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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Movement
Non classifié
4 915
Piano & claviers
Piano seul
3 502
Piano Facile
747
Orgue
282
Piano, Voix
227
1 Piano, 4 mains
125
Piano, Voix et Guitare
104
Piano Trio: piano, violon, violoncelle
99
2 Pianos, 4 mains
75
Accompagnement Piano
51
Instruments en Do
46
Piano Quintette: piano, 2 violons, alto, violoncelle
38
Clavecin
33
Piano Quatuor: piano, violon, alto, violoncelle
31
Orgue, Piano (duo)
23
Piano Quatuor: piano, 2 violons, violoncelle
18
Piano grosses notes
11
Orgue, Trompette (duo)
8
Accordéon
5
Accordéon, Piano
4
2 Pianos, 8 mains
4
Piano (partie séparée)
3
Fake Book
2
1 Piano, 6 mains
2
Clavier
2
Ensemble d'Accordéons
2
2 Accordéons
1
Ensemble de Pianos
1
+ 22 instrumentations
Retracter
Guitares
Guitare
213
Guitare notes et tablatures
128
2 Guitares (duo)
41
Piano, Guitare (duo)
14
Ligne De Mélodie, (Paroles) et Accords
11
Ukulele
10
Basse electrique
9
4 Guitares (Quatuor)
8
Mandoline
8
Ensemble de guitares
3
Dulcimer
3
Guitare, Flûte, Clarinette
2
Banjo
2
Guitare, Quatuor à cordes
2
2 Mandolines (duo)
1
Ensemble de Ukulélés
1
3 Guitares (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
694
Chorale 3 parties
153
Chorale 2 parties
99
Chorale Unison
55
Chorale TTBB
50
Chorale SSAA
48
Voix duo
14
Voix duo, Piano
12
Voix Baryton, Piano
8
Chorale SSAATTBB
6
Voix haute
5
Voix Tenor, Piano
5
Voix Soprano, Piano
5
Chorale
4
Chorale SSATB
4
Chorale SSAB a cappella
3
Voix Alto, Piano
3
Soli, choeur mixte et accompagnement
2
Voix basse, Piano
2
Chorale SSATTB
1
Voix moyenne, Piano
1
Voix, Guitare
1
Voix seule
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
588
Flûte traversière et Piano
400
Quatuor de Saxophones: 4 saxophones
369
Clarinette et Piano
355
Saxophone Alto et Piano
230
Quatuor de Clarinettes: 4 clarinettes
228
Hautbois, Piano (duo)
221
Flûte, Hautbois, Clarinette, Basson
214
2 Flûtes traversières (duo)
181
Clarinette
174
Clarinette (partie séparée)
170
Quintette de Saxophone: 5 saxophones
161
Flûte traversière
159
2 Clarinettes (duo)
125
2 Saxophones (duo)
119
Ensemble de Clarinettes
117
Saxophone Tenor et Piano
117
Quatuor de Flûtes : 4 flûtes
114
Saxophone Soprano et Piano
104
Saxophone (partie séparée)
104
Ensemble de saxophones
95
Quintette de Clarinettes: 5 clarinettes
81
Hautbois (partie séparée)
76
3 Clarinettes (trio)
73
Flûte, Clarinette (duo)
69
3 Saxophones (trio)
66
Saxophone Alto
65
Ensemble de Flûtes
60
Saxophone Baryton, Piano
56
Flute (partie séparée)
54
Flûte et Guitare
51
Hautbois, Basson (duo)
47
Trio de Flûtes: 3 flûtes
46
Cor anglais, Piano
43
Flûte, Hautbois, Clarinette (trio)
39
Saxophone Tenor
39
Clarinette Basse, Piano
39
Quintette de Flûte : 5 flûtes
38
Flûte, Violoncelle
34
Flûte, Clarinette et Basson
30
2 Flûtes traversières, Piano
29
Clarinette, Basson (duo)
28
Clarinette, Violoncelle (duo)
27
2 Hautbois (duo)
27
Clarinette, Violon (duo)
27
Clarinette et Alto
26
Hautbois, Clarinette (duo)
26
Quatuor de Flûtes à bec
25
3 Flûtes à bec (trio)
22
Hautbois, Clarinette, Basson (trio d'anches)
20
2 Flûte à bec (duo)
20
Hautbois
19
Flûte, Alto (duo)
19
Saxophone
18
Flûte à bec Soprano
17
Flûte à bec Alto
17
