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CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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9
Partitions
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123
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100
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24 366
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
32679
PIANO & CLAVIERS
Piano seul
11943
Piano, Voix
4770
Piano, Voix et Guitare
4383
Piano Facile
3518
Accompagnement Piano
1540
Instruments en Do
1192
Orgue
912
1 Piano, 4 mains
484
Piano grosses notes
225
Piano Trio: piano, violon, violoncelle
200
Accordéon
152
2 Pianos, 4 mains
123
Piano (partie séparée)
118
Piano Quatuor: piano, 2 violons, violoncelle
59
Piano Quatuor: piano, violon, alto, violoncelle
49
Orgue, Trompette (duo)
43
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Orgue, Piano (duo)
28
1 Piano, 6 mains
19
Clavecin
16
2 Pianos, 8 mains
8
Clavier
7
Ligne De Mélodie, Piano
5
Accordéon et Orchestre
2
2 Accordéons
2
Ensemble d'Accordéons
2
Concertina
1
Accordéon, Piano
1
Accordéon, Voix
1
Orgue et Orchestre
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
2572
Ligne De Mélodie, (Paroles) et Accords
1331
Guitare
1233
Paroles et Accords
932
Basse electrique
586
Ukulele
566
Guitare (partie séparée)
226
Ukulele Baryton
179
2 Guitares (duo)
129
Dulcimer
65
4 Guitares (Quatuor)
62
Piano, Guitare (duo)
49
Mandoline
47
Banjo
41
3 Guitares (trio)
30
Ensemble de guitares
28
2 Dulcimers (duo)
10
Partitions De Groupes
9
Mandoline, Guitare (duo)
8
Guitare, Violon, Violoncelle (trio)
7
Ensemble de Ukulélés
6
2 Ukuleles
5
Mandoline, Piano (duo)
3
2 Mandolines (duo)
3
Guitare Pedal Steel
2
Orchestre à Plectres
1
Instrumentations suivantes
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VOIX
Chorale SATB
6030
Chorale 3 parties
1902
Chorale 2 parties
1444
Chorale TTBB
1169
Chorale SSAA
660
Chorale Unison
626
Pack Instrumental pour Chorale
446
Voix duo, Piano
403
Voix Baryton, Piano
349
Voix duo
269
Voix Soprano, Piano
195
Chorale
186
Voix seule
117
Voix Tenor, Piano
115
Voix Alto, Piano
113
Voix haute
105
Voix moyenne, Piano
51
Voix basse, Piano
50
Chorale SSAATTBB
21
Voix Tenor
15
Voix basse
13
Voix Mezzo-Soprano, Piano
12
Voix Soprano
11
Soli, choeur mixte et accompagnement
10
Chorale SSATTB
10
Chorale SSATB
9
Chorale SSAB a cappella
9
Voix, Guitare
6
Chorale SSAB, Piano
5
Chorale SATBB
3
Voix d'Enfants
2
Voix Baryton
2
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Chorale SSATBB
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
6703
Saxophone (partie séparée)
5952
Saxophone Alto
5830
Saxophone Tenor
5173
Saxophone Alto et Piano
3698
2 Saxophones (duo)
3593
Saxophone Tenor et Piano
2550
Saxophone
2173
Quintette de Saxophone: 5 saxophones
1987
Flûte traversière et Piano
1720
3 Saxophones (trio)
1586
Flûte, Hautbois, Clarinette, Basson
1574
Saxophone Soprano et Piano
1510
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1113
Clarinette et Piano
1099
Flûte traversière
953
Hautbois, Piano (duo)
951
Clarinette
811
Quatuor de Clarinettes: 4 clarinettes
801
2 Flûtes traversières (duo)
795
Saxophone Baryton, Piano
788
Ensemble de saxophones
782
2 Clarinettes (duo)
693
Saxophone, Clarinette (duo)
493
Saxophone Soprano
432
Flûte, Clarinette (duo)
369
Quatuor de Flûtes : 4 flûtes
365
Hautbois (partie séparée)
356
Clarinette, Violon (duo)
335
Ensemble de Clarinettes
306
Ocarina
292
Flûte à bec Soprano
291
Clarinette, Trompette (duo)
271
2 Hautbois (duo)
245
Hautbois, Basson (duo)
239
Ensemble de Flûtes
217
Flûte à bec Alto
215
Flûte, Saxophone (duo)
211
Hautbois, Clarinette (duo)
209
Quintette de Clarinettes: 5 clarinettes
192
Saxophone Baryton
191
3 Clarinettes (trio)
189
Clarinette (partie séparée)
180
Clarinette et Alto
174
Flûte, Violon
171
2 Flûte à bec (duo)
166
Flûte et Guitare
152
Hautbois, Flûte
148
Flûte, Alto (duo)
144
Flute (partie séparée)
143
Hautbois
133
Cor anglais, Piano
131
Trio de Flûtes: 3 flûtes
129
Flûte, Trompette (duo)
126
Flûte, Violon, Piano
101
