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PIANO & CLAVIERS
Piano seul
530
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396
Piano, Voix
290
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275
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160
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64
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37
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21
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19
1 Piano, 4 mains
18
Piano (partie séparée)
8
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
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Piano Quatuor: piano, violon, alto, violoncelle
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Clavecin
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GUITARES
Guitare
57
Guitare notes et tablatures
46
Ligne De Mélodie, (Paroles) et Accords
28
Ukulele
21
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17
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8
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5
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3
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3
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2
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2
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1
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VOIX
Chorale SATB
126
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48
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26
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20
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16
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14
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14
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12
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8
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3
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2
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1
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1
Voix Tenor, Piano
1
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1
Voix duo
1
Voix, Guitare
1
Voix Tenor
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VENTS
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203
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155
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132
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108
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105
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103
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97
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91
Saxophone
90
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82
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80
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76
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75
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68
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58
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52
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41
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31
2 Clarinettes (duo)
28
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26
Saxophone Soprano et Piano
25
Flûte à Bec
21
Saxophone Tenor
19
2 Hautbois (duo)
19
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16
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16
3 Saxophones (trio)
16
Hautbois
15
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14
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14
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11
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11
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9
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9
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9
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9
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8
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6
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6
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5
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4
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4
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4
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3
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3
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3
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3
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3
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Piccolo
2
Saxophone Baryton
2
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2
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1
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1
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CUIVRES
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145
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117
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Cor et Piano
33
Cor
33
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31
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26
Tuba et Piano
25
Tuba
23
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22
2 Trombones (duo)
21
Trompette, Trombone (duo)
19
2 Cors (duo)
17
2 Tubas (duo)
15
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11
Euphonium
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Cor anglais, Piano
6
Trompette, Saxophone (duo)
6
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5
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CORDES
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179
Violon
160
Violon et Piano
128
Violoncelle (partie séparée)
125
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118
Alto, Piano
95
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72
Alto seul
65
Contre Basse
39
Violoncelle
33
Violon (partie séparée)
33
2 Violons (duo)
28
Contrebasse, Piano (duo)
27
Harpe
26
Violon, Violoncelle (duo)
25
2 Altos (duo)
23
2 Violoncelles (duo)
19
Violon, Alto (duo)
18
Trio à Cordes: violon, alto, violoncelle
15
2 Contrebasses (duo)
14
Contrebasse (partie séparée)
12
Alto (partie séparée)
11
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Trio à Cordes: 2 violons, violoncelle
8
4 Violoncelles
3
Violoncelle, Contrebasse (duo)
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
4 Contrebasses
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Violoncelle , Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
193
Orchestre
69
Orchestre à Cordes
29
Ensemble de cuivres
22
Percussion (partie séparée)
20
Orchestre de chambre
17
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11
Xylophone
9
Jazz combo
9
Xylophone, Piano
9
Batterie
6
2 Xylophones
5
Cloches
5
Ensemble de Percussions
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
4
Timbales (partie séparée)
2
Fanfare
2
Quintette de Cuivres: autres combinaisons
1
Instrumentation Flexible
1
Percussion
1
Timbales
1
Marimba
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AUTRES
Vous avez sélectionné:
On ira
2 Pianos, 4 mains
Partitions à imprimer
3 partitions trouvées
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Children on the Beach (for 2 Pianos)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru …
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages. TAKeru Hirabayashi #744883. Published by TAKeru Hirabayashi (A0.1144550). The notes in the treble register represent splashing waves. After the lilting melody begins in the middle register, the children's play intensifies, culminating in the fortissimo at bar 19. The recapitulation section follows and at 39 their parents call them back home. The waves there continue to crash on the shore, and in the coda, both pianists play the sound of splashing waves.
$12.00
11.09 €
#
2 Pianos, 4 mains
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Takeru Hirabayashi
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Children on the Beach
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TAKeru Hirabayashi
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.44 €
#
2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Swanee
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Po…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
11.09 €
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2 Pianos, 4 mains
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Paul Posnak & Anita Castiglione
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Paul Posnak
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Swanee
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Paul Posnak
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SheetMusicPlus
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