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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One
Non classifié
61 171
Piano & claviers
Piano seul
18 823
Piano, Voix et Guitare
10 400
Piano, Voix
8 456
Piano Facile
6 265
Accompagnement Piano
1 835
Instruments en Do
1 734
Orgue
1 220
1 Piano, 4 mains
756
Piano grosses notes
463
Piano (partie séparée)
264
Accordéon
255
Piano Trio: piano, violon, violoncelle
235
2 Pianos, 4 mains
157
Orgue, Trompette (duo)
89
Piano Quatuor: piano, 2 violons, violoncelle
71
Piano Quatuor: piano, violon, alto, violoncelle
61
1 Piano, 6 mains
41
Orgue, Piano (duo)
41
Piano Quintette: piano, 2 violons, alto, violoncelle
36
Ligne De Mélodie, Piano
30
Clavecin
24
Clavier
18
2 Pianos, 8 mains
17
Instrument seul et Orgue
7
Accordéon, Voix
5
2 Accordéons
3
3 Pianos
2
Ensemble d'Accordéons
2
2 Orgues (duo)
2
Accordéon et Orchestre
2
Concertina
2
Piano Trio: Instruments de chambre mixtes
1
Orgue, Voix
1
Orgue et Orchestre
1
Accordéon, Piano
1
+ 30 instrumentations
Retracter
Guitares
Guitare notes et tablatures
5 490
Ligne De Mélodie, (Paroles) et Accords
3 096
Guitare
2 028
Paroles et Accords
1 726
Basse electrique
1 255
Ukulele
1 109
Guitare (partie séparée)
484
Ukulele Baryton
326
2 Guitares (duo)
168
Dulcimer
84
Mandoline
79
4 Guitares (Quatuor)
78
Banjo
76
Piano, Guitare (duo)
64
Ensemble de guitares
37
3 Guitares (trio)
35
Basse électrique (partie séparée)
17
2 Dulcimers (duo)
13
Mandoline, Piano (duo)
11
Partitions De Groupes
9
Guitare Pedal Steel
9
Guitare, Violon, Violoncelle (trio)
7
Mandoline, Guitare (duo)
7
Ensemble de Ukulélés
7
2 Ukuleles
6
Dobro
3
2 Mandolines (duo)
3
Guitare Tab, Voix, Basse, Batterie
3
Orchestre à Plectres
1
Guitare, Orchestre
1
+ 25 instrumentations
Retracter
Voix
Chorale SATB
8 432
Pack Instrumental pour Chorale
3 660
Chorale 3 parties
2 892
Chorale TTBB
2 075
Chorale 2 parties
1 951
Chorale SSAA
1 050
Chorale Unison
863
Voix seule
845
Voix Baryton, Piano
596
Voix duo, Piano
559
Voix duo
334
Chorale
303
Voix Soprano, Piano
229
Voix haute
150
Voix Alto, Piano
133
Voix Tenor, Piano
131
Voix moyenne, Piano
73
Voix basse, Piano
65
Chorale SSAATTBB
35
Voix Mezzo-Soprano, Piano
26
Voix, Guitare
25
Soli, choeur mixte et accompagnement
22
Voix Tenor
19
Voix Baryton
19
Chorale SSATB
18
Voix basse
16
Chorale SSATTB
14
Chorale SSAB a cappella
12
Voix Soprano
12
Chorale SSAB, Piano
11
Chorale SSATBB
7
Voix d'Enfants
4
Chorale SATBB
3
Chorale, Orchestre
2
Male Voice
2
Chorale SATTB
2
Chorale SSAATB
1
Chorale SATTBB, Clavier
1
Chorale, Orgue
1
Voix Soprano, Orchestre
1
Chorale SAATB A Cappella
1
Voix Moyenne
1
Chorale SSAATB A Cappella
1
+ 38 instrumentations
Retracter
Vents
Saxophone (partie séparée)
26 496
Saxophone
18 238
Saxophone Alto
12 902
Saxophone Tenor
11 321
Quatuor de Saxophones: 4 saxophones
11 218
Saxophone Alto et Piano
7 587
2 Saxophones (duo)
6 985
Saxophone Tenor et Piano
5 546
Saxophone Soprano et Piano
3 343
Quintette de Saxophone: 5 saxophones
2 896
3 Saxophones (trio)
2 401
Flûte traversière et Piano
2 109
Flûte, Hautbois, Clarinette, Basson
2 086
Flûte traversière
1 673
Clarinette
1 514
Saxophone Baryton, Piano
1 513
Saxophone Soprano
1 377
Clarinette et Piano
1 369
Ensemble de saxophones
1 354
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 292
Hautbois, Piano (duo)
1 114
Quatuor de Clarinettes: 4 clarinettes
1 020
2 Flûtes traversières (duo)
982
2 Clarinettes (duo)
805
Saxophone, Clarinette (duo)
673
Clarinette (partie séparée)
622
Hautbois (partie séparée)
499
Quatuor de Flûtes : 4 flûtes
422
Instruments en Mib
414
Saxophone Baryton
401
Flute (partie séparée)
400
Flûte, Clarinette (duo)
394
Clarinette, Violon (duo)
348
Ensemble de Clarinettes
337
Flûte à bec Soprano
304
Ocarina
303
Clarinette, Trompette (duo)
279
Hautbois
271
Flûte, Saxophone (duo)