Flûte, Violon
16
5 Flûtes à bec
16
Saxophone, Clarinette (duo)
16
Clarinette, Guitare (duo)
15
Flûte, Hautbois, Basson
12
Flûte, Clarinette, Piano (trio)
11
Flûte, Violon et Violoncelle
10
Flûte, Saxophone (duo)
9
Flûte à Bec
9
Hautbois, Flûte
8
Flûte, Violon, Piano
8
Clarinette, Violoncelle, Piano (trio)
8
Flûte, Alto et Piano
7
Flûte à bec Soprano, Piano
7
Flûte, Trompette (duo)
7
Hautbois, Guitare (duo)
6
Ensemble De Flûte à bec
6
Saxophone et Guitare
6
Clarinette, Trompette (duo)
6
Clarinette Basse
6
2 Cors Anglais Et Pianoforte
6
3 Hautbois
5
Flûte, Hautbois (duo)
5
2 Saxophones, Piano
5
Cor Anglais
5
Piccolo
5
Flûte, Violoncelle, Piano (trio)
5
Hautbois, Violoncelle
5
Saxophone et Orgue
5
Clarinette, Harpe (duo)
4
Flûte, Basson et Piano
4
Flûte, Alto et Violoncelle
4
Saxophone Soprano
4
Piccolo, Piano
4
Flûte à bec Tenor
4
Clarinette, Basson, Piano (trio)
4
Flûte, Trombone (duo)
4
Hautbois, violon (duo)
4
Hautbois, Harpe
3
2 Clarinettes, Basson
3
Flûte à bec Alto, Piano
3
Flute, harpe et violon
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte irlandaise
3
Clarinette, Quatuor à cordes et Piano
3
Flûte, alto et harpe
3
2 Clarinettes, Piano
3
Clarinette, Orchestre
2
Ocarina
2
4 Hautbois
2
Cor anglais et Harpe (duo)
1
Flûte, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Trombone (duo)
1
Harmonica
1
Flûte à Bec, Piano
1
Ensemble de Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Hautbois et Orchestre
1
Flûte, Hautbois, Piano (trio)
1
Saxophone, Violon (duo)
1
Saxophone et Harpe
1
Flûte traversière, Orchestre
1
Saxophone, Basson (duo)
1
Hautbois, Basson et Piano
1
Clarinette, Orgue
1
Clarinette, Alto et Piano (trio)
1
Hautbois et alto (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte et Trio à cordes
1
Saxophone, Tuba (duo)
1
+ 125 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
364
Quatuor de Cuivres : 2 trompettes, trombone, tuba
243
Trombone et Piano
231
Cor
217
Trompette
181
Trompette, Piano
179
Trompette (partie séparée)
164
Trombone (partie séparée)
159
Cor et Piano
126
Euphonium, Piano (duo)
108
Tuba et Piano
83
Trombone
82
Cor (partie séparée)
65
Ensemble de Trombones
63
Ensemble de Trompettes
60
Quatuor de cuivres: 4 trombones
55
Quatuor de Cuivres
50
2 Trompettes (duo)
49
Cor anglais, Piano
43
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Tuba
33
2 Trombones (duo)
33
Tuba (partie séparée)
30
Quatuor de cuivres: 4 cors
27
Trompette, Trombone (duo)
26
3 Trombones (trio)
26
2 Cors (duo)
21
4 Tubas
20
Ensemble de Cors
20
Trompette, Cor (duo)
18
2 Euphoniums et 2 Tubas
14
Quatuor de cuivres: 4 trompettes
11
Trompette, Saxophone (duo)
10
Tuba et Orgue
10
3 Trompettes (trio)
9
Trio de Cuivres
9
2 Tubas (duo)
8
3 Euphoniums
8
Trombone, Orgue
7
3 Tubas (trio)
7
Trombone basse
7
Euphonium
6
Cor, Violoncelle (duo)
6
2 Cors Anglais Et Pianoforte
6
Cor Anglais
5
Trombone, Cor (duo)
5
Euphonium, Tuba (duo)
5
Cor et Harpe
4
3 Cors (trio)
4
Trombone basse et Piano
4
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Tuba (duo)
3
2 Euphoniums (duo)
2
Trompette, Violoncelle (duo)
2
Trompette, Harpe
2
Trombone, violoncelle (duo)
2
Cor anglais et Harpe (duo)
1
Trombone, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Cor, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