Flûte, Trombone (duo)
96
Saxophone et Guitare
91
Clarinette Basse, Piano
88
Quatuor de Flûtes à bec
82
Saxophone et Piano
76
Clarinette, Guitare (duo)
73
Quintette de Flûte : 5 flûtes
70
Flûte à Bec
61
2 Saxophones, Piano
61
Clarinette, Basson (duo)
57
Flûte, Hautbois, Clarinette (trio)
52
Flûte, Hautbois (duo)
50
Hautbois, Violoncelle
49
Hautbois, Clarinette, Basson (trio d'anches)
48
Clarinette, Trombone (duo)
47
Clarinette, Violoncelle (duo)
47
Flûte, Clarinette et Basson
47
Flûte, Violoncelle
46
Harmonica
41
Flûte à bec Alto, Piano
40
Instruments en Mib
39
Cor Anglais
38
2 Flûtes traversières, Piano
38
Saxophone et Orgue
38
3 Flûtes à bec (trio)
33
Ensemble De Flûte à bec
28
5 Flûtes à bec
27
Hautbois, trombone (duo)
26
Saxophone et Harpe
26
Hautbois, Guitare (duo)
23
Flûte, Violoncelle, Piano (trio)
22
Flûte, Hautbois, Basson
22
Hautbois, violon (duo)
21
Cor anglais, Guitare (duo)
21
Piccolo, Piano
19
Flûte à bec Tenor
17
Saxophone, Violon (duo)
17
Flûte, Clarinette, Cor, Basson (Quartet)
17
Flûte, Clarinette, Piano (trio)
16
Flûte à bec Soprano, Piano
16
Flûte, Basson et Piano
13
Piccolo
13
4 Hautbois
13
Flûte, Hautbois, Piano (trio)
13
Clarinette, Violoncelle, Piano (trio)
13
Clarinette Basse
12
3 Hautbois
12
Flûte, Violon et Violoncelle
12
2 Clarinettes, Piano
12
Saxophone, Basson (duo)
10
Flute, harpe et violon
8
Hautbois et alto (duo)
8
Ensemble à vent
8
Clarinette, Harpe (duo)
7
2 Clarinettes, Basson
7
Flûte, Alto et Piano
7
Flûte et Trio à cordes
6
Flûte à Bec, Piano
6
Clarinette, Basson, Piano (trio)
6
Saxophone et violoncelle
5
Clarinette, Orgue
5
Flûte irlandaise
5
Hautbois, Harpe
5
Flûte à bec, Guitare (duo)
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Flûte traversière, Orgue (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Harpe et Violoncelle
3
Flûte, trombone et piano
3
2 Cors Anglais Et Pianoforte
3
Flûte, Clarinette, Violon (trio)
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte de Pan
2
Clarinette, Tuba
2
Flûte, alto et harpe
2
Flûte traversière, Basse continue
2
Clarinette, trompette et piano
2
Hautbois, Violon, Piano
2
Clarinette, Contrebasse (duo)
1
Flûte, Tuba (duo)
1
2 Hautbois et Basson
1
Clarinette, Alto et Piano (trio)
1
Saxophone, Tuba (duo)
1
2 Hautbois et Cor anglais
1
Flûte, Hautbois, Violon
1
Clarinette, Saxophone, Piano
1
Cornemuse
1
Melodica
1
Hautbois, Basson et Piano
1
Ensemble de Hautbois
1
Clarinette, Orchestre
1
Flute, Cor (duo)
1
Flûte, Violoncelle, Guitare
1
2 Flûtes à bec, Guitare
1
Flûte à bec Alto, Basse continue
1
2 Flûtes, Basse continue
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6561
Trombone
5333
Trombone et Piano
3290
Trombone (partie séparée)
3183
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2710
2 Trombones (duo)
1351
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1142
Quatuor de Cuivres
1049
Trompette
940
Trompette, Piano
815
Quatuor de cuivres: 4 trombones
762
Trompette, Trombone (duo)
746
Cor et Piano
638
Trompette (partie séparée)
612
Cor
424
Trompette, Saxophone (duo)
412
2 Trompettes (duo)
326
Ensemble de Trombones
324
Tuba et Piano
314
Tuba
289
Trio de Cuivres
247
3 Trombones (trio)
236
Euphonium, Piano (duo)
219
2 Cors (duo)
153
Cor (partie séparée)
152
Ensemble de Trompettes
148
Cor anglais, Piano
131
Tuba (partie séparée)
117
Trompette, Cor (duo)
108
Quatuor de cuivres: 4 cors
93
Euphonium
81
2 Tubas (duo)
70
Quatuor de cuivres: 2 trompettes, 2 trombones
68
Trombone, Tuba (duo)
65
2 Euphoniums et 2 Tubas
62
Trombone basse
61
Trombone, Cor (duo)
54
Trombone basse et Piano
54
Bass Clef Instruments
52
4 Tubas
47
Instruments en Sib
43
Ensemble de Cors
41
Cor Anglais
38
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
38
Trombone, Violon (duo)
38
Trombone, Orgue
37
Quatuor de cuivres: 4 trompettes
35
Trompette, Trombone, Piano
33
Tuba ou Euphonium ou Saxhorn
33
3 Trompettes (trio)
29
2 Euphoniums (duo)
25
Cor, Violoncelle (duo)
23
Cor anglais, Guitare (duo)
21
Cor, Trompette, Trombone (trio)
18
Trompette, Basson (duo)
18
Euphonium, Tuba (duo)
17
Trompette, Violoncelle (duo)
15