270
2 Hautbois (duo)
262
Hautbois, Basson (duo)
252
Saxophone et Guitare
243
Ensemble de Flûtes
240
2 Saxophones, Piano
237
3 Clarinettes (trio)
231
Flûte à bec Alto
221
Quintette de Clarinettes: 5 clarinettes
219
Hautbois, Clarinette (duo)
216
Flûte et Guitare
215
Saxophone et Piano
209
Flûte, Violon
185
2 Flûte à bec (duo)
185
Flûte, Trombone (duo)
181
Clarinette et Alto
179
Cor anglais, Piano
161
Hautbois, Flûte
158
Trio de Flûtes: 3 flûtes
158
Flûte, Alto (duo)
146
Flûte, Trompette (duo)
128
Flûte à Bec
123
Flûte, Violon, Piano
123
Clarinette, Trombone (duo)
119
Saxophone, Violon (duo)
110
Clarinette Basse, Piano
110
Quatuor de Flûtes à bec
108
Clarinette, Guitare (duo)
82
Quintette de Flûte : 5 flûtes
79
Clarinette, Basson (duo)
64
Saxophone et Orgue
63
Harmonica
62
Flûte, Hautbois, Clarinette (trio)
60
Flûte, Clarinette et Basson
55
Flûte, Hautbois (duo)
55
Flûte, Violoncelle
54
Hautbois, Violoncelle
53
3 Flûtes à bec (trio)
53
Clarinette, Violoncelle (duo)
52
Hautbois, Clarinette, Basson (trio d'anches)
52
Saxophone, Basson (duo)
49
Hautbois, trombone (duo)
48
Cor Anglais
46
Saxophone et Harpe
44
Ensemble De Flûte à bec
43
Flûte à bec Alto, Piano
42
2 Flûtes traversières, Piano
40
5 Flûtes à bec
36
Saxophone et violoncelle
34
Flûte, Hautbois, Basson
29
Hautbois, Guitare (duo)
26
Cor anglais, Guitare (duo)
25
Ensemble à vent
24
Flûte, Violoncelle, Piano (trio)
23
Flûte à bec Soprano, Piano
22
Piccolo
22
Piccolo, Piano
22
Clarinette Basse
21
Hautbois, violon (duo)
21
Flûte à bec Tenor
19
Flûte, Clarinette, Cor, Basson (Quartet)
19
Flûte, Clarinette, Piano (trio)
18
Flûte, Hautbois, Piano (trio)
18
4 Hautbois
17
Flûte, Violon et Violoncelle
17
Saxophone et Orchestre
15
2 Clarinettes, Piano
14
Flûte, Basson et Piano
14
3 Hautbois
14
Clarinette, Violoncelle, Piano (trio)
13
Flûte, Alto et Piano
9
Clarinette, Harpe (duo)
9
Flûte à Bec, Piano
9
Saxophone, Tuba (duo)
9
Flute, harpe et violon
9
Hautbois et alto (duo)
8
2 Clarinettes, Basson
8
Clarinette, Orgue
7
Clarinette, Basson, Piano (trio)
6
Flûte et Trio à cordes
6
Flûte traversière, Orgue (duo)
6
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
5
Flûte irlandaise
5
Hautbois, Harpe
5
Flûte traversière, Basse continue
4
Flûte, Clarinette, Violon (trio)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte à bec, Guitare (duo)
4
2 Cors Anglais Et Pianoforte
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Clarinette, Saxophone, Piano
3
Flûte, Harpe et Violoncelle
3
Clarinette, Tuba
3
Flûte, trombone et piano
3
Harmonica, Piano
3
Hautbois, Violon, Piano
2
Flûte, Hautbois, Violon
2
Clarinette, trompette et piano
2
Flûte, Guitare, Piano
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
2 Hautbois et Cor anglais
2
Flûte, alto et harpe
2
Flûte de Pan
2
Cornemuse
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Violoncelle et Piano
1
Hautbois et Orchestre
1
Hautbois, Basson et Piano
1
Flûte, Violoncelle, Guitare
1
Melodica
1
Clarinette, Orchestre
1
Ensemble de Hautbois
1
Flute, Cor (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Tuba (duo)
1
Flûte à bec Alto, Basse continue
1
2 Flûtes, Basse continue
1
2 Hautbois et Basson
1
Hautbois, Clarinette et Piano (Trio)
1
2 Flûtes à bec, Guitare
1
+ 153 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
18 496
Trombone
15 508
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10 317
Trombone et Piano
6 116
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4 492
2 Trombones (duo)
2 742
Trompette
1 872
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 862
Quatuor de Cuivres
1 771
Quatuor de cuivres: 4 trombones
1 472
Trompette, Trombone (duo)
1 458
Trompette (partie séparée)
1 456
Trompette, Piano
997
Cor et Piano
750
Cor
658
Trompette, Saxophone (duo)
651
Trio de Cuivres
615
Bass Clef Instruments
531