+ 60 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 260
Violon et Piano
534
Violon
315
Violoncelle, Piano
309
Alto, Piano
275
Trio à Cordes: violon, alto, violoncelle
196
Violon, Violoncelle (duo)
161
Violon (partie séparée)
161
Violoncelle
138
2 Violons (duo)
130
Alto seul
117
Violon, Alto (duo)
112
Harpe
96
2 Violoncelles (duo)
69
Contrebasse (partie séparée)
69
Trio à Cordes: 2 violons, violoncelle
57
2 Altos (duo)
54
Violoncelle (partie séparée)
47
Contrebasse, Piano (duo)
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
44
4 Violoncelles
44
Alto (partie séparée)
42
Trio à cordes: 3 violins
37
Quatuor à cordes: 4 violons
35
Alto, Violoncelle (duo)
31
Contre Basse
28
Trio à Cordes: 3 violoncelles
27
Trio à cordes: 3 altos
26
Quatuor à cordes : 4 altos
23
Violoncelle, Contrebasse (duo)
22
Violon, Guitare (duo)
17
Piano Trio: Violon, Alto, Piano
16
Trio à Cordes: 2 violons, alto
16
Harpe, Flûte (duo)
14
Violon, Basson (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
Violoncelle , Guitare (duo)
11
Ensemble de Violons
10
Alto, Guitare (duo)
10
Harpe, Violon (duo)
9
2 Violons, Piano
9
Violoncelle, Orchestre
9
Ensemble d'Altos
9
Flûte, Contrebasse (duo)
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
2 Harpes (duo)
6
2 Violoncelles, Piano
6
4 Contrebasses
5
Harpe, Violoncelle (duo)
5
2 Contrebasses (duo)
5
2 Altos, Piano
4
Trio à cordes
3
Violon, Clarinette, Piano (trio)
3
Violon, Violoncelle, Clarinette
3
Violoncelle, Orgue
3
Harpe et Piano
3
3 Contrebasses
2
Alto et Harpe
2
Harpe, Trombone (duo)
2
Violon, Orgue
2
Alto et orchestre
2
Harpe et mandoline
1
Harpe, Violon, Violoncelle
1
Violoncelle, Basse continue
1
Violon, Basse continue
1
Harpe, Quatuor à cordes
1
Ensemble de Violoncelles
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 517
Orchestre
1 033
Orchestre à Cordes
1 004
Orchestre de chambre
369
Ensemble de cuivres
196
Fanfare
69
Percussion (partie séparée)
65
Cloches
57
Ensemble Jazz
46
Ensemble de Percussions
36
Timbales (partie séparée)
29
Batterie
17
Jazz combo
11
Marimba
10
Percussion
9
Vibraphone
8
Piano et Orchestre
7
Orchestre, Violon
6
Xylophone, Piano
5
Batterie (partie séparée)
4
Vibraphone et Marimba
3
Xylophone
2
2 Xylophones
2
Ensemble d'École
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Quintette à Vent
1
2 Caisses Claires (duo)
1
Vibraphone (partie séparée)
1
Voix Mezzo-Soprano, Orchestre
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Movement
2 Pianos, 4 mains
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75 partitions trouvées
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51
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
#
2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Muzio Clementi Sonatine Op. 36 No. 1 Second Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743883 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #190030...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743883 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900307. Published by Philip Kim (A0.743883). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 3rd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/5lqLu3VpCiE.
