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ACCORDEON
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PIANO & CLAVIERS
Piano seul
1177
Piano Facile
170
Orgue
122
Piano, Voix
104
2 Pianos, 4 mains
38
Piano Trio: piano, violon, violoncelle
38
Piano, Voix et Guitare
32
1 Piano, 4 mains
31
Clavecin
22
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
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3
Orgue, Trompette (duo)
3
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2
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1
2 Pianos, 8 mains
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Fake Book
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1 Piano, 6 mains
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Guitare
94
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29
2 Guitares (duo)
11
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8
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4 Guitares (Quatuor)
4
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2
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2
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
268
Flûte traversière et Piano
187
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145
Clarinette et Piano
139
Quatuor de Clarinettes: 4 clarinettes
97
Hautbois, Piano (duo)
91
Flûte, Hautbois, Clarinette, Basson
82
Saxophone Alto et Piano
78
2 Flûtes traversières (duo)
67
Ensemble de saxophones
62
Saxophone Soprano et Piano
51
Flûte traversière
51
Ensemble de Clarinettes
41
Quatuor de Flûtes : 4 flûtes
39
Saxophone Tenor et Piano
35
2 Clarinettes (duo)
35
Quintette de Saxophone: 5 saxophones
34
Clarinette
34
2 Saxophones (duo)
28
2 Flûtes traversières, Piano
28
Flûte, Hautbois, Clarinette (trio)
28
Quintette de Clarinettes: 5 clarinettes
27
3 Clarinettes (trio)
27
Hautbois (partie séparée)
26
Saxophone Baryton, Piano
23
3 Saxophones (trio)
23
Ensemble de Flûtes
22
Clarinette Basse, Piano
20
Cor anglais, Piano
20
Clarinette (partie séparée)
19
Trio de Flûtes: 3 flûtes
19
Hautbois, Basson (duo)
16
Quintette de Flûte : 5 flûtes
16
Flûte, Violoncelle
13
Flûte, Clarinette (duo)
13
Flûte, Clarinette et Basson
13
2 Hautbois (duo)
12
3 Flûtes à bec (trio)
11
Saxophone Alto
10
Quatuor de Flûtes à bec
9
2 Flûte à bec (duo)
9
Flûte et Guitare
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Clarinette, Guitare (duo)
9
Flute (partie séparée)
8
Flûte, Alto (duo)
7
Flûte, Violon
7
Clarinette, Violoncelle (duo)
7
Clarinette et Alto
6
Flûte à bec Alto
6
2 Cors Anglais Et Pianoforte
6
Flûte, Hautbois, Basson
6
5 Flûtes à bec
5
Saxophone (partie séparée)
5
Clarinette, Basson (duo)
5
Cor Anglais
5
Flûte à bec Soprano
5
Flûte à bec Soprano, Piano
5
Saxophone et Orgue
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Saxophone Tenor
4
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4
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3
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Flute, harpe et violon
2
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2
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2
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2
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Saxophone
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Ocarina
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2
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1
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1
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1
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1
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1
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1
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Ensemble de Hautbois
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Flûte irlandaise
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Cor anglais et Harpe (duo)
1
Clarinette Basse
1
Hautbois, Flûte
1
Hautbois et Orchestre