Tuba et Orgue
14
Cor et Basson (duo)
14
Trombone, violoncelle (duo)
13
2 Trombones, Piano
13
3 Cors (trio)
12
3 Tubas (trio)
12
Trombone et orchestre
8
Trompette, Tuba (duo)
8
Trompette, Violoncelle et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
2 Trompettes, Clavier (piano ou orgue)
7
Cor et Orgue
6
Trompette et Guitare
5
Cor, Tuba (duo)
5
Trompette, Harpe
3
3 Euphoniums
3
2 Cors Anglais Et Pianoforte
3
Clarinette, Cor (duo)
3
Trombone, Alto (duo)
3
Cor et Harpe
3
Trompette, Euphonium (duo)
2
Trompette, Orchestre
2
Trompette, violon (duo)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Ensemble de Tubas
1
2 Cors, Piano
1
Cornet et orchestre
1
Instruments en Fa
1
Euphonium (partie séparée)
1
Cornet et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3666
Violon et Piano
1624
Violon
1412
Violoncelle, Piano
1116
Alto, Piano
925
Violoncelle
920
Violon, Violoncelle (duo)
916
Harpe
756
Trio à Cordes: violon, alto, violoncelle
652
2 Violons (duo)
523
Alto seul
493
Violon, Alto (duo)
426
2 Violoncelles (duo)
411
Quintette à cordes: 2 violons, alto, violoncelle, basse
347
2 Altos (duo)
305
Violon (partie séparée)
277
Contrebasse (partie séparée)
243
Contre Basse
237
Contrebasse, Piano (duo)
226
Trio à Cordes: 2 violons, violoncelle
209
Alto (partie séparée)
181
Alto, Violoncelle (duo)
114
Piano Trio: Violon, Alto, Piano
112
4 Violoncelles
102
Violon, Guitare (duo)
86
Trio à cordes: 3 violins
72
2 Harpes (duo)
57
2 Contrebasses (duo)
57
Harpe, Flûte (duo)
53
Trio à Cordes: 3 violoncelles
51
Violoncelle , Guitare (duo)
50
Violoncelle (partie séparée)
49
Quatuor à cordes: 4 violons
38
Trio à cordes: 3 altos
38
Violoncelle, Contrebasse (duo)
37
Violon, Basson (duo)
36
Alto, Guitare (duo)
36
Quatuor à cordes : 4 altos
33
Harpe, Violon (duo)
32
Trio à cordes
28
Harpe, Voix
26
Ensemble de Violons
24
Trio à Cordes: 2 violons, alto
21
Ensemble d'Altos
21
Alto et Basson
20
Alto et Harpe
20
Harpe, Violoncelle (duo)
19
Quintette à cordes: 2 violons, 2 altos, violoncelle
16
Harpe, Trombone (duo)
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
Flûte, Contrebasse (duo)
10
Violoncelle, Orgue
9
Ensemble de Violoncelles
7
Violon, Clarinette, Piano (trio)
6
Violon, Orgue
5
Violoncelle, Orchestre
5
Harpe, Violon, Violoncelle
5
3 Harpes
4
4 Contrebasses
4
2 Violons, Piano
4
Autoharp
3
Harpe et Piano
2
Violon, Basse continue
2
Harpe et mandoline
2
5 Harpes
2
2 Violoncelles, Piano
2
Violon, Trompette et Piano
2
Violon, Tuba (duo)
1
Violoncelle, Basse continue
1
Harpe, Quatuor à cordes
1
4 Harpes
1
3 Contrebasses
1
Harpe, Orchestre
1
Alto et orchestre
1
Harpe (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
12250
Ensemble Jazz
2713
Orchestre
2092
Ensemble de cuivres
1638
Orchestre à Cordes
1556
Fanfare
1399
Cloches
675
Orchestre de chambre
566
Jazz combo
467
Batterie
264
Ensemble de Percussions
225
Xylophone
215
Percussion (partie séparée)
132
Batterie (partie séparée)
123
Xylophone, Piano
85
Marimba
64
Percussion
53
Vibraphone
30
2 Xylophones
28
Quintette de Cuivres: autres combinaisons
15
Big band
12
Ensemble d'École
11
Quintette à Vent
10
Timbales (partie séparée)
8
Piano et Orchestre
6
Instrumentation Flexible
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre, Violon
4
2 Marimbas
3
Xylophone (partie séparée)
3
3 Marimbas
3
Marimba ou Xylophone et Piano
3
Timbales
2
Caisse Claire
1
Bodhran
1
Quatuor à Vent : 4 instruments à vents
1
Cajon
1
Bongos
1
2 Percussions
1
Marimba, Piano (duo)
1
Vibraphone et Marimba
1
Orchestre Symphonique
1
Marimba et Orgue
1
3 Percussions
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
11
Théorie de la musique
2
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2 Pianos, 4 mains
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SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.29 €
#
2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.29 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