$7.00
Muzio Clementi Sonatine Op. 36 No. 4 Third Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743888 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 6 pages. Philip Kim #190043...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743888 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 6 pages. Philip Kim #1900431. Published by Philip Kim (A0.743888). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 2nd movements are uploaded separately as well as all 3 movements combined as a single file.
$7.00
F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No.
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #190...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #1900279. Published by Philip Kim (A0.743879). I wrote a second piano part for this lovely sonatine by Kulau for my students to introduce them to chamber music. I hope you enjoy them as well. There are 1st and 2nd movements also and are uploaded separately. I have also uploaded all 3 movements of this sonatine as a single download. Youtube link: https://youtu.be/tYugVedixf4.
$7.00
Muzio Clementi Sonatine Op. 36 No. 4 Second Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743887 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 5 pages. Philip Kim #190042...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743887 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 5 pages. Philip Kim #1900429. Published by Philip Kim (A0.743887). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 3rd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/7E9kW5jKRpQ.
$7.00
Muzio Clementi Sonatine Op. 36 No. 1 Third Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743884 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 4 pages. Philip Kim #190030...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743884 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 4 pages. Philip Kim #1900309. Published by Philip Kim (A0.743884). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 2nd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/rZAYONZHKRo.
$7.00
Beethoven - Piano Concerto No. 5 Op.73 Emperor - 1st Movement Liszt Arr.For 2 Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Ludwig van Beethoven
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poon
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Beethoven - Piano Concerto No.
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1401758 Composed by Ludwig van Beethoven. Arranged by poon. Classical. Score. 121 pages. Poon #984943. P...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1401758 Composed by Ludwig van Beethoven. Arranged by poon. Classical. Score. 121 pages. Poon #984943. Published by poon (A0.1401758). Beethoven - Piano Concerto No. 5 Op.73 Â in E-flat Major Emperor - 1st Movement Liszt Arr.For 2 Pianos - Score and Parts.
$2.99
Mozart - Divertimento in D major, K.136/125a - 1st movement for 4 hands
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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poon
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Mozart - Divertimento in D maj
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1336672 Composed by Wolfgang Amadeus Mozart. Arranged by poon. Classical. Score. 12 pages. Poon #922444....
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1336672 Composed by Wolfgang Amadeus Mozart. Arranged by poon. Classical. Score. 12 pages. Poon #922444. Published by poon (A0.1336672). Mozart - Divertimento in D major, K.136/125a - 1st movement for 4 hands.
$1.99
Suite for two Pianos, Op. 20, 2nd Movement, Acrobats
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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David Cundy
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Suite for two Pianos, Op. 20,
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David Cundy
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904544 Composed by David Cundy. Contemporary. Score and parts. 14 pages. David Cundy #3077...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904544 Composed by David Cundy. Contemporary. Score and parts. 14 pages. David Cundy #3077353. Published by David Cundy (A0.904544). Suite for two Pianos, Op. 20, 2nd Movement, Acrobats.
$3.99
Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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David Cundy
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Variations.
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Suite for two Pianos, Op. 20,
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David Cundy
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. David Cundy #3077...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. David Cundy #3077357. Published by David Cundy (A0.904977). Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations.
$3.99
Muzio Clementi Piano Sonatine Op. 36 No. 5 Complete Movements
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standards. Score. 21 ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standards. Score. 21 pages. Philip Kim #5773765. Published by Philip Kim (A0.743981). This is the complete 3 movements of Clementi's Op. 36 No. 5. I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. Complete and each separate movements are also uploaded.