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
145
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93
Quatuor de Cuivres : 2 trompettes, trombone, tuba
79
Trompette, Piano
66
Euphonium, Piano (duo)
65
Ensemble de Trompettes
43
Cor et Piano
42
Trompette
40
Tuba et Piano
37
Ensemble de Trombones
27
Trombone
22
Quatuor de cuivres: 4 trombones
21
Cor anglais, Piano
20
Trompette (partie séparée)
18
Quatuor de Cuivres
14
Trombone (partie séparée)
13
3 Trombones (trio)
12
2 Trompettes (duo)
11
Cor (partie séparée)
11
Cor
10
2 Cors (duo)
10
Quatuor de cuivres: 4 cors
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
2 Trombones (duo)
8
Ensemble de Cors
7
2 Euphoniums et 2 Tubas
7
4 Tubas
7
Tuba
7
2 Cors Anglais Et Pianoforte
6
2 Tubas (duo)
6
Tuba (partie séparée)
5
Cor Anglais
5
Trompette, Cor (duo)
5
Trombone basse
5
Quatuor de cuivres: 4 trompettes
4
Cor, Violoncelle (duo)
4
Trio de Cuivres
3
Trompette, Trombone (duo)
3
3 Tubas (trio)
3
Trombone, Orgue
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Tuba et Orgue
2
Trombone, violoncelle (duo)
2
3 Trompettes (trio)
2
Trompette, Tuba (duo)
2
3 Euphoniums
2
Euphonium
2
Euphonium, Tuba (duo)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
Trombone, Tuba (duo)
1
2 Euphoniums (duo)
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Cors (trio)
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Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
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Trompette, Violoncelle (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
618
Violon et Piano
225
Violoncelle, Piano
124
Alto, Piano
122
Violon
86
Trio à Cordes: violon, alto, violoncelle
69
Violoncelle
58
Violon, Violoncelle (duo)
34
Violon (partie séparée)
30
Violon, Alto (duo)
27
Harpe
25
2 Violons (duo)
24
2 Violoncelles (duo)
22
Alto (partie séparée)
19
2 Altos (duo)
18
Alto seul
17
Violoncelle, Contrebasse (duo)
15
Alto, Violoncelle (duo)
13
Contrebasse (partie séparée)
12
Contre Basse
10
Quatuor à cordes: 4 violons
9
Trio à cordes: 3 violins
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Contrebasse, Piano (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
Flûte, Contrebasse (duo)
7
Trio à Cordes: 2 violons, alto
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à Cordes: 3 violoncelles
5
Harpe, Flûte (duo)
5
Violoncelle (partie séparée)
5
4 Violoncelles
5
Alto, Guitare (duo)
5
Harpe, Violon (duo)
4
Violon, Guitare (duo)
4
Trio à cordes: 3 altos
4
Violon, Clarinette, Piano (trio)
3
Piano Trio: Violon, Alto, Piano
3
Violoncelle, Orgue
2
Violon, Violoncelle, Clarinette
2
Quatuor à cordes : 4 altos
2
Ensemble de Violons
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle, Orchestre
2
Ensemble d'Altos
2
2 Contrebasses (duo)
2
Violoncelle , Guitare (duo)
2
Harpe et Piano
1
2 Violons, Piano
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Alto et orchestre
1
Violoncelle, Basse continue
1
Violon, Basse continue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
800
Orchestre
456
Orchestre à Cordes
264
Orchestre de chambre
214
Ensemble de cuivres
88
Percussion (partie séparée)
14
Ensemble de Percussions
13
Cloches
11
Ensemble Jazz
8
Piano et Orchestre
7
Marimba
4
Vibraphone
4
Fanfare
3
Jazz combo
3
Timbales (partie séparée)
3
Batterie
2
2 Caisses Claires (duo)
1
Xylophone
1
Voix Mezzo-Soprano, Orchestre
1
Vibraphone et Marimba
1
Xylophone, Piano
1
Orchestre, Violon
1
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Partitions à imprimer
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26
Muzio Clementi Piano Sonatine Op. 36 No. 5 Complete Movements
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743981 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standards. Score. 21 pages. Philip Kim #5773765. Published by Philip Kim (A0.743981). This is the complete 3 movements of Clementi's Op. 36 No. 5. I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. Complete and each separate movements are also uploaded.