Ensemble de Trombones
502
3 Trombones (trio)
490
Instruments en Sib
470
2 Trompettes (duo)
399
Cor (partie séparée)
389
Tuba ou Euphonium ou Saxhorn
381
Tuba
368
Tuba et Piano
365
Tuba (partie séparée)
299
Euphonium, Piano (duo)
288
Trombone basse et Piano
281
Trombone, Tuba (duo)
231
2 Cors (duo)
173
Cor anglais, Piano
161
Ensemble de Trompettes
153
Trombone, violoncelle (duo)
140
Trompette, Cor (duo)
132
Euphonium
130
Trombone, Cor (duo)
126
Trombone basse
123
Quatuor de cuivres: 4 cors
120
Quatuor de cuivres: 2 trompettes, 2 trombones
114
2 Euphoniums et 2 Tubas
104
Trombone, Violon (duo)
93
2 Tubas (duo)
74
Trompette, Basson (duo)
74
Trombone, Orgue
62
4 Tubas
54
Ensemble de Cors
54
Trompette, Trombone, Piano
50
Cor Anglais
46
Quatuor de cuivres: 4 trompettes
43
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
2 Trombones, Piano
42
3 Trompettes (trio)
35
Euphonium, Tuba (duo)
30
2 Euphoniums (duo)
30
Trombone, Alto (duo)
28
Cor, Violoncelle (duo)
26
Cor anglais, Guitare (duo)
25
Tuba et Orgue
22
Cor, Trompette, Trombone (trio)
20
Trompette, Violoncelle (duo)
18
Cor et Basson (duo)
15
2 Trompettes, Clavier (piano ou orgue)
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Trompette, Tuba (duo)
14
3 Cors (trio)
13
3 Tubas (trio)
12
Instruments en Fa
10
Cor, Tuba (duo)
8
Trombone et orchestre
8
Trompette, Euphonium (duo)
8
Trompette, Violoncelle et Piano
7
Cornet A Pistons
7
Cor et Orgue
6
Trompette et Guitare
5
3 Euphoniums
5
Trompette, Harpe
4
Clarinette, Cor (duo)
4
2 Cors Anglais Et Pianoforte
4
Cor et Harpe
3
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Trompette, violon (duo)
2
Euphonium Ou Saxhorn Et Piano
2
Trompette, Orchestre
2
Ensemble de Tubas
2
2 Cors, Piano
1
Euphonium (partie séparée)
1
Cornet et orchestre
1
Cornet et Piano
1
+ 84 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4 637
Violon
2 155
Violon et Piano
2 088
Violoncelle, Piano
1 420
Violoncelle
1 333
Alto, Piano
1 194
Violon, Violoncelle (duo)
1 033
Harpe
998
Alto seul
830
Trio à Cordes: violon, alto, violoncelle
748
2 Violons (duo)
646
2 Violoncelles (duo)
500
Contrebasse (partie séparée)
489
Violon (partie séparée)
472
Violon, Alto (duo)
471
Quintette à cordes: 2 violons, alto, violoncelle, basse
382
2 Altos (duo)
348
Contre Basse
296
Alto (partie séparée)
270
Contrebasse, Piano (duo)
270
Trio à Cordes: 2 violons, violoncelle
231
Alto, Violoncelle (duo)
149
Piano Trio: Violon, Alto, Piano
131
4 Violoncelles
127
Violoncelle (partie séparée)
117
Violon, Guitare (duo)
110
Trio à cordes: 3 violins
84
2 Harpes (duo)
71
2 Contrebasses (duo)
65
Violoncelle , Guitare (duo)
62
Trio à Cordes: 3 violoncelles
61
Harpe, Flûte (duo)
59
Trio à cordes: 3 altos
45
Violoncelle, Contrebasse (duo)
43
Alto, Guitare (duo)
42
Quatuor à cordes: 4 violons
40
Quatuor à cordes : 4 altos
38
Violon, Basson (duo)
37
Harpe, Violon (duo)
35
Harpe, Voix
31
Trio à cordes
31
Trio à Cordes: 2 violons, alto
25
Ensemble de Violons
24
Alto et Basson
23
Ensemble d'Altos
21
Quintette à cordes: 2 violons, 2 altos, violoncelle
21
Alto et Harpe
21
Harpe, Violoncelle (duo)
19
Harpe, Trombone (duo)
15
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
Violoncelle, Orgue
11
Flûte, Contrebasse (duo)
11
Violon, Orgue
10
Ensemble de Violoncelles
9
Harpe et mandoline
9
2 Violons, Piano
9
Violoncelle, Orchestre
7
Harpe (partie séparée)
7
Violon, Clarinette, Piano (trio)
6
4 Contrebasses
6
Harpe, Violon, Violoncelle
6
3 Harpes
4
Autoharp
4
Harpe et Piano
3
5 Harpes
2
2 Violoncelles, Piano
2
Violoncelle, Basse continue
2
Violon, Basse continue
2
3 Contrebasses
2
Alto et orchestre
2
Violon, Trompette et Piano
2
4 Harpes
1
Violon, Tuba (duo)
1
Alto, Orgue
1
Harpe, Quatuor à cordes
1
Harpe, Orchestre
1
+ 71 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
24 452
Ensemble Jazz
5 438