$20.00
Sonata for Two Pianos in D Major, K. 448, Movement 2
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2 Pianos, 4 mains
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Classique
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Wolfgang Amadeus Mozart
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Joshua Choe
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Sonata for Two Pianos in D Maj
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - SKU: A0.1096728 Composed by Wolfgang Amadeus Mozart. Arranged by Joshua Choe. Classical. Score and parts. 58 pages. JMJ Arrangements #7...
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Full Orchestra - SKU: A0.1096728 Composed by Wolfgang Amadeus Mozart. Arranged by Joshua Choe. Classical. Score and parts. 58 pages. JMJ Arrangements #700721. Published by JMJ Arrangements (A0.1096728).
$29.99
Bridge of Reflections - Movement 3 Allegro
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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Taylor J Hawkins
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Taylor J Hawkins
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Bridge of Reflections - Moveme
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Taylor J Hawkins
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1237866 By Taylor J Hawkins. By Taylor J Hawkins. Arranged by Taylor J Hawkins. 21st Century. Score. 15 ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1237866 By Taylor J Hawkins. By Taylor J Hawkins. Arranged by Taylor J Hawkins. 21st Century. Score. 15 pages. Taylor J Hawkins #832236. Published by Taylor J Hawkins (A0.1237866).
$1.99
Brandenburg Concerto No. 3, Third Movement, for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Simm
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Brandenburg Concerto No. 3, Th
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.800634 Composed by Johann Sebastian Bach. Arranged by Richard Simm. Baroque,Classical. Score. 8 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.800634 Composed by Johann Sebastian Bach. Arranged by Richard Simm. Baroque,Classical. Score. 8 pages. Richard Simm #6714545. Published by Richard Simm (A0.800634). Bach's music often lends itself to performance by instruments other than the ones he specified. In this 2-piano transcription by Richard Simm, the wide range of a modern piano allows for an entertaining, even humorous, two-piano treatment of this wonderfully lively piece.
$8.95
Bridge of Reflections - Movement 2 Andante
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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Taylor J Hawkins
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Taylor J Hawkins
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Bridge of Reflections - Moveme
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Taylor J Hawkins
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1237865 By Taylor J Hawkins. By Taylor J Hawkins. Arranged by Taylor J Hawkins. 21st Century. Score. 8 p...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1237865 By Taylor J Hawkins. By Taylor J Hawkins. Arranged by Taylor J Hawkins. 21st Century. Score. 8 pages. Taylor J Hawkins #832231. Published by Taylor J Hawkins (A0.1237865).
$1.99
F. Kuhlau Sonatine Op. 20 No. 1 Second Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No.
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SheetMusicPlus
Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900269. Published by Philip Kim...
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Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900269. Published by Philip Kim
$7.00
Bridge of Reflections - Movement 1 Moderato
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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Taylor J Hawkins
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Taylor J Hawkins
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Bridge of Reflections - Moveme
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Taylor J Hawkins
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SheetMusicPlus
By Taylor J Hawkins. By Taylor J Hawkins. Arranged by Taylor J Hawkins. 21st Century. Score. 9 pages. Taylor J Hawkins #832228. Published by Taylor J ...
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By Taylor J Hawkins. By Taylor J Hawkins. Arranged by Taylor J Hawkins. 21st Century. Score. 9 pages. Taylor J Hawkins #832228. Published by Taylor J Hawkins
$1.99
Muzio Clementi Piano Sonatine Op. 36 No. 5 2nd movement for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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Philip Kim
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SheetMusicPlus
Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standa rds. Score. 6 pages. Philip Kim #5773193. Published by Philip Kim...
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Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standa rds. Score. 6 pages. Philip Kim #5773193. Published by Philip Kim
$7.00
Muzio Clementi Piano Sonatine Op. 36 No. 6 1st movement for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Methodes Etudes
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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SheetMusicPlus
Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 10 pages. Philip Kim #5769535. P...
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Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 10 pages. Philip Kim #5769535. Published by Philip Kim
$8.00
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