$20.00
18.32 €
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2 Pianos, 4 mains
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine Op. 36 No. 5 Complete Movements
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Philip Kim
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SheetMusicPlus
Spring Concerto: In Four Movements for Solo Piano with Piano Accompaniment - Piano Duo (2 Pianos, 4 Hands)
2 Pianos, 4 mains
Piano Duets and Four Hands - Digital Download Composed by Alexander Peskanov. Instructio…
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Piano Duets and Four Hands - Digital Download Composed by Alexander Peskanov. Instructional. 35 pages. Alfred Music - Digital Sheet Music #00-PB-0000894. Published by Alfred Music - Digital Sheet Music
$9.99
9.15 €
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2 Pianos, 4 mains
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Alexander Peskanov
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Spring Concerto: In Four Movements for Solo Piano with Piano Accompaniment - Piano Duo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concerto in C Major: In Three Movements for Solo Piano with Piano Accompaniment - Piano Duo (2 Pianos, 4 Hands)
2 Pianos, 4 mains
Composed by Catherine Rollin. Instructional. 32 pages. Alfred Music - Digital Sheet …
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Composed by Catherine Rollin. Instructional. 32 pages. Alfred Music - Digital Sheet Music #00-PS-0016234. Published by Alfred Music - Digital Sheet Music
$7.99
7.32 €
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2 Pianos, 4 mains
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Catherine Rollin
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Concerto in C Major: In Three Movements for Solo Piano with Piano Accompaniment - Piano Duo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concerto Romantique: In Three Movements for Solo Piano with Piano Accompaniment - Piano Duo (2 Pianos, 4 Hands)
2 Pianos, 4 mains
Composed by Catherine Rollin. Instructional. 48 pages. Alfred Music - Digital Sheet …
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Composed by Catherine Rollin. Instructional. 48 pages. Alfred Music - Digital Sheet Music #00-PS-0016204. Published by Alfred Music - Digital Sheet Music
$9.99
9.15 €
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2 Pianos, 4 mains
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Catherine Rollin
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Concerto Romantique: In Three Movements for Solo Piano with Piano Accompaniment - Piano Duo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concertante in G Major: In Three Movements for Solo Piano with Piano Accompaniment - Piano Duo (2 Pianos, 4 Hands)
2 Pianos, 4 mains
Composed by Dennis Alexander. Instructional. 40 pages. Alfred Music - Digital Sheet …
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Composed by Dennis Alexander. Instructional. 40 pages. Alfred Music - Digital Sheet Music #00-PS-0016205. Published by Alfred Music - Digital Sheet Music
$8.99
8.24 €
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2 Pianos, 4 mains
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Dennis Alexander
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Concertante in G Major: In Three Movements for Solo Piano with Piano Accompaniment - Piano Duo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concerto in Classical Style: In Three Movements for Solo Piano with Piano Accompaniment - Piano Duo (2 Pianos, 4 Hands)
2 Pianos, 4 mains
Piano Duets & Four Hands - Digital Download Composed by Martha Mier. Instructiona…
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Piano Duets & Four Hands - Digital Download Composed by Martha Mier. Instructional. 24 pages. Alfred Music - Digital Sheet Music #00-PS-0016207. Published by Alfred Music - Digital Sheet Music
$6.99
6.4 €
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2 Pianos, 4 mains
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Martha Mier
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Concerto in Classical Style: In Three Movements for Solo Piano with Piano Accompaniment - Piano Duo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Symphony in Three Movements
2 Pianos, 4 mains
Arranged for 2 pianos by Richard Rijnvos (2017). Composed by Igor Stravinsky (1882-1…
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Arranged for 2 pianos by Richard Rijnvos (2017). Composed by Igor Stravinsky (1882-1971). Arranged by Richard Rijnvos. This edition: single sheet. Downloadable. Duration 24 minutes. Schott Music - Digital #Q48905. Published by Schott Music - Digital
$34.99
32.06 €
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2 Pianos, 4 mains
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Igor Stravinsky (1882-1971)
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Richard Rijnvos
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Symphony in Three Movements
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Schott Music - Digital
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SheetMusicPlus
Sonata for Two Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.835952 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published by Gary Smoke (A0.835952). In three movements: the first (an allegro) is somewhat inspired in feel and scope by Mozart's Sonata for Two pianos; the second movement (subtitled Lullaby) is a slow and lyrical; and, the third movement is fast, highly chromatic and fairly aggressive.The starting times for the movements on the mp3 file: 1) 0:00; 2) 5:33; 3) 10:05. The total time for performance is ca. 15:30This is a MIDI perfomance (Piano1 is in right channel, Piano 2 in the left channel).
$25.00
22.9 €
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2 Pianos, 4 mains
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Gary R
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Sonata for Two Pianos
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Gary Smoke
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SheetMusicPlus
Muzio Clementi Sonatine Op. 36 No. 1 Second Movement for 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743883 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743883 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900307. Published by Philip Kim (A0.743883). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 3rd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/5lqLu3VpCiE.