Fanfare
4 252
Orchestre
2 970
Ensemble de cuivres
2 439
Orchestre à Cordes
1 929
Cloches
887
Batterie
828
Jazz combo
787
Orchestre de chambre
745
Xylophone
524
Ensemble de Percussions
394
Percussion (partie séparée)
385
Batterie (partie séparée)
333
Percussion
195
Xylophone, Piano
156
Marimba
81
2 Xylophones
63
Vibraphone
49
Timbales (partie séparée)
48
Xylophone (partie séparée)
35
Quintette de Cuivres: autres combinaisons
22
Timbales
15
Piano et Orchestre
13
Xylophone ou Marimba ou Vibraphone
12
Big band
12
Quintette à Vent
11
Ensemble d'École
11
Instrumentation Flexible
7
Caisse Claire
6
Orchestre, Violon
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Quatuor à Vent : 4 instruments à vents
3
Marimba ou Xylophone et Piano
3
3 Marimbas
3
2 Marimbas
3
Marimba, Piano (duo)
3
Vibraphone et Marimba
3
Bongos
2
Orchestre Symphonique
2
Marimba et Orgue
2
Cajon
2
Vibraphone (partie séparée)
1
Marimba, Saxophone (duo)
1
Batterie-Fanfare
1
2 Percussions
1
Bodhran
1
3 Percussions
1
+ 43 instrumentations
Retracter
Autres
Papeterie
33
Formation musicale - Solfège
12
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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2 Pianos, 4 mains
Partitions à imprimer
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Wild Mignonette (Gurlitt) for 2 pianos (additional piano part by Simon Peberdy)
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2 Pianos, 4 mains
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FACILE
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C
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Simon Peberdy
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Wild Mignonette
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757062 Composed by C. Gurlitt. Arranged by Simon Peberdy. Children,Classical,Instructional,Standards. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757062 Composed by C. Gurlitt. Arranged by Simon Peberdy. Children,Classical,Instructional,Standards. Score. 5 pages. Simon Peberdy #3689667. Published by Simon Peberdy (A0.757062). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 3 arranged by Simon Peberdy, a third book of arrangements in a series of 5.Video fo all of Book 3: https://youtu.be/7BugdfBm_2YFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Alone
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Marshmello
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JoLaYo
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Alone
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Josiah Yowell
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4791595. Published by Josiah Yowell (A0.891220). This is a 2 Piano arrangement of the popular song Alone written by Marshmello. In addition to the full score (both piano parts side-by-side), there is an individual copy of each piano part included in the arrangement. This way, you only have to make one copy and you won't have to make as many page turns. Also, you can even have the option of playing the Piano 1 part as a solo arrangement!As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements!Email me at: sebbyomusic@gmail.com
$4.99
Game Of Thrones
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Film/TV
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Various
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poon
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Game Of Thrones
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1119867 By Various. By Ramin Djawadi. Arranged by poon. Film/TV,Pop. Score. 5 pages. Poon #721212. Publi...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1119867 By Various. By Ramin Djawadi. Arranged by poon. Film/TV,Pop. Score. 5 pages. Poon #721212. Published by poon (A0.1119867). Game of Thrones,4hands,Piano Duet Sheet.