Wild Mignonette (Gurlitt) for 2 pianos (additional piano part by Simon Peberdy)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757062 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757062 Composed by C. Gurlitt. Arranged by Simon Peberdy. Children,Classical,Instructional,Standards. Score. 5 pages. Simon Peberdy #3689667. Published by Simon Peberdy (A0.757062). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 3 arranged by Simon Peberdy, a third book of arrangements in a series of 5.Video fo all of Book 3: https://youtu.be/7BugdfBm_2YFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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C
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Simon Peberdy
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Wild Mignonette
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Simon Peberdy
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.29 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.29 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.29 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.29 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.29 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Minuet in A minor (J S Bach) from the little music book of Anna Magdalena, Arr Simon Peberdy
2 Pianos, 4 mains
Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757079
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Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757079 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #4350643. Published by Simon Peberdy (A0.757079). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available). Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
#
2 Pianos, 4 mains
#
Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in A minor
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Simon Peberdy
#
SheetMusicPlus
Minuet in G minor (J S Bach) from the little music book of Anna Magdalena, Arr Simon Peberdy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757078 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757078 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #4347415. Published by Simon Peberdy (A0.757078). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available). Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in G minor
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Simon Peberdy
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SheetMusicPlus
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
4.56 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation - Pastoral
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Sharon Wilson
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SheetMusicPlus
Alone
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.891220 By Marshmel…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4791595. Published by Josiah Yowell (A0.891220). This is a 2 Piano arrangement of the popular song Alone written by Marshmello. In addition to the full score (both piano parts side-by-side), there is an individual copy of each piano part included in the arrangement. This way, you only have to make one copy and you won't have to make as many page turns. Also, you can even have the option of playing the Piano 1 part as a solo arrangement!As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements!Email me at: sebbyomusic@gmail.com
$4.99
4.56 €
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2 Pianos, 4 mains
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Marshmello
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JoLaYo
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Alone
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Josiah Yowell
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SheetMusicPlus
Game Of Thrones
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1119867 By Various…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1119867 By Various. By Ramin Djawadi. Arranged by poon. Film/TV,Pop. Score. 5 pages. Poon #721212. Published by poon (A0.1119867). Game of Thrones,4hands,Piano Duet Sheet.
$4.99
4.56 €
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2 Pianos, 4 mains