$7.00
6.41 €
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2 Pianos, 4 mains
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Muzio Clementi
#
Philip Kim
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Muzio Clementi Sonatine Op. 36 No. 1 Second Movement for 2 Pianos
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Philip Kim
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SheetMusicPlus
Muzio Clementi Sonatine Op. 36 No. 4 Third Movement for 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743888 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743888 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 6 pages. Philip Kim #1900431. Published by Philip Kim (A0.743888). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 2nd movements are uploaded separately as well as all 3 movements combined as a single file.
$7.00
6.41 €
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2 Pianos, 4 mains
#
Muzio Clementi
#
Philip Kim
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Muzio Clementi Sonatine Op. 36 No. 4 Third Movement for 2 Pianos
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Philip Kim
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SheetMusicPlus
F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #1900279. Published by Philip Kim (A0.743879). I wrote a second piano part for this lovely sonatine by Kulau for my students to introduce them to chamber music. I hope you enjoy them as well. There are 1st and 2nd movements also and are uploaded separately. I have also uploaded all 3 movements of this sonatine as a single download. Youtube link: https://youtu.be/tYugVedixf4.
$7.00
6.41 €
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2 Pianos, 4 mains
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
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Philip Kim
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SheetMusicPlus
Muzio Clementi Sonatine Op. 36 No. 4 Second Movement for 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743887 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743887 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 5 pages. Philip Kim #1900429. Published by Philip Kim (A0.743887). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 3rd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/7E9kW5jKRpQ.
$7.00
6.41 €
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2 Pianos, 4 mains
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36 No. 4 Second Movement for 2 Pianos
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Philip Kim
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SheetMusicPlus
Muzio Clementi Sonatine Op. 36 No. 1 Third Movement for 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743884 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743884 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 4 pages. Philip Kim #1900309. Published by Philip Kim (A0.743884). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 2nd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/rZAYONZHKRo.
$7.00
6.41 €
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2 Pianos, 4 mains
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36 No. 1 Third Movement for 2 Pianos
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Philip Kim
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
Piano Quintet in A minor
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
4.57 €
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2 Pianos, 4 mains
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
Concertino in A minor for Intermediate Piano
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1434472 By Sibylle…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1434472 By Sibylle Kuder. By Sibylle Kuder. Arranged by Sibylle Kuder. Classical,Contest,Festival,Instructional,Romantic Period,Traditional. Score. 19 pages. Sibylle Kuder #1014633. Published by Sibylle Kuder (A0.1434472). Concertino in three movements, Level 6-7.
$9.99
9.15 €
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2 Pianos, 4 mains
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Sibylle Kuder
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Sibylle Kuder
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Concertino in A minor for Intermediate Piano
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Sibylle Kuder
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SheetMusicPlus
Mahler - Symphony No. 7, IV. Nachtmusik
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389354 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389354 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 49 pages. Barry Mortichesky #972937. Published by Barry Mortichesky (A0.1389354). Part of a long-term project to arrange the entire Mahler cycle, all 11 symphonic works, to only two pianos on four hands. This is my version of the fourth of five movements, the second of two Nachtmusik andantes, from Mahler's Seventh Symphony.
$15.00
13.74 €
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2 Pianos, 4 mains
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, IV. Nachtmusik
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Barry Mortichesky
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SheetMusicPlus
Mahler - Symphony No. 7, II. Nachtmusik
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389349 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389349 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 59 pages. Barry Mortichesky #972932. Published by Barry Mortichesky (A0.1389349). This is my version of the second of five movements, the first of two Nachtmusik andantes, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
13.74 €
#
2 Pianos, 4 mains
#
Gustav Mahler
#
Barry Mortichesky
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Mahler - Symphony No. 7, II. Nachtmusik
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Barry Mortichesky
#
SheetMusicPlus
Mahler - Symphony No. 7, III. Scherzo
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389350 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389350 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 69 pages. Barry Mortichesky #972933. Published by Barry Mortichesky (A0.1389350). This is my version of the third of five movements, the Scherzo, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
13.74 €
#
2 Pianos, 4 mains
#
Gustav Mahler
#
Barry Mortichesky
#
Mahler - Symphony No. 7, III. Scherzo
#
Barry Mortichesky
#
SheetMusicPlus
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