$4.99
One Handed Trio #4
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Tom Rule
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One Handed Trio #4
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MaconMacMusicGuy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812....
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Someone In The Crowd
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2 Pianos, 4 mains
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Film/TV
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Comédie Musicale
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Emma Stone, Callie Hernandez,
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Someone In The Crowd
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Hal Leonard - PNODT - Film/TV,Musical/Show - Hal Leonard - Digital Sheet Music
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SheetMusicPlus
From the movie 'La La Land'. By Emma Stone, Callie Hernandez, Sonoya Mizuno & Jessica Rothe, Justin Hurwitz, Justin Paul, Benj Pasek, Brent Edstrom. This...
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From the movie 'La La Land'. By Emma Stone, Callie Hernandez, Sonoya Mizuno & Jessica Rothe, Justin Hurwitz, Justin Paul, Benj Pasek, Brent Edstrom. This edition: Interactive Download. Film/TV, Musical/Show. PNODT. 7 pages. Published by Hal Leonard - PNODT - Film/TV,Musical/Show - Hal Leonard - Digital Sheet Music
$4.99
The Lone Nightingale - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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Methodes
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Beatrice A
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The Lone Nightingale - Piano D
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano Duets & Four Hands - SKU: AX.00-PB-0000829 Composed by Beatrice A. Miller. Instructional. 7 pages. Alfred Music - Digital Sheet Music #00-PB-00008...
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Piano Duets & Four Hands - SKU: AX.00-PB-0000829 Composed by Beatrice A. Miller. Instructional. 7 pages. Alfred Music - Digital Sheet Music #00-PB-0000829. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000829). UPC: 038081135298.
$4.95
Game Of Thrones
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Film/TV
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Ramin Djawadi
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Shuya Liu
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Game Of Thrones
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Shuya
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SheetMusicPlus
Composed by Ramin Djawadi. Arranged by Shuya Liu. Film/TV. Score. 9 pages. Shuya #314495. Published by Shuya...
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Composed by Ramin Djawadi. Arranged by Shuya Liu. Film/TV. Score. 9 pages. Shuya #314495. Published by Shuya
$10.99
The Lonely Carousel - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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Methodes
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Beatrice A
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The Lonely Carousel - Piano Du
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano Duets & Four Hands - SKU: AX.00-PB-0000803 Composed by Beatrice A. Miller. Instructional. 4 pages. Alfred Music - Digital Sheet Music #00-PB-00008...
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Piano Duets & Four Hands - SKU: AX.00-PB-0000803 Composed by Beatrice A. Miller. Instructional. 4 pages. Alfred Music - Digital Sheet Music #00-PB-0000803. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000803). UPC: 038081150086.
$3.95
The Finale from “The Firebird” Suite (1919 Version) - Piano Duet: One Piano, Four Hands
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Igor Stravinsky, Igor Strawi
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Rob Bushnell
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The Finale from “The Firebir
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SheetMusicPlus
By Igor Stravinsky, Igor Strawinsky. Arranged by Rob Bushnell. Piano Reduction, Set of Parts. 10 pages. Published by RBMusic ...
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By Igor Stravinsky, Igor Strawinsky. Arranged by Rob Bushnell. Piano Reduction, Set of Parts. 10 pages. Published by RBMusic
$8.49
Soon-Ah Will Be Done--Duo Piano
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Marilyn Thompson
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Soon-Ah Will Be Done--Duo Pian
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Marilyn Thompson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809460 Composed by Traditional. Arranged by Marilyn Thompson. Christian,Folk,Sacred,Spiritual. Score. 9 ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809460 Composed by Traditional. Arranged by Marilyn Thompson. Christian,Folk,Sacred,Spiritual. Score. 9 pages. Marilyn Thompson #5984991. Published by Marilyn Thompson (A0.809460). Spirited duo piano setting for church, school or recital of the lively spiritual. Advanced intermediate level. Optional score and orchestral parts available on separate posts. For Further information, please contact marilyn@www. mtmusicministries.comASCAP, Facebook, LinkedIn.
$4.99
Someone You Loved
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Pop musique
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Lewis Capaldi
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Harvus Sylvain
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Someone You Loved
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sylvain harvus
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1334255 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barn...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1334255 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Harvus Sylvain. Pop. Score. 6 pages. Sylvain harvus #920493. Published by sylvain harvus (A0.1334255).
$8.00
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Publ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spir...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
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