to accompany a scene of dozens of ballet dancers practicing their positions. It is written in the style of the galop. Only two minutes of this music was used in the final film. This arrangement is just over 1 minute long. Same arrangement for single Piano and String Orchestra available.: https://bit.ly/3MKmYbo More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$19.99
Fourth Rendez Vous (Easy Piano Duet)
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2 Pianos, 4 mains
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DÉBUTANT
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New Age
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Jean-Michel Jarre
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G L Harvey
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Fourth Rendez Vous
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G L Harvey
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SheetMusicPlus
Easy Piano, Piano Duet, Drums - Easy/Beginner - Digital Download By Jean-Michel Jarre. Arranged by G L Harvey. Score, Set of Parts. 11 pages. Publish...
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Easy Piano, Piano Duet, Drums - Easy/Beginner - Digital Download By Jean-Michel Jarre. Arranged by G L Harvey. Score, Set of Parts. 11 pages. Published by G L Harvey
This 1986 electronic classic by Jean-Michel Jarre is a dynamic foot tapper and students will love being transported back to the 80's. Arranged as a beginner duet for piano in traditional notation with an optional drum kit part. Great for school ensemble work and adaptable for any four hands on keyboards or synthesizers (especially useful when an ensemble is required for 4 fairly easy single hand keyboard parts, plus drums). It would also work as a full percussion ensemble with 3/4 tuned parts and drums. To be printed portrait on A4. Pdf includes full score, primo/secondo parts and drum kit part (11 pages in total).
Duration about 3 minutes with all repeats
$4.99
Scene from Gaelic Faram (Jig in Kiev) for 2 pianos (Piano 2 part)
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2 Pianos, 4 mains
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AVANCÉ
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Celtique/Irlandais
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John Pitts
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Maggie Chen).
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Scene from Gaelic Faram
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Intensely Pleasant Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.890709 Composed by John Pitts. Celtic,Contemporary,Folk,World. Score. 16 pages. Intensely Pleasant Music...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.890709 Composed by John Pitts. Celtic,Contemporary,Folk,World. Score. 16 pages. Intensely Pleasant Music #3424707. Published by Intensely Pleasant Music (A0.890709). Scene from Gaelic Faram (Jig in Kiev) is a 6-minute, note-filled, virtuosic piece inspired by British folksong, and includes adaptations of the Dargason jig and the reel Mary Mack, and starts with an attempt to capture some of the ornamented and decorated melody lines typical of Scottish bagpipes. The full 16-minute piece Gaelic Faram (Jig in Kiev) for 2 pianos and 2 percussionists was composed for the Kiev Piano Duo (Oleksandra Zaytseva and Dmytro Tavanets) for the Kiev Chamber Music Session Festival 2012. This new arrangement of a 6-minute scene from it, just for 2 pianos, was made in 2016 for the Australian Piano Duo (Vicky Yang & Maggie Chen).
$4.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Jingle Bells - Xmas Piano Duet
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2 Pianos, 4 mains
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FACILE
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Pierpont, James
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Anne Christopherson GRSM ARCM
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Jingle Bells - Xmas Piano Duet
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Music-Scores.com
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1506418 Composed by Pierpont, James. Arranged by Anne Christopherson GRSM ARCM. Children,Christmas,Holid...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1506418 Composed by Pierpont, James. Arranged by Anne Christopherson GRSM ARCM. Children,Christmas,Holiday,Instructional. Score. 8 pages. Music-Scores.com #1081784. Published by Music-Scores.com (A0.1506418). Jingle Bells: Dashing through the Snow on a one horse open sleigh! Arranged for Piano Duet, 4 hands at one piano.Duration about 1 minute per verse.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com.
$5.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
I Shall Not Be Moved (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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I Shall Not Be Moved
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Stan...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Standards,Traditional. Score. 13 pages. Sharon Wilson #3516203. Published by Sharon Wilson (A0.565175). This arrangement of the traditional spiritual I Shall Not Be Moved is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the first chorus and verse. Bold and cheerful, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the words found in Psalm 1: Blessed is the man who doesn’t walk in the counsel of the wicked…but his delight is in Yahweh’s law…He will be like a tree planted by the streams of water… (WEB)Lyrics:I shall not be moved,I shall not be moved,I shall not be moved,Like a tree planted by the water,I shall not be moved.When my cross is heavy,I shall not be moved,When my cross is heavy,I shall not be moved,Like a tree planted by the water,I shall not be moved.
$5.99
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spir...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
Piano Battle - 2 Pianos 4 Hands
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2 Pianos, 4 mains
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AVANCÉ
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Bill Walker
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pianist Bill Walker, this exci
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Bill Walker
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Piano Battle - 2 Pianos 4 Hand
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Bill Walker Music Publishing
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1118272 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Contemporary,Contest,Festival,New Age. ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1118272 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Contemporary,Contest,Festival,New Age. Score. 18 pages. Bill Walker Music Publishing #719787. Published by Bill Walker Music Publishing (A0.1118272). Grab a friend and a second piano and get ready to battle. Composed by pianist Bill Walker, this exciting piece is for 2 pianos and 4 hands. It only takes a little more than two minutes to perform but so much happens. Each player has the opportunity to battle for piano domination. 18 pages of piano excitement! Key signature: F minor. Published by Bill Walker Music Publishing.