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Various
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poon
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Game Of Thrones
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poon
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SheetMusicPlus
One Handed Trio #4
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
1.82 €
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2 Pianos, 4 mains
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Tom Rule
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One Handed Trio #4
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MaconMacMusicGuy
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SheetMusicPlus
The Finale from “The Firebird” Suite (1919 Version) - Piano Duet: One Piano, Four Hands
2 Pianos, 4 mains
By Igor Stravinsky, Igor Strawinsky. Arranged by Rob Bushnell. Piano Reduction, Set …
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By Igor Stravinsky, Igor Strawinsky. Arranged by Rob Bushnell. Piano Reduction, Set of Parts. 10 pages. Published by RBMusic
$8.49
7.77 €
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2 Pianos, 4 mains
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Igor Stravinsky, Igor Strawinsky
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Rob Bushnell
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The Finale from “The Firebird” Suite
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SheetMusicPlus
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.72 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
Dance of The Little Swan (for 3 young piano players)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.887203 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.887203 Composed by Peter Ilyich Tchaikovsky. Arranged by Cinorita. Romantic Period,Standards. Score. 5 pages. Cinorita #3114435. Published by Cinorita (A0.887203). This arrangement of Dance of The little Swan from Swan Lake is for 3 young piano players to play with one piano.Including a score and separate part sheets.
$4.99
4.56 €
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2 Pianos, 4 mains
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Peter Ilyich Tchaikovsky
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Cinorita
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Dance of The Little Swan
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Cinorita
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SheetMusicPlus
Soon-Ah Will Be Done--Duo Piano
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809460 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809460 Composed by Traditional. Arranged by Marilyn Thompson. Christian,Folk,Sacred,Spiritual. Score. 9 pages. Marilyn Thompson #5984991. Published by Marilyn Thompson (A0.809460). Spirited duo piano setting for church, school or recital of the lively spiritual. Advanced intermediate level. Optional score and orchestral parts available on separate posts. For Further information, please contact marilyn@www. mtmusicministries.comASCAP, Facebook, LinkedIn.
$4.99
4.56 €
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2 Pianos, 4 mains
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Traditional
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Marilyn Thompson
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Soon-Ah Will Be Done--Duo Piano
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Marilyn Thompson
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SheetMusicPlus
The Valley of the High Plains - original piano duet for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.701128
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.701128 Composed by Kevin G. Pace (ASCAP). Contemporary,Standards. Score and parts. 7 pages. Kevin G. Pace #3025091. Published by Kevin G. Pace (A0.701128). A brilliant, beautiful, piano duet for two pianos for moderately advanced pianists. A polyrhythmic composition. Piano one is in 4/4 time. Piano two is in 3/4 time.