$6.99
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Concerto for piano and orchestra No. 2
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2 Pianos, 4 mains
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Erik Chisholm
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Concerto for piano and orchest
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Schott Music - Digital
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SheetMusicPlus
2 pianos - SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano r...
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2 pianos - SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 30 minutes. Schott Music - Digital #Q5862. Published by Schott Music - Digital (S9.Q5862). The Piano Concerto No.2 was first performed in Cape Town in 1949 and in the following year was broadcast on the BBC Radio Third Programme. It was enthusiastically received by the critics, Ernest Newman writing of it ’I was particularly intrigued by the skill with which the composer has managed to fuse Hindustani modes of expression and European ways of thought and factors of design into a single organic whole. I was greatly intrigued by it’. It had many performances and broadcasts in the composer’s life time but after his death, was not heard again until 2007 when it was specially recorded for broadcast one evening in ‘Scotland’s Musicâ€, a BBC Radio Scotland’s series of weekly programmes. John Purser, writer and presenter of the series which ran for a year, comments ‘The Concerto emerges as a major achievement in terms of over-all conception, technical innovation and brilliance and superb handling of the orchestra’. The soloist, Dutch pianist Ronald Brautigam, said of his experience “It is a great privilege to be working on such a wonderful Concerto! I have completely fallen in love with the piece. The work is definitely challenging, but the wealth of musical ideas, the refinement of the slow movement, the humour and boisterousness of the finale make one forget that at times fingers need to be scraped off the keyboard’.
$25.99
Wonderful Grace Of Jesus (two piano duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Haldor Lillenas
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Sandra Zylstra
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Wonderful Grace Of Jesus
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1410446 Composed by Haldor Lillenas. Arranged by Sandra Zylstra. Christian,Praise & Worship,Religious,Sa...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1410446 Composed by Haldor Lillenas. Arranged by Sandra Zylstra. Christian,Praise & Worship,Religious,Sacred. Score. 9 pages. Sandra dee zylstra #992863. Published by sandra dee zylstra (A0.1410446). Wonderful Grace Of Jesus is a popular hymn in many denominations that tells the story of the grace of Jesus. This hymn is arranged as a late intermediate two piano duet arranged in the keys of C and D. (appoximately 4:30 minutes, 9 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$7.00
At Calvary - Two Pianos
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2 Pianos, 4 mains
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AVANCÉ
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D
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Pamela M Robertson
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At Calvary - Two Pianos
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Pamela M. Robertson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1404531 Composed by D.B. Towner. Arranged by Pamela M Robertson. Christian,Easter,Ragtime,Religious,Sacr...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1404531 Composed by D.B. Towner. Arranged by Pamela M Robertson. Christian,Easter,Ragtime,Religious,Sacred. Score. 6 pages. Pamela M. Robertson #987611. Published by Pamela M. Robertson (A0.1404531). The hymn At Calvary is presented here in an exciting arrangement for two pianos by Pamela Robertson. This energetic setting is for the advanced pianist, and is perfect for recitals and concerts. Duration: 2 minutes.
$7.99
Danses concertantes
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Igor Stravinsky
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Ingolf Dahl
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Danses concertantes
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Schott Music - Digital
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SheetMusicPlus
2 pianos - difficult - SKU: S9.Q563062 Concert vesion for two pianos by Ingolf Dahl. Composed by Igor Stravinsky. Arranged by Ingolf Dahl. Downlo...
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2 pianos - difficult - SKU: S9.Q563062 Concert vesion for two pianos by Ingolf Dahl. Composed by Igor Stravinsky. Arranged by Ingolf Dahl. Downloadable. Duration 20 minutes. Schott Music - Digital #Q563062. Published by Schott Music - Digital (S9.Q563062). Igor Strawinsky schrieb die Danses concertantes ursprünglich für ein in Kalifornien ansässiges Unterhaltungsorchester. Die fünf Sätze sind allerdings mehr als rein orchestrale Tänze. Das Stück erinnert an eine Ballettsuite. Die beiden Märsche zu Beginn und am Ende untermalen Auftritt (Prolog) und Abgang (Epilog) der Tänzer, wobei zwei der mittleren Sätze – „Pas d’action“ und „Pas de deux“ – offenkundig auf das Ballett anspielen. Die Bearbeitung für zwei Klaviere von Ingolf Dahl ist nicht nur eine Reduktion des Orchestersatzes, sondern ganz bewusst als eigenständige Konzertfassung gedacht.
$40.99
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