$3.95
3.61 €
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2 Pianos, 4 mains
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Kevin G
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The Valley of the High Plains - original piano duet for two pianos
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Kevin G. Pace
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SheetMusicPlus
Carol of the Bells Easy Piano Duet
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.781261 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.781261 Composed by Mykola Leontovych. Arranged by Harry Haden-Brown. Christian,Christmas,Classical,Film/TV,Pop. Score. 3 pages. Harry Haden-Brown #3916679. Published by Harry Haden-Brown (A0.781261). A simple piano duet of the popular Christmas Carol - Carol of the Bells as featured in many movies including Home Alone.The Primo part is meant for Beginning or intermediate student to learn in minimal time. The secondo part, whilst still simple, is a bit more difficult and could be played by a teacher. An intermediate student could also play the Secondo part. .
$4.99
4.56 €
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2 Pianos, 4 mains
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Mykola Leontovych
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Harry Haden-Brown
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Carol of the Bells Easy Piano Duet
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Harry Haden-Brown
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SheetMusicPlus
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.72 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
Passionate Piano Moments: Emotional Piano Music
2 Pianos, 4 mains
Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recit…
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Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recital. Individual Part, Score, Set of Parts. 156 pages. Published by Visionary Quest Records
Addnew life to your piano repertoire, piano recital, and next concert withPassionate Piano Moments, #1 new release in New Age Music on Amazon. Get the PDF digital download version here onSheet Music Plus. Perfect gift for the pianist in your life. On sale here until 12/31/2020. Listen to the music inPassionate Piano Moments on Spotify - https://bit.ly/PassionatePianoMoments_Spotify.<br> <br> PassionatePiano Moments is a 155-page collection of emotional, dramatic piano music forintermediate to advanced pianists. Passionate Piano Moments will add new lifeto your piano repertoire, recital, or next concert with its 10 impassionedpiano solos, 1 two piano duet, and 1 four piano quartet. The music was composedby Tito Abeleda. Each piece reflects the emotions he was feeling at the timeeach piece was written. Passionate Piano Moments includes 1) Drifting; 2) DyingBreath; 3) Missing You; 4) Beautiful Memories; 5) a new intimate yet cinematicarrangement of Silent Night, Holy Night; 6) Forever Touched by Your Love; 7)Running, Searching; 8) Phoenix Rising; 9) a new dramatic arrangement of O HolyNight; 10) Tempus Fugit; 11) Descensus ad Infero for two pianos including scoreplus parts; and 12) Procession in D Minor for four pianos also including scoreplus parts.<br> <br> Awardwinning Film/TV composer Rob Pottorf writes in the book's Foreword"...This book is truly one of a kind. It will inspire, as he takes you notonly through his collection of music, but into his own journey of creating.Mozart was the guy who said, ‘Neither a lofty degree of intelligence norimagination nor both together go to the making of genius. Love, love, love thatis the soul of genius.’ And so my friend Tito has made with love, thiscollection of music."<br> <br> CustomerReviews:<br> <br> "Purepiano, pure inspiration" D.B. Rose - Read full review - http://amzn.to/34xPHv0<br> <br> "Qualitypiano music" Audrey - Read full review - http://amzn.to/2KoEiXK<br> <br> "Destinedto be classics" Rene Gigon - Read full review - http://amzn.to/3nDPVs5<br> <br> "Exceptional"Jason Laureno - Read full review - http://amzn.to/3pcWwua<br> <br> "Fantastic!"Jason - Read full review - http://amzn.to/3rkBMSQ<br> <br> "Beautiful!"Healthy Mama - Read full review - http://amzn.to/3rhX8QT<br> <br> EditorialReview:<br> <br> "TitoAbeleda has an exciting new way to enjoy his music. The Fort Lauderdale,Florida-based musician and composer is releasing a new piano sheet music booktitled Passionate Piano Moments, a collection of original musicas well as unique arrangements of holiday classics just in time for Christmas… PassionatePiano Moments is an incredible opportunity to better understand thecomplexities of Tito Abeleda’s compositions. Intermediate and advanced pianistscan benefit greatly from playing these stunning songs as they are demystifiedfrom soundwaves to notes on a page. This publication contains only masterpiecesthat will be an exciting addition to the modern pianist’s repertoire.” Katrina Charles, Jukebox Mind Magazine. Read full review - https://bit.ly/PassionatePianoMoments_JukeboxmindReview<br> <br> About SMP Press<br> <br> This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.<br> <br> Click here to see more titles from these independent creators and to learn more about SMP Press.<br> <br> Please note this product may not be eligible for all sales, promotions or coupons offered through Sheet Music Plus - please check promotional details for specifics.Addnew life to your piano repertoire, piano recital, and next concert withPassionate Piano Moments, #1 new release in New Age Music on Amazon. Get the PDF digital download version here onSheet Music Plus. Perfect gift for the pianist in your life. On sale here until 12/31/2020. Listen to the music inPassionate Piano Moments on Spotify - https://bit.ly/PassionatePianoMoments_Spotify.<br> <br> PassionatePiano Moments is a 155-page collection of emotional, dramatic piano music forintermediate to advanced pianists. Passionate Piano Moments will add new lifeto your piano repertoire, recital, or next concert with its 10 impassionedpiano solos, 1 two piano duet, and 1 four piano quartet. The music was composedby Tito Abeleda. Each piece reflects the emotions he was feeling at the timeeach piece was written. Passionate Piano Moments includes 1) Drifting; 2) DyingBreath; 3) Missing You; 4) Beautiful Memories; 5) a new intimate yet cinematicarrangement of Silent Night, Holy Night; 6) Forever Touched by Your Love; 7)Running, Searching; 8) Phoenix Rising; 9) a new dramatic arrangement of O HolyNight; 10) Tempus Fugit; 11) Descensus ad Infero for two pianos including scoreplus parts; and 12) Procession in D Minor for four pianos also including scoreplus parts.<br> <br> Awardwinning Film/TV composer Rob Pottorf writes in the book's Foreword"...This book is truly one of a kind. It will inspire, as he takes you notonly through his collection of music, but into his own journey of creating.Mozart was the guy who said, ‘Neither a lofty degree of intelligence norimagination nor both together go to the making of genius. Love, love, love thatis the soul of genius.’ And so my friend Tito has made with love, thiscollection of music."<br> <br> CustomerReviews:<br> <br> "Purepiano, pure inspiration" D.B. Rose - Read full review - http://amzn.to/34xPHv0<br> <br> "Qualitypiano music" Audrey - Read full review - http://amzn.to/2KoEiXK<br> <br> "Destinedto be classics" Rene Gigon - Read full review - http://amzn.to/3nDPVs5<br> <br> "Exceptional"Jason Laureno - Read full review - http://amzn.to/3pcWwua<br> <br> "Fantastic!"Jason - Read full review - http://amzn.to/3rkBMSQ<br> <br> "Beautiful!"Healthy Mama - Read full review - http://amzn.to/3rhX8QT<br> <br> EditorialReview:<br> <br> "TitoAbeleda has an exciting new way to enjoy his music. The Fort Lauderdale,Florida-based musician and composer is releasing a new piano sheet music booktitled Passionate Piano Moments, a collection of original musicas well as unique arrangements of holiday classics just in time for Christmas… PassionatePiano Moments is an incredible opportunity to better understand thecomplexities of Tito Abeleda’s compositions. Intermediate and advanced pianistscan benefit greatly from playing these stunning songs as they are demystifiedfrom soundwaves to notes on a page. This publication contains only masterpiecesthat will be an exciting addition to the modern pianist’s repertoire.” Katrina Charles, Jukebox Mind Magazine. Read full review - https://bit.ly/PassionatePianoMoments_JukeboxmindReview<br> <br> About SMP Press<br> <br> This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.<br> <br> Click here to see more titles from these independent creators and to learn more about SMP Press.<br> <br> Please note this product may not be eligible for all sales, promotions or coupons offered through Sheet Music Plus - please check promotional details for specifics.
$12.95
11.85 €
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2 Pianos, 4 mains
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Tito Abeleda
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Passionate Piano Moments: Emotional Piano Music
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Visionary Quest Records
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.14 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
5.48 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
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